DOCSLIB.ORG

5 Poètes, 5 Théoricien·Ne·S Et 24 Artistes De Montréal REFUS CONTRAIRE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
5 Poètes, 5 Théoricien·Ne·S Et 24 Artistes De Montréal REFUS CONTRAIRE 5 poètes, 5 théoricien·ne·s et 24 artistes de Montréal REFUS CONTRAIRE Commissaires : Doriane Biot, Véronique Hudon, Camille Richard du 16 mai au 16 juin 2018 Invitations courriel Communiqués de presse Capsule vidéo UQAM Bulletin de la Faculté des arts. 8 mai 2018 Actualités UQAM. 15 mai 2018 Bulletin de la Faculté des arts. 22 mai 2018 Bulletin de la Faculté des arts. 5 juin 2018 Bulletin de la Faculté des arts. 12 juin 2018 COUVERTURE MÉDIATIQUE Les méconnus. 20 avril 2018 BaronMag. 30 avril 2018 Canadian Art. 10 mai 2018 Les Méconnus. 11 mai 2018 Westmount Mag. 16 mai 2018 Le Devoir. 18 mai 2018 Quartier libre. 21 mai 2018 Offta. 25 mai 2018 Quartier des spectacles. 1 juin 2018 Offta. 7 juin 2018 Galerie UQAM <[email protected]> Rappel : vernissage et lancement mardi 15 mai Galerie de l'UQAM <[email protected]> 14 mai 2018 à 13:55 médiaRépondre : Galerie à : Galerie de l’UQAM de l'UQAM <[email protected]> vol./num./page/date : 16 mai au 16 juin 2018 À : Revue de Presse <[email protected]> La Galerie de l'UQAM est une galerie universitaire dédiée à l'art contemporain Visionner en ligne | View online English follows Facebook Twitter Instagram RAPPEL : VERNISSAGE ET LANCEMENT CE MARDI 15 MAI, 17 H 30 Aleia Laertéoutu Ancienne minoterie : Une réminiscence de ce que Tanizaki a à dire des laques noires et profondes des bols japonais 2018 céramique glaures eau. VERNISSAGE ALEIA LAERTCUTU. LEURS MRES CENTENAIRES Les sculptures au ormes énigmatiques d'Aleia Laertéoutu sont issues dun processus daddition et de soustraction de matire à mme la surace darcitectures istoriques. Les masses ainsi ormées ont été cristallisées. lles portent tantt le sceau du btiment et celui du geste de pression eectué tantt celui des coulées du verre ou de la dentelle du moule. Les sculptures apparaissent comme des ponts par lesquels sarticulent les relationsrapports intangibles entre la substance luide et la orme cristallisée le geste et larcitecture listoire et lobet sculptural. REUS CNTRAIRE Commissaires en arts visuels : oriane iot amille Ricard Commissaire en arts vivants : éronique udon Avec la participation dana Avasilicioaei cott enesiinaabandan Angie eng ara ouinardPoirier aria olonna ool unts Pascale revillon opie ubois toino dumas Ra llenwood llen Fure milie Graton Matieu Grenier Leticia amaoui anako osimiaines enoit utras Lara ramer Fann Latreille iki Little Anna Lupien amissa Ma ota oémi Mcomber ana Micel loé uelletPaeur ominique Pétrin imon Portigal MariePier Proul Marieve Quilicot ave tPierre Patricia mart Andrew Ta ecca Talor France Téoret tepen Tompson Marilou erscelden Pensée dans le contete du 0e anniversaire de la publication de Refus global Refus contraire cerce à réactiver les motis dengagement dinterdisciplinarité et de communauté qui animaient les signataires de ce manieste si marquant. n constante mutation Refus contraire ait une grande place au pratiques perormatives collectives et politiques. Par une abondante programmation évnementielle leposition se veut un espace décanges de collaborations et de contestations questionnant à la ois les limites entre les disciplines et les cadres imposés par lespace de la galerie. Le collecti ool unts présentera des interventions perormatives au cours de la soirée du vernissage. PLUS D'INRMATINS SUR LES EPSITINS VNEMENT ACE LANCEMENT LE PETIT PT DE RSES DE NICLE LICEUR l'occasion du vernissage, une toute nouvelle pulication des ditions les petits carnets, en collaoration avec la Galerie de l'UQAM, sera lance, en prsence de Nicole olicoeur. voquant une déambulation à travers une ville des Alpes ranaises lartiste icole olicoeur ongle avec les restes dune epérience passée. Récit à rebours o réminiscences et dérives poétiques sentremlent pour évoquer le processus antérieur à la réalisation dune suite potograpique. Le petit pot de roses 2018 p. couverture souple Franais 20 PLUS D'INRMATINS SUR LA PULICATIN VNEMENT ACE REMINDER: PENING AND LAUNCH N TUESDA, MA 15, 5:30 P.M. ake anana r 201 view rom te sow at MAI Montréal arts interculturels. Poto: laudia an Tak PENING ALEIA LAERTCUTU. LEURS MRES CENTENAIRES Te enigmatic orms o Aleia Laertéoutus sculptures are rooted in a process o material addition and subtraction rom te suraces o istoric arcitectural structures. Moulded sapes arden carring witin tem te mark o liquid glass and te moulds lacework or tat o te arcitectures orms and te gesture o moulding itsel. voking as te do te reversibilit o matter and its orms casting tecniques are associated wit a wa viewing te world tat is alwas siting a wa o imagining its transormative potential as being sculptural in and o itsel. REUS CNTRAIRE Curators visual arts: oriane iot amille Ricard Curator live arts: éronique udon ith the participation of ana Avasilicioaei cott enesiinaabandan Angie eng ara ouinardPoirier aria olonna ool unts Pascale revillon opie ubois toino dumas Ra llenwood llen Fure milie Graton Matieu Grenier Leticia amaoui anako osimiaines enoit utras Lara ramer Fann Latreille iki Little Anna Lupien amissa Ma ota oémi Mcomber ana Micel loé uelletPaeur ominique Pétrin imon Portigal MariePier Proul Marieve Quilicot ave tPierre Patricia mart Andrew Ta ecca Talor France Téoret tepen Tompson Marilou erscelden onceived in te contet o te 0t anniversar o te publication o Refus global Refus contraire seeks to reactivate te principles o commitment interdisciplinarit and communit tat animated te signatories o tis striking maniesto. onstantl canging Refus contraire places great empasis on perormative collective and political practices. Troug an abundant events program te eibition is tougt o as a space or ecanges collaborations and dissent questioning bot te boundaries between disciplines and te rules and limits imposed b te galler space. Te ool unts collective will present perormative interventions during te evening o te opening. MRE INRMATIN AUT THE EHIITINS ACE EVENT LAUNCH LE PETIT PT DE RSES NICLE LICEUR n the occasion of the opening, a rand new pulication ditions les petits carnets, in collaoration with Galerie de l'UQAM, will e launched, with Nicole olicoeur in attendance. voking a stroll troug a cit in te Frenc Alps artist icole olicoeur uggles wit te remains o a past eperience. A stor were reminiscences and poetic eperimentation intertwine to evoke te process leading up to te realiation o a potograpic suite. Le petit pot de roses 2018 p. sot cover Frenc 20 MRE INRMATIN AUT THE PULICATIN ACE EVENT PARTENAIRES SUPPRT PRVIDED GALERIE DE L'UQAM Université du Québec à Montréal 1400 rue erri Facebook Twitter Instagram Pavillon uditasmin salle R120 eures d'ouverture : Mardi samedi 12 18 ntrée libre galerie.uqam.ca e courriel a été envoé à l'adresse [email protected] car vous tes abonné.e.s à nos communications. Pour mettre à our vos préérences d'abonnement clique ici. Pour vous désabonner clique ici. Tis email was sent to [email protected] because ou are subscribed to our communications. To update our subscription preerences clic here. To unsubscribe clic here. Galerie de l'UQAM 2018 Tous droits réservés Galerie UQAM <[email protected]> média : Galerie de l’UQAM Refus contraire vol./num./date/page : 16 mai au 16 juin 2018 Galerie de l'UQAM <[email protected]> 26 avril 2018 à 13:27 Répondre à : Galerie de l'UQAM <[email protected]> À : Revue de Presse <[email protected]> La Galerie de l'UQAM est une galerie universitaire dédiée à l'art contemporain Visionner en ligne | View online English follows Facebook Twitter Instagram Scott Benesiinaabandan, little resistances: martha | burntchurch, 2015, épreuve numérique sur vinyle, 125 x 125 cm REFUS CONTRAIRE Dates : 16 mai – 16 juin 2018 Vernissage : mardi 15 mai 2018, 17 h 30 Commissaires en arts visuels : Doriane Biot, Camille Richard Commissaire en arts vivants : Véronique Hudon Avec la participation d’Oana Avasilichioaei, Scott Benesiinaabandan, Karina Champoux, Angie Cheng, Daria Colonna, Cool Cunts, Pascale Drevillon, Sophie Dubois, toino dumas, Ray Ellenwood, Ellen Furey, Émilie Graton, Mathieu Grenier, Leticia Hamaoui, Hanako Hoshimi- Caines, Benoit Jutras, Camille Larivée, Fanny Latreille, Nikki Little, Anna Lupien, Kamissa Ma Koïta, Noémi McComber, Dana Michel, Chloé Ouellet-Payeur, Dominique Pétrin, Simon Portigal, Marie-Pier Proulx, Marie-Ève Quilicot, Dave St-Pierre, Patricia Smart, Andrew Tay, Becca Taylor, France Théoret, Stephen Thompson, Marilou Verschelden La Galerie de l’UQAM accueille, dès le 16 mai 2018, l’exposition collective Refus contraire. Pensée dans le contexte du 70e anniversaire de la publication de Refus global, elle cherche à réactiver les motifs d’engagement, d’interdisciplinarité et de communauté qui animaient les signataires de ce manifeste si marquant. En constante mutation, Refus contraire fait une grande place aux pratiques performatives, collectives et politiques. Aujourd’hui, comme il y a 70 ans, il est toujours nécessaire que l’art repense l’espace social québécois. Alors que les mises en scène de la domination culturelle se complexifient, les raisons de s’indigner ne cessent de croitre. Refus contraire, par sa double négation, en appelle à renouer avec la radicalité dans sa dimension positive, à envisager plus que jamais le refus comme force de résistance. L’exposition montre l’engagement des artistes actuel.le.s à redéfinir les représentations culturelles, identitaires et de genres à travers des formes performatives, poétiques et visuelles. Elle est un espace pour prendre le pouls de la vivacité des communautés artistiques et intellectuelles. À l’encontre des
Load more

Recommended publications
  • 2019 AIM Program
    A Message from ASABE President Maury Salz Welcome to the 2019 Annual International Meeting (AIM) of the American Society of Agricultural and Biological Engineers in Boston, Massachusetts. I extend a special welcome to first time participants, international attendees and pre-professionals. I am confident you will find the meeting a welcoming and stimulating investment of your time. AIM offers a wide array of opportunities for you to gain knowledge in technical sessions, make new or catch-up with old friends at social events, contribute to the ongoing growth efforts in technical communities, and to celebrate the accomplishments of peers in the awards ceremonies. I highly encourage you to engage in the opening keynote session by GreenBiz’s Joel Makower and the following panel discussion on sustainability and the need for a national strategy, which could alter how we live. We as individuals, and collectively as ASABE, will be challenged to think about how this broader vision of sustainability could fundamentally change our lives and the profession. I want to thank our friends at Cornell University for serving as local hosts and the volunteer coordinators. Students work as volunteers to enhance the experience for all meeting participants and you can locate them by their blue shirts. Please thank them when you have the chance. Boston is rich in history and be sure to take some time to experience what this unique area has to offer. I also encourage you to participate actively in AIM and reflect on how you can advance the Society goals to benefit yourself personally and the people of the world.
    [Show full text]
  • Year in Review 2018/2019
    Contents Shaping the Museum of the Future 2 Philanthropy on View 4 The Year at a Glance 8 Compelling Mix of Original and Touring Exhibitions 12 ROM Objects on Loan Locally and Globally 26 Leading-Edge Research 36 ROM Scholarship in Print 46 Community Connections 50 Access to First Peoples Art and Culture 58 Programming That Inspires 60 Learning at the ROM 66 Members and Volunteers 70 Digital Readiness 72 Philanthropy 74 ROM Leadership 80 Our Supporters 86 2 royal ontario museum year in review 2018–2019 3 One of the initiatives we were most proud of in 2018 was the opening of the Daphne Cockwell Gallery dedicated to First Peoples art & culture as free to the public every day the Museum is open. Initiatives such as this represent just one step on our journey. ROM programs and exhibitions continue to be bold, ambitious, and diverse, fostering discourse at home and around the world. Being Japanese Canadian: reflections on a broken world, Gods in My Home: Chinese New Year with Ancestor Portraits and Deity Prints and The Evidence Room helped ROM visitors connect past to present and understand forces and influences that have shaped our world, while #MeToo & the Arts brought forward a critical conversation about the arts, institutions, and cultural movements. Immersive and interactive exhibitions such as aptured in these pages is a pivotal Zuul: Life of an Armoured Dinosaur and Spiders: year for the Royal Ontario Museum. Fear & Fascination showcased groundbreaking Shaping Not only did the Museum’s robust ROM research and world-class storytelling. The Cattendance of 1.34 million visitors contribute to success achieved with these exhibitions set the our ranking as the #1 most-visited museum in stage for upcoming ROM-originals Bloodsuckers: the Canada and #7 in North America according to The Legends to Leeches, The Cloth That Changed the Art Newspaper, but a new report by Deloitte shows World: India’s Painted and Printed Cottons, and the the ROM, through its various activities, contributed busy slate of art, culture, and nature ahead.
    [Show full text]
  • Natalie Hunter Natalie Hunter B
    Natalie Hunter Natalie Hunter B. Hamilton, ON, Canada natalie-hunter.com, [email protected] Education 2011 - 2013: Master of Fine Arts, University of Waterloo, Ontario, Canada. 2006 - 2011: Bachelor of Arts, Honours Visual Arts with a Concentration in Curatorial Studies, Graduated with First Class Standing, Brock University’s Marilyn I. Walker School of Fine and Performing Arts. St Catharines, Ontario, Canada. Solo & Two Person Exhibitions 2021 - When I see, I breathe light. Smokestack Gallery. Hamilton, Ontario, Canada. 2020 - Billows and Breathing Spaces. Solo Exhibition. Centre[3] for Artistic and Social Practice. Hamilton, Ontario, Canada. 2019 - Sensations of breathing at the sound of light. Solo Exhibition. Factory Media Centre. Hamilton, Ontario, Canada. September 13th - October 4th, 2019. Exhibited during in the 2019 Hamilton Supercrawl. 2019 Staring into the Sun. Solo Exhibition curated by Marcie Bronson. Rodman Hall Art Centre. St. Catharines, Ontario, Canada. January - April 2019. 2018 - Signs of Light. Centre [3] For Print and Media Arts. Hamilton, Ontario, Canada. (two person) 2018 - Picture-esque. Rotunda Gallery. Kitchener City Hall. Kitchener, Ontario, Canada. 2018 - The Sun’s Rays Do Not Burn Until Brought To A Focus. Centre [3] For Print and Media Arts. Hamilton, Ontario, Canada. 2017 - Pieces of Light: An Appendix. Open Sesame Gallery. 220 King St W, Kitchener, Ontario, Canada. 2016 - Places Unknown. DeFacto Gallery. 193 James St. N, Hamilton, Ontario, Canada. 2014 - ReVisions. Art Gallery of Hamilton Design Annex. Hamilton, Ontario, Canada. 2013 - Passing Through. MFA Thesis Exhibition, University of Waterloo Art Gallery, Waterloo, Ontario, Canada. Select Group Exhibitions 2021 - 2021 AGH Annual Art Sale. Art Gallery of Hamilton.
    [Show full text]
  • Alexia Laferté-Coutu LEURS OMBRES CENTENAIRES
    Alexia Laferté-Coutu LEURS OMBRES CENTENAIRES Finissante de la maitrise en arts visuels et médiatiques, UQAM du 16 mai au 16 juin 2018 Invitations courriel Communiqués de presse Capsule vidéo UQAM Bulletin de la Faculté des arts. 8 mai 2018 Bulletin de la Faculté des arts. 22 mai 2018 Bulletin de la Faculté des arts. 5 juin 2018 Bulletin de la Faculté des arts. 12 juin 2018 COUVERTURE MÉDIATIQUE Canadian Art. 10 mai 2018 Galerie UQAM <[email protected]> Alexia Laferté-Coutu. Leurs ombres centenaires média : Galerie de l’UQAMGalerie de l'UQAM <[email protected]>vol./num./date/page : 16 mai au 16 juin 2018 27 avril 2018 à 08:09 Répondre à : Galerie de l'UQAM <[email protected]> À : Revue de Presse <[email protected]> La Galerie de l'UQAM est une galerie universitaire dédiée à l'art contemporain Visionner en ligne | View online English follows Facebook Twitter Instagram Alexia Laferté-Coutu, Ancienne minoterie : les angles adoucis des encadrements moulures, 2018, verre coulé, pigments, anthémis ALEXIA LAFERTÉ-COUTU. LEURS OMBRES CENTENAIRES Finissante de la maitrise en arts visuels et médiatiques, UQAM Dates : 16 mai – 16 juin 2018 Vernissage : mardi 15 mai 2018, 17 h 30 La Galerie de l’UQAM accueille l’exposition Alexia Laferté-Coutu. Leurs ombres centenaires dès le 16 mai 2018. Les sculptures aux formes énigmatiques d’Alexia Laferté-Coutu sont issues d’un processus d’addition et de soustraction de matière à même la surface d’architectures historiques. Les masses ainsi formées ont été cristallisées. Elles portent tantôt le sceau du bâtiment et celui du geste de pression effectué, tantôt celui des coulées du verre ou de la dentelle du moule.
    [Show full text]
  • To View Shannon's CV
    Shannon Anderson Contemporary Art Curator and Writer [email protected] Education Master of Arts, Concordia University, Montreal, Quebec (Art History) (1998–2000) Honours Specialist Bachelor of Arts (with distinction), University of Toronto, Ontario and Honours Diploma in Art and Art History, Sheridan College, Oakville, Ontario (1993–1997) Related Work Experience Independent art curator, writer and editor, Oakville, Ontario July 2009 – present Develop guest curated exhibitions for galleries across Canada; write essays, reviews and articles for various art publications (magazines, journals and exhibition publications); provide editing and writing services (for arts organizations, individual artists and curators; services include editing essays and didactic exhibition materials as well as grant writing and/or editing) Art Curator and Co-Chair, Oakville Trafalgar Memorial Hospital Art Council, Oakville, Ontario November 2015 – present Oversee the development of the Hospital art collection, including the procurement of new donations. Curate exhibitions, develop art-related programming, organize and manage the installation of works of art, loaned and donated, throughout the OTMH. Source funding opportunities and write grant applications. Art Curator, Creative Gros Morne, Gros Morne, Newfoundland (contract) September 2016 – October 2017 Oversee the selection, development and installation of the region’s first commission of permanent outdoor public art. Associate Editor, Azure and Designlines magazines, Toronto, Ontario November 2007 – November
    [Show full text]
  • Xiaojing Yan Is a Chinese-Canadian Artist Born in Nanjing, China
    Matthew Ryan Smith Of Clouds and Cocoons: An Interview with Xiaojing Yan iaojing Yan is a Chinese-Canadian artist born in Nanjing, China, who currently lives and works in Toronto, Canada. Xiaojing Yan X received a B.F.A in decorative art from Nanjing Art Institute, Jiangsu, in 2000, and an M.F.A in contemporary sculpture from Indiana University of Pennsylvania, Indiana, in 2007. The central themes running through her work concern immigration, identity, cultural difference, and transmigration. Often using traditional Chinese materials and practices within the contemporary aesthetic, she is known for creating sculptural objects and installations out of fibre, wax, tissue paper, wood, shell, and silk. In this conversation, Xiaojing Yan and I discuss cultural crossovers and the inspiration behind recent projects. Matthew Ryan Smith: How has your Chinese identity influenced your art- making in Canada? Xiaojing Yan: Art is my way of telling how I feel about being Chinese- Canadian. When I was in China, I never thought about being Chinese. And I didn’t think about what it meant to be Chinese. When I left China to see the outside world, I did not consciously identify myself as Chinese, but my new culture did. All of a sudden, my habits, my personality, my appearance—it was all labeled Chinese. People around me remind me that I am Chinese every day. I often ask myself: What does it mean to be a good foreigner? Chinese culture, training, and traditions inspire my work. Here in Canada, adapting outside of my native culture molds and informs my work as I appreciate the richness of my multicultural background.
    [Show full text]
  • Another Year of Sharing Art with You
    Another year of sharing art with you. The health and safety of employees and visitors at the AGM is our priority and we continue to follow Peel Region COVID restrictions and are closed temporarily from physical visits. We continue to monitor the situation closely and look forward to welcoming visitors soon. While our doors are closed, Art Gallery of Mississauga (AGM) has a vibrant inviting virtual online platform. We invite you all join us to spend some time viewing our newest exhibition. We begin 2021 with curation by Dev Ramsumair. The Qi (Chi) of water, material energy, lifeforce of water. You are invited to immerse yourself in this experience. We are very excited to announce the world renowned artist Xiaojing Yan presenting her exhibition as well as Canadian award winning artists Laura Beaton and Huan Chen currently showing. If you missed our educational indigenous exhibition featuring Skawenatti for children check out our YouTube channel. A very informative artist talk with Don Russell and Peter Schuler can be viewed as well. Frances Ferdinand, and her exhibition and artist talk "26" is also available or just take a few moments and go on a virtual tour and enjoy the beauty of the Art Gallery exhibitions. New Exhibitions The Qi of Water (Chi - life flow/energy) This year we celebrate the entrance of the new year - the year of the OX and metal. According to Fung Shui Masters this combination means that it will be another year in which we will face obstacles early on - with a remedy. Water. According to Feng Shui, water is the element to compliment and pacify a metal element.
    [Show full text]
  • Preview-Art.Com CONTEMPLATION 凝视 Selected Works by Jianjun an & Qiangli Liang Sept 28 - Nov 11, 2018 Opening Reception: Sept
    GUIDE TO GALLERIES + MUSEUMS ALBERTA BRITISH COLUMBIA OREGON WASHINGTON September - October 2018 preview-art.com CONTEMPLATION 凝视 Selected works by Jianjun An & Qiangli Liang Sept 28 - Nov 11, 2018 Opening Reception: Sept. 28. 6:00pm Viridian Gallery 1570 Coal Harbour Quay, Vancouver, BC. V6G 3G1 Gallery Hours: Tue - Sat, 10:00-16:00 and by appointment Sun and Mon Holidays: Closed www.viridiangallery.ca [email protected] 7782233690 Curated by Sen Wong Co-ordinated by Yizhe zhao & Cherry Chang 2419 Clarke Street, Port Moody, BC (778) 355-5399 Specializing in fine floral art silkgallery.ca Preview Magazine Full Page Ad.indd 1 2018-08-15 1:54:55 PM Installation Storage Shipping Transport Framing Providing expert handling of your fine art for over thirty years. 155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] opening AUG 24 6–9pm OPNG 08 / Installation Storage Shipping Transport Framing 24 6:00 9:00 Is it a Print? 08/24 & PAUL KATIE 09/14 OPNG 09 / 28 6:00 10:00 09/28 KIMOTO & FRIENDS Providing expert 5 year Anniversary Exhibition handling of your fine art 10/27 for over thirty years. 155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] 1525 W 6TH AVE VANCOUVER BC 604 428 0903 hello @ kimotogallery.com kimotogallery.com SEPT OCT 2018.indd 1 2018-08-15 10:23 PM BRITISH COLUMBIA ALBERTA Laxgalts’ap Prince Rupert Prince George St. Albert Skidegate Edmonton HAIDA GWAII North Vancouver West Vancouver Port Moody Williams Lake Vancouver Coquitlam Burnaby
    [Show full text]
  • M I L L I E C H E N
    M I L L I E C H E N SOLO & COLLABORATIVE EXHIBITIONS 2021 “Silk Road Songbook” work-in-progress (with Arzu Ozkal), OCAT Xi’an, Xi’an, China, curators Wang Mengmeng & Karen Smith. 2019 “Matter,” Anna Kaplan Contemporary, Buffalo, NY. 2018 “Millie Chen: Four Recollections,” CU Art Museum, University of Colorado Boulder, curator Sandra Firmin. 2017 “Rock,” El Museo Francisco Oller y Diego Rivera (with Warren Quigley), Buffalo, NY, curator Bryan Lee. 2016 “Prototypes 1970s,” BT&C Gallery, Buffalo, NY. “Tour,” Project Space, Center for the Arts, University at Buffalo, curator Natalie Fleming. “PED.Toronto” (with PED collective), Koffler Art Gallery, curator Mona Filip. 2015 “Tour,” Vtape, Toronto, curators Lisa Steele & Kim Tomczak. “stain,” BT&C Gallery, Buffalo, NY. 2014 “Tour,” Albright-Knox Art Gallery, Buffalo, NY, curators Douglas Dreishpoon, Laura Brill. 2013-14 “The Miseries & Vengeance Wallpapers,” Albright-Knox Art Gallery, Buffalo, NY, curator Laura Brill. 2013 “Watcher,” echo Art Fair, Downtown Central Library, Buffalo, NY. 2012 “Ministry for Future Modification: Beijing Office” (with Warren Quigley), Where Where Art Space, Beijing, China, curators Gordon Laurin and Jing Yuan Huang. 2011 “Exquisite,” Rodman Hall Arts Centre, St. Catharines, curator Marcie Bronson. 2009 “Extreme Centre” (with Warren Quigley), Big Orbit, Buffalo, NY, curator Sean Donaher. 2008 “Extreme Centre” (with Warren Quigley), Sound Symposium, St. John’s, Newfoundland, curator Reinhard Reitzenstein. “PED.St.John’s” (with PED collective), Sound Symposium, St. John’s, Newfoundland, curator Reinhard Reitzenstein. “Watcher,” Biennale nationale de sculpture contemporaine, Trois-Rivières, Quebec, curator Josée Wingen. 2007 “Watcher,” nuit blanche: D’Arcy Street, Toronto, curator Michelle Jacques. “Demon Girl Duet Buzz Humm,” Lee Ka-sing Gallery, Toronto, curators Holly Lee & Lee Ka-sing.
    [Show full text]
  • Worldofthreadsfestival.Com Ontario, Canada
    World of Threads Festival 2014 Nov. 1 - 30, 2014 Oakville & Mississauga Ontario, Canada WorldofThreadsFestival.com Welcome to Festival 2014! #worldofthreads The biennial World of Threads Festival is a showcase of local, national and international contemporary fibre and textile art. The festival is based in Oakville, Ontario where it began in 1994. For our 20th anniversary we are showing 255 artworks by 97 artists from Australia, Canada, France, Hungary, Germany, Japan, Mexico, New Zealand, UK and USA. We began with an international call for submissions that attracted hundreds of artists. We like to curate based entirely on what we receive. For our main thematic exhibition we were struck by the continual occurrence of dramatic work which became The Red and the Black. This will be mounted in the beautiful gallery at our main venue Queen Elizabeth Park Community and Cultural Centre in Oakville. Our largest show ever Solo Shows and Installations, will be mounted in their vast Corridor Galleries. For the first time we are showing entire bodies of work, large installations and a few single pieces. For the first time we are happy to welcome Mississauga’s Living Arts Centre. The show strung out and undone was also curated out of the call for submissions. Also for the first time we are joined by the Oakville Galleries with The Last Supper. Check the Website for info about openings, bus tours, maps, directions, artworks and our Weekly Fibre Artist Interviews and Curator Interviews. Be sure to subscribe for updates (it’s free). Main Festival Opening Reception: Sat. Nov. 1, 2014, 2 - 4 pm Queen Elizabeth Park Community and Cultural Centre in Oakville.
    [Show full text]
  • VTC2017-Spring Final Program
    vtc2017spring--sydneyFP.ai 1 5/30/2017 3:18:44 PM VTC2017-Spring SYDNEY Light Up Vehicular Innovation Final Program 2017 IEEE 85th Vehicular Technology Conference • 4–7 June 2017 • Sydney, New South Wales, Australia The 85th IEEE Vehicular Technology Conference Final Programme 4 – 7 June 2017 Sydney, Australia Welcome from the General Chair The entire organizing committee welcomes you to Our organizing committee has worked hard to put Sydney. It is our pleasure to be hosting the 2017 IEEE together an excellent technical program. We are also 85th Vehicular Technology Conference for the first very proud of offering in the conference excellent time in Sydney, drawing scientific experts in Industry Tracks featuring eminent speakers from academia and industry from all over the world. industry and government agencies from around the The aim of this conference is to provide a forum of world. We hope you can share with us an exciting researches and technologist from academia and social program that introduces you to the best that industry to present new ideas and contributions in the Sydney has to offer. Last but not least, our special form of technical papers, panel discussions and thanks also go to our supporters and patrons: NSW tutorials, as well as to contribute to and extend the Government for their Unwavering Support; Huawei participant’s relationship for fruitful future Technologies Co, Ltd. – Gold Patron; National cooperation activities. Instruments Australia Pty Ltd. – Silver Patron; and IEEE Green ICT – Patron for Wireless Internet Sydney is a well-known cosmopolitan and Access, for their strong and keen support.
    [Show full text]
  • 19 Exhibition Catalogues Published by the Art Gallery of Guelph, Macdonald Stewart Art Centre, And/Or the University of Guelph Art Gallery Dating from 1969 to Present
    ART GALLERY OF GUELPH PUBLICATIONS Revised September 2015 TABLE OF CONTENTS 1) Solo Exhibitions, pages 3 – 19 Exhibition catalogues published by the Art Gallery of Guelph, Macdonald Stewart Art Centre, and/or the University of Guelph Art Gallery dating from 1969 to present. 2) Group Exhibitions, pages 20 – 28 Exhibition catalogues published by the Art Gallery of Guelph, Macdonald Stewart Art Centre, and/or the University of Guelph Art Gallery dating from 1969 to present. 3) Occasional Papers, Reprints, and Chapters in Publications, pages 29 - 30 Essays published by the Art Gallery of Guelph, Macdonald Stewart Art Centre about exhibitions or works in the permanent collections and reprints of essays related to the Art Gallery of Guelph, Macdonald Stewart Art Centre or its exhibitions and collections published by other institutions. Art Gallery of Guelph related articles or articles by staff in non-gallery publications. Catalogue Pricing New Releases (books within the last two years) $15.00 All Other Books $5.00 Exhibition Brochures $5.00 *Price exceptions are listed below. Note: Publications highlighted in red are out of print. In some cases, a photocopy or digital PDF can be provide 1 Price Exceptions Avaalaaqiaq, Irene: Myth and Reality $30.00 The Cultivated Landscape: An Exploration of Art and Agriculture $35.00 Hengeveld, Robert: Promised Lands $65.00 Husar, Natalka: Husar Handbook $50.00 Ink and Light: The Influence of Claude Lorrain’s Etchings on England $50.00 Scarlett, Rolph: Art, Design and Jewelry $35.00 Shakespeare: Made In Canada $20.00 2 Solo Exhibitions 1. Alhers, Chris: Urban Systems Owen, Dawn (exhibition catalogue) Guelph, Ontario: Macdonald Stewart Art Centre, 2008 2.
    [Show full text]