PDF Download the King Arthur Trilogy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Echoes of Legend: Magic As the Bridge Between a Pagan Past And
Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2018 Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur Josh Mangle Winthrop University, [email protected] Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Literature in English, British Isles Commons Recommended Citation Mangle, Josh, "Echoes of Legend: Magic as the Bridge Between a Pagan Past and a Christian Future in Sir Thomas Malory's Le Morte Darthur" (2018). Graduate Theses. 84. https://digitalcommons.winthrop.edu/graduatetheses/84 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. ECHOES OF LEGEND: MAGIC AS THE BRIDGE BETWEEN A PAGAN PAST AND A CHRISTIAN FUTURE IN SIR THOMAS MALORY’S LE MORTE DARTHUR A Thesis Presented to the Faculty Of the College of Arts and Sciences In Partial Fulfillment Of the Requirements for the Degree Of Master of Arts In English Winthrop University May 2018 By Josh Mangle ii Abstract Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it. -
Monty Python's SPAMALOT
Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent. -
Language in the Modern Arthurian Novel
Volume 20 Number 4 Article 4 Winter 1-15-1995 Whose English?: Language in the Modern Arthurian Novel Lisa Padol Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Padol, Lisa (1995) "Whose English?: Language in the Modern Arthurian Novel," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 20 : No. 4 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol20/iss4/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Analyzes the use of language, mood/tone, vocabulary, syntax, idioms, metaphors, and ideas in a number of contemporary Arthurian novels. Additional Keywords Arthurian myth; Arthurian myth in literature; Language in literature; Style in literature This article is available in Mythlore: A Journal of J.R.R. -
The Aeneid with Rabbits
The Aeneid with Rabbits: Children's Fantasy as Modern Epic by Hannah Parry A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 Acknowledgements Sincere thanks are owed to Geoff Miles and Harry Ricketts, for their insightful supervision of this thesis. Thanks to Geoff also for his previous supervision of my MA thesis and of the 489 Research Paper which began my academic interest in tracking modern fantasy back to classical epic. He must be thoroughly sick of reading drafts of my writing by now, but has never once showed it, and has always been helpful, enthusiastic and kind. For talking to me about Tolkien, Old English and Old Norse, lending me a whole box of books, and inviting me to spend countless Wednesday evenings at their house with the Norse Reading Group, I would like to thank Christine Franzen and Robert Easting. I'd also like to thank the English department staff and postgraduates of Victoria University of Wellington, for their interest and support throughout, and for being some of the nicest people it has been my privilege to meet. Victoria University of Wellington provided financial support for this thesis through the Victoria University Doctoral Scholarship, for which I am very grateful. For access to letters, notebooks and manuscripts pertaining to Rosemary Sutcliff, Philip Pullman, and C.S. Lewis, I would like to thank the Seven Stories National Centre for Children's Books in Newcastle-upon-Tyne, and Oxford University. Finally, thanks to my parents, William and Lynette Parry, for fostering my love of books, and to my sister, Sarah Parry, for her patience, intelligence, insight, and many terrific conversations about all things literary and fantastical. -
Masculinity and Chivalry: the Tenuous Relationship of the Sacred and Secular in Medieval Arthurian Literature
MASCULINITY AND CHIVALRY: THE TENUOUS RELATIONSHIP OF THE SACRED AND SECULAR IN MEDIEVAL ARTHURIAN LITERATURE by KACI MCCOURT DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2018 Arlington, Texas Supervising Committee: Kevin Gustafson, Supervising Professor Jacqueline Fay James Warren i ABSTRACT Masculinity and Chivalry: The Tenuous Relationship of the Sacred and Secular in Medieval Arthurian Literature Kaci McCourt, Ph.D. The University of Texas at Arlington, 2018 Supervising Professors: Kevin Gustafson, Jacqueline Fay, and James Warren Concepts of masculinity and chivalry in the medieval period were socially constructed, within both the sacred and the secular realms. The different meanings of these concepts were not always easily compatible, causing tensions within the literature that attempted to portray them. The Arthurian world became a place that these concepts, and the issues that could arise when attempting to act upon them, could be explored. In this dissertation, I explore these concepts specifically through the characters of Lancelot, Galahad, and Gawain. Representative of earthly chivalry and heavenly chivalry, respectively, Lancelot and Galahad are juxtaposed in the ways in which they perform masculinity and chivalry within the Arthurian world. Chrétien introduces Lancelot to the Arthurian narrative, creating the illicit relationship between him and Guinevere which tests both his masculinity and chivalry. The Lancelot- Grail Cycle takes Lancelot’s story and expands upon it, securely situating Lancelot as the best secular knight. This Cycle also introduces Galahad as the best sacred knight, acting as redeemer for his father. Gawain, in Sir Gawain and the Green Knight, exemplifies both the earthly and heavenly aspects of chivalry, showing the fraught relationship between the two, resulting in the emasculating of Gawain. -
Writing and Literary Study Spring 2010 the Chivalrous Sir Gawain If
Ahmed 1 Sarin Taslima Ahmed College Writing II: Writing and Literary Study Spring 2010 The Chivalrous Sir Gawain If a man does not open the door for a woman, she may think chivalry is dead or forget that it ever existed at all. Today's woman is not a damsel in distress, but rather stands on equal ground with her masculine counterpart. She has no need to acknowledge that there was ever a time when men lived and died for the sake of honor. However, around 1066 a.d. to 1485 a.d., that was exactly what European knights, and those around the world, did (Achlin). Of these brave soldiers, the most famous were the Knights of the Round Table, subjects of Camelot and King Arthur. Perhaps the most acclaimed knights are dubbed Sir Lancelot and Sir Gawain. Lancelot is still known as the greatest of all knights, the perfect knight, but based on Gawain's actions in Sir Gawain and the Green Knight by the Pearl Poet and those of Lancelot in The Once and Future King by T.H. White, I've come to the conclusion that Gawain is a greater model of chivalry than Lancelot. Following the code of chivalry, Gawain is faithful to God, his King, and he is respectful to women. Lancelot is very talented, but he does not feel the need to follow the laws of knighthood, and ends up disregarding King Arthur, Queen Guinevere and even God because of it. "Two virtues above all else were held to mark the good knight and bring him honor. -
History Reading List
History Reading List The following books will help you to support your history studies. They are currently in sections to help you choose either by interest or by topic currently being studied. If you have read a good book that is not currently on the list please feel free to email your teacher to get it added – a recommendation of why also really helps. Recommended reads are highlighted Which book should I choose? click on the topic and it will take you there Before 1066 .................................................................................................................................................................. 3 Prehistoric Britain ..................................................................................................................................................... 3 Roman ....................................................................................................................................................................... 3 Viking ......................................................................................................................................................................... 4 The Norman Conquest .............................................................................................................................................. 4 Life in the Middle Ages ................................................................................................................................................. 4 The Tudors ................................................................................................................................................................... -
LEGENDS of the ROUND TABLE by JEFF POSSON
LEGENDS OF THE ROUND TABLE by JEFF POSSON 2 LEGENDS OF THE ROUND TABLE SETTING The forests of England in the Middle Ages. A Lake with magic in its waters. CHARACTERS Merlin – A wizard Morgan Le Fay – An enchantress who likes to make fun of Merlin King Arthur- A king, Morgan Le Fey’s brother Sir Bedivere- A knight The Black Knight- A knight, a bit of a bully Sir Gawain- A knight The Green Knight- A knight, has a magical talent Sir Galahad- A knight The Lady of the Lake- A mystical goddess of the water Villager- Running from a dragon Scene 1 MERLIN Oh a legend is sung! Of when England was young And Knights were brave and.... (MORGAN runs on because she is tired of MERLIN’S singing.) MORGAN STOP! MERLIN What? MORGAN !Stop singing! I’m trying to cast a spell and it is INCREDIBLY distracting. MERLIN! Oh come now Morgan, it is not that distracting. MORGAN! It is, it really is. You may be the most famous wizard in history, Merlin, but your pitch is all over the place. MERLIN! 3 Fine, I’ll stop.... wait, what spell are you casting, Morgan Le Fey? Are you up to mischief again? MORGAN Oh yes, without a doubt. Mischief is what I do. MERLIN Well, you should stop it. ! MORGAN Pardon me? Do youth think I need your permission to do anything? MERLIN Well... no but...! MORGAN! No buts Merlin. This is my island you’re currently sitting on. Avalon, the isle of Apples. My island, my rules, I can do what I want. -
The Use of the Arthurian Legend by the Pre-Raphaelites
University of Colorado, Boulder CU Scholar University Libraries Digitized Theses 189x-20xx University Libraries Summer 6-1-1905 The seU of the Arthurian Legend Matilda Krebs University of Colorado Boulder Follow this and additional works at: http://scholar.colorado.edu/print_theses Recommended Citation Krebs, Matilda, "The sU e of the Arthurian Legend" (1905). University Libraries Digitized Theses 189x-20xx. 2. http://scholar.colorado.edu/print_theses/2 This Dissertation is brought to you for free and open access by University Libraries at CU Scholar. It has been accepted for inclusion in University Libraries Digitized Theses 189x-20xx by an authorized administrator of CU Scholar. For more information, please contact [email protected]. University Archives THE USE OF THE ARTHURIAN LEGEND BY THE PRE-RAPHAELITES A THESIS PRESENTED TO THE FACULTY OF THE UNIVERSITY OF COLORADO BY MATILDA KREBS A Candidate for the Degree of Master of Arts BOULDER, COLORADO JUNE, 1905 PREFACE. The following pages are the result of many happy hours spent in the library, in an earnest endeavor to become better acquainted with Truth and Beauty. The author does not pose as a critic for she has little knowledge of literary art either theoretical or practical, and none of pic- torial. Should this self-imposed task prove to be of even the slightest benefit to other students, the pleasure to the writer would be multiplied many fold. M ATILDA KREBS. OUTLINE OF THESIS. I. The Arthuriad. 1. The origin of the Arthuriad. 2. Development of the Arthuriad. 3. Use of the Arthuriad by early writers. 4. Revival of interest in the Arthuriad through Rossetti's “ King Arthur's Tomb.” II. -
OMC | Data Export
David Walsh, "Entry on: Song for a Dark Queen by Rosemary Sutcliff", peer-reviewed by Susan Deacy and Elizabeth Hale. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2021). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1266. Entry version as of October 04, 2021. Rosemary Sutcliff Song for a Dark Queen United Kingdom TAGS: Roman Britain Roman Empire Roman history We are still trying to obtain permission for posting the original cover. General information Title of the work Song for a Dark Queen Country of the United Kingdom First Edition Country/countries Germany, Japan, United Kingdom of popularity Original English Language First Edition Rosemary Sutcliff, Song for a Dark Queen, London: Pelham, 1978, 176 pp. Details ISBN 9780720710601 Official Website https://rosemarysutcliff.net/ (accessed: July 13, 2021) https://www.amazon.co.uk/Song-Dark-Queen-Rosemary-Sutcliff/dp/178295094Xhttps://play.google.com/store/books/details?pcampaignid=books_read_action&id=xbmaAAAAQBAJ Available Onllne https://www.kobo.com/gb/en/ebook/song-for-a-dark-queen https://www.waterstones.com/book/9781782950943?awc=3787_1611650025_6071089702ebd5a8ba626ea0a23134ca&utm_source=117976&utm_medium=affiliate&utm_campaign=Penguin+Books Awards 1978 - The Children's Rights Workshop's "Other Award" Genre Historical fiction Target Audience Young adults Author of the David Walsh, University of Kent, [email protected] Entry Peer-reviewer of Susan Deacy, University of Roehampton, [email protected] the Entry Elizabeth Hale, University of New England, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood.. -
Warrior Scarlet Free
FREE WARRIOR SCARLET PDF Rosemary Sutcliff,Charles Keeping | 40 pages | 01 Jan 1995 | Farrar, Straus & Giroux Inc | 9780374482442 | English | New York, United States Warrior Scarlet - Wikipedia Warrior scarlet, p. Warrior Scarlet, page 1. Drem must kill a wolf single handed. But how can he do this with his spear arm withered and useless? It is a description that could stand, without much alteration, for Homeric Greece; and that, I think, is the secret of the magic. Far rougher and more primitive than the Greek, of course, but a Heroic Age, all the same, though the heroes are forgotten. But this story is not about Kings or heroes or battles not even a Heroic Age could be all heroes and fighting and there Warrior Scarlet no chariots in it, because when I came to write it down, I found that although the Golden People had ponies, it was the next wave of invaders who brought chariot warfare into Britain. It is the story of a boy Warrior Scarlet Drem, who lived with his Tribe on what is now the South Downs, nine hundred years before the birth of Christ. His land and his people were not cut off from the rest of the world; the Baltic amber and blue Egyptian beads that the archaeologists find today in Bronze Age grave mounds show that clearly Warrior Scarlet. But probably he never heard much of what went on in the world beyond his own hunting runs; a world in which Troy had fallen three hundred years ago, and Egypt was already past its greatest days, and a hollow among the hills by the ford of a rather muddy river had still more than a hundred years to wait before wild Latin herdsmen pitched their tents there and founded Rome. -
“Swan Song”: a Fitting Culmination of the Rosemary Sutcliff Legacy?
Sword Song as her “Swan Song”: A Fitting Culmination of the Rosemary Sutcliff Legacy? Barbara Carman Garner Carleton University, Ottawa The novel that Rosemary Sutcliff was revising when she died suddenly on July 23, 1992 at the age of 72 was to have been called The Sword Song of Bjarni Sigurdson. 1 Sutcliff had seen the manuscript through two-thirds of the second draft of her traditional three -draft writing process before making a fair copy (Meek 62 qtd. in Garside-Neville). Sutcliff’s cousin and godson, Anthony Lawton, transcribed the draft, and Sutcliff’s long-time editor, Jill Black, did the final editing of Lawton’s transcription. Sword Song was published in 1997. Early reviews of the novel were mixed. Sandra Johnson’s review in The (London) Times considered the opening a “stunner,” explaining that “a 16- year old boy is exiled from his settlement.” She continued, “Regrettably, the story quavers thereafter, meandering around the coast of Britain as young Bjarni sells his fighting skills to one fiery-beardy after another, but the dense historical detail and rich colours are all still there” (n. pag.). Compare this assessment with The Horn Book reviewer’s high praise for the novel: “Sutcliff’s careful handling of how a young man, influenced by hero-worship and the force of custom, deals with the difficult choices that lead to maturity is nothing short of masterly. An unexpected and most welcome gift”(n.pag.). 1 Today I aim to convince you of the validity of yet another reviewer’s comment, that “Sword Song is a fitting capstone to Sutcliff’s marvelous career as one of Britain’s premier authors of Historical fiction” (jacket hard cover edition).