Lesbian, Gay, Bisexual, and Transgender
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Who is QAIA? (cont’d from inside front cover) New York City Queers Against Israeli Apartheid (NYC-QAIA) is a group of queer activists who support MAY 24-25 NYC QAIA and QFOLC invites queers and allies to a meeting in the lobby of the Center. The Center Palestinians’ right to self-determination, and challenge Israel’s occupation of the West Bank & East Jeru- approves a QAIA request for space for a few meetings. Michael Lucas threatens for a boycott of city salem as well as the military blockade of Gaza. We stand with Palestinian civil society’s call for boycott, funding of the Center. divestment and sanctions (BDS) against Israel, and the call by Palestinian queer groups to end the oc- cupation as a critical step for securing Palestinian human rights as well as furthering the movement for Palestinian queer rights. Check out QAIA: MAY 26 QAIA’s meeting takes place in Room 412 instead of the lobby. Planning proceeds for QAIA’s pride http://queersagainstisraeliapartheid.blogspot.com contingents. A meeting is scheduled for June 8. What is PINKWASHING & PINKWATCHING anyway? JUNE QAIA participates in Queens & Brooklyn Pride Parades, Trans Day of Action, Dyke March, and NYC “Pinkwashing” is attempts by some supporters of Israel to defend Israeli occupation and apartheid by LGBT Pride March in Manhattan, eliciting positive responses in all; but one group of pro-Palestinian diverting attention to Israel’s supposedly good record on LGBT rights. Anti-pinkwashing is pinkwatch- queers with a different contingent is pushed and shoved by a pro-Israel contingent. ing. Pinkwatching activists (like NYC-QAIA) work to expose Israeli pinkwashing tactics and counter them through our messaging that queer struggle globally is not possible until there is liberation for all JUNE 2 people, and that Israel being washed as a gay-haven instead of an Apartheid settler state is unjustly The Center announces a ban on Palestine solidarity organizing and a moratorium on discussion of saying: human rights for some, not all. -
GED Creative Writing Class
Syllabus – ENG 111: Literature and Composition – Hostos Community College - Page 1 of 10 Hostos Community College / English Department ENG 111: Literature and Composition / Spring 2018 Syllabus Course: English - ENG 111 – 715B / Section 49207 Class Meeting: Monday/Wednesday, 5:30pm-6:45pm January 29 – May 16, 2018 / Final Exam – Monday, May 21, 2018 (to be confirmed) Class Location: Building C - Room 557 Professor/Contact: Charles Rice-González | [email protected]; Office Phone: 718-518-6865 Office hours: Mondays 3:30-4:30pm / Wednesdays 4:00-5:00pm / (by appointment)/Room B-514 Course description: The Hostos Community College Course Catalog offers the following course description: English 111, the second semester of freshman composition and a foundational writing course, introduces students to techniques for close reading of literary texts. This course develops students’ critical thinking skills through the study of literary elements such as plot, character, setting, point of view, symbolism, and irony. Additionally, students will learn the Modern Language Association (MLA) system of parenthetical citation and how to incorporate quotations into their analysis of literary texts; they will also complete a research assignment by consulting both print and online sources. Students will be able to interpret and write critically about each of the three major genres: fiction, poetry, and drama. Also, students will participate in class discussions and readings. They will also be required to submit formal essays and a research paper written at the university level. The readings will provide the fodder for ideas, concepts and experiences that will feed the essays. Course Objectives for English 111: In this course students will become familiar with three of the major genres of literature (fiction, poetry, and drama) and read and write critically about one or more of these forms. -
The Violet Quill Club: Constructing a Post-Stonewall Gay Identity Through Fiction
The Violet Quill Club: Constructing a Post-Stonewall Gay Identity through Fiction Brian Trimboli Senior Honors Thesis Spring 2016 Advisor: Professor of Literary and Cultural Studies Kristina Straub Trimboli 2 Abstract It‘s difficult to define ―literature,‖ let alone ―gay literature.‖ Nonetheless, a group of seven gay male authors, dubbed the Violet Quill Club, met at informal roundtables in New York City to critique each other‘s work in the late 1970s into the early ‘80s, creating a set of works that redefined the way Americans read ―gay‖ novels. These authors published their seminal works during this time, a unique era of sexual freedom in the United States that fell between the Stonewall riots, which mark the beginning of the modern gay rights movement, and the AIDS crisis, which took the lives of four members of the group. The fiction published by the Violet Quill Club established a new gay identity born of New York‘s gay culture, which emphasized sexual liberation and freedom from traditional heterosexual institutions such as marriage. Although this constructed identity was narrowly construed, it influenced a generation of gay men and still resonates within today‘s LGBT rights movement. Trimboli 3 Introduction The definition of ―literature‖ has never been fixed. ―Literature is embedded in the question, ‗What is Literature,‘‖ Michel Foucault told an audience in December 1964 at the Facultés universitaires Saint-Louis in Brussels. ―Literature is not at all made of something ineffable, it is made of something non-ineffable, of something we might consequently refer to, in the strict and original meaning of the term, as ‗fable.‘‖ ―Literature‖ is an even more nebulous category for gay authors producing works with gay themes. -
Forget Burial: Illness, Narrative, and the Reclamation of Disease
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Forget Burial: Illness, Narrative, and the Reclamation of Disease Marty Melissa Fink The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2168 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Forget Burial Illness, Narrative, and the Reclamation of Disease by Marty (Melissa) Fink A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 MARTY MELISSA FINK All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Robert Reid-Pharr Date Chair of Examining Committee Steven Kruger Date Executive Officer Robert Reid-Pharr Steven Kruger Barbara Webb Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract Forget Burial: Illness, Narrative, and the Reclamation of Disease by Marty Fink Advisor: Robert Reid-Pharr Through a theoretical and archival analysis of HIV/AIDS literature, this dissertation argues that the AIDS crisis is not an isolated incident that is now “over,” but a striking culmination of a long history of understanding illness through narratives of queer sexual decline and national outsiderhood. -
Felice Picano Eric Andrews-Katz
Our History Felice Picano Eric Andrews-Katz Felice Picano is one of the premier forces of the American years. I met Edmund White in Greenwich Village in 1976, gay literary movement. He has authored over twenty-five and George Whitmore in ’77. Chris Cox was Edmund’s books of fiction, nonfiction, poetry, and plays. Nominated boyfriend; George and I were tempestuous boyfriends at for four Lambda Literary Awards and a finalist for the the time, but he was instrumental in forming the group. PEN Foundation/Hemingway Award, Picano has won Robert was also very socially active, so he and George the Syndicated Fiction/PEN Award, the Ferro-Grumley pulled it together. Award, and the Gay Times of England Award for best gay novel and best short story. Several of Picano’s novels ERIC: Do you find advantages with using a writer’s have been reissued by Bold Strokes Books, and his latest group? memoir, True Stories: Portraits of My Past, has garnered some of the best reviews of his career. Picano, now in his FELICE: We did then because nobody was taking our mid-sixties, continues to write new stories and publish writing seriously, and neither were our friends. No one new work. This fall Bold Strokes is releasing his third would have anything to do with gay literature. They all collection of short fiction,Contemporary Gay Romances, said, “There’s no such thing; there’s only porn.” We had to and next year will publish a fourth collection, Twelve find each other, little by little, and then write and define O’Clock Tales, comprised of the author’s genre, mystery, what was both “gay” and “literature” at the same time; and speculative fiction stories. -
Freedom, Femininity, Danger: the Paradoxes of a Lesbian Flaneur In
Freedom, Femininity, Danger: The Paradoxes of a Lesbian Flaneur in Sarah Schulman’s Girls, Visions and Everything. Alla Ivanchikova University of Buffalo, SUNY Abstract Resumen Keywords: flaneur, lesbian, queer narrative, streetwalking, Sara Schulman, Girls, Visions and Everything. Palabras Clave: flaneur, lesbiana, narrative queer, paseo, calle, Sara Schulman, Girls, Visions and Everything. The sex of the flaneur A kiss is not just a kiss when it is performed by a same-sex couple in public. Gill Valentine, in “(Re)Negotiating Heterosexual Street”i discusses the case of two lesbians thrown out of the supermarket for kissing in present day England. Valentine’s brief description of this incident reveals that the street/ public space is not asexual or neutral, but restrictive and punishing in relation to the performance of non-heteronormative behavior. The street, she underscores, is an environment that is strictly coded and is presumed to be a heterosexual space where ‘sexual dissidents’, gay men and lesbian women, are not allowed to enact or reveal their sexuality. Valentine also believes that in public places, such as the streets of the city, aggression becomes a direct way of regulating deviant behaviors and imposing unwritten rules of heteronormativity while Alla Ivanchikova Freedom, femininity, Danger: The Paradoxes of . AMERICAN@ ISSN:1695-7814 Vol. IV. Issue 1 2006 bypassing the police or authorities. Direct aggression, indeed, is the most straightforward indicator of the existence and strictness of these rules, and along with more subtle ways like looks of disapproval, whispers and stares, effectively contributes to the ‘heterosexing of space’. At the same time, she readily points out, these responses testify to the fragility of the hetenormative space, the codes and rules or which need to be constantly maintained and protected from the other possibilities that are never too far away. -
2019–2020 L.A.B. Series: Regeneration Andrea Geyer, Sarah
2019–2020 L.A.B. Series: Regeneration Andrea Geyer, Sarah Schulman, and James Allister Sprang December 3, 2019, 6:30pm Inaugurated in 2012, The Kitchen L.A.B. (Language, Art, Bodies) is an annual series that brings together artists and writers across disciplines to unpack how the meaning of artistic and cultural terms may shift—and become more resonant or ambiguous—over time. This year, the series considers the term “regeneration” as it pertains to creating something new; as it relates to recycling or re- purposing historic issues or material; and, within the broader cultural and political landscape, as it intersects with the historical question of whether to bring about change through revolution or reform. What tools from the past remain effective, and how should they be turned over to something new? The L.A.B. season continues with a conversation among Andrea Geyer, Sarah Schulman, and James Allister Sprang that explores the regenerative potential of intergenerational dialogues and inquiries into established lineages. Referring to both recent projects and their broader interests, the speakers will discuss how their engagements with individuals and practices from different eras inform their own perspectives. Andrea Geyer studied at the Fachhochschule Bielefeld and the Braunschweig University of Art in Germany before graduating in 2000 from the Whitney Museum Independent Study Program in New York. Geyer’s work has been the subject of exhibitions at the Irish Museum of Modern Art in Dublin (2018), San Francisco Museum of Modern Art (2017), Goethe Universität Frankfurt (2017), New Foundation Seattle (2015–16), Harn Museum of Art at the University of Florida in Gainesville (2015), and Portland Institute for Contemporary Art (2014). -
Gentrification and Lesbian Subcultures in Sarah Schulman's
Aneta Dybska Gentrification and Lesbian Subcultures LQ6DUDK6FKXOPDQ¶V Girls, Visions and Everything A 2010 press release accompanying the launching of a 40-second film Discovered (Odkryta SURPRWLQJ àyGĨ DV D FDQGLGDWH IRU WKH (XURSHDQ &DSLWDO RI &XOWure 2016, GUDZVDWWHQWLRQWRWKHFLW\¶VXQLTXHQHVVDQGPDJLFDO\HWXQVHWWOLQJDSSHDO'LUHFWHGE\ %RU\V/DQNRV]³'LVFRYHUHG´LQFRUSRUDWHVWKHILOPQRLUDHVWKHWLFWRPDSWKHFLW\¶VFXl- WXUDOSRWHQWLDODQGFUHDWLYHHQHUJLHVRQWR.VLĊĪ\0á\QWKHFLW\¶VKLVWRrical textile indus- try district. Home to the thriving Polish textile industry since the early nineteenth cen- WXU\àyGĨHQWHUHGWKHWZHQW\-first century as a major player in the revitalization of its once vibrant urban spaces, including the conversion of dilapidated factory buildings in .VLĊĪ\0á\QLQWRPRGHUQOLYLQJVSDFHV$VUHFHQWO\DV0D\DQ$XVWUDOLDQFRPSa- ny, Opal Property Developments, put up for sale stylish lofts in a gated community on the former site of the Karol Scheibler factory complex. Shot against the backdrop of nineteenth-FHQWXU\ LQGXVWULDO DUFKLWHFWXUH RI ZRUNHUV¶ homes (IDPXá\), Discovered stages an urban drama of a man in a trench-coat and a felt hat, possibly a private eye, with a camera and flashlight, pursuing a woman, a femme fatale type, along the dimly-OLWDOOH\ZD\VRIQLJKWWLPH.VLĊĪ\0á\Q3OD\LQJRQWKHWUDGi- WLRQDOVH[XDODWWUDFWLRQLQWKHILOPQRLUFODVVLFV/DQNRV]IRUHJURXQGVàyGĨ¶VXUEDQP\s- WHU\LQOLQH ZLWKWKHFLW\RIILFLDOV¶SODQVWRDWWUDFWDUWLVWVLQWRWKHSRVWLQGustrial, disin- vested, city-owned area but, equally, to transform it into an incubator of creativity, thus forging a new economy of cultural production. As Lankosz admits in an interview, his inspirations take root in the experience of the American metropolis: [àyGĨ@UHPLQGVPHRI1HZ<RUNZKHUHWKHDUWLVWVVHWWKHWUHQGVLQWKHXUEDQVSDFH They get to some places first, they get the feel of those places, they are inspired by WKHP«7DNHIRUH[DPSOHWKH0HDWSDFNLQJ'LVWULFWLQ1HZ<RUN8QWLOUHFHQWO\WKLV was a EXWFKHUV¶QHLJKERUKRRGDQGWRGD\LWKDVEHFRPHDKLSSODFH7KHDUWLVWVFDPH first and attracted money to the area through fashion designers, clubs, etc. -
Martha Wash to Be Honored on World Aids Day Page 13
Volume 25 • Issue 22 • No. 469 • November 22, 2012 • outwordmagazine.com Martha Wash To Be Honored On World Aids Day page 13 SGMC Lights Your World page 8 Brandy and Miguel page 15 Del Shores & Disco page 17 Drag Queens on Ice Pics! page 21 Our Annual Holiday Shopping Guide is on page 12! COLOR GIVE THE GIFT OF FAIR TRADE, CO-OPERATIVE VALUES AND REAL FOOD FOR EVERYONE OPEN DAILY 7AM–10PM (530) 758-2667 • www.davisfood.coop 620 G Street (cross is Sixth) • Davis 95616 YOUR NEIGHBORHOOD GROCERY STORE... & SO MUCH MORE. 2 Outword Magazine November 22, 2012 - December 13, 2012 • Volume 25 • Issue 22 • No. 469 outwordmagazine.com COLOR Ad Name: Gay Males club Closing Date: 3/28/12 Trim: 10.8125x13 Item #: PBL20109925 QC: CS Bleed: none Job/Order #:238788 Pub: Outword Live: 10.3125x12.5 COLOR 594708_02712 10.8125x13 4c Personal Financial Review You’ve found one another and you’re ready to take the next big step — sharing expenses. Talk to someone who can help you navigate the maze of your personal finances and help you take control of your financial situation. Wells Fargo has a wide range of accounts and services including flexible checking and savings accounts, investments, and loans, and we’ll work with you to create a financial strategy that works for you both. Speak with a Wells Fargo banker today, and take your next big step with confidence. wellsfargo.com © 2011 Wells Fargo Bank, N.A. All rights reserved. Member FDIC. (594708_02712) 594708_02712 10.8125x13 4c.indd 1 8/4/11 10:42 AM Outword Letters Staff actualization. -
Author Title Place of Publication Publisher Date Special Collection Wet Leather New York, NY, USA Star Distributors 1983 up Cain
Books Author Title Place of publication Publisher Date Special collection Wet leather New York, NY, USA Star Distributors 1983 Up Cain London, United Kingdom Cain of London 197? Up and coming [USA] [s.n.] 197? Welcome to the circus shirkus [Townsville, Qld, Australia] [Student Union, Townsville College of [1978] Advanced Education] A zine about safer spaces, conflict resolution & community [Sydney, NSW, Australia] Cunt Attack and Scumsystemspice 2007 Wimmins TAFE handbook [Melbourne, Vic, Australia] [s.n.] [1993] A woman's historical & feminist tour of Perth [Perth, WA, Australia] [s.n.] nd We are all lesbians : a poetry anthology New York, NY, USA Violet Press 1973 What everyone should know about AIDS South Deerfield, MA, USA Scriptographic Publications Pty Ltd 1992 Victorian State Election 29 November 2014 : HIV/AIDS : What [Melbourne, Vic, Australia] Victorian AIDS Council/Living Positive 2014 your government can do Victoria Feedback : Dixon Hardy, Jerry Davis [USA] [s.n.] c. 1980s Colin Simpson How to increase the size of your penis Sydney, NSW, Australia Venus Publications Pty.Ltd 197? HRC Bulletin, No 72 Canberra, ACT, Australia Humanities Research Centre ANU 1993 It was a riot : Sydney's First Gay & Lesbian Mardi Gras Sydney, NSW, Australia 78ers Festival Events Group 1998 Biker brutes New York, NY, USA Star Distributors 1983 Colin Simpson HIV tests and treatments Darlinghurst, NSW, Australia AIDS Council of NSW (ACON) 1997 Fast track New York, NY, USA Star Distributors 1980 Colin Simpson Denver University Law Review Denver, CO, -
GLBTRT Newsletter
GLBTRT Newsletter A publication of the Gay, Lesbian, Bisexual, Transgender Round Table of the American Library Association http://www.ala.org/glbtrt Reviews (Pages 5 -12): Films Vol. 23, No. 2 ◊ Summer 2011 A Marine Story Two Spirits Youth 365 Days GLBTRT Social in New Orleans Hidden Jumpstart the World The Social Committee Eric Johnson, Tom Fortin, This is the place to see Sleeping Angel and Rod MacNeil and the GLBTR co-chairs, and be seen. A trendy Non-Fiction Anne Moore and Dale McNeill, are looking bar opens into a forward to welcoming everyone at our social lush courtyard and 100 of the Most during at this year’s annual meeting in New offers a fine wine and Influential Gay Orleans. The social will be held at Hotel tequila selection along Entertainers LeMarais (717 Conti Street) in the heart of the with its signature French Quarter from 5:30 pm – 8:00 pm purple cocktail. Binding the God Sunday the 26th. Donations will be gladly accepted to defray the costs of the event. How to Find Love in a Gay Bathhouse Hotel Le Marais is New Orleans’ newest upscale From the Closet to the boutique hotel. According to the hotel website, Courtroom this French Quarter hotel is a modern and upscale sanctuary with four-star amenities and It Gets Better a high level of personal service. The L Life Out Loud A Saving Remnant True Stories Attend Membership Meeting and Participate in Fiction Vote for Over the Rainbow Committee Black Fire Blood Sacraments Over the Rainbow was given ad hoc status a year ago to complete important work meeting the missions of our Head Trip Round Table, specifically creating an annual bibliography of “titles of interest to adult readers that reflect lesbian, gay, bisexual, transgender or queer (LGBTQ) experiences.”. -
Lesbian Suicide Musical"
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Branding Bechdel’s Fun Home: Activism and the Advertising of a "Lesbian Suicide Musical" by Maureen McDonnell The Journal of American Drama and Theatre Volume 31, Number 2 (Winter 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center Alison Bechdel offered a complicated and compelling memoir in her graphic novel Fun Home: A Family Tragicomic (2006), adapted by Lisa Kron and Jeanine Tesori into the Broadway musical Fun Home (2015). Both works presented an adult Bechdel reflecting on her father’s troubled life as a closeted gay man and his possible death by suicide. As Bechdel herself noted, “it’s not like a happy story, it’s not something that you would celebrate or be proud of.”[1] Bechdel’s coining of “tragicomic” as her book’s genre highlights its fraught narrative and its visual format indebted to “comics” rather than to comedy. Bechdel’s bleak overview of her father’s life and death served as a backdrop for a production that posited truthfulness as life-affirming and as a means of survival. Fun Home’s marketers, however, imagined that being forthright about the production’s contents and its masculine lesbian protagonist would threaten the show’s entertainment and economic potential. It was noted before the show opened that “the promotional text for the show downplays the queer aspects,” a restriction that was by design.[2] According to Tom Greenwald, Fun Home’s chief marketing strategist and the production’s strategy officer, the main advertising objective was to “make sure that it’s never ever associated specifically with the ‘plot or subject matter.’” Instead, the marketing team decided to frame the musical as a relatable story of a family “like yours.” [3] The marketers assumed that would-be playgoers would be uninterested in this tragic hero/ine if her sexuality were known.