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Arts C Orps Ye a R 11
ARTS CORPS YEAR 11 FINDYOURVOICE Impact: 2010/2011 1 DEAR EVERYBODY by Elizabeth Whitford I SIT HERE ON A CRISP FALL arts corps executive director AFTERNOON, WITH MY HEART FULL AND MY MIND INSPIRED, having just read through the stories that fill the following pages of this magazine. I am overwhelmingly grateful for the many voices that continue to shape Arts Corps; voices that also grow clearer and louder because of Arts Corps. In these pages, many voices come together to tell a singular story of inspiration. It’s a story of the creative power of youth and a reflection of a transformative year at Arts Corps. Amidst a struggling economy and major challenges facing our schools and partners, Arts Corps went leaner, but became stronger by being flexible, courageous and determined. We scaled back on workshops and one-time engagements with students to prioritize longer classes with greater impact on individual student learning. As a result, we served slightly fewer students this year at fewer sites, but we increased our total hours of instruction—meaning more time for each student to develop their creative capacities and unique voice. This past year was both reflective and forward thinking as we embarked on a process to develop a new vision and strategic plan for Arts Corps that drew from the wisdom of students, teaching artists, partners and supporters. Our new vision – our guiding star – shines clearly, as do the steps we need to take in the coming years to get there. Arts Corps’ vision: all youth have the courage to imagine and the freedom to create a just and vibrant future. -
Latin Masters, Line Dancers, B-Boys And
Latin Masters, Line Dancers, B-Boys and Fierce Females Battle for Dance Supremacy on a New Night and Time in Season Four of MTV's 'Randy Jackson Presents America's Best Dance Crew' Most Diverse Crew Roster in Series' History Includes First Openly Gay "Voguing" Crew to Compete on the "ABDC" Stage Beginning Sunday, August 9, at 9/8 c NEW YORK, July 28 -- Latin masters, line dancers and the latest and greatest in b-boys and fierce females join the ranks of the country's most talented dancers to battle it out for a $100,000 cash prize and dance supremacy in season four of MTV's hit reality dance competition series from Warner Horizon Television, "Randy Jackson Presents America's Best Dance Crew," premiering Sunday, August 9, at 9 p.m. ET/PT, 8 p.m. Central. Poised to dominate on a new night and at a new time, "America's Best Dance Crew" will treat viewers to the most diverse season of crews in the show's history, including the first openly gay "voguing" crew to ever take the "America's Best Dance Crew" stage. A clear East Coast vs. West Coast fight to the finish, from the very first episode, each crew will have to focus and summon all their moves and swagger to capture the nation's heart and become "America's Best Dance Crew." Past winners the JabbaWockeeZ, Super Cr3w and Quest Crew continue to dominate the dance scene by appearing in national campaigns and collaborating with today's hottest talent. These rising stars of dance have performed with Shaquille O'Neal, Ne- Yo and New Kids on the Block, and have appeared around the world from New York City to Guam. -
Topic Relevant Selected Content from the Highest Rated Entries, Typeset, Printed and Shipped
Topic relevant selected content from the highest rated entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the con- venience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mission: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it e ectively and globally. e content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accurate or reliable information. Some information in this book maybe misleading or simply wrong. e publisher does not guarantee the validity of the infor- mation found here. If you need speci c advice (for example, medical, legal, nancial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Jabbawockeez 1 America's Best Dance Crew 5 America's Best Dance Crew (season 1) 9 America's Best Dance Crew (season 2) 15 America's Best Dance Crew (season 3) 23 -
Clas/Sick Hip Hop
CLAS/SICK HIP HOP AMY O’NEAL OPPOSING FORCES FEB 16-18 2017 YBCA FORUM YBCA.ORG #CLASSICKHIPHOP Our organization was founded in 1993 as THE LESLIE AND MERLE RABINE 2016–17 PERFORMANCE SEASON WELCOME TO a citizen institution that would be home to the diverse local arts community while YERBA BUENA serving to connect the Bay Area to the CENTER FOR world. YBCA’s mission is to generate culture that moves people. We believe THE ARTS that culture—a collection of art, traditions, values, human experiences, and stories— is what enables us to act with imagination and creativity, to act socially, politically, and with conviction. Culture instigates change in the world. We believe that more and different kinds of people need to be defining culture today and that more people need to have access to cultural experiences that are relevant to their lives and their communities. We need new definitions and new experiences that bring people together regardless of their differences in order to make the inclusive and equitable culture we need today. We believe that the arts should be on the front line of change and that cultural OPPOSING FORCES AMY O’NEAL institutions exist to spur and support big CONCEPT, DIRECTION, societal movements. Through powerful art experiences, thoughtful and PERFORMERS AND AND CO-CHOREOGRAPHER: provocative content, and deep CO-CHOREOGRAPHERS: opportunities for participation, we are Alfredo “Free” Vergara Jr. committed to kindling inclusive culture Brysen “Just Be” Angeles Costume design: that cultivates empathy, awakens personal Fever One Wazhma Samizay + Danial Hellman with and societal transformation, and reaches Michael O’Neal Jr. -
Amy O'neal Is a Dancer, Performer, Choreographer, and Dance
(music/dance/video) with musician/ BIOS composer Zeke Keeble, reating 6 evening Amy O’Neal is a dancer, performer, length works and several shorter works. She choreographer, and dance educator based teaches Contemporary Dance and Urban in Seattle, WA. For the last 15 years, she has Styles at Velocity Dance Center and House taught and performed throughout the US, at The Beacon: Massive Monkees studio in Japan and Mexico and choreographed for Seattle. She also teaches dance stage, commercials, rock shows, galleries, composition and improvisation for Seattle dance films and music videos. Her work is Theater Group’s Dance This program. an amalgam of her diverse movement and She holds a BFA from Cornish College of life experiences presenting social the Arts, and her dance writing has been commentary with dark humor and heavy published in Dance Magazine, City Arts beats. She is the recipient of numerous Magazine, and ArtDish Forum. grants including awards from Creative Capital, the National Performance As a founding member of CIRCLE OF Network, the National Dance Project, Mid FIRE, Alfredo Vergara aka “FREE” Atlantic Arts and the James W. Ray embodies the true essence of Project Venture Award through Artist Trust self-expression through movement. With and Frye Art Museum. Amy has been an over 15 years of experience deeply rooted artist-in-residence at Bates Dance Festival, in Breaking, he has gained the respect and Headlands Center for the Arts, the admiration of his peers and his community. US/Japan Choreographer’s Exchange, and He has participated in various dance events Velocity Dance Center. -
FSU ETD Template
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2010 A Battle of Repression: Hip Hop Bgirls, Burns and Gestural Languages 1970-2010 Ansley J. Jones Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF DANCE A BATTLE OF REPRESSION: HIP HOP BGIRLS, BURNS AND GESTURAL LANGUAGES 1970 to 2010 By ANSLEY JOYE JONES A Thesis submitted to the School of Dance in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2011 The members of the committee approve the thesis of Ansley Joye Jones defended on 6 December 2010. __________________________________ Sally R. Sommer Professor Directing thesis __________________________________ Tricia Young Committee Member __________________________________ Rick McCullough Committee Member __________________________________ Jennifer Atkins Committee Member Approved: _____________________________________ Patricia Phillips, Co-Chair, School of Dance _____________________________________ J. Russell Sandifer, Co-Chair, School of Dance _____________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above-named committee members. ii I dedicate this to all women in hip hop dance and to the progression of hip hop culture as a whole. iii ACKNOWLEDGEMENTS I would like to acknowledge my committee members for all of their support: Tricia Young, Sally R. Sommer, Jennifer Atkins and Rick McCullough. Special thanks to Sally Sommer and Tricia Young for graciously commenting and editing drafts of this thesis. An extra- special thanks to Sally Sommer for encouraging me to follow my heart through this process and giving me the courage I needed to continue. -
STUDY GUIDE Welcome! for Over 20 Years Now, DANCE This Brings Youth and Adult Performers Together to Share Their Culture Through the Art of Dance
STUDY GUIDE Welcome! For over 20 years now, DANCE This brings youth and adult performers together to share their culture through the art of dance. This year continues that goal with a rich and diverse line up of dance from artists and community groups from the greater Seattle region. Featured performances come from Brazil with BAHIA IN MOTION, Indian classical/folk/contemporary dances from PRASHANTHI CHITRE INSTITUTE OF PERFORMING ARTS, and Samoan music & dance from UNITED PACIFIC ISLANDER IMPACT. PACIFIC BALLROOM DANCE gets us movin’ and groovin’ with Fox Trot and Cha Cha pieces. CORNISH COLLEGE OF THE ARTS, choreographed by Deborah Wolf, offers a modern dance excerpt from Cornish Dance Theater's Spring 2019 Concert; while NORTHSIDE STEP TEAM brings their award-winning footwork and percussive movements to the stage. Long-time STG partner, NORTHWEST TAP CONNECTION, with choreography by Shaina Proctor and Dani Tirell, showcases Afro-Modern and Tap/House fusion pieces. MASSIVE MONKEES returns to DANCE This after sharing the stage with artists like Macklemore, Chris Brown, Jay-Z and many more highlighting their artistry in breaking by these two-time world champions! Finally, KIRSTEN BARRON KINNEY choreographs the program’s FINALE featuring all performers in the show! Rex Kinney Producer, DANCEThis Dance Education & Performance Manager Seattle Theatre Group 1 STG Mission To create enriching experiences in the arts, engage diverse communities, and steward historic theatres. STG Vision STG is the people’s theatre. All are welcomed and represented. About Education Seattle Theatre Group Education and Community Programs extend beyond The Paramount, Moore and Neptune Theatre stages and into the lives of the greater Seattle community. -
Dear Audience!
Dear Audience! Lise Nordal Photo: Stratos Xiros Contemporary dance focuses on the moving body. During CODA 2005 consists of a mixture of national and international the 1990s body and identity were exposed in a number of creative ideas. In the arts we share our experiences crossing performances such as; ‘body and space’, ‘body in contemporary borders and languages, by participating in festivals, workshops, art’, ‘body as a symbol’, ‘body as a social & cultural construction’. congresses and seminars – and by making new friends. This is The celebration of the estrangement process, exposed by artists an important part of the international exchange of arts. such as Meg Stuart, Jérôme Bel, Xavier Le Roy, to mention a few, all have this in common. Carte Blanche, KarmaConsult/Ellen Johannesen and Wee – all based in Norway, participate in this years CODA festival together In the year 2000 the German choreographer, Sasha Waltz, moves with colleagues from the Netherlands; Frans Poelstra, Robert into the legendary Berlin Schaubühne, and the world premiere of Steijn and Keren Levi; Massive Monkees from USA and Sasha “Körper” thrills the audience. Since then “Körper” has become Waltz & Guests from Germany. Different in style and expression, a classic and the performance made Sasha Waltz into one of but all have the moving body in common. Europe’s leading choreographers. I would like to thank Norsk kulturråd, Oslo kommune, Fond for It is with great respect and pride we invite “Körper” and Sasha Lyd og Bilde and Fond for Utøvende Kunstnere who have Waltz & Guests to open the fourth CODA festival. The company contributed with appreciable financial support from the very has been at the top of CODA’s list of interesting international start. -
Stud Y Guide
STUDY GUIDE WELCOME! Thank you for joining us for DANCE This 2015! Seattle Theatre Group is celebrating 17 years of this amazing program and we are so honored that you are celebrating with us! DANCE This features young and adult performers collaborating together and sharing their culture through the art of dance. Every year we are honored to work with artists that are masters in their art form and this year is no different. This year, Lou Castro, Associate Choreographer for Disney’s Newsies will be flying from New York to teach Tony Award-winning choreography to local dancers for “Seize the Day”, a number from the Broadway musical. We are also fortunate to work with groups that are not only sharing their culture; they are sharing their knowledge through intergenerational pieces such as Edna Daigre’s “Take Me Down to Duke’s Place,” Northwest Tap Connection and New Islands United (NIU) Roots. Returning this year from previous DANCE This performances are Amy O’Neal with an excerpt from “Opposing Forces,” Daniel Cruz’s Cruz Control and the Melody Institute. New to DANCE This is Prashanthi Chitre Institute of Performing Arts, with their Rockstar competitive Indian group. We hope this Study Guide will serve you to better prepare your groups for the performance. Additionally, you will find information about the dancers, choreographers and a few activities you can try out with your students and groups. Thank you, for keeping the arts vibrant in your community and helping us DANCE This. Should you have any questions regarding this engagement guide please feel free to contact us at [email protected].