An Overview of the Culture and History of the Viking Age - History
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Large Castles and Large War Machines In
Large castles and large war machines in Denmark and the Baltic around 1200: an early military revolution? Autor(es): Jensen, Kurt Villads Publicado por: Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/41536 DOI: DOI:https://doi.org/10.14195/2183-8925_30_11 Accessed : 5-Oct-2021 17:35:20 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt Kurt Villads Jensen * Revista de Historia das Ideias Vol. 30 (2009) LARGE CASTLES AND LARGE WAR MACHINES IN DENMARK AND THE BALTIC AROUND 1200 - AN EARLY MILITARY REVOLUTION? In 1989, the first modern replica in Denmark of a medieval trebuchet was built on the open shore near the city of Nykobing Falster during the commemoration of the 700th anniversary of the granting of the city's charter, and archaeologists and interested amateurs began shooting stones out into the water of the sound between the islands of Lolland and Falster. -
Flying the Black Flag: a Brief History of Piracy
Flying the Black Flag: A Brief History of Piracy Alfred S. Bradford Praeger The Locations and Chronological Periods of the Pirate Bands Described in This Book 1. The Greeks (800–146 bc) 2. The Romans (753 bc to ad 476) 3. The Vikings (ad 793–1066) 4. The Buccaneers (1650–1701) 5. The Barbary Pirates (1320–1785) 6. The Tanka Pirates (1790–1820) 7. America and the Barbary Pirates (1785–1815) FLYING THE BLACK FLAG A Brief History of Piracy Alfred S. Bradford Illustrated by Pamela M. Bradford Contents Preface xi Part I. Greek Piracy 1. Odysseus: Hero and Pirate 3 2. Greeks and Barbarians 12 3. Greek vs. Greek 19 4. Greek vs. Macedonian 25 Part II. The Romans 5. The Romans Take Decisive Action 35 6. The Pirates of Cilicia 38 7. The Scourge of the Mediterranean 43 8. The End of Mediterranean Piracy 49 Part III. The Vikings 9. “From Merciless Invaders ...”57 viii Contents 10. The Rus 65 11. Conversion and Containment 71 Part IV. The Worldwide Struggle against Piracy 12. The Buccaneers 81 13. Tortuga and the Pirate Utopia 90 14. Henry Morgan 97 15. The Raid on Panama 105 16. The Infamous Captain Kidd 111 Part V. The Barbary Pirates 17. Crescent and Cross in the Mediterranean 121 18. War by Other Means 129 Part VI. Pirates of the South China Coast 19. Out of Poverty and Isolation 137 20. The Dragon Lady 144 Part VII. To the Shores of Tripoli 21. New Nation, New Victim 151 22. “Preble and His Boys” 160 23. -
Annual Report of the Board of Regents of the Smithsonian Institution
PREHISTORIC NAVAL ARCHITECTURE OF THE NORTH OF EUROPE. By CtEduge H. Bokhmek. A tale of the times of old, The deeds of the days of other years. (Ossian.) INTRODl'dTION. Ill studyiiii!: the art <»f sliipbuildiiig, a8 i»ei't'ormo(l in the North of Europe and illustrated by both Saga accounts and actual remains, our atteutiou is drawn toward numerous similarities witli the ships of ancient Greece and Eonie, which su.ngest a common origin. Althougli this is denied by many investigafors, on the supposition that the ships of long-stretched build without sail, or only using it with favor- able and constant wines, ui)on the com])aratively quiet waters of the ^Egean, Ionian and Thyrrhenian seas, could not be an examj)le to the people who navigated the northern seas, with their short, chopping waves, sudden changes of wind, tremendous storms, slioal shores, and sand bars, and that these people '' had to be their own teachers,'" yetthere lingers something in the naval structures of Scandinavia which seems to indicate that the maritime explorations of the peojile of the south, the Plupuiciaus, did have a tendency to influence the ancient inhabit- ants of the north in the construction of their vessels. It is true little is known in a direct way of the shipbuilding of the Phuiuiciaus, yet the art taught them by the Egyptians and illustrated in some of the ancient relics of the seventeenth century e. (".- may be trac(Ml to the Greeks whose naval structures, at the height of their achievements, in many points show a remarkable resemblance to those one thousand years older,^ and are reproduced in the Eoman ships. -
Colours, Crosses Or Cow-Horns? Nordic Elements in the Design Of
Colours, crosses or cow-horns? Nordic elements in the design of some North American flags and emblems with an overview of the use of Scandinavian flags in Canada and the U.S.A. Kevin Harrington Abstract This Canadian vexillologist introduces the historical and contemporary uses of Scandinavian flags in North America. He proceeds to analyze the design of North American flags that have some tie-in with the five Nordic countries. Certain individuals of Scandinavian descent who had a role in North American vexillology are also identified. The writer looks at organizational and institutional flags and emblems, house flags , sports pennants and banners, sailing and yacht club burgees, and private signals of mariners, as well as a few civic flags of Canada and the United States. He counts the frequency ofNordic elements chosen in the designs of these flags and draw appropriate conclusions. Introduction The Nordic countries of Iceland, Denmark, Norway, Sweden, and Finland have made many significant contributions to North American history, geography, and civiliza tion- from Leif Ericsson to Otto Sverdrup, from New Sweden to Little Norway, from kringles to saunas, from farmers in the Dakotas to lumbermen in Thunder Bay, from pdtissiers in Toronto to fishermen on Lake Winnipeg, from Ole Edvart Rolvaag to Martha Ostenso, from Karen Magnusson to Matts Sundin, an import on an National Hockey League team. To these - and there are several other categories of contribu tions -we now add those in the field of vexillology and emblematics. By the words Norden or Nordic, this writer means 'the northern European countries commonly re ferred to as Scandinavia but including also Iceland and Finland.' By Nordic elements we mean the arrangements, charges, and colours of the Nordic flags, and design ele ments of heraldic, dynastic, sigillographic, artistic, and other historic derivations. -
Saga=Book Viking Club
Saga=Book OF THE Viking Club: OR ORKNEY, SHETLAND, AND NORTHERN SOCIETY. VOL. II. CO:--JT AI~ING THE PROCEEDINGS OF THE SOCIETY FROM JA:--JUARY, 1897, ,0 DECEMBER, 1900, REPRI~TS OF PAPERS, REPORTS OF DISTRICT SECRETARIES, ETC. 'r'';' ,'" -. 'l. .- . ~\"\l. -, ~~ ~~: :1- '.;' ~'.. , LO)JDO~: PRI:-:TED PRI\'ATELY FOR THE Vn:I:--lG CLUB. CONTENTS. PAGES LIST OF GIFTS TO LIBRARY AND MUSEUM 1, 127,241 SPECIAL DONATIONS TO FUNDS 2, 127, 242 PUBLICATIONS BY MEMBERS 2, 128, 242 REPORTS OF THE PROCEEDINGS AT THE MEETINGS OF THE CLUB, FROM JAN., 1897, TO DEC., 190 0 4, 129, 243 REPORTS OF HERATH- UMBOTHS-MEN (DISTRICT SECRE- TARIES) ••• 33, 139, 257 CUMBERLAND AND WESTMORLAND (W. G. Collingwood, M.A.)- Norse Iron-Furnace at Gosforth ... 33 More Antiquarian Discoveries at Gosforth Church... 39 Great Clifton Cross-Shaft 257 Glassonby Shaft 260 The Witherslack Sword... 260 The First Decipherer of the Crosses 139 The Discoverer of the Norse in Cumbria 140 Thor's Stone or Fair Maiden Hall 141 Other Antiquities of Wirral 143 Norse Place-Names in Wirral 143 GLAMORGANSHIRE AND PEMBROKESHIRE (A. G. Moffat)- Viking Traces in Glamorganshire and Pembrokeshire 3S ORKNEYS (J. G. Moodie-Heddle)- Spider Folklore 36 Orkney· Yule Song, with Music 37 SO;\IERSET (Rev. Chas. W. Whistler, M.R.C.S.)- Odinic Traces in Somerset The Norsemen in Somerset Survival of an Odinic Riddle VINLAND (Miss C. Horsford) Research in Vinland VI.· Contents. PAGES EAST ANGLIA (Rev. W. C. Green, M.A.) Traces of the Norsemen in Suffolk Suffolk Form of Odinic Riddle Shots at Word-Meanings ORPHIR, ORKNEY (R. -
8 Death Ere the Afternoon: Jómsvíkinga Saga and a Scene in Hemingway’S for Whom the Bell Tolls
Richard North 8 Death ere the Afternoon: Jómsvíkinga saga and a Scene in Hemingway’s For Whom the Bell Tolls It is sometimes thought that the Icelandic sagas inspired the hard-boiled prose of Ernest Hemingway (1899–1961). Although there is nothing to show that he read translations of these, I shall argue that a motif in the tale told by Pilar about her husband’s role in a series of executions in For Whom the Bell Tolls, chapter 10, is ultimately derived from the climax of Jómsvíkinga saga.1 Let us see the comparison, then the suggested link. Pilar’s Tale and Jómsvíkinga saga: A Comparison The motif in question is a heroic topos in which each warrior of an elite facing serial execution must put his courage to the ultimate test. The motif appears as a relatively small part of the action in For Whom the Bell Tolls,anovel whichissetinMay1937inthemiddleoftheSpanishCivilWar(1936–1939).2 Hemingway’s hero, Robert Jordan, is at once an American Hispanist professor, Republican sympathizer, and expert in explosives. The last skill puts him into a mission behind Nationalist lines to blow up a bridge in a pass in the Guadarrama mountains between Segovia and the north of Madrid. Having scouted the site and made his rendezvous with a band of guerrillas, Jordan settles down to wait, knowing that the bridge may not be blown until his com- mander, General Golz of the International Brigades, has launched a long- planned offensive. During this interval the resolve of the group’sleader, Pablo, begins to waver and in chapter 10, while Jordan waits in the guerrillas’ cave, he hears a tale about Pablo from the man’s wife, the formidable Gypsy Pilar. -
The Early Viking Ship Types
ELDAR HEIDE e early Viking ship types . Introduction !e Viking ship, a world-famous icon, is known to us from ship finds, iconography, and written accounts, especially Old Norse sagas. Most of the research, however, has focused on the material remains. !ere is reason to believe that a more extensive utilization of the textual evidence can substantially increase our under- standing. For example, we need the texts if we want to know not only what the ships were like, but also what people called them. In this article the author attempts to sift out the early Viking Age terms for ship types from Old Norse (ON) written sources and link them to actual ships and ship depictions from that period. !e author argues that kn orr , beit, skeið, kjóll, askr, and elliði were the main ship types of the early Viking Age in Scandinavia, at least in the west, and that knerrir referred during this period to warships like Oseberg and only later to cargo ships like Skuldelev . ‘A ship with a backwards curved stem’ seems to have been the original meaning of kn orr . Kjólar were heavy, all-round ships like Gokstad, and beit were very early ships with angular stems known from depictions. Skeiðar were low, narrow ships like Ladby. Askar were also very early, small, light ships with stitched planking, whereas elliðar were com- The Oseberg ship at the Viking Ship Museum in bined inland / sea vessels, originally Eastern European. Oslo. (Photo: BSJ) Most introductions to Old Scandinavian ship types, such as kn orr , snekkja, or karfi etc., are problematic and Osebergskipet på Vikingskip- shuset i Oslo. -
Exploring Knights and Vikings at the Movies
Medievalisms and Others: Exploring Knights and Vikings at the Movies (Two knights: Indiana Jones and a protector of the Holy Grail, scene from Indiana Jones and the Last Crusade, dir. Steven Spielberg, 1989) Research Master Thesis Name: Marvin Lee Dupree Student Number: 3729389 Date: 14th August 2014 Supervisor: Prof. Dr. Marco Mostert Second reader: Joanna Szwed-Śliwowska, Ph.D. candidate Acknowledgements The writing of this thesis has been a long process. From choosing my topic, dreaming about it, ignoring it and worrying about it while working on other important stuff. During its genealogy, I was encouraged by a novel I once read and its postmodern take on Iceland: “Ég er afkomandi hraustra, bláeygðra víkinga. Ég á ætt að telja til hirðskálda og sigursælla konunga. Ég er Íslendingur”. This sentiment has popped up into mind frequently, especially when I see tourists eating whale meat and wearing Viking helmets in downtown Reykjavík. Most of my writing was done in Rijeka and Vienna although it began in Budapest and was continued in Reykjavík. During my time in Croatia I have come to agree with Rebecca West, who said: “I had come to Yugoslavia to see what history meant in flesh and blood.” The topic of this thesis springs from my fascination with cinema and history. Of course, I am as guilty of dreaming of the Middle Ages as anyone. My supervisor Joanna Szwed-Śliwowska has been an excellent supervisor, she has helped shape my thesis from a “hrákasmíð”. Her comments and criticism have been of immense help, as well as her help with obtaining material. -
Cyclopaedia 35 – Vikings Overview Articles
Cyclopaedia 35 – Vikings By T.R. Knight (InnRoads Ministries * Article Series) Overview Norse Gods Are you worthy to wield a legendary weapon? Can you pronounce words and Vikings and Norse mythology often blend names with more consonants than vowels? together in fiction and media. From comics Do you enjoy ancient sagas that spin tales of to books to movies, the Norse gods are epic battles to save the world? used as heroes, myths, gods, and legends. Here are some of the most well known. When you hear the work Viking, what comes to mind for you? Do you think of barbarians • Balder wearing horned helmets and wielding axes, • Brage as often depicted in early cinema and art? Do • Forsete you think of Norse seafarers who raided and • Froy traded all over Northern Europe? Do you • Heimdall think of explorers who may have been some • Loki of the first to visit North America? Modern • Njord views of Vikings often conflict with historical • Odin and archaeological evidence. We tend to • Thor romanticize these people and their • Ty mythology into noble savages, making them • Ull more into clichés and stereotypes. • Vale • Vidar Historically, the period from the late 700s to the Norman conquest of England in 1066 is Following are sources of information called the Viking Age of Scandinavia. Through pertaining to Vikings to assist prospective exploration, trading, raids, and mercenary game masters, game designers, writers, and expeditions, these northern Europeans storytellers in knowing where to start their spread all over Europe and into North research. America in their journeys. Their mythology and history merged as the tales of witnesses told their stories over the years. -
The Gatewatch Learning Guide – Teacher Version
Teacher’s Guide The Gatewatch By Joshua Gillingham Young Adult Fantasy Adventure Ages 13+ $19.95 CAD* Publisher: Crowsnest Books Distributor: University of Toronto Press ISBN: 9780921332701 (paperback) ISBN: 9780921332718 (eBook) Books can be ordered directly from the publisher at c rowsnestbooks.com. *Educational and Book Club discounts are available. Learning Guide to The Gatewatch. ©2020 Joshua Gillingham - joshuagillingham.ca Contents Introduction Page 2 Rationale for Teaching T he Gatewatch Page 3 Plot Summary Page 5 Pre-Reading Activities Page 6 Activities & Discussion Questions by Chapter Chapter 1 - Ascent Page 8 Chapter 11 - Secrets at Supper Page 28 Chapter 2 - Arrival Page 10 Chapter 12 - The Mastersmith Page 30 Chapter 3 - A Feast in Fjellhall Page 12 Chapter 13 - Scorched Beards Page 32 Chapter 4 - Mead & Mayhem Page 14 Chapter 14 - A Narrow Door Page 34 Chapter 5 - Untested Page 16 Chapter 15 - Familiar Places Page 36 Chapter 6 - Frostridge Falls Page 18 Chapter 16 - Luck Turns Page 38 Chapter 7 - Trolls Page 20 Chapter 17 - The Drums of War Page 40 Chapter 8 - The Trollting Page 22 Chapter 18 - Blood & Steel Page 42 Chapter 9 - A Game of Riddles Page 24 Chapter 19 - Between Pale Peaks Page 44 Chapter 10 - To Myrkheim Page 26 Chapter 20 - The Burning Pyre Page 46 Wrap-Up Activity: The Heroic Journey Page 48 Myths & Sagas Related to the Novel by Chapter Page 50 A Quick Overview of Norse Mythology Page 51 A Crash Course in Icelandic Poetry Page 53 Author Interview with Joshua Gillingham Page 55 Resources & Further Reading Page 57 Learning Guide to The Gatewatch.