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The Influence of International Town Planning Ideas Upon Marcello Piacentini’S Work
Bauhaus-Institut für Geschichte und Theorie der Architektur und Planung Symposium ‟Urban Design and Dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography” Weimar, November 21-22, 2013 ___________________________________________________________________________ About the Internationality of Urbanism: The Influence of International Town Planning Ideas upon Marcello Piacentini’s Work Christine Beese Kunsthistorisches Institut – Freie Universität Berlin – Germany [email protected] Last version: May 13, 2015 Keywords: town planning, civic design, civic center, city extension, regional planning, Italy, Rome, Fascism, Marcello Piacentini, Gustavo Giovannoni, school of architecture, Joseph Stübben Abstract Architecture and urbanism generated under dictatorship are often understood as a materialization of political thoughts. We are therefore tempted to believe the nationalist rhetoric that accompanied many urban projects of the early 20th century. Taking the example of Marcello Piacentini, the most successful architect in Italy during the dictatorship of Mussolini, the article traces how international trends in civic design and urban planning affected the architect’s work. The article aims to show that architectural and urban form cannot be taken as genuinely national – whether or not it may be called “Italian” or “fascist”. Concepts and forms underwent a versatile transformation in history, were adapted to specific needs and changed their meaning according to the new context. The challenge is to understand why certain forms are chosen in a specific case and how they were used to create displays that offer new modes of interpretation. The birth of town planning as an architectural discipline When Marcello Piacentini (1881-1960) began his career at the turn of the 20th century, urban design as a profession for architects was a very young discipline. -
Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia. -
On the Spiritual Matter of Art Curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020
on the spiritual matter of art curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020 JOHN ARMLEDER | MATILDE CASSANI | FRANCESCO CLEMENTE | ENZO CUCCHI | ELISABETTA DI MAGGIO | JIMMIE DURHAM | HARIS EPAMINONDA | HASSAN KHAN | KIMSOOJA | ABDOULAYE KONATÉ | VICTOR MAN | SHIRIN NESHAT | YOKO ONO | MICHAL ROVNER | REMO SALVADORI | TOMÁS SARACENO | SEAN SCULLY | JEREMY SHAW | NAMSAL SIEDLECKI with loans from: Vatican Museums | National Roman Museum | National Etruscan Museum - Villa Giulia | Capitoline Museums dedicated to Lea Mattarella www.maxxi.art #spiritualealMAXXI Rome, 16 October 2019. What does it mean today to talk about spirituality? Where does spirituality fit into a world dominated by a digital and technological culture and an ultra-deterministic mentality? Is there still a spiritual dimension underpinning the demands of art? In order to reflect on these and other questions MAXXI, the National Museum of XXI Century Arts, is bringing together a number of leading figures from the contemporary art scene in the major group show on the spiritual matter of art, strongly supported by the President of the Fondazione MAXXI Giovanna Melandri and curated by Bartolomeo Pietromarchi (from 17 October 2019 to 8 March 2020). Main partner Enel, which for the period of the exhibition is supporting the initiative Enel Tuesdays with a special ticket price reduction every Tuesday. Sponsor Inwit. on the spiritual matter of art is a project that investigates the issue of the spiritual through the lens of contemporary art and, at the same time, that of the ancient history of Rome. In a layout offering diverse possible paths, the exhibition features the works of 19 artists, leading names on the international scene from very different backgrounds and cultures. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
AH/CU/MU 340 CITIES AS LIVING MUSEUMS IES Abroad Paris BIA – Rome – Madrid
AH/CU/MU 340 CITIES AS LIVING MUSEUMS IES Abroad Paris BIA – Rome – Madrid COURSE DESCRIPTION: Through an interdisciplinary approach, students will be able to appreciate how throughout their long histories the cities of Paris, Rome and Madrid have developed around the central idea of cultural heritage and patrimony. The program offers a unique opportunity to examine how art, architecture and monuments have at different times and in different ways affected urban development, life and culture in three European capitals. The complex relationship between artistic development, politics, economics and ideology will be analyzed in detail by considering how museums, monuments and archaeological sites developed in different periods of modern European history. The course considers the history of art collections, museum centers and attitudes towards antiquities, monuments and archaeological sites. Special attention is given to how underlying concepts in conservation and preservation theory and cultural management have evolved through time. CREDITS: 3 LANGUAGE OF INSTRUCTION: English PREREQUISITES: None ADDITIONAL COST: None METHOD OF PRESENTATION: Lectures, class discussions, course-related trips to monuments, museums and archaeological sites REQUIRED WORK AND FORMS OF ASSESSMENT: Paris Portion: 25% • Class participation: 10% • Daily comment on visit (Journal): 40% • Paris City Exam: 50% Rome Portion: 25% • Class participation: 10% • Daily comment on visit (Journal): 40% • Rome City Exam: 50% Madrid Portion: 25% • Class participation: 10% • Daily comment on visit (Journal): 40% • Madrid City Exam: 50% Cumulative Final Paper: 25% The final paper will be a cumulative, take-home essay. It should be turned into Moodle. Work will be assessed on the basis of students’ visual observations, mastery of course material, and critical interventions. -
Roma Aeterna I: Ancient and Medieval Rome
Dr. Max Grossman Art History 3399 ACCENT Rome Study Abroad Center Summer 2020 [email protected] CRN# ????? Cell +39 340-4586937 T/Th 9:00am-1:00pm Roma Aeterna I: Ancient and Medieval Rome Art History 3399 is a specialized upper-division course on the urbanism, architecture, sculpture and painting of the city of Rome from the founding of the city in 753 BC through 1420. Through its artistic treasures, we will trace the rise of Rome from an obscure village to the largest and most populous metropolis on earth, to its medieval transformation into a modest community of less than thirty thousand inhabitants—from the political and administrative capital of the Roman Empire to the spiritual epicenter of medieval Europe. The first part of the course will cover the ancient period (up until 476 AD) and will focus on the artistic patronage of the Roman state and its leading citizens, and on the historic, social and political context of the artworks they produced. We will investigate the use of art for propagandistic and ideological purposes on the part of the emperors and their families, and on the stylistic and iconographic trends in the capital city. Moreover, we will explore what Roman artworks reveal about the complex interconnections among social classes, the relationship between Rome and its subject territories, the role of the military and the official state religion, and the emergence of Christianity and its rapid spread throughout the West. The second part of the course will treat the development of the Catholic Church and the papacy; the artistic patronage of popes, cardinals, monasteries, and seignorial families; the cult of relics and the institution of pilgrimage; and the careers of various masters, both local and foreign, who were active in the city. -
Top Attractions
TOP ROME ATTRACTIONS The Pantheon Constructed to honor all pagan gods, this best preserved temple of ancient Rome was rebuilt in the 2nd century AD by Emperor Hadrian, and to him much of the credit is due for the perfect dimensions: 141 feet high by 141 feet wide, with a vast dome that was the largest ever designed until the 20th century. The Vatican Though its population numbers only in the few hundreds, the Vatican—home base for the Catholic Church and the pope—makes up for them with the millions who visit each year. Embraced by the arms of the colonnades of St. Peter’s Square, they attend Papal Mass, marvel at St. Peter’s Basilica, and savor Michelangelo’s Sistine Ceiling. The Colosseum Legend has it that as long as the Colosseum stands, Rome will stand; and when Rome falls, so will the world. One of the seven wonders of the world, the mammoth amphitheater was begun by Emperor Vespasian and inaugurated by Titus in the year 80. For “the grandeur that was Rome,” this obstinate oval can’t be topped. Piazza Navona You couldn’t concoct a more Roman street scene: caffè and crowded tables at street level, coral- and rust-color houses above, most lined with wrought-iron balconies, street performers and artists and, at the center of this urban “living room,” Bernini’s spectacular Fountain of the Four Rivers and Borromini’s super-theatrical Sant’Agnese. Roman Forum This fabled labyrinth of ruins variously served as a political playground, a commerce mart, and a place where justice was dispensed during the days of the emperors (500 BC to 400 AD). -
The Imperial Cult and the Individual
THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister. -
The Roman Funerary Commemoration of Children
A LIFE UNLIVED: THE ROMAN FUNERARY COMMEMORATION OF CHILDREN A LIFE UNLIVED: THE ROMAN FUNERARY COMMEMORATION OF CHILDREN FROM THE FIRST CENTURY BC TO THE MID-SECOND CENTURY AD By BARBARA NANCY SCARFO, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Barbara Nancy Scarfo, September 2012 M. A. Thesis – B. N. Scarfo; McMaster University – Classics. McMaster University MASTER OF ARTS (2012) Hamilton, Ontario (Classics) TITLE: A Life Unlived: The Roman Funerary Commemoration of Children From the First Century BC to the Mid-Second Century AD AUTHOR: Barbara Nancy Scarfo, B.A. (McMaster University) SUPERVISOR: Dr. Michele George NUMBER OF PAGES: (vii) (128) ii M. A. Thesis – B. N. Scarfo; McMaster University – Classics. ABSTRACT This thesis is concerned with the representation of children on sculptural funerary commemoration, with a focus on freedmen panel reliefs and funerary altars. Although there is evidence found from all regions of the Empire, the majority of the material discussed here is from the city of Rome itself. Representations of young children first appear on freedmen panel reliefs, which date to the end of the Republic and were produced into the first century of the Empire. When this genre declined in popularity at the end of the first century AD, funerary altars emerged as the new, preferred form of commemoration. The goal of this thesis is to show that these two types of funerary monuments reveal much about the children themselves, but also provide insight into the social and cultural identity of their parents. -
Return International Airfares 3-4 Star Accommodation Professional
D aily Breakfast & dinner R eturn International Ai rfares 3 - 4 star accommodation P rDoafeilsys ional loca&l guide AiRrpeoturrtn T Irnatnesrfneartsi onal TrAiainrf atircekse ts 3-4 star accommodation Professional local guide Airport Transfers Train tickets Day 1: Melbourne - - Rome Departure from Melbourne, begin your journey of Italy. Day 2: Rome Arrive in Rom e , a C ity of 3 00 0 yea rs histor y. Italy ’ s capital is a sprawling , cosmopolitan city with nearly 3,000 years of globally influential art , architecture and culture on display . Ancient ruins such as the Roman Forum and the Colosseum evoke the power of the former Roman Empire .Up on arrival , your tour gu ide will meet you at the airport with the warmest greeting. Transfer to hotel . Day 3: Rome Empire Explore Rome after breakfast . You ’ll understand soon why it is defined an “open air mu seum”: as you walk aroun d the ci ty center, yo u’ll s ee the remains of it s glorio us past all around y ou, as you’re making a time travel back to the ancient Rome empire era. Visit C olosseum *, Arch of Constantine, Roman Forum*. Walk over to Venice Square and way up the Campidoglio Hill you will visit Capitoline Museums*. opened to the public since 1734.The Capitoline Museums are considered the first museum in the world including a large number of ancient Roman statues , inscriptions , and other artifacts ; a collection of medieval and Renaissance art ; and collections of jewels , coins and other items . Transfer ba c k to ho t el after din ner . -
Writing Rome
TRAVEL SEMINAR TO ROME JACKIE MURRAY “Writing Rome” (TX201) is a one-credit travel seminar that will introduce students to interdisciplinary perspectives on Rome. “All roads lead to Rome.” This maxim guides our study tour of the Eternal City. In “Writing Rome” students will travel to KAITLIN CURLEY ANDERS, Rome and compare the city constructed in texts with the city constructed of brick, concrete, marble, wood, and metal. This travel seminar will offer tours of the major ancient sites (includ- ing the Fora, the Palatine, the Colosseum, the Pantheon), as well as the Vatican, the major museums, churches and palazzi, Fascist monuments, the Jewish quarter and other locales ripe with the PHOTOS BY: DAN CURLEY, DAN CURLEY, PHOTOS BY: historical and cultural layering that is the city’s hallmark. In addi- OFF-CAMPUS STUDY & EXCHANGES tion, students will keep travel journals and produce a culminat- ing essay (or other written work) about their experiences on the tour, thereby continuing the tradition of writing Rome. WHY ROME? Rome is the Eternal City, a cradle of western culture, and the root of the English word “romance.” Founded on April 21, 753 BCE (or so tradition tells us), the city was the heart of the Roman Republic and the Roman Empire, and today serves as the capitol of Italy. Creative Thought Matters Bustling, dense, layered, and sublime, Rome has withstood tyrants, invasions, disasters, and the ravages of the centuries. The Roman story is the story of civilization itself, with chapters ? written by citizens and foreigners alike. Now you are the author. COURSE SCHEDULE “Reading Rome,” the 3-credit lecture and discussion-based course, will be taught on the Skidmore College campus during the Spring 2011 semester. -
Henderson Street Names A
Henderson Street Names STREET NAMEP* FIRE SAM NUMBERING ADDRESS LOCATION MAP MAP STARTS/ENDS A Abbeystone Circle 3728-94 86 Mystical / 360’ CDS 2484-2495 Sunridge Lot 21 Abbington Street 3328-43 77 Courtland / Muirfield 300-381 Pardee GV South Abby Avenue 3231-64 120 Dunbar / Sheffield 1604-1622 Camarlo Park Aberdeen Lane 3229-23 102 Albermarle / Kilmaron 2513-2525 Highland Park Abetone Avenue 4226-16 422 CDS/Cingoli Inspirada Pod 3-1 Phase 2 Abilene Street (Private 3637-94, 260 Waterloo / Mission / San 901-910 Desert Highlands; Blk Mt Ranch within Blk Mtn Ranch) 3737-14 Bruno Ability Point Court 3533-48 169 Integrity Point / 231-234 Blk Mt Vistas Parcel C Unit 3 Abracadabra Avenue 3637-39 259 Hocus Pocus / Houdini 1168-1196 Magic View Ests Phs 2 Abundance Ridge Street 3533-46/56 169 Solitude Point / Value 210-299 Blk Mt Vistas Parcel C Unit 2, 3 Ridge Acadia Parkway 3332-92 143 Bear Brook/American Acadia Phase I Pacific Acadia Place 3329-63 99 Silver Springs / Big Bend No #’s Parkside Village Acapulco Street 3638-42 270 DeAnza / Encanto 2005-2077 Villa Hermosa Accelerando Way 3236-85 233 Barcarolle/Fortissimo Cadence Village Phase 1-G4 Ackerman Lane 3329-16 100 Magnolia / CDS 400-435 The Vineyards Acorn Way 3427-52 54 Wigwam / Pine Nut No #’s Oak Forest Acoustic Street 3537-29 257 Canlite / Decidedly 1148-1176 The Downs Unit 3 Adagietto Drive 3828- 87, 88 Moresca / Reunion 1361-1399 Coventry Homes @ Anthem 3, 4 66/56/46 Adagio Street 3728-11 85 Anchorgate / Day Canyon 801-813 Sunridge Lot 18 Adams Run Court 3735-63 218 155' CDS