052215 YKPT A11.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

052215 YKPT A11.Pdf EMPLOYMENT COLES PETROLEUM IN MADISON is hiring a fuel transport driver. Excellent pay, vacation, retirement plan, insurance allowance, perfor- mance bonus. Call 605-256- 3082 for details. GREAT PAYING JOBS! Statewide construction jobs, $15.00 - $22.00 hourly + bene- fits. Summer or permanent. No experience necessary, great career opportunities. Apply Online www.sdwork.org. NON-PROFIT CONSULTANT/ENTERPRISE FACILITATOR. Assist with business development in Turn- er County, McCook County and Menno SD area. Check out www.sefp.com for more information. Open until filled. NORTHWEST AREA SCHOOLS is in need of high school level instructors for Computer Aided Drafting/ Manufacturing, and Hospitality & Tourism/Culinary Arts I. Competitive wage, benefits and car provided. Open until filled. Contact Quinn Lenk, 605-466-2206 or [email protected]. EMPLOYMENT OPPORTUNITY: Seeking school psychologist or intern in northeastern South Dakota for 2015-2016 year. Open until filled. For more info visit www.northeastcoop.org or call (605)783-3607. HS PHYSICAL SCIENCE, Social Science, English and Math Instructors w/wo coach- ing, signing bonus. Send cover letter, resume, certification and other credentials to Mr. Jim Frederick, Sisseton School District 54-2, 516 8th Ave West, Sisseton, SD 57262 or [email protected]. Positions open until filled. EOE. HEAD FOOTBALL, TRACK, VOLLEYBALL and assistant coaching positions available. Send cover letter, resume, certification and other creden- tials to Mr. Jim Frederick, Sisseton School District 54-2, 516 8th Ave West, Sisseton, SD 57262 or Jim.Frederick- @k12.sd.us. Positions open May 12, 2015 until filled. EOE. The Board of County SPED INSTRUCTOR K-5, Commissioners met in regular signing bonus. Send cover session Tuesday, May 12, 2015 at letter, resume, certification and 9:00 a.m. Members present: other credentials to Dr Michelle Travis Mockler, Phyllis Packard, Greseth, Sisseton School Leo Powell, Micheal Manning, District 54-2, 516 8th Ave and Raymond Passick. West, Sisseton, SD 57262. Position open until filled. EOE. Powell moved, seconded by Manning and carried to approve SPED INSTRUCTOR 6-12, the agenda with the addition of Ditch Board. signing bonus. Send cover letter, resume, certification and Minutes of the May 5, 2015 other credentials to Dr Michelle meeting were amended to update Greseth, Sisseton School the total for the Mack truck bid to District 54-2, 516 8th Ave $118,800 with the same options West, Sisseton, SD 57262. as the Freightliner at $110,644, Position open until filled. EOE. making the Freightliner the low bid, and minutes were approved TEACHING POSITION - St. with a motion by Passick, second- Mary's Catholic School, Salem, ed by Packard and carried. SD is seeking an Elementary Teacher for a First and Second Fuel quotes were presented for Grade Combined Classroom. 1600 gallons of 10% Ethanol. To apply, send cover letter, Powell moved, seconded by transcripts, references, and Packard and carried to accept the resume: Linda Merkwan, low bid of $2.32/gallon from St. Mary's Catholic School, Brunick Service, Inc. PO Box 40, Salem, SD 57058. Or email application: Cynthia Aden, Zoning Admin- [email protected]. istrator, met with the Board to Call 605-425-2607 wit ques- discuss HB1194, which will tions. Open until filled. require additional signage in the County for zoning changes and LAKE PRESTON SCHOOL variances beginning July 1. Aden DISTRICT, 1/2 - Time Art said the Zoning budget for 2015 Teacher, with or without coach- does not currently have the funds ing, opened 5-12-15, closes for the signs, and the Highway when filled, Contact: Tim Department will likely need to put the signs up and take them down. Casper, Supt, Lake Preston It was discussed that other School District, 300 1st counties require the landowner to St. NE. [email protected], place the sign and leave a deposit 605-847-4455. Invitation To Bid with the county for the sign until it is returned. MS LANGUAGE ARTS Sealed bids will be received TEACHER, signing bonus. by the State Engineer on behalf of The Sheriff's Monthly Send cover letter, resume, the Board of Regents at the Office Activity Reports, Register of certification and other creden- of the State Engineer, Joe Foss Deeds Monthly Report, and the tials to Mrs. Tammy Meyer, Building, 523 East Capitol, following Auditor's Account with Principal, Sisseton School Pierre, South Dakota 57501-3182 the County Treasurer Report were District 54-2, 516th 8th Ave until June 9, 2015, 3:00 PM CT accepted and placed on file. West, Sisseton, SD 57262 or for Olson / Richardson Commons [email protected]. Reroof, University of South AUDITOR'S ACCOUNT WITH Position opened until filled. Dakota, Vermillion, SD, OSE # THE COUNTY TREASURER EOE. R0615--21X. Bids will be received to reroof To the Honorable Board of GREAT PAYING JOBS! Olson / Richardson Commons County Commissioners of Clay STATE OF SOUTH DAKOTA Statewide construction jobs, with EPDM. County items in the hands of the COUNTY OF CLAY $15.00 - $22.00 hourly + bene- Copies of the Plans and County Treasurer as of April 30, fits. Summer or permanent. No Specifications may be obtained 2015. I hereby submit the follow- IN CIRCUIT COURT experience necessary, great by bidders at the office Falls ing report of my examination of FIRST JUDICIAL CIRCUIT career opportunities. Apply Architecture Studio LLC, 408 W. the cash: Online www.sdwork.org. Lotta St., Suite 3, Sioux Falls, SD IN THE MATTER OF THE A257105; phone: 605.334.7179. Total amount of deposits in bankCLASSIFIEDs ESTATE OF The Clay Area Emergency RAIMayLR 22,OAD 2015 VE www.plaintalk.netGETATION Copies are on file for viewing 9,347,221.82 NOTICE OF AUDIT Services Communications Center purposes at the Office of the State OF THE FISCAL AFFAIRS OF WILLIAM PETER HANSEN, has filed an application with CONTROL: Full-time traveling Vermillion Plain Talk 11 Engineer, Joe Foss Building, Amount of actual cash CLAY COUNTY DECEASED the Federal Communications opportunity, 60-80 hours/week, 523 East Capitol Avenue, Pierre, 2,180.76 Commission ("FCC") to register $11-$15/hour, meal allowance, 2000 Notices 20Sout10h DakoLetagal an57501-d Pu3bl182.ic 2010 Legal and Public Noti2010ce is heLerebyga lgi anvend Puthatbl thice 2010 PRLeO.ga 15l -7and Public th20e10 courthousLee angadl toanwed rPu mounblict- paid lodging & benefit Anyone requesting, reviewNoing,tice ors Total amount of checks anNod tidrceaftss records and books of accNoounttice ofs Notices ed atop the courthouse wiNothti thceeisr package. RAW, Inc. Cooper- copying Plans and Specifications in Treasurer's Possession not Clay County, South Dakota, have NOTICE TO CREDITORS Antenna Structure Registration stown, ND 888.700.0292 for this project (such individual exceeding three days been audited by the Department system. The courthouse/tower is www.rawapplicators.com is hereinafter referred to as 717,066.86 of Legislative Audit for the two NOTICE IS GIVEN that on located in Vermillion, South [email protected] “bidder”) agrees that they are years ended December 31, 2013, March 20, 2015, BONNIE Dakota, Clay County, SD (N42° doing so for the sole purpose Itemized list of all items, checks and that a detailed report thereon SIMONSEN, 319 Scott Place, 46'47.4" W96° 56' 8.9"). This NTA LTD. IN HURON, SD is of submitting a bid on the project. and drafts which have been in the is filed with the county auditor of Tea, SD 57064, was appointed as application may be viewed by hiring company drivers & own- In consideration of the State Treasurer's possession over three Clay County and the Department Personal Representative of the going to www.fcc.gov/asr/appli- er operators, refrigerated trans- of South Dakota providing such days: of Legislative Audit in Pierre, Estate of WILLIAM PETER cations and entering Application portation. OTR Reefer experi- Plans and Specifications for the 14,214.09 South Dakota for public HANSEN. Number A0971006. Interested ence. Late model convention- purpose of preparing a bid, bidder inspection. persons may raise potential als. Class A CDL required. further agrees: Checks returned and not The creditors of the Decedent environmental impact concerns Great benefits & pay. Must A. The Plans and Specifica- deposited The following finding and recom- must file their claims within four associated with this application have good MVR & work tions are the sole property of the Cash Items mendation referred to in the report (4) months after the date of the by filing a Request for Further history. Call Cindy at 1-800- State; Investments are hereby listed in accordance first publication of this Notice or Environmental Review with the 843-9933 8am-5pm Mon-Fri. B. Any copies of the 1,000.00 with the provisions of SDCL their claims will be barred. FCC ("Requests"). Requests can Plans and Specifications obtained Cash Variation 4-11-12. be filed online and instructions WANT A CAREER operating directly from the State will be 0.00 Claims may be filed with the for filing such Requests can heavy equipment? Bulldozers, returned to the office of Falls CURRENT AUDIT FINDING Personal Representative or may be found at www.fcc.gov/asr/en- backhoes, excavators. Hands- Architecture Studio LLC immedi- Total AND RECOMMENDATION be filed with the Clerk and a vironmentalrequest. Requests on training! Certifications ately after the State provides 10,081,683.53 copy of the claim mailed to the should also be sent to RACOM offered. National average 18- notice that bidder will not be Finding: Personal Representative. Corporation, Attn: Carrie Loney, 22hr. Lifetime job placement. awarded a contract, or thirty (30) Dated this 1st day of May 2015. 201 West State Street, Marshall- VA benefits eligible! 1-866- days after the bid opening for the The County has not instituted the _____________________ town IA 50158.
Recommended publications
  • Weller Donates Original Oscar Howe Paintings
    The Carnegie Courier Newsletter of the Mitchell Area Historical Society (MAHS) & Mitchell Area Genealogy Society (MAGS) Volume XI, Number 1 www.mitchellcarnegie.com Winter 2017/2018 LYLE’S CORNER Boston, along with a beautiful wooden presentation case. Like all gifts, we are honored to receive them and we urge you to take a It’s been a long, long time since we last corresponded and we little time to stop by and see what’s happening. have lots of excuses but none are very good! It is The black wrought iron fence that has surrounded the Carnegie not like we haven’t been busy because we are for many years had become tacky looking, having been broken busier than ever with new items coming in nearly and bent in places. We contacted Bailey Welding for repairs. every day and restoration work around the build- They have removed it and are in the process of getting it straight- ing a constant. All of this brings me to the major ened and repaired prior to reinstalling it. We hope to get it back problem — lack of volunteers. Folks who have in place in the spring, if not sooner, depending on the weather. the time and energy to devote to what we believe After solving drainage problems around the building, we in- to be a cause worthy of your time and efforts. Lyle Swenson stalled new concrete backdoor steps with a proper drainage sys- Often we get requests for research and as we do tem and sidewalk to the west side. Also more security cameras the research, we find it needs more research than we are able to have been installed to help avoid the vandalism problems.
    [Show full text]
  • The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
    2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission.
    [Show full text]
  • News from the South Dakota Memorial Art Center, September 1985
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange South Dakota Art Museum Newsletters and Publications Fall 9-1985 News from the South Dakota Memorial Art Center, September 1985 South Dakota State University Follow this and additional works at: https://openprairie.sdstate.edu/sdam_news organized by Visual Arts Resources at the University of News from the Oregon. South Dakota Memorial Art Center S 1 September 1985 I S American Art in the Sixties, a film narrated by Barbara Rose, shows Thursday, September 5, 10:00 a.m., a part�o:...;f___ _ the briefing for docents on the exhibition, The New York Collection for Stockholm Portfolio. The Fifteenth Anniversary of the Memorial Art Center will be celebrated by patrons and their guests on Satur­ day, September 7, 7:00 -10:00 p.m. The evening will in­ clude previews of The New York Collection for Stockholm Portfolio and Oscar Howe exhibitions; presentation of Carol Hepper's sculpture, "Sanctuary," a memorial to Marjorie Smythe; a special showing of the Lakota man's ensemble from the Claude Whitlock Col­ lection; and performances by harpist Priscilla Eitel, soprano Jean Saladino, and accompanist Mildred Juel. Oscar Howe's "Eagle Dancer" Oscar Howe Paintings show September 8 - 29. Sioux artist Oscar Howe (1915-83) was born at Joe Creek on the Crow Creek Reservation of South Dakota, and during 1957-80 was artist-in-residence at the University of South Dakota in Vermillion. One of the most celebrated graduates of The Studio at the Santa Fe Indian School, Howe even­ tually abandoned the decorative Santa Fe Style in favor of his unique synthesis of traditional Sioux and modern Euro-American painting concepts.
    [Show full text]
  • SOUTH DAKOTA - - a TRAVEL GUIDE to TRIBAL LANDS Reservations & Tribal Lands C Ontents
    Native SOUTH DAKOTA - - A TRAVEL GUIDE TO TRIBAL LANDS Reservations & Tribal Lands C ONTENTS 1 RESERVATIONS & TRIBAL LANDS MAP 2 INTRODUCTION 4 RICH CULTURE AND HERITAGE 6 OcETI SAKOWIN/THE SEVEN COUNCIL FIRES 8 MILESTONES 10 VISITOR GUIDELINES 12 CHEYENNE RIVER SIOUX TRIBE 16 CROW CREEK SIOUX TRIBE 20 FLANDREAU SANTEE SIOUX TRIBE 24 LOWER BRULE SIOUX TRIBE 28 OGLALA SIOUX TRIBE 32 ROSEBUD SIOUX TRIBE 36 SISSETON WAHPETON OYATE 40 STANDING ROCK SIOUX TRIBE 44 YANKTON SIOUX TRIBE 48 LANDSCAPES & LANDMARKS 50 NATIVE AMERICAN ART 60 POWWOWS & CELEBRATIONS RESERVATIONS TRAILS 64 TRIBAL CASINOS 66 TRIBAL CONTACT LISTINGS 1 CHEYENNE RIVER INDIAN N10 ATIVE AMERICAN RESERVATION SCENIC BYWAY 2 CROW CREEK INDIAN RESERVATION 11 OYATE TRAIL 3 FLANDREAU SANTEE INDIAN RESERVATION 4 LOWER BRULE INDIAN RESERVATION 5 PINE RIDGE INDIAN RESERVATION 6 ROSEBUD INDIAN RESERVATION 7 SISSETON-WAHPETON OYATE TRIBAL LANDS 8 STANDING ROCK INDIAN RESERVATION 9 YANKTON TrIBAL LANDS Pine Ridge Indian Reservation Introduction WELCOME to the land of the Dakota, word “nadouessioux,” which is believed Lakota and Nakota. There are nine to be a derogatory term meaning “little Native American tribes that call snakes.” The name may have resulted South Dakota home, and each of them from a history of territorial conflicts has a unique story to tell. Working between the Sioux and the Ojibwas. together, they welcome visitors into People of the Great Sioux Nation their communities in order to educate prefer the terms Dakota, Nakota and and to share. When visiting Native Lakota when referring to themselves communities, you will experience as a people and a nation.
    [Show full text]
  • Auto Loans Federal Credit Union
    SECTION B PRESS & DAKOTAN Friday, May 15, 2015 COMICS 4B RELIGION 5B HOMETOWN 8B TV LISTINGS 9B PHOTO: ANG BYYKKONEN HAVE A PHOTO? Submit it to River City for publication in this RIVER CITY space: [email protected]. NaturalRC Benefits MNRR Report Highlights Park’s Impact On Economy And Region BY ROB NIELSEN [email protected] he river that has brought Yankton and the many other com- munities along it life continues to bring in tourist dollars as well. T Recently, the Na- tional Park Service reported that the Missouri National Recreation River (MNRR) led to $5,564,500 be- ing spent in communities near the park in 2014, supporting 88 jobs for a cumulative benefit to the local economy of $6,435,000. The Park Service reported 134,762 visitors to the river park that stretches from Pickstown to Springfield and Gavin’s Point Dam to just north of Sioux City, Iowa. MNRR superintendent Rick Clark told the Press & Dakotan the park is helpful to “gateway commu- nities” that provide access to it. “It’s an indication in many respects that the gateway com- munities — which are within 60 KELLY HERTZ/P&D miles of the park, which in our case Dugan Smith, chief of Interpreta- is a 100-mile linear park — receive tion, Education & Outreach at the Missouri National Recreation River benefits through lodging, through (MNRR), stands next to a water restaurants, gas receipts, souve- trail sign located at the west end nirs, etc.,” Clark said. “It can really of Yankton’s Riverside Park. The help provide and give recognition MNRR is a national park — divided to those communities, considering in two segments, as shown in the they have a National Park Service map at left — that has a considera- area in close proximity to where ble economic impact in the region.
    [Show full text]
  • Fritz Scholder Chronology
    Fritz Scholder Chronology 1937 Fritz Scholder V, born in Breckenridge, Minnesota; father, Bureau of Indian Affairs school administrator, mother, employee for Rosemeade Pottery; family lives in nearby Wahpeton, North Dakota, where Scholder spends early childhood; 1952–54 taught by painter Oscar Howe (Yanktonai Dakota) in high school in Pierre, South Dakota; 1955 named Best Boy Artist and elected president of Midwestern Music and Art Camp at the University of Kansas; 1957 enrolls at Sacramento City College, studies with Wayne Thiebaud; 1961 receives full Rockefeller Foundation scholarship as part of Southwest Indian Art Project; at the University of Arizona, meets Cherokee artist, designer, and educator Lloyd Kiva New and studies with Hopi artist and jeweler Charles Loloma; is awarded first prize by Elmer Bischoff in an art exhibition in Sacramento; 1962 enrolls in master’s program at the University of Arizona; awarded a John Hay Whitney Foundation Opportunity Fellowship; receives a Ford Foundation Purchase Award from panel that includes James Johnson Sweeney and Alexander Calder; 1964 accepts teaching position at the Institute of American Indian Arts; meets Georgia O’Keeffe; 1967 begins Indian series of paintings, prints, and drawings; 1969 resigns position at the Institute of American Indian Arts to travel extensively in Europe and North Africa; sees the paintings of Francis Bacon at the Tate Gallery in London; 1970 invited by Tamarind Institute to undertake his first major printmaking project; 1972 his work is paired with that of a former
    [Show full text]
  • Modern Individualism: Paintings by Oscar Howe Before The
    MODERN INDIVIDUALISM: PAINTINGS BY OSCAR HOWE BEFORE THE ANNUAL NATIONAL INDIAN PAINTING COMPETITION AT THE PHILBROOK MUSEUM OF ART, 1958 by ELIZABETH LYNN DOUGHTY A THESIS Presented to the Department ofArt History and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master ofArts September 2010 11 "Modern Individualism: Paintings by Oscar Howe before the Annual National Indian Painting Competition at the Philbrook Museum ofArt, 1958," a thesis prepared by Elizabeth Lynn Doughty in partial fulfillment ofthe requirements for the Master ofArts degree in the Department ofArt History. This thesis has been approved and accepted by: Committee in Charge: Leland M. Roth, Chair Joyce Cheng Brian Klopotek Accepted by: Dean ofthe Graduate School III © 201 0 Elizabeth Lynn Doughty iv An Abstract ofthe Thesis of Elizabeth Lynn Doughty for the degree of Master ofArts in the Department ofArt History to be taken in September 2010 Title: MODERN INDIVIDUALISM: PAINTINGS BY OSCAR HOWE BEFORE THE ANNUAL NATIONAL INDIAN PAINTING COMPETITION AT THE PHILBROOK MUSEUM OF ART, 1958 Approved: ~ _ Dr. Leland M. Roth In 1958 Yanktonai Sioux painter Oscar Howe's (1915-1983) submission to the Annual National Indian Painting Competition at the Philbrook Museum ofArt was rejected for deviating too far from the established conventions of"traditional Indian painting." Howe's innovative use of style and his subsequent declarations against the premises ofhis rejection established the artist as a major figure in the development of Native American painting in the twentieth century. The existing literature on Howe is predominantly biographical and lacks contextual or stylistic analysis.
    [Show full text]
  • The Oscar Howe Collection-Photographs Finding
    UNIVERSITY LIBRARIES ARCHIVES AND SPECIAL COLLECTIONS THE UNIVERSITY OF SOUTH DAKOTA OSCAR HOWE COLLECTION RECORDS, PAPERS, DATES (bulk dates, ) Quantity. ACQUISITION: ACCESS: This collection is open for research without restrictions. PHOTOGRAPHS: VISUAL MATERIAL: AUDIO MATERIAL: PRINTED MATERIAL: COPYRIGHT: Copyright is held by the University of South Dakota. Permission to reprint material from the papers must be obtained from the Archives and Special Collections of the University of South Dakota. PROCESSED BY: Photograph Collection: Adrienne Evans, Sarah A. Hanson 2010-2012 Oscar Howe Collection Box No. Description _ History Familial relations : o Adelheid (Heidi) Hampel Howe: wife o Inge Dawn Howe Maresh: daughter o Waltraut Hamel Kondert: Heidi’s sister o Clara Howe, Eleanor Howe, Judith Howe, Leslie Howe, Reynold Howe, and Walter Howe: Howe’s brother and his family o Edward Howe and Walter Howe: Howe’s brothers o George Howe: Howe’s father o Ella Not Afraid of Bear Howe: Howe’s mother o Not Afraid of Bear (Fearless Bear): Howe’s maternal grandfather o Bone Necklace: Howe’s paternal great grandfather o White Ghost: Howe’s paternal great uncle o Don’t Know Howe (On Spe Sni): Howe’s paternal grandfather Scope and Content Note The photographic materials from the Oscar Howe Collection span the lived experiences and posthumous events of Oscar Howe’s life, depicting subjects such as Howe’s education, family, art works, military service, and employment at the University of South Dakota. For preventive conservation purposes, the photographic materials are organized by type and divided into seven series: Series 1: Black and White Photographs, Series 2: Color Photographs, Series 3: Photographs with Conservation Concerns, Series 4: Black and White Negatives, Series 5: Color Negatives, and Series 6: Slides.
    [Show full text]
  • Regional Differences in Plains Indian Painting
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Summer 1982 Regional Differences In Plains Indian Painting Mary Jane Schneider University of North Dakota Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Schneider, Mary Jane, "Regional Differences In Plains Indian Painting" (1982). Great Plains Quarterly. 1666. https://digitalcommons.unl.edu/greatplainsquarterly/1666 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. REGIONAL DIFFERENCES IN PLAINS INDIAN PAINTING MAR Y JANE SCHNEIDER It may seem but a short leap from the earliest current differences in regional art styles.1 The red, white, and black markings on rock walls reasons for this neglect are many, but perhaps to the sophisticated abstract expressionism of the greatest is a belief that modern Indian art contemporary Native American art, and only a is so Euro-American in form and content that small· step from geometric designs painted on it has lost its distinctive identity as Indian.2 hides to hard-edge geometric forms on canvas, Certainly, Native Americans who have moved but the development of Plains Indian painting into the national urban art scene produce pic­ from prehistoric times to the twentieth century tures that are almost indistinguishable from the is a journey from the Stone Age to the Nuclear work of their non-Indian contemporaries, but Age, from tribal to urban society.
    [Show full text]
  • INDIAN MUSEUM , Ffi
    23RD ANNUAL INDIAN MUSEUM _, ffi IUNEr. ffi*$:$:$e Fmwwmvw j ffimx"e{ms"r $+ Grarrd Entry at 12 noon SI 6 pm ilr Saturday,.f une 19 Grand Entry at 12 noon Sunday, June 20 ffi oin us for the most beautiful ffi # ffi dance contest in the American s'& ffi West. Come in the Learning fl ffi to i ,# I Tipi. Explore Powwow songs, r* & dances, and other traditions. s ss Jift &il .?l While you are here for Powwow, see #$ the five museums of the Buffalo Bill Historical Centerl & r * %:.€ffiq';6 ffi+et' ,.. :_ ;, Ad.rm Tsosie Nordwall, Shoshone-Chippewa-Navajo dancer from Fallon, Nevada Plains Indian Museum Powwow,2003. Photo by Sean Campbell. 7@ BUFFALO BILL HISTORICAL CENTER Robbie Powwow Garden . Cody,Wyoming . 3O7.587.4771 . www.bbhc.org ffmmffimrxffs 4 What Do We Call Art (Which Happens to be Indian)? by Rebecca West lS The Art of Beadwork An Old But New Tradition by Emma I. Hansen - XY T.C. Cannon: Challenging the Paramerers by,lulie Tachick 2& The Star Quilt. "A Thing of Beauty" by Anne Marie Shriver XP Paukeigope: An Artist ol the Southern Plains by Emma I. Hansen www. bbh c.s rg o 2004 Bulfalo Bill Historical Cenrer Wriften permission is required to copy, reprint, or distribute Points West materials in any medium or format. All photographs in Poinrs Wesf are Buffalo Bill Historical Cenrer photos unless otherwise noted. Address correspondence to Editor, Pa[nts West, Buflalo Bill Historical Center, 720 Sherjdan Avenue, Cody, Wyoming 82414 ot [email protected].
    [Show full text]
  • South Dakota Art Museum News, Winter 1994
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange South Dakota Art Museum Newsletters and Publications Winter 1994 South Dakota Art Museum News, Winter 1994 South Dakota Art Museum Follow this and additional works at: https://openprairie.sdstate.edu/sdam_news s Ou th D a k Ota 111113111 �1i1111574 �)!ijiijl/ 5024111i�ffl 8l�1 21i511rI88ll 111111 useum News SPECIAL Volume 24, Number 1, Winter 1994 EXHIBITIONS A Century of Navajo Weaving: Selections from the Susan Morris Dejong Collection February2 -2 7, 1994 Weaving by Navajo women, a craft inextri­ Navajo rug, 1910, cably linked with Navajo culture in the 46"x54", from the Susan Morris Southwestern United States, is now univer­ Dejong collection sally recognized as an important art form of the Americas. Below: Frank Fools This exhibition traces the continuous Crow, Kyle, South Dakota, Sioux evolutiop .of Navajo weaving from 1870 to Medicine the present. It emphasizes the richness and Man/Shaman, by diversity of expression within the Navajo Robert Alan weaving tradition and the creativity of the Clayton "Quiet Pride" Navajo in adapting materials and design influences fromPueblo, Hispanic and Anglo-American sources. A Century of Navajo Weaving will fea- ture 29 wearing blankets, serapes, rugs, tapes­ "Who ,ar�.. tb tries and saddle blankets from DeJong's exten­ zens of solitude� sive collection. Dejong, an instructor in flute at is only capriciou Macalester College, the College of St. Catherine Cowboy, Carver. and Hamline University as well as a visiting per­ Doctor. Weaver. formerwith the Minnesota Orchestra, has been Smithy. Sheepshe collecting works by Navajo weavers for more Their lives are than twentyyears.
    [Show full text]
  • Oral History Interview with Fritz Scholder, 1995 March 3-30 SHARE ( Oral History Interview with Fritz Scholder, 1995 March 3-30
    Overview ! " # $ % & DONATE Transcript How to Use This Collection About Ask a Question Contact Make a Reading Room Request Make a Reproduction Request ' Explore the ' Research & ' Exhibitions ' Publications ' The Primary ' Support Collections Reference Collection materials The Archives' journal, Source Donate to the Archives Records and resources Services we provide on view books, and essays News, updates, and the blog Search and Browse Collections / Oral history interview with Fritz Scholder, 1995 March 3-30 SHARE ( Oral history interview with Fritz Scholder, 1995 March 3-30 Scholder, Fritz W., 1937-2005 Painter, Printmaker, Sculptor Help Audio excerpt: Oral history interview with Fritz Scholder, 1995 March 3-30 00:00 / 05:00 Overview Transcript How to Use This Collection Transcript Download Preface Transcript The following oral history transcript is the result of a tape-recorded interview with Fritz Scholder on March 3, 29, and 30, 1995. The interview Oral history took place in Scottsdale, Arizona, and was conducted by Paul J. interview with Fritz Karlstrom for the Archives of American Art, Smithsonian Institution. Scholder, 1995 March 3-30 Interview Get Adobe Reader FS: Fritz Scholder PK: Paul Karlstrom Tags [Session 1] Scholder, Fritz W., 1937- PK: Archives of American Art, Smithsonian Institution. An interview with 2005 Fritz Scholder on March 3, 1995, is the first session of a projected series Scholder, Fritz W., 1937- that we hope to do, and the interviewer is Paul Karlstrom. We're at the 2005 Remba Gallery in. Is this Beverly Hills or L.A.? Karlstrom, Paul J FS: Actually West Hollywood. Green, Robert B. Thiebaud, Wayne PK: Oh, West Hollywood.
    [Show full text]