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In Their Own Words: Voices of Jihad
THE ARTS This PDF document was made available from www.rand.org as CHILD POLICY a public service of the RAND Corporation. CIVIL JUSTICE EDUCATION Jump down to document ENERGY AND ENVIRONMENT 6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS The RAND Corporation is a nonprofit research NATIONAL SECURITY POPULATION AND AGING organization providing objective analysis and PUBLIC SAFETY effective solutions that address the challenges facing SCIENCE AND TECHNOLOGY the public and private sectors around the world. SUBSTANCE ABUSE TERRORISM AND HOMELAND SECURITY Support RAND TRANSPORTATION AND INFRASTRUCTURE Purchase this document WORKFORCE AND WORKPLACE Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Learn more about the RAND Corporation View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND PDFs to a non-RAND Web site is prohibited. RAND PDFs are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND monographs undergo rigorous peer review to ensure high standards for research quality and objectivity. in their own words Voices of Jihad compilation and commentary David Aaron Approved for public release; distribution unlimited C O R P O R A T I O N This book results from the RAND Corporation's continuing program of self-initiated research. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Judgment for Copyright Infringement and Permanent Injunction with the 16 Consent and on the Advice of Such Independent Legal Counsel
UMG Recordings, Inc. v. BCD Music Group, Inc. et al Doc. 199 1 JEFFREY D. GOLDMAN (SBN 155589) [email protected] 2 ROBERT J. CATALANO (SBN 240654) [email protected] 3 LOEB & LOEB LLP 10100 Santa Monica Boulevard, Suite 2200 4 Los Angeles, California 90067-4120 Tel: 310-282-2000/Fax: 310-282-2200 5 Attorneys for Plaintiff JS-6 6 7 8 UNITED STATES DISTRICT 9 CENTRAL DISTRICT OF CALIFORNIA 10 UMG RECORDINGS, INC., a Case No. CV 07-05808 SJO (FFMx) 11 Delaware corporation Assigned to the Hon. S. James Otero 12 Plaintiff, JUDGMENT FOR COPYRIGHT 13 v. INFRINGEMENT AND PERMANENT INJUNCTION 14 BCD MUSIC GROUP, INC., a Texas corporation; and DOES 1-10, inclusive 15 Defendants. 16 17 18 19 20 21 22 23 24 25 26 27 28 LA1837611.1 JUDGMENT AND PERMANENT INJUNCTION 212374-10008 Dockets.Justia.com Based on the stipulation by and between plaintiff UMG Recordings, Inc., a 1 Delaware corporation (“UMG”), and BCD Music Group, Inc., a Texas corporation 2 (“BCD”), and for good cause appearing, 3 4 IT IS ORDERED, ADJUDGED, AND DECREED THAT: 5 6 1. BCD infringed UMG’s copyrights in the following forty-three (43) 7 sound recordings (the “43 Sound Recordings”): 8 9 1. “War with God” (Ludacris) from the album Release Therapy. 10 2. “My House” (Lloyd Banks). 3. “Over and Over” (Nelly) from the album Suit. 11 4. “3 Kings” (Slim Thug). 12 5. “Say I” (Christina Milian). 6. “Bang Bang” (Young Buck), from the album Straight Outta 13 Cashville. 14 7. “Diamonds” (Fabolous). 8. -
CAROLEE SCHNEEMANN B
CAROLEE SCHNEEMANN b. 1939, Fox Chase, PA d. 2019, New Paltz, NY EDUCATION MFA, University of Illinois, Urbana, Illinois BA, Bard College, Annandale-On-Hudson, New York School of Painting and Sculpture, Columbia University, New York The New School for Social Research, New York La Universidad De Puebla, Mexico SOLO EXHIBITIONS 2022 Carolee Schneemann, Barbican Museum, London, UK (forthcoming) 2021 After Carolee: Tender and Fierce, Artpace, San Antonio, TX 2020 Liebeslust und Totentanz (Love’s Joy and Dance of Death), Bündner Kunstmuseum, Chur, Switzerland Off the Walls: Gifts from Professor John R. Robertson, Blanton Museum of Art, Austin, TX American Women: The Infinite Journey, La Patinoire Royale, galerie Valérie Bach, Saint-Gilles, Belgium All of Them Witches, curated by Dan Nadal and Laurie Simmons, Jeffrey Deitch, Los Angeles, CA Don’t Let this be Easy, Walker Art Center, Minneapolis, MN Barney, Scheemann, Shiraga, Tanaka, Fergus McCaffrey, Tokyo, Japan 2019 Carolee Schneeman, les Abattoirs, Toulouse, France Up to and Including Her Limits: After Carolee Schneemann, Museum Susch, Zernez, Switzerland Exhibition of Edition Works, Michele Didier, Paris, France Carolee Schneeman, mfc-michele Didier, Paris, France 2017 Kinetic Painting, Museum fur Moderne Kunst, Frankfurt, Germany; MoMA PS 1, Long Island City, NY More Wrong Things, Hales Gallery, London, United Kingdom 2016 Further Evidence – Exhibit A, P·P·O·W, New York, NY Further Evidence – Exhibit B, Galerie Lelong, New York, NY 2015 Kinetic Painting, Museum der Moderne Salzburg, Salzburg, -
Comeback and Beyond
Comeback & Beyond by Tim Storey Harrison House Tulsa, OK Unless otherwise indicated, all scripture quotations are taken from The Holy Bible, New International Version®. niv®. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Scripture quotations marked msg are taken from The Message New Testament With Psalms and Proverbs by Eugene H. Peterson. Copyright © 1993, 1994, 1995 by Eugene H. Peterson. NavPress, P. O. Box 35001, Colorado Springs, CO 80935. Scripture quotations marked nlt are taken from the New Living Translation, copyright © 1996, 2004 by Tyndale Charitable Trust. Used by permission of Tyndale House Publishers. Scripture quotations marked nkjv are taken from The New King James Version of the Bible. Copyright© 1979, 1980, 1982, 1983, 1984 by Thomas Nelson, Inc. Publishers. Used by permission. Scripture quotations marked kjv are taken from The King James Version of the Bible. Comeback…& Beyond ISBN 978-1-60683-118-2 Copyright © 2010 by Tim Storey 499 N. Canon Dr., Suite 400 Beverly Hills, California 90210 Published by Harrison House, Inc. P. O. Box 35035 Tulsa, Oklahoma 74153 Printed in the United States of America. All rights reserved under International Copyright Law. Contents and/or cover may not be reproduced in whole or in part in any form without the express written consent of the Publisher. Introduction Unfortunately, most people don’t know that even in their darkest hours and worst failures, God is there, rooting for them and wanting to help them. Because they either forget this or never knew this, in the midst of a setback they feel like a failure and take another step back. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
44 MILLION REASONS to #Savegamingrevenue
44 MILLION REASONS TO #SaveGamingRevenue ECGRA has strategically invested $44 million in 203 community and cultural assets, 700 entrepreneurs and business lenders, job Grants training and educational institutions, and & Loans neighborhoods and municipalities. 6:1 Return Local share gaming revenue is strengthening the nonprofit ECGRA has invested $6.7 million in business TM organizations and for-profit $ growth through Ignite Erie resulting in $39.6 businesses in the city of Erie that 22mm million in additional capital for local companies. are implementing the city’s in the City comprehensive plan. $18.1million in gaming revenue is inextricably woven into $ Erie’s cultural, recreational, 18.1mm and human services assets, ECGRA’s investments have resulted QUALITY dramatically improving quality in a cumulative impact of $87.2 OF LIFE of life for residents and quality million, supported and sustained of experience for tourists. 573 573 jobs, and generated $2.9 JOBS million in local and state taxes. Two Ways to Help WRITE. CALL. ADVOCATE EDUCATE yourself. for Erie’s share. Transforming a Region with Local Share Gaming Revenue: An Economic Impact Study Tell Your Legislators How ECGRA Read and Share ECGRA’s Grant Money Works for You! Economic Impact Study at ECGRA.org/impactstudy ECGRA.org/calltoaction prepared by: @ECGRA814 #IgniteErie ECGRA.org/igniteerie /ECGRA ECGRA_Economic Impact Full Page Ad.indd 1 3/1/17 3:11 PM 44 MILLION REASONS TO CONTENTS: From the Editors The only local voice for Sometimes we all need a news, arts, and culture. March 29, 2017 Editors-in-Chief: little health care. Brian Graham & Adam Welsh #SaveGamingRevenue or an entire week recently, one of our Managing Editor: staff members had a nagging cough. -
Constructing and Performing an On-Air Radio Identity in a Changing Media Landscape
CONSTRUCTING AND PERFORMING AN ON-AIR RADIO IDENTITY IN A CHANGING MEDIA LANDSCAPE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by David F. Crider January 2014 Examining Committee Members: Dr. Nancy Morris, Advisory Chair, Department of Media Studies and Production Dr. Patrick Murphy, Department of Media Studies and Production Dr. Donnalyn Pompper, Department of Strategic Communication Dr. Catherine Hastings, External Member, Susquehanna University ii © Copyright 2014 by David F. Crider All Rights Reserved iii ABSTRACT The radio industry is fighting to stay relevant in an age of expanding media options. Scholarship has slackened, and media experts say that radio’s best days are in the past. This dissertation investigates how today’s radio announcer presents him/herself on the air as a personality, creating and performing a self that is meant for mass consumption by a listening audience. A participant observation of eleven different broadcast sites was conducted, backed by interviews with most key on-air personnel at each site. A grounded theory approach was used for data analysis. The resulting theoretical model focuses on the performance itself as the focal point that determines a successful (positive) interaction for personality and listener. Associated processes include narrative formation of the on- air personality, communication that takes place outside of the performance, effects of setting and situation, the role of the listening audience, and the reduction of social distance between personality and listener. The model demonstrates that a personality performed with the intent of being realistic and relatable will be more likely to cement a connection with the listener that leads to repeated listening and ultimately loyalty and fidelity to that personality. -
Nicki Minaj Pink Friday Deluxe Version Explicit FLAC · Cad Cam Software Free
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NORTHWESTERN UNIVERSITY Ototheatre
NORTHWESTERN UNIVERSITY Ototheatre: Learning to Listen and Perform in Sonically Augmented Spaces A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Theatre and Drama By Lauren R. Beck EVANSTON, ILLINOIS December 2017 2 © Copyright by Lauren R. Beck 2017 All Rights Reserved 3 Abstract Ototheatre: Learning to Listen and Perform in Sonically Augmented Spaces Lauren R. Beck This dissertation explores a form of performance I call “ototheatre,” which is a mobile and participatory audience experience executed with portable sound technology. Ototheatre is an emergent artistic form that sits at a convergence of contemporary technologies and audience consumption habits. Case studies, including smartphone applications and new theatrical works incorporating novel uses of sound technology, reveal the antecedents and characteristics of this form of theatre. I explore the methods by which these works create intimate, interactive theatrical experiences that extend modes of audience experience. Podcasts are a new media practice that have multiple theatrical antecedents and ototheatrical potential. I analyze a particularly theatrical podcast, choreographer Hofesh Shechter’s Everyday Moments, to show new possibilities for individual modes of performance scripted by podcast artists for solo listening. I trace a genealogy that includes the théâtrophone, radio drama, and the downloadable podcast to demonstrate how the recorded voice has long been creating remote theatrical experiences for audiences through the use of mediatized sound technology. While radio has been called a “theatre of the mind,” I argue that podcasts can create an intimate, post-humanistic theatre of the body. I examine artistic sound works that are related to the audio tour to explore ways of mapping space with sound. -
The Bird That Flew Backwards
Ursinus College Digital Commons @ Ursinus College English Honors Papers Student Research 4-15-2018 The irB d That Flew Backwards Robin Gow Ursinus College, [email protected] Adviser: Meredith Goldsmith Follow this and additional works at: https://digitalcommons.ursinus.edu/english_hon Part of the American Studies Commons, Digital Humanities Commons, English Language and Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Gow, Robin, "The irB d That Flew Backwards" (2018). English Honors Papers. 7. https://digitalcommons.ursinus.edu/english_hon/7 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in English Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Gow 1 The Bird that Flew Backwards Robin F. Gow 04/20/2018 Submission Statement: Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Honors in English Gow 2 Abstract: The Bird that Flew Backwards examines women poets from literary Modernism in the 1910s and Beat culture in the 1950s. Analyzing these eras in tandem reveals contrasting historical constructions of American womanhood and how sociocultural trends influenced how the “poetess” constructed herself and her work and illustrates the retrograde nature of women’s rights in the 1950s. Through close reading, digital mapping, and historical background, The Bird that Flew Backwards establishes a new critical perspective by linking the more well-known Modernists with lesser-known women in 1910s Greenwich Village Bohemia. -
Undergraduate Studies in Anthropology and Sociology
University of Richmond UR Scholarship Repository Sociology and Anthropology Faculty Publications Sociology and Anthropology 9-2016 Bringing Mothers and Fathers Together: Undergraduate Studies in Anthropology and Sociology Angela Castañeda Matthew Oware [email protected] Follow this and additional works at: https://scholarship.richmond.edu/socanth-faculty-publications Part of the Family, Life Course, and Society Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Angela Castaneda and Matthew Oware. “Bringing Mothers and Fathers Together: Undergraduate Studies in Anthropology and Sociology,” Journal of Motherhood Studies, Issue 1 (2016). This Article is brought to you for free and open access by the Sociology and Anthropology at UR Scholarship Repository. It has been accepted for inclusion in Sociology and Anthropology Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Bringing Mothers and Fathers Together: Undergraduate Studies in Anthropology and Sociology Matthew Oware & Angela Castañeda Introduction As social scientists in a combined Sociology and Anthropology department at a small liberal arts institution, we approach research questions on mothering and fathering from our respective disciplines. In the summer of 2014 we made plans to experiment with a first year seminar that would bring our distinct courses together: Oware’s Man Up: Unpacking Manhood and Masculinity, and Castañeda’s Global Perspectives on Reproduction and Childbirth. In the fall of 2014, we combined our courses over two-weeks to discuss the roles of fathering and mothering in our research agendas. As we suspected, our courses were unevenly represented on their own with Oware’s class enrolling mostly men and Castañeda’s mostly women.