Ronin-SC Camera Compatibility List
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Japanese Manufacturing Affiliates in Europe and Turkey
06-ORD 70H-002AA 7 Japanese Manufacturing Affiliates in Europe and Turkey - 2005 Survey - September 2006 Japan External Trade Organization (JETRO) Preface The survey on “Japanese manufacturing affiliates in Europe and Turkey” has been conducted 22 times since the first survey in 1983*. The latest survey, carried out from January 2006 to February 2006 targeting 16 countries in Western Europe, 8 countries in Central and Eastern Europe, and Turkey, focused on business trends and future prospects in each country, procurement of materials, production, sales, and management problems, effects of EU environmental regulations, etc. The survey revealed that as of the end of 2005 there were a total of 1,008 Japanese manufacturing affiliates operating in the surveyed region --- 818 in Western Europe, 174 in Central and Eastern Europe, and 16 in Turkey. Of this total, 291 affiliates --- 284 in Western Europe, 6 in Central and Eastern Europe, and 1 in Turkey --- also operate R & D or design centers. Also, the number of Japanese affiliates who operate only R & D or design centers in the surveyed region (no manufacturing operations) totaled 129 affiliates --- 125 in Western Europe and 4 in Central and Eastern Europe. In this survey we put emphasis on the effects of EU environmental regulations on Japanese manufacturing affiliates. We would like to express our great appreciation to the affiliates concerned for their kind cooperation, which have enabled us over the years to constantly improve the survey and report on the results. We hope that the affiliates and those who are interested in business development in Europe and/or Turkey will find this report useful. -
“Digital Single Lens Reflex”
PHOTOGRAPHY GENERIC ELECTIVE SEM-II DSLR stands for “Digital Single Lens Reflex”. In simple language, a DSLR is a digital camera that uses a mirror mechanism to either reflect light from a camera lens to an optical viewfinder (which is an eyepiece on the back of the camera that one looks through to see what they are taking a picture of) or let light fully pass onto the image sensor (which captures the image) by moving the mirror out of the way. Although single lens reflex cameras have been available in various shapes and forms since the 19th century with film as the recording medium, the first commercial digital SLR with an image sensor appeared in 1991. Compared to point-and-shoot and phone cameras, DSLR cameras typically use interchangeable lenses. Take a look at the following image of an SLR cross section (image courtesy of Wikipedia): When you look through a DSLR viewfinder / eyepiece on the back of the camera, whatever you see is passed through the lens attached to the camera, which means that you could be looking at exactly what you are going to capture. Light from the scene you are attempting to capture passes through the lens into a reflex mirror (#2) that sits at a 45 degree angle inside the camera chamber, which then forwards the light vertically to an optical element called a “pentaprism” (#7). The pentaprism then converts the vertical light to horizontal by redirecting the light through two separate mirrors, right into the viewfinder (#8). When you take a picture, the reflex mirror (#2) swings upwards, blocking the vertical pathway and letting the light directly through. -
Completing a Photography Exhibit Data Tag
Completing a Photography Exhibit Data Tag Current Data Tags are available at: https://unl.box.com/s/1ttnemphrd4szykl5t9xm1ofiezi86js Camera Make & Model: Indicate the brand and model of the camera, such as Google Pixel 2, Nikon Coolpix B500, or Canon EOS Rebel T7. Focus Type: • Fixed Focus means the photographer is not able to adjust the focal point. These cameras tend to have a large depth of field. This might include basic disposable cameras. • Auto Focus means the camera automatically adjusts the optics in the lens to bring the subject into focus. The camera typically selects what to focus on. However, the photographer may also be able to select the focal point using a touch screen for example, but the camera will automatically adjust the lens. This might include digital cameras and mobile device cameras, such as phones and tablets. • Manual Focus allows the photographer to manually adjust and control the lens’ focus by hand, usually by turning the focus ring. Camera Type: Indicate whether the camera is digital or film. (The following Questions are for Unit 2 and 3 exhibitors only.) Did you manually adjust the aperture, shutter speed, or ISO? Indicate whether you adjusted these settings to capture the photo. Note: Regardless of whether or not you adjusted these settings manually, you must still identify the images specific F Stop, Shutter Sped, ISO, and Focal Length settings. “Auto” is not an acceptable answer. Digital cameras automatically record this information for each photo captured. This information, referred to as Metadata, is attached to the image file and goes with it when the image is downloaded to a computer for example. -
Sony Kabushiki Kaisha
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 20-F n REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR 12(g) OF THE SECURITIES EXCHANGE ACT OF 1934 or ¥ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2010 or n TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from/to or n SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report: Commission file number 1-6439 Sony Kabushiki Kaisha (Exact Name of Registrant as specified in its charter) SONY CORPORATION (Translation of Registrant’s name into English) Japan (Jurisdiction of incorporation or organization) 7-1, KONAN 1-CHOME, MINATO-KU, TOKYO 108-0075 JAPAN (Address of principal executive offices) Samuel Levenson, Senior Vice President, Investor Relations Sony Corporation of America 550 Madison Avenue New York, NY 10022 Telephone: 212-833-6722, Facsimile: 212-833-6938 (Name, Telephone, E-mail and/or Facsimile Number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered American Depositary Shares* New York Stock Exchange Common Stock** New York Stock Exchange * American Depositary Shares evidenced by American Depositary Receipts. Each American Depositary Share represents one share of Common Stock. ** No par value per share. Not for trading, but only in connection with the listing of American Depositary Shares pursuant to the requirements of the New York Stock Exchange. -
Session Outline: History of the Daguerreotype
Fundamentals of the Conservation of Photographs SESSION: History of the Daguerreotype INSTRUCTOR: Grant B. Romer SESSION OUTLINE ABSTRACT The daguerreotype process evolved out of the collaboration of Louis Jacques Mande Daguerre (1787- 1851) and Nicephore Niepce, which began in 1827. During their experiments to invent a commercially viable system of photography a number of photographic processes were evolved which contributed elements that led to the daguerreotype. Following Niepce’s death in 1833, Daguerre continued experimentation and discovered in 1835 the basic principle of the process. Later, investigation of the process by prominent scientists led to important understandings and improvements. By 1843 the process had reached technical perfection and remained the commercially dominant system of photography in the world until the mid-1850’s. The image quality of the fine daguerreotype set the photographic standard and the photographic industry was established around it. The standardized daguerreotype process after 1843 entailed seven essential steps: plate polishing, sensitization, camera exposure, development, fixation, gilding, and drying. The daguerreotype process is explored more fully in the Technical Note: Daguerreotype. The daguerreotype image is seen as a positive to full effect through a combination of the reflection the plate surface and the scattering of light by the imaging particles. Housings exist in great variety of style, usually following the fashion of miniature portrait presentation. The daguerreotype plate is extremely vulnerable to mechanical damage and the deteriorating influences of atmospheric pollutants. Hence, highly colored and obscuring corrosion films are commonly found on daguerreotypes. Many daguerreotypes have been damaged or destroyed by uninformed attempts to wipe these films away. -
Photomask Japan 2017 Poster Presentation As of March 3
Photomask Japan 2017 Poster Presentation as of March 3 Session Session Program Date Session Title Presentation Title Name Affiliation Time No. No. Materials of and for Quartz 9-inch size Mask Blanks for ArF PSM (Phase Shift Noriyuki ULVAC COATING 9a 9a-1 Photomasks Mask) Harashima CORPORATION 9b-1 Mask crosstalk defect between develop to etch process Yuan Hsu Photronics DNP Mask Corp. 9b Process Stabilize OMOG photomask post-repair CD variation by 9b-2 Vincent Shen Photronics DNP Mask Corp. cleaning strategy and post-repair treatment Old and new techniques mixed up into optical photomask 9c-1 Jumpei Fukui Nikon Engineering Co., Ltd. measurement method Quickly Identifying and Resolving Particle Issues in 9c-2 Yukinobu Hayashi CyberOptics Corporation Photolithographic Scanners Metrology Tools and 9c Technologies Best Practices for Monitoring Humidity in Emersion Scanner 9c-3 Yukinobu Hayashi CyberOptics Corporation Reticle Environments to Reduce Reticle Haze Effects LMS IPRO: enabling accurate registration metrology on SiN- Hendrik 9c-4 KLA-Tencor MIE GmbH based Phase-Shift Masks Steigerwald Inspection Tools and Development of Photomask Insitu Inspection system for 9d 9d-1 Shingo Yoshikawa Dai Nippon Printing Co., Ltd. Technologies 1Xnm lithography mask and beyond Repairing Tools and How Smart is your BEOL? 9e 9e-1 Kristian Schulz Carl Zeiss SMT Technologies Productivity Improvement through Intelligent Automation Semiconductor Manufacturing 9f-1 Physical Model based Mask Registration Correction Rivan Li International Corp. 16:20- April 6 -
A Simple and Efficient Image Stabilization Method for Coastal Monitoring Video Systems
remote sensing Article A Simple and Efficient Image Stabilization Method for Coastal Monitoring Video Systems Isaac Rodriguez-Padilla 1,* , Bruno Castelle 1 , Vincent Marieu 1 and Denis Morichon 2 1 CNRS, UMR 5805 EPOC, Université de Bordeaux, 33615 Pessac, France; [email protected] (B.C.); [email protected] (V.M.) 2 SIAME-E2S, Université de Pau et des Pays de l’Adour, 64600 Anglet, France; [email protected] * Correspondence: [email protected] Received: 21 November 2019; Accepted: 21 December 2019; Published: 24 December 2019 Abstract: Fixed video camera systems are consistently prone to importune motions over time due to either thermal effects or mechanical factors. Even subtle displacements are mostly overlooked or ignored, although they can lead to large geo-rectification errors. This paper describes a simple and efficient method to stabilize an either continuous or sub-sampled image sequence based on feature matching and sub-pixel cross-correlation techniques. The method requires the presence and identification of different land-sub-image regions containing static recognizable features, such as corners or salient points, referred to as keypoints. A Canny edge detector (CED) is used to locate and extract the boundaries of the features. Keypoints are matched against themselves after computing their two-dimensional displacement with respect to a reference frame. Pairs of keypoints are subsequently used as control points to fit a geometric transformation in order to align the whole frame with the reference image. The stabilization method is applied to five years of daily images collected from a three-camera permanent video system located at Anglet Beach in southwestern France. -
Sensor Zoom Min. Focusing Dimensions Est. Street Brand Model Mount(S) Format Range Distance (D X L) (In.) Weight Price
Sensor Zoom Min. Focusing Dimensions Est. Street Brand Model Mount(s) Format Range Distance (D x L) (in.) Weight Price Canon EF-S 18-200mm ƒ/3.5-5.6 IS Canon APS-C 11.1x 17.8 inches 3.1 x 6.4 20.9 oz. $699 Canon EF 28-300mm ƒ/3.5-5.6L IS USM Canon Full-Frame 10.7x 27.6 inches 3.6 x 7.2 59.2 oz. $2,449 Nikon 1 NIKKOR VR 10-100mm ƒ/4-5.6 Nikon 1 CX (1-inch) 10x Variable 2.4 x 2.8 10.5 oz. $549 Nikon 1 NIKKOR VR 10-100mm ƒ/4.5-5.6 PD-ZOOM Nikon 1 CX (1-inch) 10x Variable 3.0 x 3.7 18.2 oz. $749 Nikon AF-S DX NIKKOR 18-200mm ƒ/3.5-5.6G ED VR II Nikon DX (APS-C ) 11.1x 19.2 inches 3.0 x 3.8 19.8 oz. $649 Nikon AF-S DX NIKKOR 18-300mm ƒ/3.5-6.3G ED VR Nikon DX (APS-C) 16.7x 19.2 inches 3.0 x 3.8 19.4 oz. $699 Nikon AF-S DX NIKKOR 18-300mm ƒ/3.5-5.6G ED VR Nikon DX (APS-C) 16.7x Variable 3.3 x 4.7 29.3 oz. $999 Nikon AF-S NIKKOR 28-300mm ƒ/3.5-5.6G ED VR Nikon FX (Full-Frame) 10.7x 19.2 inches 3.3 x 4.5 28.2 oz. $949 Olympus M.Zuiko ED 14-150mm ƒ/4.0-5.6 II Micro Four Thirds Micro Four Thirds 10.7x 19.7 inches 2.5 x 3.3 10.0 oz. -
The Japan Disaster: Rebuilding Supply Chains
3/25/2011 The Japan Disaster: Rebuilding Supply Chains March 24, 2011 Bruce C. Arntzen, PhD James B Rice, Jr. Senior Research Director Deputy Director, CTL [email protected] [email protected] W 617.252.6965 W 617.258.8584 MIT Center for Transportation and Logistics (CTL) Cambridge, MA 1 Agenda • What has happened? • What will happen? • What should companies do? 2 1 3/25/2011 What has happened: business impacts? • Primary impacts – earthquake and tsunami damaged facilities, personnel lost, destroyed communications systems in northern Japan • Automotive finished vehicles & parts (esp. engine air flow sensors & engines): Honda, Toyota, Nissan, Mazda • High tech: semiconductors, technology (e.g. LCD, silicon wafers, rechargeable batteries, DRAM, NAND, digital cameras): Sony, Hitatchi, Shin-Etsu, SUMCO, Toshiba, Nikon, Fujitsu • Pharmaceuticals (insulin, penicillin): Novo Nordisk, GSK, Roche • Others: Apparel (high tech fibers), Food (soy sauce): Kikoman • Some attempting to restart this week • Secondary impacts – loss of supply from primary impacts causing shutdowns • Retailers and downstream customers of those industries currently working off of already lean inventories and starting to see cessation or slowdowns in supply • Factories in Japan shuttered to conserve power • Unreliable utilities (power, water) continue to impact operations • Discovery of critical dependence • Hitachi engine air flow sensors • Renesas drive train microprocessors 3 Business Impacts: Capacity Losses Company Product Core Capacity Loss (Failure Brief Impact mode) Apple -
LUMIX PRO TERMS of USE V1.1
LUMIX PRO TERMS OF USE v1.1 Last updated 31th November 2019 LUMIX PRO CLUB MEMBERSHIP These terms and conditions apply to LUMIX PRO and LUMIX PRO Services ("LPS") membership and use of any LPS Membership benefits as set out herein. Panasonic may update these Terms of Use from time to time without prior notice to you. You should review the current Terms of Use periodically by visiting your LPS account on-line or by requesting a copy of the current terms from the LPS Membership admin team. LPS Membership is offered to you in Austria, Belgium, Czech Republic, France, Germany, Ireland, Italy, Poland, Spain, Sweden and United Kingdom by Panasonic Marketing Europe GmbH, Hagenauer Str. 43, 65203 Wiesbaden, Germany. LPS Membership is offered to you in the United States of America and Canada by Panasonic Corporation of North America, Two Riverfront Plaza, Newark, NJ 07102-5490, United States. 1. Definitions 1.1 “You”, “Your” and “Customer” means the member or purchaser of the LUMIX PRO Services or your LUMIX PRO membership. 1.2 “We”, “Us”, “Our” and “Panasonic” means any wholly owned operation of Panasonic Corporation, Japan. 1.3 “LUMIX” means a range of camera bodies and lenses that are manufactured by Panasonic. 1.4 “Professional” means uses of the range of qualifying products for LUMIX PRO as defined by Panasonic. 1.5 “Equipment” means individual product items from the range of qualifying products as defined by Panasonic. 1.6 “Membership period” means the period from initial registration until expiry, usually one (1) year. 1.7 “LUMIX PRO Service” or “LPS” means the level of service provided as part of the Silver, Gold, Platinum or Black levels of LUMIX PRO , as per the terms and conditions set out in this document, and relevant to your country of residence. -
Image Stabilization by Larry Thorpe Preface Laurence J
Jon Fauer’s www.fdtimes.com The Journal of Art, Technique and Technology in Motion Picture Production Worldwide October 2010 Special Article Image Stabilization by Larry Thorpe Preface Laurence J. Thorpe is National Marketing Executive for Broadcast & Communications, Canon USA Inc. He joined Canon U.S.A.’s Broadcast and Communications division in 2004, working with with networks, broadcasters, mobile production companies, program producers, ad agencies, and filmmakers. Before Canon, Larry spent more than 20 years at Sony Electronic, begining 1982. He worked for RCA’s Broadcast Division from 1966 to 1982, where he developed a range of color television cameras and telecine products. In 1981, Thorpe won the David Sarnoff Award for his innovation in developing the first automatic color studio camera. From 1961 to 1966, Thorpe worked in the Designs Dept. of the BBC in London, England, where he participated in the development of a range of color television studio products. Larry has written more than 70 technical articles. He is a lively and wonderfully articulate speaker, in great demand at major industry events. This article began as a fascinating lecture at NAB 2010. Photo by Mark Forman. Introduction Lens and camera shake is a significant cause of blurred images. These disturbances can come as jolts when a camera is handheld or shoulder mounted, from vibrations when tripod-mounted on an unstable platform or in windblown environments, or as higher vibration frequencies when operating from vehicles, boats, and aircraft. A variety of technologies have been applied in the quest for real-time compensation of image unsteadiness. 1. Mechanical: where the lens-camera system is mounted within a gyro-stabilized housing. -
Nokia 808 Pureview Black (Unlocked Quadband) GSM 41 MP Camera Phone
KEY FEATURES • 41 MP (38 MP effective, 7152 x 5368 pixels), Carl Zeiss optics, autofocus, Xen flash, • kia Belle OS • Wi-Fi 802.11 b/g/n, DLNA, UPnP techlogy • 16 GB storage, 1 GB ROM, 512 MB RAM • SMS (threaded view), MMS, Email, Push Email, IM Nokia 808 PureView Black (Unlocked Quadband) GSM 41 MP Camera Phone FEATURES GENERAL 2G Network GSM 1900/1800/900/850 FEATURES OS Nokia Belle OS 3G Network HSDPA CPU 1.3 GHz ARM 11 2100/1900/1700/900/850 GPU Broadcom BCM2763 Announced 2012, February Sensors Accelerometer, proximity, Status Available. Released 2012, compass June Messaging SMS (threaded view), MMS, Email, Push Email, IM Weight BODY Browser HTML5, Adobe Flash Lite Radio Stereo FM radio with RDS; FM DISPLAY Type AMOLED capacitive transmitter touchscreen, 16M colors GPS Yes, with A-GPS support Multitouch Yes Java Yes, MIDP 2.1 Protection Corning Gorilla Glass Colors Black, White, Red - Nokia ClearBlack display - MicroSIM card support only SOUND - Dolby Digital Plus - SNS integration - Dolby headphone - Active noise cancellation with a enhancement dedicated mic Alert types Vibration; MP3, WAV - HDMI port ringtones - MP3/WMA/WAV/eAAC+ player Loudspeaker Yes - 3.5mm jack Yes MP4/DivX/XviD/H.264/H.263/WMV player MEMORY Card slot microSD, up to 32 GB - Voice memo/command/dial Internal 16 GB storage, 1 GB ROM, - Organizer 512 MB RAM - Document viewer - Video/photo editor DATA GPRS Class 33 - Predictive text input EDGE Class 33 Speed HSDPA 14.4 Mbps, HSUPA 5.76 Mbps WLAN Wi-Fi 802.11 b/g/n, DLNA, UPnP technology NFC Yes USB Yes, microUSB v2.0, USB On-the-go support CAMERA Primary 41 MP (38 MP effective, 7152 x 5368 pixels), Carl Zeiss optics, autofocus, Xenon flash, Features 1/1.2 sensor size, ND filter, up to 4x lossless digital zoom, geo-tagging, face detection Video Yes, 1080p@30fps, lossless digital zoom, LED light, Secondary Yes, VGA; VGA@30fps video recording BATTERY Standard battery, Li-Ion 1400 mAh (BV-4D) Talk Time Up to 11 h Stand-By Up to 465 h MISC SAR US 1.21 W/kg (head) 1.46 W/kg (body) SAR EU 1.23 W/kg (head) .