DOCSLIB.ORG

W. S. KINGREY Grand Master 1944 J

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

W. S. KINGREY Grand Master 1944 J. B. You'ngblood, G. S.; John H. B \.._ Thomas, G. S.; J. S. Kingrey, G.' J- Eilers, G. S.; Dr. D. W. Landess, G. O.; Howard M. Sigler, G. S. Biographical Sketch of WILLIAM SAMPSON KINGREY Grand Master, 1944 By EDWIN F. GAYLE Past Grand Master William Sampson Kingrey, Grand Master of Free and Accepted Masons of Louisiana, was born at Pearl, in Old Imperial Calcasieu, now Allen Parish, Louisiana, on September 21, 1886. He is the son of Sampson R. Kingrey and Jane Airhart Kingrey, both of whom were natives of Old Imperial Calcasieu Parish, Brother Kingrey being the fifth of nine children. Brother Kingrey received his education in the public schools of Louisiana and started out in life for himself at the early age of 15 years. On February 3, 1906, he was married to his present wife, Lottie Brice Kingrey, of which marriage there were born three children, one of whom, J. S. Kingrey, had the honor of being appointed Grand Pursuivant of the Grand Lodge of Louisiana by his father. Brother Kingrey has been active in the lumber industry and in the development of the farming and agricultural resources of the State. In 1911 he operated a piling, tie and saw mill businsss until 1917, when he was employed by Peavy-Byrnes Lumber Company as Woods Superintendent, which position he held until 1919, when he moved to Kinder, Louisiana, with his family, since which time he has devoted his attention to cattle raising and rice farming, which he has pursued on a large scale. Brother Kingrey has adopted all the most modern methods of agriculture and cattle raising and has maintained a deep interest in the development of agriculture in his district and in the improvement of cattle breeding. In his herds the Brahma cattle predominate. Brother Kingrey has, in addition to his activity in agriculture and cattle raising, participated in all movements for civic improvement and for the betterment of education in his home Parish of Allen. He is a member of the Congregational Church and a member of the Rotary Club, and since the beginning of the war, has been a member of the Selective Service Board and Chairman of the Parish 0. P. A. Brother Kingrey has taken a deep interest in the social and political welfare of his community; has served on the Parish Demo- cratic Executive Committee and is now a member of the State Central Committee. He served as Mayor of the Town of Kinder for four years and served a four year term as a member of the Police Jury in Allen Parish. Brother Kingrey has taken an active interest in Masonry since his initiation as a member of Reeves Lodge No. 343 in 1912. He subsequently affiliated with Kinder Lodge No. 291 in 1927 and has served three times as Master of that Lodge. He is a member of Kinder Chapter No. 65, Royal Arch Masons, and is Past High Priest of that Chapter, and has been annointed in the Order of High Priests of the Grand Chapter of Louisiana. He is a member of Oakdale Council No. 25, Royal & Select Masters, a member of Lake Charles Consistory, Ancient and Accepted Scottish Rite of Freemasonry, and is a Noble of El Karubah Temple, Order of the Mystic Shrine. He was elected Grand Junior Warden of the Grand Lodge of Louisiana in 1941, Grand Senior Warden in 1942, Deputy Grand Master in 1943, and Grand Master in 1944. On February 16, 1944, at the Annual Com- munication of the Grand Lodge of Louisiana, he was installed as Grand Master in due and ancient form by Past Grand Master Dee A. Strickland, assisted by Past Grand Master J. Luther Jordan acting as Grand Marshal. For the past three years Brother Kingrey has been a member of the Board of Trustees of the Masonic Home for Children and a member of the Board of Grand Lodge Hall Directors, where his sound common sense and good business judgment have added much to the management of the Home and of the Grand Lodge Temple Building. Brother Kingrey is unassuming and modest in his business and fraternal relations and tastes. He seems reluctant to push him- self forward and appears to be content to perform with earnestness and zeal the duties he is called on to perform as they arise and as occasion demands. He is unselfish in his devotion to the well-being of his community and state and in the service of his fellowman as well as of the brethren of the fraternity. PROCEEDINGS OF THE M. W. Grand Lodge OP THE STATE OF LOUISIANA FREE AND ACCEPTED MASONS : ONE HUNDRED AND THIRTY-THIRD ! ANNUAL GRAND COMMUNICATION [ FEBRUARY 14th, 15th, AND 16th, A. L. 5944. W. S. KINGREY, Grand Master Kinder, La. D. PETEE LAGUENS, JR., Grand Secretary Masonic Temple, New Orleans PUBLISHED BY THE GRAND LODGE AND REQUESTED TO BE READ IN ALL THE LODGES NEW ORLEANS: SEARCY & PFAFF, LTD., PRINTERS 1944 OFFICERS OF THE Most Worshipful Grand Lodge OF THE STATE OF LOUISIANA FREE AND ACCEPTED MASONS 1944 W. S. KINGRJEY - M. W. Grand Master. OTTO E. PASSMAN B. W. Deputy Grand Master THEODORE P. MATHES B. W. Grand Senior Warden Q. T. HARDTNER R. W. Grand Junior Warden U. W. McMILLAN R. W. Grand Treasurer D. PETER LAGUENS, JR R. W. Grand Secretary JESSE A. TAYLOR R. W. Grand Lecturer R. C. LEEVES R. W. Grand Lecturer T. D. LIPSCOMB .». W. Grand Chaplain JOHN F. FOSTER _ W. Grand Chaplain, Emeritus ROBERT W. SMITH W. Grand Marshal ROBERT W. CRETNEY W. Grand Senior Deacon T. H. MAYES W. Grand Junior Deacon ROBERT H. BROWER W. Grand Sword Bearer J. S. KINGREY W. Grand Pursuivant SIDNEY J. CALDWELL D.D.G.M. Dist. 1 W. Grand Steward J. D. WALTHAL D.D.G.M. Dist. 2 W. Grand Steward W. D. WALLACE D.D.G.M. Dist. 3 W, Grand Steward H,. B. CANNON D.D.G.M. Dist. 4 W. Grand Steward F. A. THOMAS D.D.G.M. Dist. 5 W. Grand Steward J. B. YOUNGBLOOD D.D.G.M. Dist. 6 W. Grand Steward W. E. HUFFMAN D.D.G.M. Dist. 7 W. Grand Steward JOHN H. BROWN D.D.G.M. Dist. 8 W. Grand Steward HILTON BORDELON ..D.D.G.M. Dist. 9 W. Grand Steward HOWARD M. SIGLER D.D.G.M. Dist. 10 W. Grand Steward CLARENCE J. MoNULTY....D.D.G.M. Dist. 11 W. Grand Steward D. W. LANDESS D.D.G.M. Dist. 12 W. Grand Steward W. H. EILERS D.D.G.M. Dist. 13 W. Grand Steward ALON L. WALL D.D.G.M. Dist. 14 W. Grand Steward JOSEPH MASON .D.D.G.M. Dist. 15 W. Grand Steward EDWARD A. CUNNY D.D.G.M. Dist. 16: W. Grand Steward ROBERT J. RUSS D.D.G.M. Dist. 17 W. Grand Steward CHARLES E. McHALE D.D.G.M. Dist. 18 W. Grand Steward HANS PALM Grand Tyler LOUIS ESCHENBRENNER Grand Tyler, Emeritus j EARLE S. RICE Grand Organist 1 ONE HUNDRED AND THIRTY-THIRD ANNUAL GRAND COMMUNICATION FIRST DAY'S SESSION SCOTTISH RITE TEMPLE NEW ORLEANS, LA., FEBRUARY 14TH, 1944. The One Hundred and Thirty-third Annual Communication of the Most Worshipful Grand Lodge of the State of Louisiana, in . New Orleans, on Monday afternoon of the fourteenth day of Feb- ruary, Nineteen Hundred Forty-four, at 2:00 o'clock, was opened in the Third or Master's Degree, in due and ancient form, by M :W: Brother Benjamin Y. Wolf, Grand Master, after prayer by Brother Robert M. McGehee, Grand Chaplain. FLAG PRESENTATION The Flag of the United States was presented West of the Altar when the Pledge of Allegiance was given, and all joined in singing the National Anthem. The Flag was placed on the Dais at the right of the Most Worshipful Grand Master. PRESENTATION OF STATION COVERS Brother Frank 0. Chavez, Worshipful Master of Friends of Harmony 58, spoke of the love and esteem the members of their Lodge had for our Most Worshipful Grand Master, who is a mem- ber of the Lodge. As a testimonial to him, three beautiful Purple Velvet Station Covers were presented to the Grand Lodge. 4 PROCEEDINGS OP THE GRAND LODGE GRAND LODGE OFFICERS PRESENT BENJAMIN Y. WOLF .. M. W. Grand Master W. S. KINGREY B. W. Deputy Grand Master DEE A. STRICKLAND, P. G. M Acting Grand Senior Warden THEODORE F. MATHES B. W. Grand Junior Warden U. W. McMILLAN B. W. Grand Treasurer D. PETER LAGUENS, JR ,. B. W. Grand Secretary JESSE A. TAYLOR B. W. Grand Lecturer R. C. LEEVES R. W. Grand Lecturer ROBERT M. McGEHEE ,, W. Grand Chaplain ROBERT W. CRETNEY _'. W. Grand Marshal JACOB PHILLIPS W. Grand Senior Deacon BERTNEY G. FRICK - W. Grand Junior Deacon JOHN J. KHOURY W. Grand Pursuivant W. D. WALLACE D.D.G.M. Dist. 3 W. Grand Steward C. J. ROZIER D.D.G.M. Dist. 4 W. Grand Steward W. O. KEES D.D.G.M. Dist. 5 W. Grand Steward JAMES A. BAILES X>.D.G.M. Dist. 6 W. Grand Steward W. E. HUFFMAN .D.D.G.M. Dist. 7 W. Grand Steward H. W. HAMILTON D.D.G.M. Dist. 10 W. Grand Steward JULIUS O. HEDT D.D.G.M. Dist. 11 W. Grand Steward D. W. LANDESS D.D.G.M. Dist. 12 W. Grand Steward MAURICE BAHM D.D.G.M. Dist. 13 W. Grand Steward ALON L.
Recommended publications
  • June 2018 New Releases

    June 2018 New Releases

    June 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 76 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES HANK WILLIAMS - CLANNAD - TURAS 1980: PIG - THE LONESOME SOUND 2LP GATEFOLD RISEN Music Video DVD & Blu-ray 50 Non-Music Video DVD & Blu-ray 52 Order Form 84 Deletions and Price Changes 82 PORTLANDIA: CHINA SALESMAN THE COMPLETE SARTANA 800.888.0486 SEASON 8 [LIMITED EDITION 5-DISC BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 HANK WILLIAMS - SON HOUSE - FALL - LEVITATE: www.MVDb2b.com THE LONESOME SOUND LIVE AT OBERLIN COLLEGE, LIMITED EDITION TRIPLE VINYL APRIL 15, 1965 A Van Damme good month! MVD knuckles down in June with the Action classic film LIONHEART, starring Jean-Claude Van Damme. This combo DVD/Blu-ray gets its well-deserved deluxe treatment from our MVD REWIND COLLECTION. This 1991 film is polished with high-def transfers, behind-the- scenes footage, a mini-poster, interviews, commentaries and more. Coupled with the February deluxe combo pack of Van Damme’s BLACK EAGLE, why, it’s an action-packed double shot! Let Van Damme knock you out all over again! Also from MVD REWIND this month is the ABOMINABLE combo DVD/Blu-ray pack. A fully-loaded deluxe edition that puts Bigfoot right in your living room! PORTLANDIA, the IFC Network sketch comedy starring Fred Armisen and Carrie Brownstein is Ore-Gone with its final season, PORTLANDIA: SEASON 8. The irreverent jab at the hip and eccentric culture of Portland, Oregon has appropriately ended with Season 8, a number that has no beginning and no end.
  • "This Murder Done": Misogyny, Femicide, and Modernity in 19Th- Century Appalachian Murder Ballads

    "This Murder Done": Misogyny, Femicide, and Modernity in 19Th- Century Appalachian Murder Ballads

    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 "This Murder Done": Misogyny, Femicide, and Modernity in 19th- Century Appalachian Murder Ballads Christina Ruth Hastie [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hastie, Christina Ruth, ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/1045 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christina Ruth Hastie entitled ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major
  • Marty Robbins the Essential Marty Robbins 1951-1982 Mp3, Flac, Wma

    Marty Robbins the Essential Marty Robbins 1951-1982 Mp3, Flac, Wma

    Marty Robbins The Essential Marty Robbins 1951-1982 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Essential Marty Robbins 1951-1982 Country: Europe Released: 1991 Style: Country Rock, Rockabilly, Country MP3 version RAR size: 1285 mb FLAC version RAR size: 1440 mb WMA version RAR size: 1580 mb Rating: 4.9 Votes: 994 Other Formats: ASF MP3 WAV XM MP2 AA RA Tracklist Hide Credits Tomorrow You'll Be Gone 1-1 2:43 Bass – Bill Callahan Fiddle – Tex AtchisonGuitar – Floyd Lanning, Johnny Bond I'll Go On Alone 1-2 Bass – Slim HarbertFiddle – Johnny GimbleGuitar – Floyd LanningPiano – Harold 2:39 Carmack I Couldn't Keep From Crying 1-3 Bass – Slim HarbertFiddle – Johnny GimbleGuitar – Jimmy Rollins, Joe KnightPiano – 2:45 Harold Carmack Pain And Misery 1-4 2:19 Guitar – Chet Atkins, Louis InnisGuitar [Steel] – Joe VincentVocals [Duet] – Ray Edenton That's All Right 1-5 2:34 Fiddle – Dale PotterWritten-By – Arthur Crudup* Maybellene 1-6 2:30 Piano – James Roye Hall*Written-By – Chuck Berry 1-7 Tennessee Toddy 3:14 1-8 I Can't Quit 2:25 Singing The Blues 1-9 2:26 Written-By – Melvin Endsley Knee Deep In The Blues 1-10 2:09 Fiddle – Grover LavenderWritten-By – Melvin Endsley Mister Teardrop 1-11 2:47 Drums – Jimmy GossettGuitar – Hank Garland The Story Of My Life 1-12 2:31 Guitar – D. Perri*Piano – A. Ackers*Written-By – Burt Bacharach, Hal David* A White Sport Coat (And A Pink Carnation) 1-13 2:29 Piano – Dick Hyman She Was Only Seventeen (He Was One Year More) 1-14 2:21 Guitar – D.

  • Guide to the Dorothy Horstman Oral History Field and Radio Show Recordings

    Guide to the Dorothy Horstman Oral History Field and Radio Show Recordings NMAH.AC.0723 NMAH Staff Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents note................................................................................................ 2 Biographical/Historical note.............................................................................................. 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Oral History Field Interviews, circa 1961-1993......................................... 4 Series 2: Oral History Field Interviews, Reference CDs, circa 1961-1993............. 21 Series 3: WNYC Radio Shows Original Recordings, 1972-1977........................... 22 Series 4: WYNC Radio Shows Reference Cassette Copies, 1972-1977............... 56 Series 5: Frank Mare Compilations,
  • Edition #7B (May 2021)

    Edition #7B (May 2021)

    EDITION #7B (MAY 2021) Cover design by Bob McGrath 0 CAJUN RECORDS 1946-1989 – A DISCOGRAPHY © Nick Leigh 2020 INTRODUCTION TO THE REVISED EDITIONS I began collecting blues records in 1959 but it was another 7 years before I heard Cleveland Crochet & the Sugar Bees on the Storyville anthology “Louisiana Blues”. My appetite whetted, I wanted more. Buying the Iry Le Jeune LPs on Goldband a few months later (not one but two volumes – and purchased as imports on a student’s allowance!) fuelled an appreciation of Cajun music that has remained undiminished. In the mid 1960s, however, there was little information available about the great music I was listening to, other than the catalogues I obtained from Goldband and Swallow, and the early articles by Mike Leadbitter and John Broven in “Blues Unlimited” and “Jazz Journal”. Thanks to people like Mike, John, Neil Slaven, Rob Ford and Les Fancourt there is now a lot of information available to provide the background to blues and rhythm & blues recordings. However much of the information about the post World War 2 music of South Louisiana in general and the French (Cajun) recordings in particular, remains elusive. So far as I know no single ‘discography’ of post-war Cajun record releases has been published and I thought I would try to correct this oversight. This is notwithstanding the increasing amount of well researched material about the music in general and individual artists. Therefore I take only limited credit for the information included herein about the recordings. My aim has been to bring that material together in a single document.
  • PDF EPUB} Ike's Boys the Story of the Everly Brothers by Thomas Schultheiss Everly Brothers, The

    PDF EPUB} Ike's Boys the Story of the Everly Brothers by Thomas Schultheiss Everly Brothers, The

    Read Ebook {PDF EPUB} Ike's Boys The Story of the Everly Brothers by Thomas Schultheiss Everly Brothers, The. Everly Brothers, The the most popular vocal duo from the rock ’n’ roll 1950s. MEMBERSHIP: Don Everly (b. Brownie, Ky, Feb. 1, 1937); Phil Everly (b. Brownie, Ky, Jan. 19, 1939, although some say Chicago). Don and Phil Everly were taught the guitar at an early age. Their parents, Ike and Margaret, were touring musicians and began hosting a weekly radio show on KMA in Shenandoah, la., in 1945. The brothers began appearing on The Everly Family Show when Don was eight and Phil six. During summers they toured the country circuit with their parents. In 1954, with the help of family friend Chet Atkins, Don was signed to a songwriting contract with Acuff-Rose Publishing, providing Kitty Wells with the major country hit ’Thou Shalt Not Steal,” A year later the brothers moved to Nashville, recording briefly for Columbia Records in late 1955. Early the following year, Wesley Rose became their manager, introducing them to the songwriting team of Felice and Boudleaux Bryant in 1957. Signed to Cadence Records, the Everly Brothers scored their first hit in 1957 with “Bye Bye Love” written by the Bryants. The song, like many that followed, became a three-way hit, making the pop, R&B and country- western charts. “Wake Up Little Susie,” written by the Bryants, topped all three charts, as did Boudleaux’s “All I Have to Do Is Dream/7 The Bryants’ “Problems” was both a pop smash and major country hit, and Boudleaux’s “Bird Dog” was a top pop/country/R&B hit.
  • Dim Lights, Thick Smoke and Hillbilly Music Country & Western Hit

    Dim Lights, Thick Smoke and Hillbilly Music Country & Western Hit

    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Dim Lights, Thick Smoke And Hillbilly Music Country & Western Hit Parade 1961-1965 G Nach den CDs über die Jahre 1945-1960 hatte es sich herumgesprochen: Diese Serie ist die ultimative, alles ist grandios ausgestattet und makellos neu gemastert. Kurz: Genau so, wie man es von BEAR FAMILY erwartet – und noch besser! G Jack Clement, der Johnny Cash, Roy Orbison, Waylon Jennings, Don Williams, Charley Pride und viele andere produziert hat, erklärte: "Dies ist die beste Country-Serie aller Zeiten, keine Frage." Robert Hilburn schrieb in der 'Los Angeles Times': "Ein unbezahlbares Projekt, das den Fans einen Zeitsprung zurück erlaubt, um wie am Radio Musik zu hören, wie es Elvis Presley, Ray Charles und Bob Dylan getan haben." Und der Produzent Allen Reynolds (Garth Brooks, Emmylou Harris und andere) nahm Richard Weize von BEAR FAMILY in der Country Music Hall of Fame zur Seite und beglückwünschte ihn zu dieser Serie. G Jetzt wird die Serie mit den Jahren 1961-1965 fortgeschrieben. Jedes der umfangreichen Booklets ist randvoll mit seltenen Fotos und Illustrationen sowie mit Hintergrundinformationen zu allen Songs! G Die Hits werden ergänzt um Raritäten, die die Country Music beeinflußten – und generell die Musik der folgenden Jahre. G Diese Serie wurde geschaffen, um neuen Zuhörern das Beste zu präsentieren, das die Country Music anzubie- ten hat und um kenntnisreiche Fans zu unterhalten. Jede einzelne Folge ist eine Zeitreise. "DIM LIGHTS... versammelt eine anarchische Mischung aus Sex und Sentimentalität, aus ernsthaften Lobgesängen auf das Familienleben und überspannten Geschichten vom Saufen und Betrügen – und vermittelt damit faszinierende Einblicke in Entweder-Oder-Streitereien aus den Fünfzigern..
  • The World of Country Music

    The World of Country Music

    OCTOBER, 1965 PRICE $2.00 The World of Country Music The lore of ll ie country field; its color and history; its writers and artists; its place in the world of niusi . yesterday. today and tomor- row. BILLBOARD, Vol. 77, No. 44, October 30, 1965. Copyright © 1965 by the Billboard Publishing Company, 2160 Patterson Street, Cincinnati, Ohio 45214. Single copy $2.00. At no time since its beginning has the influence and universal appeal of Country music been felt as deeply and emotionally as today. BMI, first to give Country writers a chance to share in the economic rewards of their talent, ùs deeply proud that most of the Country music heard both nationally and internationally, is licensed for public performance through BMI in the United States and through 23 foreign performing rights societies with which it is affiliated. Broadcast Music. Inc. shall continué to provide unlimited opportunity ;music through BMI... for Country writers as well as all composers of all music, certain they will continue to earn recognition and appreciatian All the worlds of music for all of today's audience. BMI BROADCAST MUSIC, INC. 6 The World of Country Music Billboard Bob Atcher Wanda Faye Billy Mize Harold Bradley Lester Flatt & Earl Scruggs George Morgan Carl Butler & Pearl Lefty Frizzell Johnny & Jonie Mosby The Carter Family Ray Godfrey Skeets McDonald Claude Gray June Carter Ray Price Johnny Cash Esco Hankins Bill Pursell The Cherokee Cowboys Kirk Hansard Marty Robbins The Chuck Wagon Gang The Harden Trio Carl Smith Jenny Clay Stonewall Jackson The Statler Brothers Tommy Collins The Jordanaires The Tennessee Three Jimmy Dean The Kimberlys Billy Walker "Little"Jimmy Dickens Claude King Rem Wall Johnny Dollar Sleepy La Beff Buddy Durham Len and Glen Del Wood Ray Edenton Gerrie Lynn Marion Worth Don Law-Country and Western Executive Producer Frank Jones-Producer 7 The World of Country Music Billboard OIINTBY MUSIC -wee .7icSSS HALL OF FAM TEE RIM .;.....,.' WORLD 1[tSX z :`" 47J771-7,t> ,?.
  • UPDATED & REVISED 5 EDITION with NEW FOREWORD Cover

    UPDATED & REVISED 5 EDITION with NEW FOREWORD Cover

    UPDATED & REVISED 5th EDITION WITH NEW FOREWORD Cover design by Bob McGrath CAJUN RECORDS 1946-1989 – A DISCOGRAPHY © Nick Leigh 2019 INTRODUCTION TO THE REVISED EDITIONS I began collecting blues records in 1959 but it was another 7 years before I heard Cleveland Crochet & the Sugar Bees on the Storyville anthology “Louisiana Blues”. My appetite whetted, I wanted more. Buying the Iry Le Jeune LPs on Goldband a few months later (not one but two volumes – and purchased as imports on a student’s allowance!) fuelled an appreciation of Cajun music that has remained undiminished. In the mid 1960s, however, there was little information available about the great music I was listening to, other than the catalogues I obtained from Goldband and Swallow, and the early articles by Mike Leadbitter and John Broven in “Blues Unlimited” and “Jazz Journal”. Thanks to people like Mike, John, Neil Slaven, Rob Ford and Les Fancourt there is now a lot of information available to provide the background to blues and rhythm & blues recordings. However much of the information about the post World War 2 music of South Louisiana in general and the French (Cajun) recordings in particular, remains elusive. So far as I know no single ‘discography’ of post-war Cajun record releases has been published and I thought I would try to correct this oversight. This is notwithstanding the increasing amount of well researched material about the music in general and individual artists. Therefore I take only limited credit for the information included herein about the recordings. My aim has been to bring that material together in a single document.
  • ASCAP/BMI Comment

    ASCAP/BMI Comment

    Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc.