Lawrence Renes

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Billy Budd Maestro Biography: Lawrence Renes 2018/19 marks an exciting season for Dutch- Maltese conductor Lawrence Renes. He begins in Japan with the Tokyo Metropolitan Symphony Orchestra before going on to premiere George Benjamin’s Written on Skin in China with the Beijing Music Festival and the Shanghai Symphony Orchestra. Upcoming highlights include Verdi’s Requiem with Melbourne Symphony Orchestra, an exciting programme of Sibelius, Brahms and Richard Mills with the Sydney Symphony Orchestra; Mozart and Mahler for his return to the NHK Symphony Orchestra in Tokyo; and Benjamin Britten’s Billy Budd with San Francisco Opera. Having conducted many of the world’s greatest orchestras and opera companies in recent seasons, Renes was Music Director and Chief Conductor of the Royal Swedish Opera until the summer of 2017. During his time there, productions included Parsifal, Madama Butterfly, Idomeneo, The Rite of Spring, Tristan und Isolde, Die Walküre, Peter Grimes, Turandot, Salome, Der Rosenkavalier, and Jenůfa amongst others. A champion of John Adams, Renes has conducted productions of Nixon in China at San Francisco Opera and Doctor Atomic at both English National Opera and De Nederlandse Opera — the DVD of the latter was named as one of the Ten Best Classical Recordings of the Year for 2008 in The New Yorker. Renes has conducted Adams’ orchestral works with London, Oslo and Hong Kong philharmonic orchestras, Mahler Chamber Orchestra, Orchestre Philharmonique de Radio France, and Royal Stockholm Philharmonic Orchestra. .

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There's a Real Buzz and Sense of Purpose About What This Company Is Doing
15 FEBRUARY 7.15PM & 17 FEBRUARY 2PM “There’s a real buzz and sense of purpose about what this company is doing” ~ The Guardian www.niopera.com Grand Opera House, Belfast Welcome to The Grand Opera House for this new production of The Flying Dutchman. This is, by some way, NI Opera’s biggest production to date. Our very first opera (Menotti’s The Medium, coincidentally staged two years ago this month) utilised just five singers and a chamber band, and to go from this to a grand opera demanding 50 singers and a full symphony orchestra in such a short space of time indicates impressive progress. Similarly, our performances of Noye’s Fludde at the Beijing Music Festival in October, and our recent Irish Times Theatre Award nominations for The Turn of the Screw, demonstrate that our focus on bringing high quality, innovative opera to the widest possible audience continues to bear fruit. It feels appropriate for us to be staging our first Wagner opera in the bicentenary of the composer’s birth, but this production marks more than just a historical anniversary. Unsurprisingly, given the cost and complexities involved in performing Wagner, this will be the first fully staged Dutchman to be seen in Northern Ireland for generations. More unexpectedly, perhaps, this is the first ever new production of a Wagner opera by a Northern Irish company. Northern Ireland features heavily in this production. The opera begins and ends with ships and the sea, and it does not take too much imagination to link this back to Belfast’s industrial heritage and the recent Titanic commemorations.
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Concert & Recital Programs Concert & Recital Programs
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Mona Lisa LEON BOTSTEIN, Conductor
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Boston Symphony Orchestra Concert Programs, Season 43,1923-1924, Trip
CARNEGIE HALL .... NEW YORK Thursday Evening, March 13, at 8.15 Saturday Afternoon, March 1 5, at 2.30 £*WHififl% >n\V"' y f/ BOSTON SYMPHONY ORCHESTRA INC. FORTY-THIRD SEASON J923-J924 PRoGRTWIE '4 '« — An Audience worth cultivating Because it reaches an audience of unusual potentiality, The Boston Symphony Orchestra Programme is a most effective media for a limited number of advertisers. This audience is composed of people of taste, culture and means. They are interested, essentially, in the better things of life. They can, and do, purchase generously — but discriminately. The BOSTON SYMPHONY ORCHESTRA Programme is mailed to the home of this audience. The descriptive notes by Mr. Philip Hale, foremost of critics, secures for the Programme a place among works of reference and gives to it an unusual permanence. Your advertising message will thus have many times the value generally attributed to publicity advertising. If your product — or service — will appeal to this discriminating audience Write for Rates Jiddress GARDNER and STORR L8fi MADISON AVI NEW YORK CITY Phone, Ashland 6280 CARNEGIE HALL NEW YORK Thirty-eighth Season in New York FORTY-THIRD SEASON, 1923-1924 INC. PIERRE MONTEUX, Conductor THURSDAY EVENING, MARCH 13, at 8.15 AND THE SATURDAY AFTERNOON, MARCH 15, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1924, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE ...... Vice-President ERNEST B. DANE Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B.
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For Release: Tk, 2013
FOR IMMEDIATE RELEASE DATE: September 4, 2013 New York Philharmonic contact: Katherine E. Johnson (212) 875-5718; [email protected] Royal Philharmonic Society contact: Sophie Cohen +44 (0)207 428 9850; [email protected] The Morgan Library & Museum contact: Alanna Schindewolf (212) 590-0311; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC _________________ U.S. PREMIERE of Mark-Anthony TURNAGE’s FRIEZE, New York Philharmonic Co-Commission with Royal Philharmonic Society and BBC Radio 3, BEETHOVEN’s NINTH SYMPHONY October 3–5, 8–9 _________________ Performances are Centerpiece of New York Activities Celebrating the Royal Philharmonic Society’s Bicentennial NEW YORK PHILHARMONIC ARCHIVES To Present Exhibition Philharmonic Pioneers: The Founding of the New York and Royal Philharmonic Societies September 25–November 23 _________________ Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven’s Symphony No. 9 and the U.S. Premiere of Mark-Anthony Turnage’s Frieze — written in response to Beethoven’s Ninth and co-commissioned by the Royal Philharmonic Society, New York Philharmonic, and BBC Radio 3 — on Thursday, October 3, 2013, at 7:30 p.m.; Friday, October 4 at 8:00 p.m.; Saturday, October 5 at 8:00 p.m.; Tuesday, October 8 at 7:30 p.m.; and Wednesday, October 9 at 7:30 p.m. Part of the Royal Philharmonic Society’s 2013 bicentennial, this program reflects the New York Philharmonic’s historic link to the Ninth Symphony: the Royal Philharmonic Society (RPS) commissioned the work in 1817, and the New York Philharmonic gave its U.S.
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Britten in Beijing
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Modernism in Visual Arts and Music
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Media Release
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Rite of Spring' Dance Reveals Perils of Progress June 18, 2012 |
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Yannick Nézet-Séguin
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