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Vita - Paul Sharits VITA - PAUL SHARITS of Film 537 Lafayette Avenue Associate Professor New York 14222 Center for Media Study Buffalo, 101 Wende_Hall (716) 885-0398 S .U .N .Y .A .B . Buffalo, New York 14214 (716) 831-2426 BORN Denver, Colorado, 1943 1964 EDUCATION University of Denver B .F .A . in Painting (cum laude) 1966 Indiana University M .F .A . in Visual Design (cum laude) Film 1962 TEACHING Founded the Denver Experimental Society 1965 Founded the Indiana University Experimental Cinema Group, Bloomington 1967-70 Administered courses in personal filmmaking., photography and experimental design, Maryland Institute of Art, Baltimore 1968 Founded the Personal Cinema Group, Maryland Institute of Art 1968 Administered film workshop at Aspen School of Contemporary Art (summer) Developed an undergraduate film program 1970 College, for the Art Department of Antioch Yellow Springs, Ohio 1971 Designed physical facility for filmmaking and film studies, Antioch College Art Building 1971- Participated in formation of a Communica tions Department, Antioch College film production, film history 1970-73 Administered College and film aesthetics courses, Antioch Developed an undergraduate documentary film 1972 TEACHING program, (cont'd) program and a graduate film studies Antioch College Part-time consultant to Special Programs 1972 division of Oregon State Executive Depart- ment, Salem, Oregon . Application of General Systems models to human perception behavior . Administered film history and analysis of 1973 "films by artists" courses, Summer Institute in the Making, Knowing & Judging of Film/ Media, State University of New York at Buffalo (summer) and analysis 1973- Administering filmmaking present courses and research seminars, Center for State University-of New York Media Study, Studies . at Buffalo ; Director of Undergraduate 1968 AWARDS AND Production grant, American Film Institute GRANTS Yale Film Festival : N :O :T :H :I :N :G received 1968 Honorable Mention by Michael Snow and was given one of several "2nd prizes" by Ed Emshwiller " I I Ford Foundation Humanities Grant, Antioch 1970 College _- Ford Foundation Humanities Grant, Antioch 1971 College National Endowment for the Arts, Public 1974 Media Grant (for 6-screen environmental film piece), Washington, D . C . 1975 Creative Artists Public Service Program (CAPS), New York Bicentennial Film Project grant (for 40 min . 1976 sound & color DECLARATIVE MODE), NEA & N .Y . State Council an the Arts Creative Artists Public Service Program 1978 (CAPS), New York PUBLICATION A . Writings by Paul Sharits "Red, Blue, Godard," Film Quarterly , Vol . 19, Summer, 1966 pp . 24-29 . "Notes on Films," Film Culture , No . 47, Summer, 1969, pp . 13-16 . "Interview" by Jud Yalkut, East Village Other , July 16, 1969 . "Notes on Films," Inter funktionen , No . 4, 1970 . "Blank Deflections : Golden Cinema," Film Culture , No . 48/49 Winter & Spring 1970, pp . 20-22 . "Words Per Page," German translation by Birgit Hein, Xscreen . Cologne : Phaidon-Verlag GmbH ., 1971 . "Words Per Page," Afterimage , No . 4, Autumn, 1972, pp . 27-43 . Vancouver "Words Per Page," Form and Structure in Recent Film at the Art Gallery . Dennis Wheeler, ed . Vancouver : Talonbooks, 1973 . "Notes on Film," New Forms in Film, Cinema d'avant-garde americaine Annette Michelson, ed . Montreux : Film Festival, 1974 . "Hi ' hay yeh folks, step on in 'and' transverse 'yr present' position" (letter of dedication of T,O,U,C,H,I,N,G to David Franks) to be published in forthcoming Film Culture . "UR(i)N(ul)LS :STREAM : S :S :ECTION :s :s :ECTIONED : (A) (lysis) , JO :'1968- 70'," to be published in forthcoming Film Culture . "Letter," Flash Art, No . 48/49, October-November, 1974 . the Frozen Film Frame Series : A Statement for the 5th "Regarding . International Experimental Film Festival," Knokke, Belgium, 1974 "Eight Interviews/Statements (concerning Matisse)," Jean-Calude Lebensztejn, ed . Art in America , 63, July-August, 1975 . 1976 "Hearing : Seeing, Cinema as Cognition," Ausgabe , No . 2, Summer, "A Cinematics Model for Film Studies in Higher Education," Quarterly Review of Film Studies , Vol . 1, #4, November, 1976 . 'Hearing : Seeing" (translated into German) Ausgabe 2, Berlin, 1976 . "Hearing : Seeing" and "Cinema As Cognition," in forthcoming Afterimage . PUBLICATION (cont'd) A . Writings by Paul Sharits (cont'd) "Epileptic Seizure comparison" (notes and diagrams for the film piece), Niagara Magazine (Buffalo, summer 1976) "Epileptic Seizure Comparison" (notes, diagrams, photos of the piece), Illusions of Reality exhibition calatlogue, Australia, 1977 . "I Feel Free . ." (statement on work in general and "Frozen Film Frames," photos) Open to New Ideas : A Collection of New Art for Jimmy Carter, exhibition catalogue Georgia Museum of Art, ens, Georgia, 1976 . "Frozen Frames : T,O,U,C,H,I,N,G", Melba #1 (with photos), Paris, November,1976 . "Notes on N :O :T :H :I :N :G" in Experimental Animation : An Illustrated Anthology by Robert Russett & Cecile Starr (Van Nostrand Reinhold, New York, 1976) . "Words Per Page" in Esthetics Contemporary , ed . Richard Kostelanetz (Prometheus Books, Buffalo, New York, 1977) . "Postscript as Preface," "-UR(i)N(ul)LS :TREAM :S :S :ECTION :S :SECTION : S :S :ECTIONED(A)(LYSIS)JO : '1968 - 70'," "Words Per Page," "A Cinematic Model for Film Studies in Higher Education," "Hearing : Seeing," "Cinema as Cognition : Introductory Remarks," "Statement Regarding Multiple Screen/Sound 'Locational' Film Environments-Installations (1976)," "Exhibition/Frozen Frames," "'hi'hay yeh folks, step on in '&' transverse 'yr present' position," Film Culture :Paul Sharits No . 65-66, 1978, New York . B . Writings on Paul Sharits "Experiments in Perception," Takahito Iimura, Film , Vol . 10,#1 1968, Japan . Knokke Film Festival Report, David Curtis, International Times , January-February, 1968, England . "Movie Journal," Jonas Mekas, Village Voice , May 22, 1969 "The Avant-Garde Film," P . Adams Sitney, Changes , #7 . "Structural Film," P . Adams Sitney, Film Culture , #47, and book Film Culture Reader, ed . Sitney . "Why do People like Morbid Movies?", Jonas Mekas, New York Times , August 3, 1969 . Underground Cinema, Parker Tyler, Grove Press, 1969 . Introduction to the American Underground Film . Sheldon Renan, Dutton, 1968 . PUBLICATION (cont'd) B . Writings on Paul Sharits (cont'd) London, 1971 . Experimental Cinema , David Curtis, University Books, "Sensible New .Trends in Experimental Films," Paul Shrader, Los Angeles_ Times , September 9, 1971 . Artforum , "Paul Sharits : Illusion and Object," Regina Cornwell, September 1971 . Business , "At the Whiteny Museum," Grance von Hulsteyn, Show January 7, 1971 . Times , "Screen - 3 Products of AFI," Vincent Canby, New York January . 8, 1971 . Underground Cinema , Birgit Hein (Cologne, 1971) . 3-9, 1972, London . "Freeing Film," John DuCane, Time Out , November 1973 . "Stop Time," Rosalind Krauss, Artforum , April, Leonardi Occhio Mio Dio : Il New American Cinema, Alfredo (Feltrinelli, Milan, 1971) . Artists , Dec ., 1972 . "Real Time/Space," Malcolm Le Grice, Art & Letter," Douglas "Review of SOUND STRIP/FILM STRIP," :New York Crimp, Art International , March 1973 . "Underground Film," Birgit Hein, Magazin Kunst #41 Avant-Garde Film," "Some Formalist Tendencies in the American Studio International , October 1972 . Vol . VI, #9, Dec . 1971 . "Film Is . .?", Simon Field, Art & Artists , 1974) . Visionary Film , P . Adams Sitney (Oxford University Press, Tony Rayns, "Reflected Light : Independent Avant-Garde Festival," Sight and Sound (Winter 7.3-4) . the Critique of Illusionism : An Introduction, " "Paul Sharits and Center Exhibition Annette Michelson, Projected Images (Walker Art Catalogue, Minneapolis, Fall, 1974) . SYNCHRONOUSOUNDTRACKS), "Reviews" (Bykert Gallery exhibition of Roberta Smith, Art Forum (September, 1974) . SYNCHRONOUSOUNDTRACKS) "Movie Journal" (Bykert Gallery exhibition of Jonas Mekas, Village Voice (May 19, 1974) . Annette Michelson, New Form in Film (Exhibition Catalogue) ed . (Montreux, 1974) PUBLICATION (cont'd)- B . Writings Qn Paul' Sharits (cont'd) Eine Subgeschichte des Films Lexikon des Avant-garde - Experimental-und Underground , Hans Schengl and Ernst Schmidt, Jr . (Suhrkamp Verlag, Frankfurt, 1974) . Film As A Subversive Art, Amos Vogel (Random House, 1974) . (Review of Whitney Museum screenings of "Color "Movie Journal" January Sound Frames"), Jonas Mekas, The Village Voice (XX, 4, 27, 1975, pp . 79-80) . Significance Revealed in Sharits' 1960's "Avant-Garde Cinema January Films," Anthony Bannon, Buffalo Evening News (Wednesday, 22, 1975) . "Independent Films : Light/Environment," Leonard Horowitz, Soho Weekly News (February 6, 1975) . in Art and Antiques, ed . Ernest Kay International Who's Who 1975) (Melrose Press Limited, Second Edition, Cambridge, England, Recent Radical Film, Regina Cornwell (one of 12 lecture-texts with accompanying slides, Art Information Distribution, P ._0 . Box 757, Cooper Station, New York City 10003, 1975) . Arts "Reviews" (Bykert Gallery exhibit, 1972), Rosemary Mayer, (February, 1973) . 1975), Vincent "4 Abstract Shorts" (Whitney Museum show, January, Canby, New York Times (January 9, 1975) . Press, Who's Who in American Art (12th edition, Jacques Cattell 197-6) . included), "Zeichnungen heute," Werner Lippert (photo of drawing Kunstforum International (#15, 1 . Quartal 1976) . Expands-to Include Experimental Films," Lester "Albright-Knox Buffalo, N .Y .) . Burg, The Spectrum (P . 8, Friday, October 15, 1976, Willig,
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