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Science Fiction Looking for Science Fiction? Looking for Science Fiction? Looking for Science Fiction? DON’T PANIC—we’ve got you DON’T PANIC—we’ve got you DON’T PANIC—we’ve got you covered! covered! covered! Douglas Adams / MT Anderson Douglas Adams / MT Anderson Douglas Adams / MT Anderson Isaac Asimov / Margaret Atwood Isaac Asimov / Margaret Atwood Isaac Asimov / Margaret Atwood John Barnes / Frank Beddor John Barnes / Frank Beddor John Barnes / Frank Beddor Ray Bradbury / David Brin Ray Bradbury / David Brin Ray Bradbury / David Brin Lois McMaster Bujole Lois McMaster Bujole Lois McMaster Bujole Orson Scott Card Orson Scott Card Orson Scott Card Arthur C. Clark Arthur C. Clark Arthur C. Clark Brian Clevinger / Philip K. Dick Brian Clevinger / Philip K. Dick Brian Clevinger / Philip K. Dick Cory Doctorow / Jack Finney Cory Doctorow / Jack Finney Cory Doctorow / Jack Finney Robert A. Heinlein / Frank Herbert Robert A. Heinlein / Frank Herbert Robert A. Heinlein / Frank Herbert Hugh Howey / Aldous Huxley Hugh Howey / Aldous Huxley Hugh Howey / Aldous Huxley Stephen King / Ursula K. LeGuin Stephen King / Ursula K. LeGuin Stephen King / Ursula K. LeGuin Walter M. Miller / Larry Niven Walter M. Miller / Larry Niven Walter M. Miller / Larry Niven Audrey Niffenegger / Mike Resnick Audrey Niffenegger / Mike Resnick Audrey Niffenegger / Mike Resnick Kim Stanley Robinson Kim Stanley Robinson Kim Stanley Robinson Maria Dora Russell / Mary Shelley Maria Dora Russell / Mary Shelley Maria Dora Russell / Mary Shelley Neal Stephenson / Jules Verne Neal Stephenson / Jules Verne Neal Stephenson / Jules Verne David Weber / H. G. Wells David Weber / H. G. Wells David Weber / H. G. Wells Scott Westerfield / Connie Willis Scott Westerfield / Connie Willis Scott Westerfield / Connie Willis John Wyndham /Rick Yancey John Wyndham /Rick Yancey John Wyndham /Rick Yancey Roger Zelazny Roger Zelazny Roger Zelazny __________ Public Library __________ Public Library __________ Public Library Did you know that your library Did you know that your library Did you know that your library offers: offers: offers: Activities for Children and Activities for Children and Activities for Children and Adults Adults Adults Computers and Classes Computers and Classes Computers and Classes Wifi Wifi Wifi Movies, Music and Books Movies, Music and Books Movies, Music and Books eBooks and eMagazines eBooks and eMagazines eBooks and eMagazines Passes to Museums and Passes to Museums and Passes to Museums and Parks Parks Parks Books on CD Books on CD Books on CD Genealogy Information Genealogy Information Genealogy Information .
Recommended publications
  • Dark Images of Cyberpunk
    Dark Images of Cyberpunk Carlo Savino 29 September 1995 With the publication of seminal works such as Mary Shelly's Frankenstein, science fiction has always contained an appeal to the underground culture. Her gothic visions of human behavior became the inspiration for works such as Ray Bradbury's Fahrenheit 451 and Isaac Asimov's I, Robot series. Though the beginning emphasized utopian societies, science fiction progressed to include a future quite different from the present. Visions of flying ships, lasers, and travels to far off space colonies inundated these works. However, one subset of authors, such as William Gibson, Bruce Sterling, and Lewis Shiner, molded an entirely different genre of science fiction, placing more emphasis on the darker future of life on Earth. This work, later labeled "cyberpunk", brought with it a very bleak view of future societies and culture. The features of their style of writing, which include the masculinization of women, the perversion of technology, the oppressive descriptions of settings and life, and the negative characterizations of people, defined the notion of cyberpunk. Women have a certain status in cyberpunk, one that is very contrary to the current sociological expectations of them. Women in these societies have had to adapt to the environmental pressures put on them. They behave in an unconventional manner, as their sociological role dissolves any need for refinement and they must act and think as men would if they are to survive. Illustrations of this assertion abound. On an emotional level, women are portrayed as being very aggressive, both sexually and physically. One example of this can be found in Tom Maddox's Snake Eyes : Lizzie and George are described as "rubbing up against one another..
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  • Readingblackout Adult Book List Afrofuturism (Science Fiction And
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  • Ray Bradbury”, National Endowment for the Arts
    RRaayy BBrraaddbbuurryy 1 1 “Portrait by John Sherffius”, under “Audio & Video: Ray Bradbury”, National Endowment for the Arts, http://arts.endow.gov/av/video/bradbury/bradbury.html 091027 Bibliotheca Alexandrina Compiled by Rasha Mohsen Biography 1 Ray Douglas Bradbury was born on August 22, 1920, in Waukegan, Illinois. His father, Leonard Spaulding Bradbury, worked as a telephone lineman. His mother was Esther Marie Moberg Bradbury. Bradbury had older twin brothers, Leonard and Samuel, who were born in 1916, and a younger sister, Elizabeth, born in 1926.2 In 1934, the Bradbury family drove across the country to Los Angeles, with young Ray piling out of their jalopy at every stop to plunder the local library in search of L. Frank Baum's Oz books. In 1936, Bradbury joined a weekly Thursday-night conclave that would grow to attract such science-fiction legends as Robert A. Heinlein, Leigh Brackett, and future Scientology founder L. Ron Hubbard. In 1947, Ray Bradbury married Marguerite McClure. They had met the previous April in Fowler Brothers Bookstore, where she worked—and where at first she had him pegged for a shoplifter: “Once I figured out that he wasn't stealing books, that was it. I fell for him”. 3 Ray Bradbury is best known for his highly imaginative science-fiction short stories and novels that blend social criticism with an awareness of the hazards of runaway technology. He published his first story in 1940 and was soon contributing widely to magazines. His first book of short stories, Dark Carnival (1947), was followed by The Martian Chronicles (1950), which is generally accounted a science-fiction classic in its depiction of materialistic Earthmen exploiting and corrupting an idyllic Martian civilization.
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  • Ray Bradbury Has Inspired Generations of Readers to Dream, BUBONICON FRIEND AMONG Think and Create," the Statement Said
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  • Zen in the Art of Writing – Ray Bradbury
    A NOTE ABOUT THE AUTHOR Ray Bradbury has published some twenty-seven books—novels, stories, plays, essays, and poems—since his first story appeared when he was twenty years old. He began writing for the movies in 1952—with the script for his own Beast from 20,000 Fathoms. The next year he wrote the screenplays for It Came from Outer Space and Moby Dick. And in 1961 he wrote Orson Welles's narration for King of Kings. Films have been made of his "The Picasso Summer," The Illustrated Man, Fahrenheit 451, The Mar- tian Chronicles, and Something Wicked This Way Comes, and the short animated film Icarus Montgolfier Wright, based on his story of the history of flight, was nominated for an Academy Award. Since 1985 he has adapted his stories for "The Ray Bradbury Theater" on USA Cable television. ZEN IN THE ART OF WRITING RAY BRADBURY JOSHUA ODELL EDITIONS SANTA BARBARA 1996 Copyright © 1994 Ray Bradbury Enterprises. All rights reserved under International and Pan-American Copyright Conventions. Owing to limitations of space, acknowledgments to reprint may be found on page 165. Published by Joshua Odell Editions Post Office Box 2158, Santa Barbara, CA 93120 Library of Congress Cataloging-in-Publication Data Bradbury, Ray, 1920— Zen in the art of writing. 1. Bradbury, Ray, 1920- —Authorship. 2. Creative ability.3. Authorship. 4. Zen Buddhism. I. Title. PS3503. 167478 1989 808'.os 89-25381 ISBN 1-877741-09-4 Printed in the United States of America. Designed by The Sarabande Press TO MY FINEST TEACHER, JENNET JOHNSON, WITH LOVE CONTENTS PREFACE xi THE JOY OF WRITING 3 RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS 13 HOW TO KEEP AND FEED A MUSE 31 DRUNK, AND IN CHARGE OF A BICYCLE 49 INVESTING DIMES: FAHRENHEIT 451 69 JUST THIS SIDE OF BYZANTIUM: DANDELION WINE 79 THE LONG ROAD TO MARS 91 ON THE SHOULDERS OF GIANTS 99 THE SECRET MIND 111 SHOOTING HAIKU IN A BARREL 125 ZEN IN THE ART OF WRITING 139 .
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  • SFSFS Shuttle #136 Sept./Oct, 1998
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  • An Evening to Honor Gene Wolfe
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  • Mike Resnick (1942-2020) – Locus Online
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  • Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
    DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A.
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  • New Technology in Education As Viewed Through the Utopic and Dystopic Worlds of Science Fiction
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