The Convenient Marriage Read by Richard Armitage
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Shared Lives: Women Who Wrote for Women Andrea Kempf Johnson County Community College, [email protected]
Johnson County Community College ScholarSpace @ JCCC Sabbatical Projects Sabbatical and Senior Scholar Projects 1994 Shared Lives: Women Who Wrote for Women Andrea Kempf Johnson County Community College, [email protected] Follow this and additional works at: http://scholarspace.jccc.edu/sabbatical_projects Part of the Library and Information Science Commons, and the Literature in English, North America Commons Recommended Citation Kempf, Andrea, "Shared Lives: Women Who Wrote for Women" (1994). Sabbatical Projects. Paper 1. http://scholarspace.jccc.edu/sabbatical_projects/1 This Book is brought to you for free and open access by the Sabbatical and Senior Scholar Projects at ScholarSpace @ JCCC. It has been accepted for inclusion in Sabbatical Projects by an authorized administrator of ScholarSpace @ JCCC. For more information, please contact [email protected]. Kempf KEMPF-- 1 SHARED LIVES: WOMEN WHO WROTE FOR WOMEN A STUDY OF FOUR FEMALE AUTHORS: JANET LAMBERT, GEORGETTE HEYER, FRANCES PARKINSON KEYES, AND INEZ HAYNES GILLMORE IRWIN BY ANDREA CARON KEMPF I. INTRODUCTION This is a study of women who wrote fiction for women. It is an attempt to locate the points where their lives and works converged and to discover what messages implicit, explicit, and subliminal, were broadcast to the readers at those intersections. It is, simply, a very personal examination of the lives and works of four fascinating women whose fiction, for one reason or another, has mattered to me. In addition, it is not a judgmental study of women‟s fiction. It is a given that tens of millions of American women read pulp fiction every year. Janice Radway, in her wonderful and very academically sound book, Reading the Romance, has thoroughly examined the nature of romance fiction and the act of reading it; and many other scholars of popular culture Kempf KEMPF-- 2 and women‟s issues have drawn their own conclusions about the role of romance fiction in women‟s lives. -
Georgette Heyer, History and Historical Fiction
Georgette Heyer, History and Historical Fiction EthicsCanada and in the FrameAesthetics ofGeorgetteCopyright, Translation Collections Heyer, and Historythe Image of Canada, 1895– 1924 Exploringand Historical the Work of Atxaga, Fiction Kundera and Semprún Edited by Samantha J. Rayner and Kim Wilkins HarrietPhilip J. Hatfield Hulme 00-UCL_ETHICS&AESTHETICS_i-278.indd9781787353008_Canada-in-the-Frame_pi-208.indd 3 3 11-Jun-1819/10/2018 4:56:18 09:50PM First published in 2021 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Collection © Editors, 2021 Text © Contributors, 2021 Images © Contributors and copyright holders named in captions, 2021 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. This book is published under a Creative Commons Attribution Non-Derivative 4.0 International licence (CC BY-ND 4.0). This licence allows you to share, copy and redistribute the work providing attribution is made to the author and publisher (but not in any way that suggests that they endorse you or your use of the work) and any changes are indicated. If you remix, transform or build upon the material, you may not distribute the modified material. Attribution should include the following information: Rayner, S. J. and Wilkins, K. (eds). 2021. Georgette Heyer, History and Historical Fiction. London: UCL Press. https://doi.org/10.14324/111.9781787357600 Further details about Creative Commons licences are available at http://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons licence unless indicated otherwise in the credit line to the material. -
Georgette Heyer and the Romantic Hero
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Heyer’s Heroes An Investigation into Georgette Heyer and Her Literary ‘Mark’ on the Regency Hero A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English at the University of Waikato, New Zealand by Celeste R. Warner Abstract Georgette Heyer, a writer most famous for her Regency romances, has not entered the portals of any literary canon, yet her writing has had an impact on the literary world in terms of her contribution to popular fiction. The body of Scholarship on Georgette Heyer is not large and this thesis seeks to contribute to and extend previous research through an analysis of her heroes, in particular, the Regency hero. This investigation into her heroes reveals that Heyer was influenced by the heroes of both literary and popular writers and, in turn, helped to create a new genre of romantic hero. -
Faro's Daughter
CLASSIC FICTION Georgette Heyer Faro’s Daughter Read by Laura Paton 1 One 7:06 2 ‘She is that vulgar Lady Bellingham’s niece...’ 7:48 3 Two 7:17 4 Ravenscar allowed her to be a very clever young woman... 7:00 5 ‘You are too late,’ said Ravenscar... 7:44 6 Three 9:37 7 He was finishing his breakfast several hours later... 8:18 8 Four 8:15 9 Although considerably his junior, Mr Lucius Kennet... 5:41 10 Five 9:53 11 Once inside the house, Miss Grantham ran upstairs... 5:51 12 Six 6:04 13 Hearing that his cousin was in his library... 6:19 14 Seven 5:31 15 Mr Ravenscar meanwhile had enjoyed only the briefest glimpse... 5:27 16 It had grown dark by this time... 7:21 17 Eight 7:16 18 At the end of an hour, a glance at the score... 6:08 19 Nine 7:51 20 Ten 6:23 2 21 So Arabella went away, and was handed into her carriage... 3:39 22 Eleven 7:59 23 She hesitated for a moment... 8:33 24 Twelve 9:51 25 Thirteen 5:31 26 If the truth were told, his lordship had been finding... 6:16 27 Lord Mablethorpe had had the intention... 5:49 28 Fourteen 7:22 29 She found Lord Mablethorpe walking about the room... 5:41 30 Before Miss Grantham could repudiate the suggestion... 6:04 31 Fifteen 8:06 32 They moved forward. 7:55 33 Sixteen 8:20 34 He waved his whip and rode on.. -
Georgette Heyer Cotillion Read by Clare Wille CLASSIC FICTION
Georgette Heyer Cotillion Read by Clare Wille CLASSIC FICTION NA489712D 1 Chapter 1 8:55 2 Chapter 2 7:15 3 ‘Well, you may,’ conceded Miss Charing. 7:30 4 Chapter 3 6:15 5 Miss Charing stiffened. 6:39 6 Chapter 4 9:05 7 Chapter 5 7:38 8 Chapter 6 8:11 9 But in the event Freddy was spared... 6:48 10 Chapter 7 7:55 11 If he had hoped… 4:33 12 Chapter 8 6:02 13 A stylishly gowned woman... 6:36 14 Kitty could only thank her. 5:44 15 Chapter 9 9:03 16 Kitty, who had been staring... 7:56 17 Chapter 10 5:59 18 She perceived that it would be fruitless... 6:28 19 Upon Dolphinton’s performing the introduction… 5:44 20 Chapter 11 6:28 21 ‘Thing is, this Camille of Kit’s...’ 6:36 22 Chapter 12 6:06 2 23 This announcement was productive… 7:04 24 Chapter 13 7:56 25 She turned her eyes towards him... 8:19 26 Chapter 14 8:26 27 ‘Do you mean to indicate...’ 8:22 28 Chapter 15 7:17 29 It was an experience... 7:17 30 The next half hour... 8:39 31 Chapter 16 6:09 32 ‘How exciting it must be!’ 6:51 33 Chapter 17 6:06 34 She broke off... 6:59 35 Chapter 18 6:00 36 Miss Broughty attempted no further remonstrance… 7:02 37 The Chevalier raised his head... 6:47 38 Chapter 19 6:18 39 Hugh patted him kindly.. -
Cotillion.Pdf
Cotillion Georgette Heyer 1953 Chapter I The Saloon, like every other room in Arnside House, was large and lofty, and had been furnished, possibly some twenty years earlier, in what had then been the first style of elegance. This, however, had become outmoded, and although the room bore no such signs of penury as a ragged carpet or patched curtains, the bright brocades had faded, the paint on the panelled walls had cracked, and the gilded picture-frames had long since become tarnished. To a casual visitor it might have seemed that Mr. Penicuik, who owned the house, had fallen upon evil days; but two of the three gentlemen assembled in the Saloon at half-past six on a wintry evening of late February were in no danger of falling into this error. They knew that Great-uncle Matthew, who had made a fortune in the large enterprise of draining the Fen-country, was one of the warmest men in England, and suffered merely from a rooted dislike of spending money on anything that did not administer directly to his own comfort. The third gentleman gave no indication of thinking about it at all. He did not, like his cousin, Lord Biddenden, level a disapproving eyeglass at a spotted mirror; he did not, like his younger cousin, the Honourable and Reverend Hugh Rattray, comment acidly on the inadequacy of the small wood-fire burning in the hearth. Throughout dinner, which had been served at the unfashionable hour of five, and had been chosen (as Lord Biddenden pointed out to his brother) more with a regard to the host’s digestive difficulties than to the tastes of his guests, he had maintained a silence that might have been unbroken had his cousin Hugh not addressed a series of kind and simple remarks to him, which could be easily understood, and almost as easily answered.