NAAB SACD 2011 Architecture Program Report (APR)
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments Permalink https://escholarship.org/uc/item/43t4721n Author Tan, Zheng Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Zheng Tan 2014 © Copyright by Zheng Tan 2014 ABSTRACT OF THE DISSERTATION Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments by Zheng Tan Doctor of Philosophy in Architecture University of California, Los Angeles, 2014 Professor Dana Cuff, Chair This dissertation explores the urbanism of Hong Kong between 1967 and 1997, tracing the history of Hong Kong’s vertically integrated developments. It inquires into a Hong Kong myth: How can minimum state intervention gather social resources to build collective urban form? Roughly around the MacLehose Era, Hong Kong began to consciously assume a new vertical order in urban restructuring in order to address the issue of over-crowding and social unrest. British modernist planning provided rich approaches and visions which were borrowed by Hong Kong to achieve its own planning goals. The new town plan and infrastructural development ii transformed Hong Kong from a colonial city concentrated on the Victoria Harbor to a multi-nucleated metropolitan area. The implementation of the R+P development model around 1980 deepened the intermingling between urban infrastructure and superstructure and extended the vertical urbanity to large interior spaces: the shopping centers. -
Designing the Future This Year, We Celebrate the 100Th Anniversary of the Bauhaus, Germany’S Most Famous School of Design
designing the future This year, we celebrate the 100th anniversary of the Bauhaus, Germany’s most famous school of design. While only few people manage to celebrate their 100th birthday, in the lifespan of an art style this merely marks the teenage years. Germany is proud to see the anniversary being celebrated through many different festivities in countless countries across the globe throughout the entire year. It is only natural that we would also honour the Bauhaus here in Hong Kong with this symposium. After all, the Bauhaus is not only recognized and adored in Germany. After the rise of the Nazis to power, unfortunately, the Bauhaus school in Germany was forced to close and many artists were forced to emigrate. This time was undoubtedly one of the darkest chapters in recent history, but it did help accelerate the international impact of the Bauhaus and spreading its ideas across the globe. This symposium underlines the global importance of the Bauhaus, which came to be one of the most significant and effectual cultural “products” of Germany. All around one can see its influences, even here in Hong Kong: The Hong Kong News-Expo inside the former Bridges Street Market has Bauhaus-style architectural design. The Central Market and the Wan Chai Market in the heart of Hong Kong were influenced by the Bauhaus style. But also in the Hong Kong Arts Centre, which hosts the Goethe-Institut, one can find its traces. It was designed by the architect Tao Ho, who worked together with Walter Gropius, the founder of the Bauhaus school, during his time at Harvard. -
Sogdians and Buddhism
SINO-PLATONIC PAPERS Number 174 November, 2006 Sogdians and Buddhism by Mariko Namba Walter Victor H. Mair, editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. Sino-Platonic Papers emphasizes substance over form. Submissions are regularly sent out to be refereed and extensive editorial suggestions for revision may be offered. -
Consuminghong KONG
Consuming HONG KONG Edited by Gordon Mathews and Tai-lok Lui Consuming HONG KONG Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Hong Kong University Press 2001 ISBN 978-962-209-546-5 (Hardback) ISBN 978-962-209-536-6 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd. in Hong Kong, China Contents Series Foreword vii Contributors ix Map xii A Note on Cantonese Romanization xiii Introduction Gordon Mathews and Tai-lok Lui 1 1. The Malling of Hong Kong Tai-lok Lui 23 2. Making House into Home: Interior Design in Hong Kong Public Housing Nuala Rooney 47 3. Consuming Cinema: Reflections on Movies and Market-places in Contemporary Hong Kong Cindy Hing-yuk Wong and Gary W. McDonogh 81 vi Consuming Hong Kong 4. The Hierarchy of Drinks: Alcohol and Social Class in Hong Kong Eric Kit-wai Ma 117 5. Shopping for Fashion in Hong Kong Annie Hau-nung Chan 141 6. The Sense of Things: Chinese Art in the Lives of Hong Kong Collectors and Connoisseurs Eric Otto Wear 173 7. Consuming a Dream: Homes in Advertisements and Imagination in Contemporary Hong Kong Helen Hau-ling Cheng 205 8. -
Tao Ho Obituary
Dr. Tao Ho passed away peacefully on March 29th, 2019 in Hong Kong, aged 82. He had been debilitated since a stroke in April 2002. Born in Shanghai in 1936 to Ping Yin Ho & Chin Hwa, Tao grew up with elder brother Chien and younger sister Diana. The family moved to Hong Kong in 1937. A brilliant student, Tao graduated from Pui Ching Middle School and went on to receive a BA in Art History with a minor in Music and Theology at Williams College in Massachusetts. Then, he studied for his MArch at Harvard’s Graduate School of Design under the tutelage of Josep Lluís Sert, Sigfried Giedion, and Walter Gropius, the latter of whom hired Tao upon graduation as his personal assistant at The Architects Collaborative. In 1968, four years after Tao returned to Hong Kong, he founded TaoHo Design Architects. Early projects include the Hong Kong International School and the Hong Kong Arts Centre, whose designs heralded the arrival of the Bauhaus to Hong Kong. Within his broad portfolio of works are the Hong Kong Pavilion at the 1986 World Expo in Vancouver, the renovation of Hong Kong’s Governor House for Lord Chris Patten, the award-winning Wing Kwong Pentecostal Church, the first panda pavilion at Ocean Park and the revitalization of the Western Market in Sheung Wan. Tao also designed Hong Kong SAR’s Bauhinia emblem, its flag and the ceremonial pen used at the handover signing ceremony in 1997. A leader in heritage conservation and cultural development, Tao conceived of an arts district for the city that is now the West Kowloon Cultural District. -
UNIVERSITY of CALIFORNIA Los Angeles Conditions
UNIVERSITY OF CALIFORNIA Los Angeles Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Zheng Tan 2014 © Copyright by Zheng Tan 2014 ABSTRACT OF THE DISSERTATION Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments by Zheng Tan Doctor of Philosophy in Architecture University of California, Los Angeles, 2014 Professor Dana Cuff, Chair This dissertation explores the urbanism of Hong Kong between 1967 and 1997, tracing the history of Hong Kong’s vertically integrated developments. It inquires into a Hong Kong myth: How can minimum state intervention gather social resources to build collective urban form? Roughly around the MacLehose Era, Hong Kong began to consciously assume a new vertical order in urban restructuring in order to address the issue of over-crowding and social unrest. British modernist planning provided rich approaches and visions which were borrowed by Hong Kong to achieve its own planning goals. The new town plan and infrastructural development ii transformed Hong Kong from a colonial city concentrated on the Victoria Harbor to a multi-nucleated metropolitan area. The implementation of the R+P development model around 1980 deepened the intermingling between urban infrastructure and superstructure and extended the vertical urbanity to large interior spaces: the shopping centers. Metro stations were fused with the basement of superstructure and formed into a continuous podium structure connecting the towers and the ground surface. Underlying this urban form is a planning system based on speculation, calculation and contracts.