TUGBOAT Volume 37, Number 2 / 2016 TUG 2016
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LUGGAGE Sometimes a Little Added Storage Capacity Is Just What You Need to Make Your Ride More Enjoyable
LUGGAGE Sometimes a little added storage capacity is just what you need to make your ride more enjoyable. Rain gear, extra clothing and basic supplies are easy to take along when you add luggage to your bike. NOT ALL PRODUCTS ARE AVAILABLE IN ALL COUNTRIES - PLEASE CONSULT YOUR DEALER FOR DETAILS. 733 734 LUGGAGE ONYX PREMIUM LUGGAGE COLLECTION Designed by riders for riders, the Onyx Premium Luggage Collection is constructed from heavy-weight, UV-stable ballistic nylon that will protect your belongings from the elements while maintaining their shape and color so they look as good off the bike as on. SECURE MOLLE MOUNTING SYSTEM The versatile MOLLE (Modular Lightweight Load- Carrying Equipment) mounting system allows for modular pouch attachment. Slip-resistant bottom UV-RESISTANT FINISH keeps the bag in place on your bike. Solution-dyed during fabric production for long-life UV-resistance even when exposed to the sun's harshest rays. 2-YEAR HARLEY-DAVIDSON® WARRANTY REFLECTIVE TRIM Reflective trim adds an extra touch of visibility to other motorists. DURABLE BALLISTIC NYLON 1680 denier ballistic polyester material maintains its sturdy shape and protects your belongings for the long haul. LOCKING QUICK-RELEASE MOUNTING STRAPS Convenient straps simplify installation and removal and provide a secure no-shift fit. Not all products are available in all countries – please consult your dealer for details. ORANGE INTERIOR OVERSIZE HANDLES GLOVE-FRIENDLY ZIPPER PULLS INTEGRATED RAIN COVER Orange interior fabric makes it easy to Soft-touch ergonomic handle is shaped Ergonomically contoured rubberized Features elastic bungee cord with a see bag contents in almost any light. -
Tracing Futura
MiraCosta College / oceanside MAT 155 Graphic Design 2 : Typography Min Choi // Fall 2017 TRACING FUTURA FUTURA— the prototype of the family of geometric sans-serif typefaces. It was designed in 1927 by Paul Renner. As opposed to earlier sans-serif designs, the strokes appear to be even weight and geometric. This seems most visible in the almost perfectly round stroke of the O but Futura is actually slightly imperfect. It is often said that Futura was directly related to the Bauhaus. Renner him- self was not associated with the Bauhaus although many of the modern principles taught at the Bauhaus are incorporated into the letterform design of Futura. Futura was developed during a competitive period in the 1920s when various foundries were developing modern san serif type faces for various lead type setting technology. It would be followed by Gill Sans by U.K. Monotype designed by Eric Gill and Metro by U.S. Linotype designed by W. A. Dwiggins. Futura was one of the most popular fonts in use in the 20th century, especially in the 1950s and 1960s, and is in use in the corporate Roman- design of Volkswagen to this day. (See classic ad at left). Check out more of Volkswagen’s iconic print advertising: http://fontsinuse. The basic letterform style so com/uses/1976/volkswagen-of-america-ads-1960-66 called because it is derived from inscriptions on Roman Futura remains an important typeface family and is used world wide on a daily basis for print and digital purposes as both a headline monuments. and text font. -
Luggage Sometimes a Little Added Storage Capacity Is Just What You Need to Make Your Ride More Enjoyable
903 luggage Sometimes a little added storage capacity is just what you need to make your ride more enjoyable. Rain gear, extra clothing and basic supplies are easy to take along when you add soft luggage to your bike. 904 LUGGAGE PREMIUM TOURING LUGGAGE COLLECTION Designed by riders, for riders. The Premium Luggage Collection features everything you ever wanted in a bag and more. Formed of superior heavy-weight ballistic nylon, these sturdy bags will maintain their shape and protect your belongings over the long haul and are tastefully styled to feel at home when carried into a nice hotel. 3M™ SCOTCHLITE™ REFLECTIVE TRIM SECURE SPANDEX MOUNTING SYSTEM Retrorefl ection technology enhances low- Smooth band slips over the passenger backrest light and nighttime visibility by bouncing for a snug fi t, eliminating the belts and fasteners light directly back to the source. that poke you in the back. UV-RESISTANT FINISH Coated to fi ght the sun’s harshest rays and maintain the rich black color. 2-YEAR HARLEY-DAVIDSON® WARRANTY QUICK-RELEASE MOUNTING STRAPS DURABLE BALLISTIC NYLON Convenient straps simplify installation and removal and provide a secure CONSTRUCTION no-shift fi t. Heavy-weight formed ballistic nylon helps bag retain its shape. INTERLOCKING D-RINGS OVERSIZE HANDLES GLOVE-FRIENDLY ZIPPER PULLS INTEGRATED RAIN COVER Multipurpose D-Rings simplify attach- Soft-touch ergonomic handle is shaped Large ergonomic-contoured pulls Ripstop nylon cover is coated to shed ment of other luggage, bungee cords for effortless transport to and from are easy to grip for quick on-the-go water and features 3M™ Scotchlite™ or cargo nets. -
AVENIR Family
An Introduction To The AVENIR Family By Stacey Chen O V E R V I E W l Avenir was designed by Adrian Frutiger. l The typeface was first released in 1988 with three weights, before being expanded to six weights. l In 2004, together with Akira Kobayashi, Frutiger reworked the Avenir family. l Avenir has now become a common font in web, print, and graphic design, etc. l Frutiger was born in Unterseen, Switzerland 1928. l At age 16, Frutiger was apprenticed as a compositor to a printer, while taking classes in woodcuts and drawing. l With his second wife, Frutiger had two daughters, who both experienced mental health problems and committed suicide as adolescents. l Frutiger spent most of his professional career working in Paris and living in France, returning to Switzerland later in life. A D R I A N F R U T I G E R l Charles Peignot of Deberny Et Peignot recruited Frutiger based on the quality of the wood- engraved illustrations of his essay. l Impressed by the success of Futura typeface, Peignot encouraged a new, geometric sans-serif type in competition. l Frutiger disliked the regimentation of Futura, and persuaded Peignot that the new sans-serif be based on the realist model. l In 1988, Frutiger completed the family Avenir. Frutiger intended the font to be a more human version of geometric sans-serif types popular in the 1930s, such as Erbar and Futura. A D R I A N F R U T I G E R “Avenir” = “Future” French English A V E N I R i s l Futura is a geometric sans-serif typeface designed in 1927 by Paul Renner. -
Implementation of Plastic Fusing Method to Upcycle Products of Plastic Waste
Advances in Social Science, Education and Humanities Research, volume 197 5th Bandung Creative Movement International Conference on Creative Industries 2018 (5th BCM 2018) Implementation of Plastic Fusing Method to Upcycle Products of Plastic Waste Terbit Setya Pambudi1*, Yanuar Herlambang2, Fajar Sadika3 1School Of Creative Industries, Telkom University, Bandung, Indonesia Abstract. Plastic waste is one of the most numerous in number, approximately 10 % of the total waste in the world. Plastic packaging, grocery bags, and home furnishings are the types that often found. There have been many efforts to reduce the amount of waste and the impact it causes, one of them is the up-cycling method. Up-cycling is the utilization method of waste products that have more value or new. By using this method, in addition to being able to reduce the plastic waste amount while creating new products with new value and functionality, namely small wallets, shopping bags, backpacks, gadgets sleeve etc. One method of up- cycling plastic is plastic fusing methods that uses heat and plastic waste to create new materials with thickness and strength. The current utilization of plastic waste has been undertaken by communities to produce a product, namely craftsman group named Kunarti but less variety of processing methods, limited to knitting method only. Based on the phenomenon, this research was conducted to find out how the application of the plastic fusing method so that it can be easily done, and into alternative methods of up- cycling which is can be applied by the craftsmen community in Bandung. Keywords: plastic fusing, plastic waste, upcycle 1 Introduction One of the largest contributors to household waste is plastic. -
Traffic and Transportation Report
Appendix A5 Ontario Line Project Exhibition Station Early Works – Final Traffic and Transportation Early Works Report Metrolinx Traffic and Transportation Early Works Report Ontario Line Exhibition Station Early Works Prepared by: AECOM Canada Ltd. 105 Commerce Valley Drive West, 7th Floor Markham, ON L3T 7W3 Canada T: 905.886.7022 F: 905.886.9494 www.aecom.com Date: February 2021 Project #: 60611173 Metrolinx Ontario Line Exhibition Station Early Works – Traffic and Transportation Early Works Report Statement of Qualifications and Limitations The attached Report (the “Report”) has been prepared by AECOM Canada Ltd. (“AECOM”) for the benefit of the Client (“Client”) in accordance with the agreement between AECOM and Client, including the scope of work detailed therein (the “Agreement”). The information, data, recommendations and conclusions contained in the Report (collectively, the “Information”): § is subject to the scope, schedule, and other constraints and limitations in the Agreement and the qualifications contained in the Report (the “Limitations”); § represents AECOM’s professional judgement in light of the Limitations and industry standards for the preparation of similar reports; § may be based on information provided to AECOM which has not been independently verified; § has not been updated since the date of issuance of the Report and its accuracy is limited to the time period and circumstances in which it was collected, processed, made or issued; § must be read as a whole and sections thereof should not be read out of such context; § was prepared for the specific purposes described in the Report and the Agreement; and § in the case of subsurface, environmental or geotechnical conditions, may be based on limited testing and on the assumption that such conditions are uniform and not variable either geographically or over time. -
The Tusting Winter 2019 Online Brochure
MAKERS OF CHARACTER SINCE 1875 Leather experts for over 140 years, our goods are manufactured, crafted and designed to the highest standards, from hide-to- hand in Britain. We stitch together the rich history of the British leather industry, with a contemporary vision. Our goods faithfully perform, and are naturally more sustainable, through the materials we use and the longevity of the products. tusting.co.uk THE CENTURY COLLECTION Our Century collection gains its inspiration from a pivotal figure in the company’s history, Jack Tusting. Century is our most luxurious and dynamic range of men’s bags to date. Made up of seven pieces, designed to be used together or on their own, Century combines Jack’s aviation past with his passion for leather. Each bag is named after a WW1 airfield, with aviation cues prevalent throughout the designs. Pockets and bag flaps on the collection’s backpacks and small shoulder bag recall the shape of a bi-plane wing, whilst the corner details of our city-focussed holdall and suitcase are evocative of the tailfin. A piped-leather trim finishes the bags off, whilst an innovative, fully biodegradable lining in Air Force blue reminds us once again of Jack’s roots and heroics. tusting.co.uk HINGHAM GAINSBOROUGH We believe this is one of the best looking leather backpacks around An elegant and distinguished leather holdall. Contemporary today. This new design, a roll-top style leather rucksack, combines styling blends seamlessly with the very best materials, together form and function in equally successful measure. with our principles of traditional and expert craftsmanship. -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene. -
Responsive Buildingsiwb INTERNATIONAL CHARRETTE Address 230 Richmond Street East, Toronto on M5A 1P4 Canada
FEBRUARY 2014 RESPONSIVE BUILDINGSIwB INTERNATIONAL CHARRETTE ADDRESS 230 Richmond Street East, Toronto ON M5A 1P4 Canada MAILING ADDRESS Institute without Boundaries, School of Design, George Brown College P.O. Box 1015, Station B, Toronto ON M5T 2T9 Canada Tel.: +1.416.415.5000 x 2029 © 2014 THE INSTITUTE WITHOUT BOUNDARIES No part of this work may be produced or transmitted in any form or by any means electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system without written permission from the publisher except for a brief quotation (not exceeding 200 words) in a review or professional work. WaRRANTIES The information in this document is for informational purposes only. While efforts have been made to ensure the accuracy and veracity of the informa- tion in this document, and, although the Institute without Boundaries at George Brown College relies on reputable sources and believes the informa- tion posted in this document is correct, the Institute without Boundaries at George Brown College does not warrant the quality, accuracy or complete- ness of any information in this document. Such information is provided “as is” without warranty or condition of any kind, either express or implied (including, but not limited to implied warranties of merchantability or fitness for a particular purpose), the Institute without Boundaries is not respon- sible in any way for damages (including but not limited to direct, indirect, incidental, consequential, special, or exemplary damages) arising out of the use of this document nor are liable for any inaccurate, delayed or incomplete information, nor for any actions taken in reliance thereon. -
Earth Explorer Collection Support the Experience Photo, Video, Media and Lifestyle Bags
EN EARTH EXPLORER COLLECTION SUPPORT THE EXPERIENCE PHOTO, VIDEO, MEDIA AND LIFESTYLE BAGS BECAUSE A GREAT IMAGE IS THE ONLY THING WORTH CAPTURING. “So that we may all know more of the world upon which we live.” – Gardiner Greene Hubbard, first president of the National Geographic Society National Geographic's pioneering use of photography is a vital element in the success of its mission to inspire people to care about the planet. Long recognized as a source of the most iconic and important images ever captured, National Geographic explores and photographs extreme environments and distant cultures. It also keeps a sharp eye trained close to home, documenting the surprising sides of more familiar natural and human landscapes. National Geographic has teamed up with Manfrotto – a leading producer of professional tripods, camera bags and accessories with decades of experience – to give you the tools for bringing home the best images possible. © 2011 National Geographic Society. NATIONAL GEOGRAPHIC and Yellow Border Design are National Geographic's net proceeds trademarks of the National Geographic Society. All rights reserved. support vital exploration, conservation, Visit our website: www.nationalgeographic.com research, and education programs. Experience the National Geographic Channel. Call your cable or satellite provider for availability. NG 5160 Medium Backpack NG 4475 Sling Bag The Earth Explorer NG 5160 Medium Backpack can carry all your essentials The Earth Explorer NG 4475 Sling Bag is designed to comfortably carry while keeping your photographic and video gear, as well as a laptop, safe and everyday personal gear, along with a mirrorless camera and an extra lens. -
Linotype Matrix 4.2—The Legend Continues
Mergenthaler Edition releases second issue of the new Linotype Matrix Linotype Matrix 4.2—the legend continues. Bad Homburg, 16 May 2006. Following its highly successful relaunch of Linotype Matrix in magazine format last year, Linotype’s publishing label, Mergenthaler Edition, is now releasing the second issue of the classic typographic journal. Linotype Matrix Issue 4.2 takes an exciting and informative look at typography in history – with a thematic focus on the great 20th century type designer William Addison Dwiggins. Within the 64 pages of this richly illustrated issue readers will find articles contributed by some of the best talents working in typography today. For instance, writer and typographer John D. Berry explores the legacy of the Deberny & Peignot type foundry, while the article on Dwiggins’ life and work has been penned by type designer and scholar Paul Shaw, an established Dwiggins authority. Additionally, renowned type historian Sylvia Werfel takes a look at how type systems make designing texts easier. 2006 marks the 50th anniversary of W. A. Dwiggins’ death—an appropriate moment to look back at the contributions of one of the first truly significant type designers from the U.S. As Paul Shaw is currently working on a doctoral dissertation at Columbia University about Dwiggins, he is able to offer an in- depth look at his prolific career as an illustrator, and tells us how, in his late forties, he began a second remarkable career in typeface design at Linotype. Dwiggins was, in fact, the first major type designer to work for the Mergenthaler Linotype Co. in New York and was responsible for creating many great designs, including Metro and Electra, and his most enduring typeface, Caledonia. -
Toronto Transit Commission Report No
Revised: March/13 TORONTO TRANSIT COMMISSION REPORT NO. MEETING DATE: March 26, 2014 SUBJECT: TTC COMMUNITY RELATIONS ANNUAL REPORT INFORMATION ITEM RECOMMENDATION It is recommended that the Board receive this report for information. FUNDING The recommendation of this report does not have any financial impact. BACKGROUND At its meeting of February 25, 2013, the Board adopted a Construction Projects Community Relations Management Plan and TTC Good Neighbour Policy for Construction Projects. Attached is the annual Community Relations report for 2013. DISCUSSION Community Relations efforts in 2013 focused on pro-active outreach for major capital projects including: Leslie Barns, New Second Exits Expert Advisory Panel, Coxwell Station Easier Access, Woodbine Station Easier Access, Toronto-York Spadina Subway Extension, Pape Station Modernization, Dufferin Station Modernization, Ossington Station Easier Access, and Lawrence Station Fire Vents and other projects that are in the planning phase. The community outreach on major TTC construction projects has ensured that community questions, concerns, and recommendations are clearly identified, evaluated and responded to throughout planning, design and construction. The Community Relations team is a bridge between communities, TTC construction staff and contractors. By building early understanding and trust, and working diligently to incorporate community feedback and resolve concerns, the TTC can build projects more effectively with community support. This is especially important given that major projects with long term benefits may cause major inconvenience to our neighbours and customers during construction. The attached report summarizes community relations efforts throughout 2013. - - - - - - - - - - - - March 5, 2014 87-02-08 03078-5-89 Attachment: Appendix A – 2013 Community Relations Annual Report 2013 Community Relations Annual Report Engineering, Construction & Expansion Department March 2014 03078-4-419 Table of Contents 1 Introduction………….