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Dylan Thomas's “Over Sir John's Hill”: the Motif of His Art Songs
International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3592 & P-ISSN: 2200-3452 www.ijalel.aiac.org.au Dylan Thomas’s “Over Sir John’s Hill”: The Motif of His Art Songs S Bharadwaj* Annamalai University, India Corresponding Author: S Bharadwaj, E-mail:[email protected] ARTICLE INFO ABSTRACT Article history In the last dramatic art song “Over Sir John’s Hill,” Dylan Thomas reiterates that the motif Received: October 11, 2020 of his art songs has been the Yeatsian introspective process of individuation and integration, Accepted: December 13, 2020 transfiguration and transformation, the mortal vision of Grecian altruistic art song as seen in Published: January 31, 2021 his early poem 18 Poems. His Yeatsian process of tragic happiness, his warm impersonal art, Volume: 10 Issue: 1 his paradoxical sensibility that makes him an artist of success and popularity in contrast to Advance access: January 2021 W.H. Auden’s Eliotian motif of metaphysical process of self-annihilation and immortal art, his aesthetic amoral impersonal art, his tragic vision of art song which deprives him of his grandeur and influence. However, the main thrust is extending to the dismembered and discontented Auden Conflicts of interest: None the very same process of regeneration that Thomas has offered to the victims of Auden’s art Funding: None song while ignoring everything about … allegations of tilting, toppling and conspiracy against him. The song also testifies to his Yeatsian cosmopolitan culture maintaining his equanimity and magnanimity -
Brooklyn Transit Primary Source Packet
BROOKLYN TRANSIT PRIMARY SOURCE PACKET Student Name 1 2 INTRODUCTORY READING "New York City Transit - History and Chronology." Mta.info. Metropolitan Transit Authority. Web. 28 Dec. 2015. Adaptation In the early stages of the development of public transportation systems in New York City, all operations were run by private companies. Abraham Brower established New York City's first public transportation route in 1827, a 12-seat stagecoach that ran along Broadway in Manhattan from the Battery to Bleecker Street. By 1831, Brower had added the omnibus to his fleet. The next year, John Mason organized the New York and Harlem Railroad, a street railway that used horse-drawn cars with metal wheels and ran on a metal track. By 1855, 593 omnibuses traveled on 27 Manhattan routes and horse-drawn cars ran on street railways on Third, Fourth, Sixth, and Eighth Avenues. Toward the end of the 19th century, electricity allowed for the development of electric trolley cars, which soon replaced horses. Trolley bus lines, also called trackless trolley coaches, used overhead lines for power. Staten Island was the first borough outside Manhattan to receive these electric trolley cars in the 1920s, and then finally Brooklyn joined the fun in 1930. By 1960, however, motor buses completely replaced New York City public transit trolley cars and trolley buses. The city's first regular elevated railway (el) service began on February 14, 1870. The El ran along Greenwich Street and Ninth Avenue in Manhattan. Elevated train service dominated rapid transit for the next few decades. On September 24, 1883, a Brooklyn Bridge cable-powered railway opened between Park Row in Manhattan and Sands Street in Brooklyn, carrying passengers over the bridge and back. -
Cultural Guide for Seniors: Brooklyn PHOTOGRAPHY
ART / DESIGN ARCHITECTURE DANCE / SING THEATRE / LIVE MONUMENTS GALLERIES / ® PARKSCultural Guide for Seniors: Brooklyn PHOTOGRAPHY Acknowledgments NYC-ARTS in primetime is made possible in part by First Republic Bank and by the Rubin Museum of Art. Funding for NYC-ARTS is also made possible by Rosalind P. Walter, The Paul and Irma Milstein Foundation, The Philip & Janice Levin Foundation, Elise Jaffe and Jeffrey Brown, Jody and John Arnhold, and The Lemberg Foundation. This program is NYC-ARTS.org supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. On multiple platforms, Thirteen/WNET’s Additional funding provided by members of NYC-ARTS aims to increase awareness of THIRTEEN. New York City’s nonprofit cultural organizations, whose offerings greatly benefit We are grateful to Megan Flood for residents and visitors—from children to adults, contributing the design of the cover of this and teenagers to senior citizens. publication. NYC-ARTS promotes cultural groups’ We are grateful for the cooperation of the activities and events to tri-state, national and cultural organizations that supplied information international audiences through nonprint media, for this guide. using new technologies as they develop. Through websites, television, mobile applications and social media, NYC-ARTS This program is supported, in part, by nurtures New York City’s position as a public funds from the New York City thriving cultural capital of the world, one that Department of Cultural Affairs. has both world renowned institutions and those that are focused on local communities. WNET 825 Eighth Avenue New York, NY 10019 http://WNET.org (212) 560-2000 Cover Design: Megan Flood Copyright © 2012 WNET Table of Contents A.I.R./Artists in Residence Gallery............................................................................. -
Assessment of Population Density and Structure of Primates in Pandam Wildlife Park, Plateau State, Nigeria
Sustainability, Agri, Food and Environmental Research, (ISSN: 0719-3726) , 6(2), 2018: 18-35 18 http://dx.doi.org/10.7770/safer-V6N2-art1503 ASSESSMENT OF POPULATION DENSITY AND STRUCTURE OF PRIMATES IN PANDAM WILDLIFE PARK, PLATEAU STATE, NIGERIA DENSIDAD POBLACIONAL Y ESTRUCTURA DE PRIMATES DIURNOS EN EL PARQUE DE VIDA SILVESTRE EN PANDAM, ESTADO DE PLATEAU, NIGERIA. Gabriel Ortyom Yager*, James Oshita Bukie and Avalumun Emmanuel Kaa, Department of Wildlife and Range Management, University of Agriculture, Makurdi, Benue State, Nigeria. *Correspondent author email & Phone: [email protected]; 08150609846 ABSTRACT A survey of diurnal primate species in Pandam Wildlife Park, Nigeria was conducted to determine its population density and structure. Eight transect lines (2.0km length, 0.02km width) at interval of 1.0km were located as representative samples in the Park within the Three-range stratum (riparian forest, savannah woodland and, swampy area) based on proportional to size of the strata in providing information on the primates’ species present in the Park which include Cercopithecus mona, Erythrocebus patas, Papio anubis and, Chlorocebus tantalus. Direct method of animal sighting was employed. Data was collected and analyzed using descriptive statistics, ANOVA and diversity indices. The results showed that savannah woodland strata had more number of individual species encountered (132) and the lowest was the swampy area. Also the savannah woodland had the highest species diversity and richness while the riparian forest strata had the highest number of species evenness. More so, Cercopithecus tantalus was widespread throughout the Park among other primates and Cercopithecus mona is most likely to decline even more rapidly than others since they inhabit the very tall trees. -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
SETH POLEN 213.595.5726 Direct [email protected] DRE
SETH POLEN 213.595.5726 Direct [email protected] DRE 01133279 CONFIDENTIALITY AND DISCLAIMER All materials and information received or derived from KW COMMERCIAL its directors, officers, agents, advisors, affiliates and/or any third party sources are provided without representation or warranty as to completeness , veracity, or accuracy, condition of the property, compliance or lack of compliance with applicable governmental requirements, developability or suitability, financial performance of the property, projected financial performance of the property for any party’s intended use or any and all other matters. Neither KW COMMERCIAL its directors, officers, agents, advisors, or affiliates makes any representation or warranty, express or implied, as to accuracy or completeness of the materials or information provided, derived, or SETH POLEN received. Materials and information from any source, whether written or verbal, that may be furnished for review DIRECTOR are not a substitute for a party’s active conduct of its own due diligence to determine these and other matters of 213.595.5726 Direct significance to such party. KW COMMERCIAL will not investigate or verify any such matters or conduct due diligence for a party unless otherwise agreed in writing. [email protected] DRE 01133279 EACH PARTY SHALL CONDUCT ITS OWN INDEPENDENT INVESTIGATION AND DUE DILIGENCE. SETHPOLEN.COM Any party contemplating or under contract or in escrow for a transaction is urged to verify all information and to conduct their own inspections and investigations including through appropriate third party independent professionals selected by such party. All financial data should be verified by the party including by obtaining and reading applicable documents and reports and consulting appropriate independent professionals. -
The Copulatory Behaviour of Adult Male Patas Monkeys
THE COPULATORY BEHAVIOUR OF ADULT MALE PATAS MONKEYS, ERYTHROCEBUS PATAS JAMES LOY Department of Sociology and Anthropology, University of Rhode Island, Kingston, Rhode Island 02881, U.S.A. (Received 22nd February 1975) The present observations of the reproductive behaviour of adult male patas monkeys (Erythrocebus patas) suggest that these primates typically copulate during a single mount unless they experience difficulty achieving intromission and/or they are harassed by conspecifics. These observations are in contrast to the report by Hall et al. (1965), who described a patas male who copulated in a series of mounts, i.e. behaviour similar to that of males of several macaque species (Bielert & Goy, 1973; Nadler & Rosenblum, 1973). The patas monkey group observed during the present study was maintained in a \m=1/2\acre outdoor corral at the primate colony at La Parguera, Puerto Rico, a facility of the Caribbean Primate Research Center. The monkeys were pro- vided with an unlimited supply of Wayne Monkey Diet and water. Behavioural observations were made from November 1971 until June 1974 for a total of 781 hr. The original social group consisted of a single adult male (A), eight adult females, two immature males and two immature females. All of the monkeys were thought to be of East African origin. During the spring of 1972, Male A was replaced by adult Male LI73; this switch was necessitated because of repeated attacks on the colony staff by Male A. The birthplace of Male LI 73 was not known. In addition to the copulatory behaviour of Males LI73 and A, some data from adult Male I are included. -
Handcrafted in Australia. Since 1969
2019-2020 Handcrafted in Australia. Since 1969. From golden coastlines and endless JACARU HATS sun-baked horizons, dense tropical rainforests and rugged bushland, 4 Kangaroo red deserts and vast sweeping New Premium Range plains, Australia is a country of 8 Western unparalleled uniqueness Our two most iconic hats are now also available in a new premium version - a country like no other. 10 Exotic in addition to our standard models. Available in brown and black. Since its beginning in 1969, the Jacaru brand has reflected this 14 Breeze Australian landscape, its unique lifestyle and the spirit that is 16 Traditional Australia - wild, untameable, strong and courageous. 18 Australian Wool 50 years on, Jacaru has established Ladies itself as one of Australia’s finest 20 accessories brands, selling in over contents 50 countries worldwide. Today, 24 Kid’s we are prouder than ever to be Australian. 26 Summer Lovin’ We believe in Australian made 34 Safety and Workwear products, handcrafted from the finest Australian materials. 37 Wallets & Purses We are proud that our products are 38 Leather Belts designed and made with dedication in the hands of our craftspeople located in Burleigh on the iconic 40 Fur Accessories Gold Coast of Queensland, Australia. 41 Keyrings We are proud of our heritage and 42 Oilskin Waxed Products will continue to work passionately to bring you quality products that 44 Hat Accessories are quintessentially Australian. 45 Scarves Established in 1969, the Jacaru brand reflects the spirit that is 46 Product Care Australia - wild, untameable, strong and courageous. 47 Size Chart Jacaru - Handcrafted in Australia. -
NJDARM: Collection Guide
NJDARM: Collection Guide - NEW JERSEY STATE ARCHIVES COLLECTION GUIDE Record Group: Governor Franklin Murphy (1846-1920; served 1902-1905) Series: Correspondence, 1902-1905 Accession #: 1989.009, Unknown Series #: S3400001 Guide Date: 1987 (JK) Volume: 6 c.f. [12 boxes] Box 1 | Box 2 | Box 3 | Box 4 | Box 5 | Box 6 | Box 7 | Box 8 | Box 9 | Box 10 | Box 11 | Box 12 Contents Explanatory Note: All correspondence is either to or from the Governor's office unless otherwise stated. Box 1 1. Elections, 1901-1903. 2. Primary election reform, 1902-1903. 3. Requests for interviews, 1902-1904 (2 files). 4. Taxation, 1902-1904. 5. Miscellaneous bills before State Legislature and U.S. Congress, 1902 (2 files). 6. Letters of congratulation, 1902. 7. Acknowledgements to letters recommending government appointees, 1902. 8. Fish and game, 1902-1904 (3 files). 9. Tuberculosis Sanatorium Commission, 1902-1904. 10. Invitations to various functions, April - July 1904. 11. Requests for Governor's autograph and photograph, 1902-1904. 12. Princeton Battle Monument, 1902-1904. 13. Forestry, 1901-1905. 14. Estate of Imlay Clark(e), 1902. 15. Correspondence re: railroad passes & telegraph stamps, 1902-1903. 16. Delinquent Corporations, 1901-1905 (2 files). 17. Robert H. McCarter, Attorney General, 1903-1904. 18. New Jersey Reformatories, 1902-1904 (6 files). Box 2 19. Reappointment of Minister Powell to Haiti, 1901-1902. 20. Corporations and charters, 1902-1904. 21. Miscellaneous complaint letters, December 1901-1902. file:///M|/highpoint/webdocs/state/darm/darm2011/guides/guides%20for%20pdf/s3400001.html[5/16/2011 9:33:48 AM] NJDARM: Collection Guide - 22. Joshua E. -
In New York City
Outdoors Outdoors THE FREE NEWSPAPER OF OUTDOOR ADVENTURE JULY / AUGUST / SEPTEMBER 2009 iinn NNewew YYorkork CCityity Includes CALENDAR OF URBAN PARK RANGER FREE PROGRAMS © 2009 Chinyera Johnson | Illustration 2 CITY OF NEW YORK PARKS & RECREATION www.nyc.gov/parks/rangers URBAN PARK RANGERS Message from: Don Riepe, Jamaica Bay Guardian To counteract this problem, the American Littoral Society in partnership with NYC Department of Parks & Recreation, National Park Service, NYC Department of Environmental Protection, NY State Department of Environmental Conservation, Jamaica Bay EcoWatchers, NYC Audubon Society, NYC Sierra Club and many other groups are working on various projects designed to remove debris and help restore the bay. This spring, we’ve organized a restoration cleanup and marsh planting at Plum Beach, a section of Gateway National Recreation Area and a major spawning beach for the ancient horseshoe crab. In May and June during the high tides, the crabs come ashore to lay their eggs as they’ve done for millions of years. This provides a critical food source for the many species of shorebirds that are migrating through New York City. Small fi sh such as mummichogs and killifi sh join in the feast as well. JAMAICA BAY RESTORATION PROJECTS: Since 1986, the Littoral Society has been organizing annual PROTECTING OUR MARINE LIFE shoreline cleanups to document debris and create a greater public awareness of the issue. This September, we’ll conduct Home to many species of fi sh & wildlife, Jamaica Bay has been many cleanups around the bay as part of the annual International degraded over the past 100 years through dredging and fi lling, Coastal Cleanup. -
Granite's Construction Experience
PUGET SOUND REGION June 8, 2010 Jim Wilkerson Purchasing Division Tacoma Public Utilities 3628 S. 35th Street Tacoma, WA 98409 RE: Statement for Qualifications for Murray Morgan Bridge Rehabilitation Design-Build Project (Specification No: PW10-0128F) Dear Jim: The rehabilitation of the Murray Morgan Bridge offers the City of Tacoma yet another creative element to the City’s infrastructure that provides beneficial use to its citizens while honoring its past. Granite Construction Company (Granite), one of the largest and most established regional and national design-build construction contractors, offers the City of Tacoma a focused team of engineers and subconsultants that has the skills, experience, and local resources to partner with the City on the delivery of this truly unique project. The Granite Team was specifically structured to deliver the most cost-effective approach to reopening the Murray Morgan Bridge by November 2012. In doing so, we are confident that we are the team best suited to: Deliver on your schedule commitments Incorporate quality systems and materials Provide the highest value for the budget Reduce operating and maintenance costs Allow for maximum supplemental work Honor stakeholder commitments To achieve these objectives, Granite has carefully selected the following key team members: FIRM ROLE Granite Construction Company Submitter, Design-Build Contractor HDR Engineering, Inc. Lead Designer (Major Participant) Kleinfelder Quality Management, Materials Testing PRR Public Involvement CivilTech Engineering Retaining Walls & Lifesafety Structures Hough Beck & Baird Urban Streetscape Design & Sustainability Link Controls Electrical Controls Design-Builder Northwest Archaeological Associates Historic/Cultural Specialist Granite / Everett Area Office | 1525 E. Marine View Dr., Everett, WA 98201-1927 | Ph: (425) 551-3100 | Fax: (425) 551-3116 Granite / Whatcom Area Office | 3876 Hannegan Rd., Bellingham, WA 98226-9103 | Ph: (360) 676-2450 | Fax: (360) 733-6735 Granite / Thurston Area Office | 7717 New Market St.