An Indigenous Tribal Tradition Explored: the World of the Celts and Druidry
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Celtic Solar Goddesses: from Goddess of the Sun to Queen of Heaven
CELTIC SOLAR GODDESSES: FROM GODDESS OF THE SUN TO QUEEN OF HEAVEN by Hayley J. Arrington A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Women’s Spirituality Institute of Transpersonal Psychology Palo Alto, California June 8, 2012 I certify that I have read and approved the content and presentation of this thesis: ________________________________________________ __________________ Judy Grahn, Ph.D., Committee Chairperson Date ________________________________________________ __________________ Marguerite Rigoglioso, Ph.D., Committee Member Date Copyright © Hayley Jane Arrington 2012 All Rights Reserved Formatted according to the Publication Manual of the American Psychological Association, 6th Edition ii Abstract Celtic Solar Goddesses: From Goddess of the Sun to Queen of Heaven by Hayley J. Arrington Utilizing a feminist hermeneutical inquiry, my research through three Celtic goddesses—Aine, Grian, and Brigit—shows that the sun was revered as feminine in Celtic tradition. Additionally, I argue that through the introduction and assimilation of Christianity into the British Isles, the Virgin Mary assumed the same characteristics as the earlier Celtic solar deities. The lands generally referred to as Celtic lands include Cornwall in Britain, Scotland, Ireland, Wales, and Brittany in France; however, I will be limiting my research to the British Isles. I am examining these three goddesses in particular, in relation to their status as solar deities, using the etymologies of their names to link them to the sun and its manifestation on earth: fire. Given that they share the same attributes, I illustrate how solar goddesses can be equated with goddesses of sovereignty. Furthermore, I examine the figure of St. -
1 Gallo-Roman Relations Under the Early Empire by Ryan Walsh A
Gallo-Roman Relations under the Early Empire By Ryan Walsh A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in Ancient Mediterranean Cultures Waterloo, Ontario, Canada, 2013 © Ryan Walsh 2013 1 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This paper examines the changing attitudes of Gallo-Romans from the time of Caesar's conquest in the 50s BCE to the start of Vespasian's reign in 70-71 CE and how Roman prejudice shaped those attitudes. I first examine the conflicted opinions of the Gauls in Caesar's time and how they eventually banded together against him but were defeated. Next, the activities of each Julio-Claudian emperor are examined to see how they impacted Gaul and what the Gallo-Roman response was. Throughout this period there is clear evidence of increased Romanisation amongst the Gauls and the prominence of the region is obvious in imperial policy. This changes with Nero's reign where Vindex's rebellion against the emperor highlights the prejudices still effecting Roman attitudes. This only becomes worse in the rebellion of Civilis the next year. After these revolts, the Gallo-Romans appear to retreat from imperial offices and stick to local affairs, likely as a direct response to Rome's rejection of them. -
Celticism, Internationalism and Scottish Identity Three Key Images in Focus
Celticism, Internationalism and Scottish Identity Three Key Images in Focus Frances Fowle The Scottish Celtic Revival emerged from long-standing debates around language and the concept of a Celtic race, a notion fostered above all by the poet and critic Matthew Arnold.1 It took the form of a pan-Celtic, rather than a purely Scottish revival, whereby Scotland participated in a shared national mythology that spilled into and overlapped with Irish, Welsh, Manx, Breton and Cornish legend. Some historians portrayed the Celts – the original Scottish settlers – as pagan and feckless; others regarded them as creative and honorable, an antidote to the Industrial Revolution. ‘In a prosaic and utilitarian age,’ wrote one commentator, ‘the idealism of the Celt is an ennobling and uplifting influence both on literature and life.’2 The revival was championed in Edinburgh by the biologist, sociologist and utopian visionary Patrick Geddes (1854–1932), who, in 1895, produced the first edition of his avant-garde journal The Evergreen: a Northern Seasonal, edited by William Sharp (1855–1905) and published in four ‘seasonal’ volumes, in 1895– 86.3 The journal included translations of Breton and Irish legends and the poetry and writings of Fiona Macleod, Sharp’s Celtic alter ego. The cover was designed by Charles Hodge Mackie (1862– 1920) and it was emblazoned with a Celtic Tree of Life. Among 1 On Arnold see, for example, Murray Pittock, Celtic Identity and the Brit the many contributors were Sharp himself and the artist John ish Image (Manchester: Manches- ter University Press, 1999), 64–69 Duncan (1866–1945), who produced some of the key images of 2 Anon, ‘Pan-Celtic Congress’, The the Scottish Celtic Revival. -
English 393-Special Topics-Farina
The Celtic World ENGL 393 Professor Farina TuTh 2:30-3:45, Clark 200 The ancient Celts have fascinated many people who came after them—not only their own descendents but writers, artists, and historians from the 11th century to the present. These distant and somewhat enigmatic people have a strong hold on our own popular imagination: contemporary film, television, comic books, and romance fiction abound with Celtic-inspired fantasy. This course provides an introduction to the literature, art, and history of “Celtic” peoples before 1600: i.e. the Irish, Welsh, Scots, Cornish, and Bretons. “Celtic” is here in quotes because one of our main inquiries will be whether there was or is something like a truly pan-Celtic identity. In order to understand whether “Celticness” is an ancient or modern phenomenon, we will also discuss how the early Celts have been represented in later periods. Other topics to be discussed include: the Celtic hero (particularly Cú Chulain and King Arthur); the Celtic Otherworld; Bardic poetry; and Celtic Christianity. Required Texts: Early Irish Myths and Sagas, trans. Gantz (Penguin) The Tain, ed. Carson. (Penguin) The Mabinogi, ed. Ford (California) Gerald of Wales, The History and Topography of Ireland, trans. O’Meara (Penguin) Geoffrey of Monmouth, History of the Kings of Britain (Penguin) Marie de France, The Lais of Marie de France, trans. Burgess and Busby (Penguin) Heldris of Cornwall, Silence, trans. Roche-Mahdi (Michigan State) Note: Please be sure to get the editions that we will be using in class. You must have the required books with you when we discuss them in class. -
CERN Pt. 6 Cernunnos.Wps
CERNunnos resurrected for CERN In CERN pt. 4 we learned about the tomb of a Celtic Prince in France. What was unearthed was the river deity Acheloos. Cernunnos is yet another horned deity. He is also a hunter like Nimrod. “ Cernunnos is the conventional name given in Celtic studies to depictions of the "horned god" (sometimes referred to as Hern the Hunter) of Celtic polytheism. http://en.wikipedia.org/wiki/Cernunnos Cernunnos: He is depicted with rings on his horns due to the association with torcs. This horned god is associated with rings. “often seated cross-legged and often associated with animals and holding or wearing torcs” What we see with Cernunnos is an allusion to CERN not only within his name, but also his association with rings. A typical torc: In the name Cernunnos we see the anagram “No Sun Cern”. I would say this refers to the fact that the Antichrist is NOT the authentic Sun or Son of God. What we also see is “Nu Son CERN“ and this relates to the “Nu 8 man” discussed in CERN pt. 2, the Shiva monkey god Hanuman! Interesting coincidence. The theme of a two horned deity is ancient and can be seen in many cultures. Pan: The Roman deity Faunus: And don’t forget this one! The two horned theme is associated with Shiva as Shiva Pashupati and thus ties in with CERNunnos as yet another horned deity. The horned deity Shiva whose image is located at CERN is most likely due to the affiliation with masculine/feminine seen with Shiva/Shakti. -
Celtic Religions DATED: 17/05/2017
MODULE CODE: HPCS4006 TITLE: Celtic Religions DATED: 17/05/2017 LEVEL: 4 CREDITS: 20 JACS CODE: Q500 AIM(S) To enable students to understand, and analyse the evidence for religious concepts and habitual practices in ‘Celtic-speaking’ regions across Europe between the 5th century BC and the 4th century AD To enable students to understand and engage with scholarly approaches to the study of rituals and religions in the ancient Celtic world To chart and analyse unity and diversity of religious concepts and practices in the ancient Celtic world LEARNING OUTCOMES Upon the successful completion of this module, the student should: display an understanding of and be able to analyse the diverse types of surviving evidence for Celtic religious activity between the 5th century BC and the 4th century AD; demonstrate a coherent knowledge of specific Celtic ‘religions’ and their religious ideas and practices; demonstrate a good understanding of the historical, social, political and religious contexts of Celtic religions, and how these affect our interpretation of religious practices and ideas; engage with modern scholarly approaches to Celtic religions and rituals, and relate this engagement to independent evaluations of the habitual and ritual practices of ancient religions, their thought-systems and their role(s) in ancient societies from the 5th century BC to the 4th century AD. INDICATIVE CONTENT Greek and Roman authors have painted a vivid picture of ‘Celtic religion’ in antiquity ever since their first encounter with ethnic groups whom they collectively called Keltoi or Galli. Classical works like Caesar’s ‘De Bello Gallico’ (Gallic Wars) are the source of our knowledge of Celtic religious practices, of priesthoods like the druids, and of the alleged human sacrifice practiced in Celtic societies. -
Historical Background of the Contact Between Celtic Languages and English
Historical background of the contact between Celtic languages and English Dominković, Mario Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:149845 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Diplomski studij engleskog jezika i književnosti – nastavnički smjer i mađarskog jezika i književnosti – nastavnički smjer Mario Dominković Povijesna pozadina kontakta između keltskih jezika i engleskog Diplomski rad Mentor: izv. prof. dr. sc. Tanja Gradečak – Erdeljić Osijek, 2016. Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Odsjek za engleski jezik i književnost Diplomski studij engleskog jezika i književnosti – nastavnički smjer i mađarskog jezika i književnosti – nastavnički smjer Mario Dominković Povijesna pozadina kontakta između keltskih jezika i engleskog Diplomski rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: izv. prof. dr. sc. Tanja Gradečak – Erdeljić Osijek, 2016. J.J. Strossmayer University in Osijek Faculty of Humanities and Social Sciences Teaching English as -
O Papel Dos Druidas Na Sociedade Céltica Na Gália Nos Séculos Ii E I A.C
1 UNIVERSIDADE FEDERAL FLUMINENSE CENTRO DE ESTUDOS GERAIS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA FILIPPO LOURENÇO OLIVIERI O PAPEL DOS DRUIDAS NA SOCIEDADE CÉLTICA NA GÁLIA NOS SÉCULOS II E I A.C. NITERÓI 2008 2 FILIPPO LOURENÇO OLIVIERI O PAPEL DOS DRUIDAS NA SOCIEDADE CÉLTICA NA GÁLIA NOS SÉCULOS II E I A.C. Tese apresentada ao Programa de Pós-Graduação em História da Universidade Federal Fluminense, como requisito para a obtenção do Grau de Doutor em História. Área de Concentração: História Social. Orientador: Prof° Dr° CIRO FLAMARION SANTANA CARDOSO Niterói 2008 3 Ficha Catalográfica elaborada pela Biblioteca Central do Gragoatá O49 Olivieri, Filippo Lourenço. O papel dos druidas na sociedade céltica na Gália nos séculos II e I a.C. / Filippo Lourenço Olivieri. – 2008. 312 f. ; il. Orientador: Ciro Flamarion Santana Cardoso. Tese (Doutorado) – Universidade Federal Fluminense, Departamento de História, 2008. Bibliografia: f. xxx-xxx. 1. História da Gália. 2. Druidas e druidismo. 3. Civilização celta. 4. Celtas - Religião. I. Cardoso, Ciro Flamarion Santana. II. Universidade Federal Fluminense. Instituto de Ciências Humanas e Filosofia III. Título. CDD 936.402 4 FILIPPO LOURENÇO OLIVIERI O PAPEL DOS DRUIDAS NA SOCIEDADE CÉLTICA NA GÁLIA NOS SÉCULOS II E I A.C. Tese apresentada ao Programa de Pós-Graduação em História da Universidade Federal Fluminense como requisito para obtenção do Grau de Doutor em História. Área de Concentração: História Social. Aprovada em março de 2008. BANCA EXAMINADORA ___________________________________________________________________________ Prof° Dr° Ciro Flamarion Santana Cardoso – Orientador Universidade Federal Fluminense ___________________________________________________________________________ Profª. Drª. Lívia Lindóia Paes Barreto – Co-orientadora Universidade Federal Fluminense ___________________________________________________________________________ Profª. -
BRT Past Schedule 2016
Join Our Mailing List! 2016 Schedule current schedule 2015 past schedule 2014 past schedule 2013 past schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule JANUARY 2016 NOTE: If a show at BRT has an advance price & a day-of-show price it means: If you pre-pay OR call in your reservation any time before the show date, you get the advance price. If you show up at the door with no reservations OR call in your reservations on the day of the show, you will pay the day of show price. TO MAKE RESERVATIONS, CALL BRT AT: 401-725-9272 Leave your name, number of tickets desired, for which show, your phone number and please let us know if you would like a confirmation phone call. Mondays in January starting Jan. 4, $5.00 per class, 6:30-7:30 PM ZUMBA CLASSES WITH APRIL HILLIKER Thursday, January 7 5:00-6:00 PM: 8-week class Tir Na Nog 'NOG' TROUPE with Erika Damiani begins 6:00-7:00 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:00-8:00 PM: 8-week class Tir Na Nog GREEN TROUPE (performance troupe) with Erika Damiani begins Friday, January 8 4:30-5:30 PM: 8-week class Tir Na Nog RINCE TROUPE with Erika Damiani begins 5:30-6:30 PM: 8-week class BEGINNER/ADVANCED BEGINNER HARD SHOE with Erika Damiani begins 6:30-7:30 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:30-8:30 PM: 8-week class Tir Na Nog CEOL TROUPE with Erika Damiani begins Saturday, January 9 9:00 AM: 8-week class in BEGINNER IRISH STEP DANCE for children 5-10 with Erika Damiani begins 10:00 AM: 8-week class in CONTINUING -
A Guide to Ten of the Best Pictish Symbol Stones in Aberdeenshire
Pictish Symbol Stones The Pictish Period 300 AD – 900 AD MAIDEN STONE ST PETER’S CHURCH, FYVIE As one of the heartlands of the Pictish community, Aberdeenshire is home to a large The origin of the Picts can be found in the tribal society of the Iron Age. Their society was number of the elaborately decorated Symbol Stones for which the Picts are famed – around hierarchical, with a warrior elite and a lower farming class. They lived in Scotland, North of PICARDY STONE 20% of all Pictish stones recorded in Scotland can be found in Aberdeenshire. the Forth and Clyde rivers, between the 4th and 9th Centuries AD, with a particularly strong presence in what is now Aberdeenshire. This can be seen in the frequent occurrence of place The stones, incised or carved in relief, are decorated with a variety of symbols, ranging from names beginning “Pit”, thought to indicate the site of a Pictish settlement, as well as the BRANDSBUTT geometric shapes and patterns, to animals (real and mythical), human figures, objects, evidence from the archaeological record such as Symbol Stones and fortifications. and Christian motifs. Some earlier Pictish stones are also incised with a script known as Ogham, which comprises a pattern of short linear strokes crossing a vertical line. Said to They acquired the name Pict, or Picti, meaning “Painted People”, from the Romans – indeed, have originated around the 4th Century AD, it is an early form of the Irish language. Most much of what is known of the Picts is derived from historical writers from outside of examples of Ogham inscriptions are thought to represent personal names. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Irish Folklore and Mythology in Irish Young Adult Fantasy Literature: Kate Thompson’s The New Policeman, and O.R. Melling’s The Hunter’s Moon.“ Verfasserin Monika Kraigher angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, im Januar 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer To my grandmother, for her love, guidance and support... I would like to express my gratitude to Prof. Wöhrer for his exceptional guidance and patience. Thank you to my mother who has supported and motivated me unconditionally during my studies and in my everyday life. Finally, I would like to thank my friends and colleagues, notably the “gang“ from the Australian literature room, who were a great mental support during the work on this diploma thesis. DECLARATION OF AUTHENTICITY I confirm to have conceived and written this Diploma Thesis in English all by myself: Quotations from other authors are all clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Table of contents 1. Introduction ................................................................................................................ 1 2. Irish Children’s and Young Adult Literature ........................................................ -
PAGANISM a Brief Overview of the History of Paganism the Term Pagan Comes from the Latin Paganus Which Refers to Those Who Lived in the Country
PAGANISM A brief overview of the history of Paganism The term Pagan comes from the Latin paganus which refers to those who lived in the country. When Christianity began to grow in the Roman Empire, it did so at first primarily in the cities. The people who lived in the country and who continued to believe in “the old ways” came to be known as pagans. Pagans have been broadly defined as anyone involved in any religious act, practice, or ceremony which is not Christian. Jews and Muslims also use the term to refer to anyone outside their religion. Some define paganism as a religion outside of Christianity, Judaism, Hinduism, Islam, and Buddhism; others simply define it as being without a religion. Paganism, however, often is not identified as a traditional religion per se because it does not have any official doctrine; however, it has some common characteristics within its variety of traditions. One of the common beliefs is the divine presence in nature and the reverence for the natural order in life. In the strictest sense, paganism refers to the authentic religions of ancient Greece and Rome and the surrounding areas. The pagans usually had a polytheistic belief in many gods but only one, which represents the chief god and supreme godhead, is chosen to worship. The Renaissance of the 1500s reintroduced the ancient Greek concepts of Paganism. Pagan symbols and traditions entered European art, music, literature, and ethics. The Reformation of the 1600s, however, put a temporary halt to Pagan thinking. Greek and Roman classics, with their focus on Paganism, were accepted again during the Enlightenment of the 1700s.