CALL for PAPERS and So It Goes… Kurt Vonnegut Fifty Years After the Publication of Slaughterhouse- Five International Conferen

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CALL FOR PAPERS And so it goes… Kurt Vonnegut fifty years after the publication of Slaughterhouse- Five International Conference University of Córdoba (Spain) 20th-22nd March 2019 Kurt Vonnegut’s seminal novel Slaughterhouse-Five was first published on March, 1969. The first review of the novel appeared on The New York Times declared the following: "you'll either love it, or push it back in the science-fiction corner." Most of the readers clearly loved the book, which became an instant classic and an era-defining book. And so did many prestigious critics, as well, such as Jerome Klinkowitz. As a result, Vonnegut’s famous Dresden novel has been reprinted numberless times and translated to several different languages all over the world. The film adaptation of the novel, directed by George Roy Hill in 1972 (which was awarded with the Prix du Jury at the Cannes Festival) further contributed to Vonnegut’s status as a cultural guru and to the consolidation of the book as one of the most influential American twentieth century narratives. On March, 2019 fifty years will have passed since the first copy of Slaughterhouse-Five hit the shelves. I would like to take this opportunity to invite all members of Vonnegut’s karass (scholars, readers, fans…) to join us in Córdoba to share some time together reflecting upon Vonnegut and his corpus. The list of topics proposed include (but is not limited to): • Kurt Vonnegut’s biography and the resurrection of the author • Vonnegut’s Dresden experience • Vonnegut’s status as a (complex) German-American citizen • Vonnegut’s critical reception • Vonnegut and (or against) science fiction • Vonnegut as a Humanist • Film adaptations of Vonnegut’s work • Vonnegut’s novels and their translations to other languages • Vonnegut and censorship • Vonnegut’s legacy Those of you interested in joining us should send a short abstract (300 words), including their name and affiliation and a brief bio to the conference email: [email protected] or to [email protected] by November, 20. A webpage announcing registration information, accommodation and details regarding the publication of a post-conference book will be launched in the following weeks. Dr. Javier Martín-Párraga Associate Professor (Profesor Titular de Universidad) Department of English & German Studies, University of Córdoba (Spain) .

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It Is Easy to Interpret Kurt Vonnegut's Slaughterhouse-Five and Anthony
It is easy to interpret Kurt Vonnegut’s Slaughterhouse-Five and Anthony Burgess’ A Clockwork Orange as cynical and pessimistic novels. The profusion of graphic images involving death, gang violence, and war make it difficult to walk away from either text with a hopeful outlook for the future of mankind. Thus, many literary critics label Vonnegut and Burgess as fatalists who argue for an acceptance of deterministic forces that eventually cause humans harm and suffering. However, other critics, such as Liu Hong, Wayne McGinnis, Todd Davis, and Kenneth Womack, all contend that at the end of the day Vonnegut and Burgess offer an opinion of humanity that is hopeful and encouraging. To these critics, the authors ultimately argue that the individual has the ability to determine their own fate in a horrific and often hurtful world. The standard debate concerning these two revolutionary authors has thus been one between a message of either hope or disparagement. It is a debate that has long been discussed among literary critics and continues to be an ever-changing discussion. My contention is that both Vonnegut and Burgess each create a body of work that offers the reader hope, empowerment, and an optimistic outlook of a future that is better than their present, or rather the present setting of their characters. Thus, I agree with critics like McGinnis, who calls Slaughterhouse-Five Vonnegut’s “most hopeful novel to date” (McGinnis 121), or Davis and Womack, who find that A Clockwork Orange’s protagonist ultimately finds a hopeful and optimistic conclusion in embarking “…upon a lifetime of familial commitment and human renewal.” (Davis, Womack 34).
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The Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin
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Vonnegut's Criticisms of Modern Society Candace Anne Strawn Iowa State University
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Kurt Vonnegut, Novelist Who Caught the Imagination More Article of His Age, Is Dead at 84 Ticketwa
LIKE RABBITS Welcome to TimesPeople TimesPeople Lets You Share and Discover the Bes Get Started HOME PAGE MY TIMES TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Books WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYL ART & DESIGN BOOKS Sunday Book Review Best Sellers First Chapters DANCE MOVIES MUSIC Kurt Vonnegut, Novelist Who Caught the Imagination More Article of His Age, Is Dead at 84 TicketWa By DINITIA SMITH Sig Published: April 12, 2007 adv SIGN IN TO den RECOMMEND Corrections Appended Cha E-MAIL Kurt Vonnegut, whose dark comic talent and urgent moral vision in SEND TO PHONE novels like “Slaughterhouse-Five,” “Cat’s Cradle” and “God Bless You, PRINT Mr. Rosewater” caught the temper of his times and the imagination of REPRINTS a generation, died last night in Manhattan. He was 84 and had homes in Manhattan and in Sagaponack on Long Island. SHARE Enlarge This Image His death was reported by his wife, the author and photographer Jill Krementz, who said he had been hospitalized after suffering irreversible brain injuries as a result of a fall several weeks ago. Mr. Vonnegut wrote plays, essays and short fiction. But it was his novels that became classics of the American MOST POPUL counterculture, making him a literary idol, particularly to E-MAILED students in the 1960s and ’70s. Dog-eared paperback copies of his books could be found in the back pockets of blue jeans and in dorm rooms on campuses throughout the 1 of 9 © 2009 John Zimmerman. All rights reserved. 7/9/2009 10:56 PM LIKE RABBITS United States.
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Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
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9780805086935EX.Pdf
Henry Holt and Company, LLC Publishers since 1866 175 Fift h Avenue New York, New York 10010 www .henryholt .com ® Henry Holt® and are registered trademarks of Henry Holt and Company, LLC. Copyright © 2011 by Charles J. Shields All rights reserved. Library of Congress Cataloging- in- Publication Data Shields, Charles J., 1951– And so it goes : Kurt Vonnegut, a life / Charles J. Shields.— 1st ed. p. cm. Includes bibliographical references. ISBN 978- 0- 8050- 8693- 5 1. Vonnegut, Kurt. 2. Novelists, American— 20th century— Biography. I. Title. PS3572.O5Z855 2011 813'.54—dc22 [B] 2010045173 Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets. First Edition 2011 Designed by Meryl Sussman Levavi Printed in the United States of America 1 3 5 7 9 10 8 6 4 2 1: You Were an Accident – he wedding of Kurt Vonnegut’s parents, Edith Sophia Lieber Tand Kurt Vonnegut Sr. on November 22, 1913, in Indianapolis, Indi- ana, was spectacular. Edith’s father, Albert, own er of a giant brewery who reveled in his reputation as one of the richest men in the city, threw a gargantuan reception at the Claypool Hotel at the northwest corner of Washington and Illinois streets, reputed to be the fi nest hotel in the Midwest. Th ere were six hundred guests, and those not chauff eured in automobiles arrived in horse- drawn carriages with jingling brass harnesses— an entire generation of rich Edwardians, silk- hatted or covered demurely by parasols, many of whom had been raised in Indianapolis’s mansions on Meridian Street.1 Albert Lieber knew what his guests expected and he did not disappoint.
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Cat's Cradle: the Apocalyptic Creativity of Kurt Vonnegut
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On Updike and Vonnegut
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The All-In-One Audiobook
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Kurt Vonnegut - Author - Biography.Com
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