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Idiot's Delight
ROBERT E. SHERWOOD: PLAYWRIGHT AND POLITICAL ARCHITECT ———— THEATER, PROPAGANDA, AND THE SHAPING OF POLITICS THROUGH ART Lily Pipkin E369H Special Honors in the Department of English Submitted to Fulfill Plan II Honors Program Thesis Requirement The University of Texas at Austin 4 May 2017 ________________________________ Dr. James Loehlin Department of English Supervising Professor ________________________________ Dr. Michael Stoff Department of History Second Reader Pipkin !i Abstract Author: Lily Pipkin Title: Robert E. Sherwood, Playwright and Political Architect: Theater, Propaganda, and the Shaping of Politics through Art Supervising Professors: Dr. James Loehlin, Dr. Michael B. Stoff Robert Sherwood’s politicized writing focuses on the American reaction to war in Europe and the rise of European political movements like Communism and Fascism in a time when most Americans felt deeply isolationist and unconcerned with global events. Most of the criticism available on Sherwood approaches his work in terms of his political opinion shifting from pacifism to interventionism. Instead, I take a revisionist stance against these critics in order to examine how the consistencies in his rhetoric shape both his plays and his speechwriting for President Roosevelt during World War II. Looking at the attempts of a playwright to influence public political beliefs helps define the American position on the eve of war and the function that art and theater play in crafting public opinion, particularly in this period of the twentieth century. I argue that despite the contradictory political messages across Sherwood’s career, underneath the propaganda is an appeal to American optimism and human connection that goes unnoticed by theater scholars today. -
Robert E. Sherwood Play Scripts [Finding Aid]. Library of Congress
Robert E. Sherwood Play Scripts A Finding Aid to the Collection in the Library of Congress Prepared by David Mathisen Manuscript Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Finding aid encoded by Library of Congress Manuscript Division, 2012 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms012001 Collection Summary Title: Robert E. Sherwood Play Scripts Span Dates: 1921-1962 ID No.: MSS39818 Creator: Sherwood, Robert E. (Robert Emmet), 1896-1955 Extent: 34 items; 3 containers; 1.2 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Dramatist. Typescripts of plays by Sherwood submitted for copyright to the Library of Congress Copyright Office. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Sherwood, Robert E. (Robert Emmet), 1896-1955. Subjects Drama--Stories, plots, etc. Occupations Dramatists. Administrative Information Provenance The play scripts of Robert E. Sherwood, dramatist, were transferred to the Manuscript Divison from the Library of Congress Copyright Office in 1981. Processing History The play scripts of Robert E. Sherwood were arranged and described in 1984.The finding aid was revised in 2011. Copyright Status The status of copyright in the unpublished writings of Robert E. Sherwood is governed by the Copyright Law of the United States (Title 17, U.S.C.). Restrictions Restrictions apply governing the use, photoduplication, or publication of items in this collection. -
CHAPTER VI ROBERT SHERWOOD I Believe in Two Things, True
CHAPTER VI ROBERT SHERWOOD I believe in two things, true Democracy and true Christianity. I hope to Qod that neither of them dies before I d o . Certainly nothing can kill then but brutal stupidity.*.. All I want to do vith my life is to go on attacking such betrsyers of the human race and expanding the simple doctrine In the Sermon on the Mount. Robert Sherwood It would be no easy task to find a dramatist of the thirties who differs so completely from Clifford Odets in background, outlook, committment and dramatic achievement as Robert Sherwood. Odets was filled at least at first, with a burning seal to preach a social reformation through his plays. Sherwood's message was articulated after much soul searching, almost with reluctance, because he could no longer keep silent about certain momentous Issues. Deeply introspective, an intellectual who brooded over the sombre state of the world, Sherwood tried to believe in man's essential wisdom and goodness but was always stopped short when he cams up against human actions which betrayed the lack of these qualities. He wss already a reputed playwright when Odets burst on the theatrical scene like a fiery meteor. Sherwood came from a long line of distinguished forbears that had included lawyers, scientists, sculptors and artists. 20* 209 One of his ancestors on his ■other1® side was ths famed patriot, Robert S u e t , who had boon executed by the English for his part in Ireland's freedom struggle.1 Born in 1896, Sherwood was raised In affluent surround ings, and acquired a reputation for playing pranke at sehool and at Harvard. -
Millennium Theatres
Millennium Theatres Discovering Community Theatre’s Future By Exploring Its Past Millennium Theatre - I - Millennium Theatres Discovering Community Theatre’s Future By Exploring Its Past Published by Theatre USA With the cooperation of the American Association of Community Theatre & The City of Detroit Department of Recreation, Empowerment Zone Millennium Theatre - II - Theatre USA (formerly IATA/USA) WHAT IS IT? Made up of six national organizations with individual members in every state, Theatre USA is the powerful voice of the USA amateur theatre community speaking to the world. Its parent organization AITA is a non-governmental organization (NGO) having official relations with UNESCO, and is a member of the Standing Committee of International Theatre Organizations. The International Amateur Theatre Association (AITA/IATA) was funded in 1952 in Brussels, Belgium, as the umbrella organization for amateur theatre across the world. (community and educational, young and old). There are literally millions of people around the world actively involved in amateur theatre. These people share a commitment to creative theatrical expression and are members of more than 100,000 community, youth, children’s and education groups. Amateur theatre worldwide is serviced by national AITA/IATA centers such as Theatre USA, Regional Alliances, and Continental service Centers. Most national centers are composed of individual theatre member organizations. Theatre USA has representatives from its six national organizations on its Board: Association for Theatre in Higher Education, AATE –American Alliance for Theatre and Education, AACT– American Association of Community Theatre, BTN – Black Theatre Network, IOD – Institute of Outdoor Drama, EDTA/Thespians – Educational Theatre Association (sponsors of the International Thespians). -
THE ESCHATOLOGICAL VISION of ROBERT E. SHERWOOD Carroll C
THE ESCHATOLOGICAL VISION OF ROBERT E. SHERWOOD Carroll C. Conklin III A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1977 Approved by Doctoral Committee Advisor Department of English Graduate College Representative 11 ABSTRACT A survey of the relatively small body of criticism dealing with the works of Robert E. Sherwood indicates that, while most of Sherwood’s critics see him as general ly constructing his plays around theses of contemporary importance, there is a consensus that more often than not Sherwood failed to clearly express his philosophical or ethical message. Though the pacifism of the early plays and the militarism of the later ones has been duly noted, no one has yet uncovered the enduring concern of Robert Sherwood that inspired his best work and gives a sense of unity to the entire Sherwood canon. The purpose of this study is to define this hitherto unexamined theme central to the works of Robert Sherwood, that being an ultimate concern for the eschatological state of modem man. Beginning with The Road to Rome, Robert Sherwood’s plays depict a microcosm threatened with annihilation, an end that promises to be complete and irrevocable. References to the coming hour of doom occur repeatedly in the speeches of his characters, and in nearly all of the plays can be found situations or events characteristic of either primitive or Western eschatologi cal myths. One chapter is devoted to explaining the nature of 111 eschatology as understood in the context of this study, especially with regard to distinguishing between popular and philosophical eschatology and defining eschatological awareness. -
The Sherwood Forest
The Sherwood Forest The Newsletter of the Sherwood One-Name Study Group Official Web Site: www.sherwoodfam.plus.com Registered with the Guild of One-Name Studies in 1995 Organiser: Phil Sherwood, E-mail : [email protected] Volume 5 Number 1 Autumn 2007 In this Issue: Phil’s Corner From the Editor’s Desk 1 A very warm welcome to all subscribers, both old and Phil’s Corner 1 new, to this latest issue of our newsletter which I hope Our Website 1 you will enjoy reading. Currently, it is sent to 47 In the Next Issue 1 members by e-mail and a further 3 members by post, Our Gathering last September 2 so please let me know if you change your e-mail From the Mail Bag 2 address or postal address. My apologies for the long New Members 2 delay since our last issue appeared in December 2005. In the News 3 This was due to a number of factors, my wife & I Research 3 moved house (only a mile) last Summer, and then our Beheading of the Earl of Desmond 5 Some Berkshire Probate Records for Editor, Mark Sherwood had to give up due to work Hungerford & Wantage pre-1858 6 commitments. We thank Mark for all his efforts, and Frequency of Surname Variants in send our best wishes for the future -Mark, we hope Census Returns for England 6 that you will send news of your family & the The American Immigrant Wall 7 marathon running! Fortunately one of our longest- Sherwood, Robert Emmet, 1896-1955 7 standing members, Bryan Sherwood who lives at From Musgrave's Obituaries 8 Leatherhead in Surrey has kindly offered to take over The Story of Sherwoods Paints of Barking 8 as Editor - thank you Bryan, we hope you will enjoy A Sherwood Awarded The Victoria Cross In 1917 9 the job! The Indian Mutiny Medal 9 A Never-ending Story 10 Last Summer I was pleased to meet our US rep, Geoff Sherwood and his family for the first time when they toured England & Scotland. -
Louis R. Lurie Collection of Press Books Documenting the Curran and Geary Theater Productions M1148
http://oac.cdlib.org/findaid/ark:/13030/c8c82h13 No online items Guide to the Louis R. Lurie collection of press books documenting the Curran and Geary Theater productions M1148 Gurudarshan Khalsa Department of Special Collections and University Archives 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc M1148 1 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Louis R. Lurie collection of press books documenting the Curran and Geary Theater productions source: Lurie, Louis R. Identifier/Call Number: M1148 Physical Description: 72.5 Linear Feet(87 boxes) Date (inclusive): 1923-1976 Abstract: This collection is composed of scrapbooks from the Curran and Geary theaters in San Francisco. These professionally-assembled albums document over fifty years in the history of these theatres, covering a wide range of productions: plays, variety shows, comedy shows, magic shows, ballet, opera, revues, films, and other productions. The scrapbooks primarily contain newspaper clippings, along with press notices, advertisements, playbills, programs, menus, correspondence and photographs. The newspaper clippings include feature stories, interviews, advertisements, and critical reviews. Scope and Contents This collection consists of scrapbooks documenting the bookings by the Lurie Company into their Geary and Curran Theaters in San Francisco. There are also a small number of scrapbooks from other theatres in San Francisco and a few from the Majestic Theatre in Los Angeles. The scrapbooks primarily contain newspaper clippings with feature stories, critical reviews, interviews, advertisements, and press notices. Along with the clippings, there is also other promotional material such as playbills, programs, entertainment guides, flyers, press releases, menus, lists of radio plugs, scripts for radio plugs, photographs, racetrack programs, and correspondence. -
Title American Playwright Robert E. Sherwood -The
American Playwright Robert E. Sherwood -The Title Third Version of Acropolis (1937),an Incomplete and Unpublished Work- Author(s) 依田,里花 Citation 明治大学国際日本学研究, 12(1): 169-182 URL http://hdl.handle.net/10291/21055 Rights Issue Date 2020-03-31 Text version publisher Type Departmental Bulletin Paper DOI https://m-repo.lib.meiji.ac.jp/ Meiji University 169 169 [Articles 】 American Playwright Robert E. Sherwood: The Third Version of Acropolis (1937), an Incomplete and Unpublished Work YODA, Rika Abstract Abstract This This study focuses on one of the most prominent American dramatists of the mid-20th Century. Robert Robert E. Sherwood. whose work is now little known to readers and audiences. A survivor of the trench trench fighting of World War I. Sherwood focused in his writing on how human beings can face with with dignity the darkness of war and work never to give up on the individual and collective quest for for peace and the realization of the concept of democracy. The present study looks in particular at the the third version of his unpublished work Acropolis. a play to which he constantly found himself returning. returning. While the two earlier versions of this play are not currently available. the writer refers to to a carbon copy of the third version which contains Sherwood's handwritten notes in the margins. The writer compares this third version with outlines of and quotations from the earlier versions provided provided in Meserve・s 1970 study of Sherwood's work. Arguing that the differences between the two earlier versions and the third help to clarify Sherwood's philosophy, the writer then goes on to show how the core themes that preoccupy Sherwood in the 1937 version are clearly reflected in his first first published work The Road to Rome (1927), as well as in his three major plays: Idiot's Delight (1936).