Darby Romeo Collection of Zines, 1987
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Peregrine Nations 2.3, October 2002
VOLUME TWO, NUMBER THREE / OCTOBER 2002 In This Ish: Silent eLOCutions (Art by Trinlay Khadro & Ye Editor) Smoke & Mirrors by Alan White (Art by Alan White) State of the Art: Graphic Novel Writers -- Coda by Will Allan Hogarth Saints by E. B. Frohvet (Art by William Rotsler) The Faned Article Pool by J. G. Stinson (art by my rubber stamp collection) Will the Real Swamp Thing Please Stand Up? (editorial) (Art by Alan White) Free Book Deal Update Pub Crawl: Zine Reviews by J.G. Stinson Additional Art: Alan White / cover, masthead No page numbers again, still haven't figured out how to make Word do that without futzing the thing... peregrination, n., L., A traveling, roaming, or wandering about; a journey. (The New Webster Encyclopedic Dictionary of the English Language, Avenel Books, New York: 1980). "As Perrottet explains...the Pax Romana...in the first two centuries of the Christian era...made possible for the first time the concept of tourism...and with it all the accoutrements still known in the travel industry: peregrinatores, the tourists themselves; mystagogi...guides; periegesis, ...guidebooks..." // From "On Tour with the Ancients" by Louis Werner, Archaeology Magazine, Nov./Dec. 2002, p. 57. Well, now, ain't that a hoot. This issue of Peregrine Nations is a © 2002 J9 Press Publication edited and published by J. G. Stinson, P.O. Box 430314, Big Pine Key, FL 33043-0314 USA. Copies available for $1 or the Usual. A quarterly pubbing sked is intended. All material in this publication was contributed for one-time use only, and the copyrights belong to the contributors. -
Bilaga C Exempel På Abuseärenden
Bilaga C Exempel på abuseärenden Notera att information om avsändare och annan personlig information är borttagen ur dessa exempel. Exempel 1 – Copyright Compliance Notice ID: 22-102071976 Notice Date: 28 Aug 2013 03:56:47 GMT Foreningen For Digitala Fri- Och Rattigheter Dear Sir or Madam: Irdeto USA, Inc. (hereinafter referred to as "Irdeto") swears under penalty of perjury that Paramount Pictures Corporation ("Paramount") has authorized Irdeto to act as its non-exclusive agent for copyright infringement notification. Irdeto's search of the protocol listed below has detected infringements of Paramount's copyright interests on your IP addresses as detailed in the below report. Irdeto has reasonable good faith belief that use of the material in the manner complained of in the below report is not authorized by Paramount, its agents, or the law. The information provided herein is accurate to the best of our knowledge. Therefore, this letter is an official notification to effect removal of the detected infringement listed in the below report. The Berne Convention for the Protection of Literary and Artistic Works, the Universal Copyright Convention, as well as bilateral treaties with other countries allow for protection of client's copyrighted work even beyond U.S. borders. The below documentation specifies the exact location of the infringement. We hereby request that you immediately remove or block access to the infringing material, as specified in the copyright laws, and insure the user refrains from using or sharing with others unauthorized Paramount's materials in the future. Further, we believe that the entire Internet community benefits when these matters are resolved cooperatively. -
0304 Hoopm Gd P149-180.Pmd
A Look at Cal The University of California CAMPUS ADMINISTRATION In his eight years at Cal, Mitchell’s strategic focus has been on ROBERT M. BERDAHL enhancing Cal’s administrative organizational culture to better serve the campus community. He has emphasized strengthening leadership across CHANCELLOR all departments, improving business processes, and optimizing the use of technology through campus-wide implementations such as the Berkeley Dr. Robert M. Berdahl took office in July of Financial System and the Human Resources Management System. 1997 as UC Berkeley’s eighth chancellor with In addition to his administrative responsibilities, Mitchell is a licensed a promise to renew the University’s foundations psychologist and an affiliated professor in the Department of African of excellence. He has established a comprehensive American Studies. He has continued to teach one course each year that master-plan that is guiding work on major seismic is cross-listed in psychology. and infrastructure upgrades to campus buildings, and is addressing the Mitchell joined the administration at Cal in April 1995 after 17 years need for space suitable for modern research and teaching. He has worked of service at UC Irvine where he spent 11 years as vice chancellor-student to successfully rebuild the library collection and has also been active in affairs and campus life and, before that, several years as associate dean supporting two new collaborations. for student and curricular affairs in the UCI College of Medicine. He held A career-long advocate of enhancing and humanizing undergraduate a faculty appointment as associate clinical professor of psychiatry and learning, Berdahl has expanded the highly popular Freshman Seminars in human behavior. -
Open Your Mind with the Most Diverse Mid-Day in Public Radio
Open your mind with the most diverse mid-day in public radio. The arc of change at Local Public Radio p. 3 City Visions: Meet the Team p. 4-5 Sandip Roy on India’s Election 2014 p. 6 Smiley & West Go Out Swinging p. 8 New for 2014: Latino USA & BackStory p. 9 Winter 2014 KALW: By and for the community . COMMUNITY BROADCAST PARTNERS AIA, San Francisco • Association for Continuing Education • Berkeley Symphony Orchestra • Burton High School • East Bay Express • Global Exchange • INFORUM at The Commonwealth Club • Jewish Community Center of San Francisco • LitQuake • Mills College • New America Media • Oakland Asian Cultural Center • Osher Lifelong Learning Institute at UC Berkeley • Other Minds • outLoud Radio Radio Ambulante • San Francisco Arts Commission • San Francisco Conservatory of Music • San Quentin Prison Radio • SF Performances • Stanford Storytelling Project • StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS Rachel Altman, Wendy Baker, Sarag Bernard, Susie Britton, Sarah Cahill, Tiffany Camhi, Bob Campbell, Lisa Carmack, Lisa Denenmark, Maya de Paula Hanika, Julie Dewitt, Matt Fidler, Chuck Finney, Richard Friedman, Ninna Gaensler-Debs, Mary Goode Willis, Anne Huang, Eric Jansen, Linda Jue, Alyssa Kapnik, Carol Kocivar, Ashleyanne Krigbaum, David Latulippe, Teddy Lederer, JoAnn Mar, Martin MacClain, Daphne Matziaraki, Holly McDede, Lauren Meltzer, Charlie Mintz, Sandy Miranda, Emmanuel Nado, Marty Nemko, Erik Neumann, Edwin Okong’o, Kevin Oliver, David Onek, Joseph Pace, Liz Pfeffer, Marilyn Pittman, Mary Rees, Dana Rodriguez, -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
EBP-DA | Where I'm Coming From
EBP-DA | www.eastbaypunkda.com Where I'm Coming From A few words of introduction and explanation are probably in persuasiveness, but I have no hesitation in saying that my faults or order with this issue of thelcokout. Longtime and new readersalike shortcomings were at least honest ones. "Like a salmon swimming might be bewildered at what appears to be a heavy streak of upstream,"was how my friendIndiana Slim characterizedmy efforts; geographic ru1d cultural schizophrenia running through its pages. anothercritic described me as "Too smartto keep quiet and toodumb Depending where you start reading, you might think the Lookout is an to shut up." environmental journal from rural northern California, a left-wing That was seven years ago. I assume I'm still making some people rabble-rousing broadside out of Berkeley, a scholarly dissertation on mad, though I haven't had any death threats in a long while. If economics and history based inLondon, or a sardonic and frivolous anything, I get more uncritical praisethan I need. I no longerneed critique of pop culture and punk counterculture from all over and assurance thatI'm a good writer, or that I speakfor a lot of peoplewho under the map. forone reasonor another haven't foundit in themselves, to put words Yes, that's exactly what it is, among other things. Abouthalf of togetl1er tl1e way that I do. That's not to say l don't appreciate this issue was put together in London during the winter of 1991-92, compliments, merely that they've taken on the swneaspect as virulent and the rest emanates aboutequally from Berkeley and the Emerald criticism: unless phrased in trulyexceptional language or containing Triangle. -
Bechtel Engineering Center
UC Berkeley The UC Ready Planning System This PDF was created on 10/4/2018 Building Emergency Plan for Bechtel Engineering Center Contact Persons For This Plan Name Email Work Phone Primary PAULA ZAMORA [email protected] 5106644914 Alternate TRACY SIIRA [email protected] 5106420390 Emergency Assembly Areas Post-Evacuation Designated Waiting Area(s) If In Primary Alternate Need Of Assistance To Evacuate East Esplanade between Davis As posted in stairs and elevators As determined by staff and O'Brien lobbies without ground floor exits Occupants With Emergency Roles Name Emergency Role Home Workgroup BRIAN QUIGLEY Roll Taker Library MICHAEL VILLARREAL Floor Monitor Library REBECCA PARIS Floor Monitor ESS OLIVIA CHAN Floor Monitor ESS SHARON MUELLER Roll Taker ESS LAURA VOGT Roll Taker ESS TRACY SIIRA Building Coordinator (Alternate) ESS UC Berkeley The UC Ready Planning System Building Emergency Plan for Bechtel Engineering Center TABLE OF CONTENTS A. Purpose Of The Emergency Action Plan.................................................................................................3 B. Buildings Covered (in Whole or Part)......................................................................................................3 C. Specific Work Area (Within the Above Buildings) Covered By This Plan................................................3 D. Instructions For Reporting Emergencies.................................................................................................3 E. Instructions For Evacuation.....................................................................................................................4 -
University of California, Berkeley Evans Hall Building Emergency
University of California, Berkeley Evans Hall Building Emergency Plan Date Revised: No Record Prepared By: No Record TABLE OF CONTENTS I. BUILDING INFORMATION 1. Building Name 2. Building Coordinator Name 3. Alternate BC Name 4. Emergency Assembly Area (EAA) Location 5. Emergency Management Area (EMA) Number 6. EMA Location 7. Departments 8. Building Safety Committee 9. Emergency Staff 10. Audible and Visible Alarms 11. Potential Fire Hazards 12. Fire Prevention Procedures 13. Critical Operations Found in Building 14. Medical and Rescue Duties for Employees II. IMPORTANT PHONE NUMBERS 1. Campus Telephone Numbers for Life-Threatening Emergencies 2. Telephone Numbers for Non-Life Threatening Emergencies 3. Where to Get Information During a Large-Scale Emergency 4. What to Do When You Hear Campus Warning Sirens III. EMERGENCY PROCEDURES 1. Emergency Notification Procedures 2. Medical Emergency 3. Evacuation Procedures 4. Disability Emergency Evacuation Procedures 5. Fire Procedures 6. Earthquake Procedures 7. Demonstration / Civil Disturbance Procedures 8. Criminal or Violent Behavior 9. Explosion or Bomb Threat Procedures 10. Hazardous Materials Release Procedures 11. Utility Failure Building Emergency Plan -- Page 2 of 28 12. Elevator Failure 13. Flooding, Plumbing or Steam Line Failure 14. Natural Gas Release or Leak 15. Ventilation Problem IV. EMERGENCY PREPAREDNESS 1. Evacuation 2. Supplies 3. Training and Documentation 4. Drills 5. Securing Building Contents V. APPENDICES A. Acronyms and Terms B. Evacuation Policy for People with Disabilities C. Emergency Preparedness Guildelines for People With Disabilities D. Campus Alerting and Warning System E. Building Evacuation Diagrams Building Emergency Plan -- Page 3 of 28 BUILDING EMERGENCY PLAN As a building occupant, it is your responsibility to be familiar with this plan. -
Sep CUSTOMER ORDER FORM
OrdErS PREVIEWS world.com duE th 18 FeB 2013 Sep COMIC THE SHOP’S pISpISRReeVV eeWW CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Sep13 Cover ROF and COF.indd 1 8/8/2013 9:49:07 AM Available only DOCTOR WHO: “THE NAME OF from your local THE DOCTOR” BLACK T-SHIRT comic shop! Preorder now! GODZILLA: “KING OF THANOS: THE SIMPSONS: THE MONSTERS” “INFINITY INDEED” “COMIC BOOK GUY GREEN T-SHIRT BLACK T-SHIRT COVER” BLUE T-SHIRT Preorder now! Preorder now! Preorder now! 9 Sep 13 COF Apparel Shirt Ad.indd 1 8/8/2013 9:54:50 AM Sledgehammer ’44: blaCk SCienCe #1 lightning War #1 image ComiCS dark horSe ComiCS harleY QUinn #0 dC ComiCS Star WarS: Umbral #1 daWn of the Jedi— image ComiCS forCe War #1 dark horSe ComiCS Wraith: WelCome to ChriStmaSland #1 idW PUbliShing BATMAN #25 CATAClYSm: the dC ComiCS ULTIMATES’ laSt STAND #1 marvel ComiCS Sept13 Gem Page ROF COF.indd 1 8/8/2013 2:53:56 PM Featured Items COMIC BOOKS & GRAPHIC NOVELS Shifter Volume 1 HC l AnomAly Productions llc The Joyners In 3D HC l ArchAiA EntErtAinmEnt llc All-New Soulfire #1 l AsPEn mlt inc Caligula Volume 2 TP l AvAtAr PrEss inc Shahrazad #1 l Big dog ink Protocol #1 l Boom! studios Adventure Time Original Graphic Novel Volume 2: Pixel Princesses l Boom! studios 1 Ash & the Army of Darkness #1 l d. E./dynAmitE EntErtAinmEnt 1 Noir #1 l d. E./dynAmitE EntErtAinmEnt Legends of Red Sonja #1 l d. E./dynAmitE EntErtAinmEnt Maria M. -
Avengers Dissemble! Transmedia Superhero Franchises and Cultic Management
Taylor 1 Avengers dissemble! Transmedia superhero franchises and cultic management Aaron Taylor, University of Lethbridge Abstract Through a case study of The Avengers (2012) and other recently adapted Marvel Entertainment properties, it will be demonstrated that the reimagined, rebooted and serialized intermedial text is fundamentally fan oriented: a deliberately structured and marketed invitation to certain niche audiences to engage in comparative activities. That is, its preferred spectators are often those opinionated and outspoken fan cultures whose familiarity with the texts is addressed and whose influence within a more dispersed film- going community is acknowledged, courted and potentially colonized. These superhero franchises – neither remakes nor adaptations in the familiar sense – are also paradigmatic byproducts of an adaptive management system that is possible through the appropriation of the economics of continuity and the co-option of online cultic networking. In short, blockbuster intermediality is not only indicative of the economics of post-literary adaptation, but it also exemplifies a corporate strategy that aims for the strategic co- option of potentially unruly niche audiences. Keywords Marvel Comics superheroes post-cinematic adaptations Taylor 2 fandom transmedia cult cinema It is possible to identify a number of recent corporate trends that represent a paradigmatic shift in Hollywood’s attitudes towards and manufacturing of big budget adaptations. These contemporary blockbusters exemplify the new industrial logic of transmedia franchises – serially produced films with a shared diegetic universe that can extend within and beyond the cinematic medium into correlated media texts. Consequently, the narrative comprehension of single entries within such franchises requires an increasing degree of media literacy or at least a residual awareness of the intended interrelations between correlated media products. -
Mojo Worldwide Part Guggenheim Marvel.Com
0 1 5 1 1 15 7 59606 08651 1 MOJO WORLDWIDE PART GUGGENHEIM MARVEL.COM BERNARD 5 BEREDO RATED RATED MAYER $3.99 T+ US GENETICALLY GIFTED WITH UNCANNY ABILITIES, MUTANTS ARE BELIEVED TO BE THE NEXT STAGE OF HUMAN EVOLUTION. WHILE THE WORLD HATES AND FEARS THEM, KITTY PRYDE HAS REFORMED THE TEAM OF MUTANT HEROES KNOWN AS THE X-MEN TO USE THEIR POWERS FOR GOOD AND SPREAD A POSITIVE IMAGE OF MUTANTKIND. PREVIOUSLY IN X-MEN GOLD... MOJO HAS TRAPPED THE X-MEN BY TRANSPORTING THEM INTO SIMULATIONS OF THEIR GREATEST BATTLES, WHILE BROADCASTING IT ALL ACROSS EARTH AND THE MOJOVERSE! STILL NOT SATISFIED, MOJO DROPPED MORE SPIRES ON NEW YORK CITY AND TRAPPED MAGNETO, POLARIS AND DANGER IN THEIR OWN SIMULATION. LONGSHOT, A FORMER SLAVE OF MOJO’S GAMES, MANAGED TO REVERSE THE PIRATE FEED BROADCASTING FROM HIS OWN CAMERAS AND TELEPORTED SOME OF THE X-MEN OUT OF SPIRES AND INTO MOJOWORLD! MEANWHILE, MOJO PLANS TO TERRAFORM NEW YORK CITY! MOJO WORLDWIDE PART 5 WRITER MARC GUGGENHEIM PENCILER DIEGO BERNARD INKER JP MAYER COLORIST RAIN BEREDO LETTERER VC’s CORY PETIT COVER ARTISTS DAN MORA & JUAN FERNANDEZ GRAPHIC DESIGNERS ASSISTANT EDITOR EDITOR JAY BOWEN & ANTHONY GAMBINO CHRIS ROBINSON MARK PANICCIA EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER AXEL ALONSO JOE QUESADA DAN BUCKLEY ALAN FINE X-MEN CREATED BY STAN LEE & JACK KIRBY X-MEN: GOLD No. 15, January 2018. Published Monthly except in April, May, June, July, August, September, October, November, and December by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. -
Qt1sn790gg Nosplash Bd41110
ii Copyright 2016 By Susan Forsyth iii Funding Acknowledgement This dissertation was supported by: • The University of California, San Francisco Graduate Dean’s Health Science Fellowship • The Eugene Cota Robles Doctoral Fellowship • Dissertation award from the Tobacco-Related Disease Research Program (TRDRP), grant #22DT-0003. iv Acknowledgments I would first like to thank the participants who gave freely of their time and stories. Without them this dissertation would never have been written. I knew almost nothing about video games before I started this and their patient explanations of things most obvious was greatly appreciated. I would also like to thank my advisor, Dr. Ruth Malone. In 2008, when I sat in my first graduate class, I was not sure if I even belonged. Dr. Malone encouraged me and helped me believe in myself as a person and as a scholar. She opened doors for me that I did not know even existed. Ruth has mentored me for the last eight years, and for this I am honored and grateful. I would also like to thank my dissertation committee, Dr. Ruth Malone (chair), Dr. Kit Chesla and Dr. Roberta Rehm. Their gentle and careful guidance has seen me safely through one of the most challenging journeys of my life. I would like to thank my qualifying exam committee, Dr. Christine Kennedy (chair), Dr. Ruth Malone, Dr. Roberta Rehm and Dr. Susan Kools. Through your expertise and direction this project was shaped into what it is today. I would also like to thank Dr. Lisa Bero and Dr. Donna Odierna. I joined their reasearch group for ten weeks and stayed five years.