The Carroll News- Vol. 69, No. 5
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Recovery Happens
April 2019 –– Volume 11, Issue 4 RECOVERY HAPPENS Illuminating pathways toward opportunity, possibility, wellness and independence. Restoration Society, Inc., 66 Englewood Avenue, Buffalo, NY 14214 www.rsiwny.org (716) 832-2141 Fax (716) 832-0021 My Corner of the World. by Tim Malley In my corner of the world I have very few things to make me happy. I have my books, my CDs, and my DVD’s to make me happy, but other than that I really don't have much in my corner of the world. But what I do have is precious to me because even though I live at an institution such as Leroy Manor I have my little corner to call my own its my own so to speak because it’s my corner of the world. When You Read This, by Mary Adkins Restoration Society, Inc. is on AmazonSmile! Here is how you can help us! 1. Sign into smile.amazon.com with your Amazon login info. 2. Under "Your Account" select "Change Your Charity" 3. In the "Find Your Charity" search bar, type Restoration Society, Inc. and click "Search" When publicist Iris Massey is diagnosed 4.Click "Select" next to "Restoration Society, Inc." with terminal lung cancer at only 31 years old, she begins chronicling her life and final days online. 5. Shop until your heart is content! When her longtime business partner Smith and his new intern Carl discover Iris' blog months after her death, they set out to fulfill her last wish of turning her writings into a book. Mary Adkins' When You Read This is told in an epistolary style through emails, blog posts, travel bookings, texts, and more digital snippets (fans of Where'd You Go, Bernadette will love this) and is a bittersweet, often funny novel about hope, memory, and loose ends. -
The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos)
7/5/2017 The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos) The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos) JUNE 20, 2017 BY JASON DEBORD Fans of The Moody Blues got to experience the band like never before on Sunday night at Ironstone Amphitheatre.c Featuring “an evening with…” style concert presentation, The Moody Blues played two full sets in front of the massive crowd in attendance, the Úrst with various hits from their career and the second presenting a track by track playing of every songs from their groundbreaking album, Days of Future Passed, which celebrates it’s 50th anniversary this year.c They looked and sounded great, and there was a lot of magic in the air as they recreated this landmark album live on stage. http://rocksubculture.com/2017/06/20/the-moody-blues-at-ironstone-amphitheatre-murphys-california-6182017-concert-review-photos/ 1/10 7/5/2017 The Moody Blues at Ironstone Amphitheatre | Murphys, California | 6/18/2017 (Concert Review + Photos) What: Days of Future Passed 50th Anniversary Tour Who: The Moody Blues Venue: Ironstone Amphitheatre at Ironstone Vineyards Where: Murphys, California Promoter: Richter Entertainment Group When: June 18, 2017 Seating: (house photographer) Richter Entertainment Group’s Summer Concert Season at Ironstone Amphitheatre in Murphys in 2017 features Toby Keith, Boston, Joan Jett & The Blackhearts, John Mellencamp, The Moody Blues, Jason Mraz, Lindsey Buckingham and Christine McVie, matchbox twenty, Counting Crows, Steve Miller Band, Peter Frampton, Willie Nelson, Kenny G, George Benson, and more!c It’s all taking place in June, July, August and September this year. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Moody Blues Release
Adrian Bohm Presents…… THE MOODY BLUES WORLD TOUR 2005 MELBOURNE PALAIS THEATRE SUNDAY APRIL 10 SYDNEY STATE THEATRE TUESDAY APRIL 12 WEDNESDAY APRIL 13 THURSDAY APRIL 14 BRISBANE CONVENTION CENTRE SATURDAY APRIL 16 With a career that spans almost 40 years The Moody Blues are one of the most enduring rock bands in music history. They have generated a legendary list of hit songs that are regarded as some of the most groundbreaking and innovative music of our time. Justin Hayward, John Lodge and Graeme Edge continue their magical music legacy with the first Australian tour in 18 years. A legendary band with an incredible list of hits including NIGHTS IN WHITE SATIN, RIDE MY SEE SAW, THE STORY IN YOUR EYES, ISN’T LIFE STRANGE, QUESTION, I’M JUST A SINGER IN A ROCK AND ROLL BAND, to name few. The Moody Blues have sold over 55 millions albums and received multi platinum and gold albums and have, over the course of several decades, performed sold out tours, making them one of the top grossing album and touring bands ever. The Moody Blues first album DAYS OF FUTURE PASSED was released in 1967 and was a ground breaking concept album that for the first time fused an orchestra with electric guitars. The album was so unique in its approach that it became a landmark moment in popular music history. Their record company, Decca Records had requested that the band record an album to test stereo recording, which was in its infancy at the time. Decca being a mainly classical label asked the Moody Blues to record a rock version of Dvorak’s 9th Symphony. -
ENT Hayward Prepdf
Twenty-First Century Troubadour: Justin Hayward on French Connections, Songwriting, and Literature Interview with Barbara Havercroft Born in 1946 in Swindon, England, Justin Hayward is the lead singer, song- writer, and guitarist with the legendary band The Moody Blues. His renowned, highly successful career in music is now in its sixth decade, and is characterized by excellence and innovation in popular music. The Moody Blues have sold more than seventy million albums and have been awarded more than a dozen platinum and gold discs. Justin Hayward has also released seven solo albums and has received numerous prestigious awards, such as the Ivor Novello Award for Outstanding Achievement in Music, awarded in May 20131. The following telephone interview was conducted at the University of Toronto on Monday, June 10, 2013. Barbara Havercroft §1 After you and John Lodge joined the Moody Blues in August, 1966, the band continued performing the rhythm and blues music played by the previous incarnation of the group. At this point, in the late sixties, you and your four band- mates decided to travel to Belgium to work. Why did you choose Belgium? Were there conditions in Belgium that were conducive to the band’s metamorphosis and the conception of new material, including the Days of Future Passed composi- tions2? Justin Hayward Actually, the band’s metamorphosis came a bit later. You must remember that nothing is planned in this band. We just stumble into things and lucky accidents and great big slices of luck happen to us. So there was no plan. We went to Belgium playing the old rhythm and blues set, which we continued playing for about three or four months after John and I joined [the group] and we simply weren’t very good at it. -
The Moody Blues Tour / Set List Project - Updated April 9, 2006
The Moody Blues Tour / Set List Project - updated April 9, 2006 compiled by Linda Bangert Please send any additions or corrections to Linda Bangert ([email protected]) and notice of any broken links to Neil Ottenstein ([email protected]). This listing of tour dates, set lists, opening acts, additional musicians was derived from many sources, as noted on each file. Of particular help were "Higher and Higher" magazine and their website at www.moodies- magazine.com and the Moody Blues Official Fan Club (OFC) Newsletters. For a complete listing of people who contributed, click here. Particular thanks go to Neil Ottenstein, who hosts these pages, and to Bob Hardy, who helped me get these pages converted to html. One-off live performances, either of the band as a whole or of individual members, are not included in this listing, but generally can be found in the Moody Blues FAQ in Section 8.7 - What guest appearances have the band members made on albums, television, concerts, music videos or print media? under the sub-headings of "Visual Appearances" or "Charity Appearances". The current version of the FAQ can be found at www.toadmail.com/~notten/FAQ-TOC.htm I've construed "additional musicians" to be those who played on stage in addition to the members of the Moody Blues. Although Patrick Moraz was legally determined to be a contract player, and not a member of the Moody Blues, I have omitted him from the listing of additional musicians for brevity. Moraz toured with the Moody Blues from 1978 through 1990. From 1965-1966 The Moody Blues were Denny Laine, Clint Warwick, Mike Pinder, Ray Thomas and Graeme Edge, although Warwick left the band sometime in 1966 and was briefly replaced with Rod Clarke. -
Budget Decisions May Hinder Groups
Budget Decisions May Hinder Groups By SHARON BROWNING Miss Markwalder said that and However, all legislation passed at that meeting was new uniforms were purchased KATHY HORNING rescinded by the Senate this summer, the bills for The Student Government Sunday night, and the which are "probably sitting Association Senate decision yearbook budget around unpaid somewhere in to reject The Blue Hen subsequently did ~ot pass. the SGA office." budget may prove to be Since male cheerleaders disastrous .. according to PRIOR AGREEMENTS have been added to the group Karen Leinheiser, AS1, The Blue Hen staff entered this year, equipment expenses yearbook editor. into several legal agreements are greater, Miss Markwalder If the Blue Hen does not with both publishers and commented. If the needed receive SGA funds, large photographers on the basis of money cannot be obtained sections of the book will be the August meeting. from the athletic department, either drastically cut or Miss Leinheiser said that the cheerleaders will then completely omitted, and the she had been in meetings all seek donations from the yearbook's image will suffer day Monday "trying to alumni. t~ . considerably, Miss Leinheiser decide what to do." She has She said that Cam Staff photo by Greg e stated. Yo·rkston, AS1, SGA MOVING IN--Student Government Association President Mark been inforined by several The Blue Hen budget was university ofijcials that the Treasurer, ·informed her this McClafferty cleans up his new office as the SGA moves from the approved in a special Senate SGA is legally responsible for summer that the cheerleader third floor to the basement of the Student Center. -
KKUP-2019-Gifts-Ver-14-06-13-19
Page Artist Title / Description Pledge In Psych We Trust! (Band & Artist Spotlight) 6 The Byrds “Original Album Classics” 5-CD Box Set $80.00 7 The Byrds “Sweethearts of The Radio” (&) “Untitled / Unissued” Deluxe Edition 2-CD Sets with One Tote Bag or $100.0 Sports Cap 8 The Flying Burrito Bros “The Gilded Palace of Sin”, “Burrito Deluxe” (&) “Authorized Bootleg: Fillmore East, N.Y., N.Y. Late $100.00 Show, Nov. 7 1970” Limited Edition Sets with One Tote Bag or Sports Cap 9 Free “Five Album Classics” 5-CD Box Set $80.00 10 The Guess Who “Five Original Album Classics” 5-CD Box Set $80.00 11 The Hollies “The Clarke Hicks & Nash Years” 6-CD Imported Deluxe Box Set with One Tote Bag or Sports Cap $100.00 12 Jethro Tull “This Was” Super Deluxe Edition 3-CD / 1-DVD Audio Box Set with One Tote Bag (&) One Sports Cap $100.00 13 The Lovin’ Spoonful “Original Album Classics” 5-CD Box Set $80.00 14 Mountain “Original Album Classics” 5-CD Box Set $80.00 15 Sly & The Family Stone “Five Original Album Classics” 5-CD Box Set $80.00 16 Tommy James & The Shondells “Original Album Classics” 5-CD Box Set $80.00 17 Traffic “Five Classic Albums” 5-CD Box Set $80.00 Progaholic Deluvian-Delights (Special Progressive Rock Anthologies) 19 Deep Purple “In Rock” & “Made in Japan” Special 2-CD Bundle $80.00 20 Emerson, Lake & Palmer “Lucky Man (The Masters Collection)” 2-CD Anthology $80.00 21 Genesis & Pink Floyd Genesis’ “Selling England by The Pound” (&) Pink Floyd’s “Meddle” Special 2-CD Bundle $80.00 22 The Moody Blues “Five Classic Albums” Imported 5-CD Box -
Every Good Boy Deserves Favour (Album) Wikipedia, the Free Encyclopedia Every Good Boy Deserves Favour (Album) from Wikipedia, the Free Encyclopedia
7/14/2016 Every Good Boy Deserves Favour (album) Wikipedia, the free encyclopedia Every Good Boy Deserves Favour (album) From Wikipedia, the free encyclopedia Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971. Every Good Boy Deserves Favour This album featured the only track to be written by all five members of the band. The opening "Procession" was a piece that was intended to describe the history of music from the beginning of time until the album's recording. The only three words heard in this track – "desolation," "creation," and "communication" – were similarly used (along with many other "ation" words) in "One More Time to Live." The album reached #1 on the British album charts, in addition to a threeweek stay at #2 in the United States, and produced one top40 single, "The Story in Your Eyes." The track "Emily's Song" was written by John Lodge for his newborn daughter. Studio album by The Moody Blues Mike Pinder wrote and sang the album's concluding track "My Song". Released 23 July 1971 Recorded November 1970 – March 1971 at The title is taken from the student mnemonic for the lines of the Wessex Sound Studios, London treble clef: EGBDF. These notes are heard played on piano during "Procession." Genre Progressive rock Length 40:05 The album was the last to feature the Mellotron as the sole tape driven instrument, as it would be utilized in conjunction with the Label Threshold Records Chamberlin (another device that uses recorded tape to generate Producer Tony Clarke sound) on the Moody Blues' next studio album, 1972's Seventh The Moody Blues chronology Sojourn. -
Nights in White Satin Tine Santos, Rashida Elimu, Rajah Gainey
SUNDAY • NOVEMBER 11, 2018 B5 John and Kathryn Stephens (she’s WFS director of philanthropy), Sue Evans (WFS COO), Teresa Sti- vers (WFS CEO), Ellen and Dr. T.K. Bryson Harley and Maryanne Sefton (presenting sponsors), Dr. Reid Abrams and Micki Olin (event co-chairs), Hal and Hilary Dunning (honorees), Vicki and Chris Eddy (event co-chairs) Dr. Jeffrey and Linda Gorwit, Faye Enriquez, Chris- Nights in White Satin tine Santos, Rashida Elimu, Rajah Gainey STORY AND PHOTOS BY VINCENT ANDRUNAS • SPECIAL TO THE U-T WALDEN FAMILY SERVICES FUNDRAISER ortunately, most of us were raised by caring parents, adent desserts. Andrea Naversen emceed the pro- Fin secure homes where we could grow, learn, and gram, which included videos of WFS’ pioneering work develop. We experienced the joys of childhood as our and the story of Haley Bergam’s heart-rending journey upbringings prepared us for stable and successful adult through the foster care system and her ultimate suc- lives. But far too many kids don’t have such advantages, cess. Hilary and Hal Dunning were honored with the and instead find themselves taken from their dysfunc- Fostering Hearts Legacy Award for their extraordi- tional families and placed in foster homes which may not nary decades-long support of WFS. A live auction and Dale Ganzow, Arlene Lieberman (WFS board chair). be much more stable or secure. paddle-raise pledges accounted for about $320,000 of Art and Michelle Candland, Leslie and James Levinson Since 1976, Walden Family Services has worked to the event’s projected $400,000 net, which will fulfill the provide foster care and adoption services throughout most critical needs of foster children and youth in Southern California. -
Life Is Strange Full Album Download BEEP BOOP ROBOTS DETECTED
life is strange full album download BEEP BOOP ROBOTS DETECTED. You have run afoul of our high-tech bot-busting defence system. This could be because: The speed with which you're browsing our site is unfathomably quick. One could say it was machine-like. You have disabled JavaScript in your browser. You've been blocking ads and trackers and all sorts of things using a browser plugin like Ghostery or NoScript. More information on that here. You are indeed a robot, in which case: gotcha. BEEP BOOP ROBOTS DETECTADOS. Te has enfrentado a nuestro sistema de defensa anti robots de alta tecnología. Esto puede deberse a que: La velocidad con la que navega por nuestro sitio es increíblemente rápida. Se podría decir que era como una máquina. Ha desactivado JavaScript en su navegador. Has estado bloqueando anuncios y rastreadores y todo tipo de cosas usando un complemento de navegador como Ghostery o NoScript. Más información sobre eso aquí. De hecho, eres un robot, en cuyo caso: te tengo. BEEP BOOP ROBÔS DETECTADOS. Você passou aflito por nosso sistema de alta tecnologia de defesa anti-robôs. Isso pode ser porque: A velocidade com que você está navegando em nosso site é assombrosamente rápida. Se poderia dizer que era como uma máquina. Você desativou o JavaScript em seu navegador. Você vem bloqueando anúncios e rastreadores e todo tipo de coisas usando plugins de browsers como Ghostery ou NoScript. Mais informação sobre isso aqui. Você é de fato um robô, nesse caso: pegamos você. 检测到的哔哔声机器人. 您浏览我们网站的速度异常快。 可以说这就像机器一样. 您已在浏览器中禁用了JavaScript。 您一直在使用Ghostery或NoScript之 类的浏览器插件来阻止广告和跟踪器以及各种各样的东西。 有关的更多信息。 在这种情况下,如果您确实是一个机器人:抓到 你了。 © 2021 Green Man Gaming Limited. -
Trademark Protection of the Names of Popular Music Groups Barbara Singer
Hastings Communications and Entertainment Law Journal Volume 14 | Number 3 Article 1 1-1-1992 A Rose by Any Other Name: Trademark Protection of the Names of Popular Music Groups Barbara Singer Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Barbara Singer, A Rose by Any Other Name: Trademark Protection of the Names of Popular Music Groups, 14 Hastings Comm. & Ent. L.J. 331 (1992). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol14/iss3/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A Rose by Any Other Name: Trademark Protection of the Names of Popular Music Groups by BARBARA SINGER* Table of Contents I. Establishing Ownership of Trademarks in the Names of Popular M usic Groups .................................... 335 A. Ownership as Determined Under the Principles of Federal Trademark Law ............................. 335 1. Validity of the M ark .............................. 337 a. Popular Music Group Names as Marks ........ 337 b. Distinctiveness of a Group's Name as a Mark.. 339 c. Secondary M eaning ............................ 344 2. Ownership of a Mark in a Popular Music Group N am e ............................................ 346 a. Priority of Appropriation ...................... 347 b. C ontrol ....................................... 349 c. Abandonment ................................. 352 B. Contractual Allocations of Group Names ............. 355 II.