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Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
CAROLEE SCHNEEMANN B
CAROLEE SCHNEEMANN b. 1939, Fox Chase, PA d. 2019, New Paltz, NY EDUCATION MFA, University of Illinois, Urbana, Illinois BA, Bard College, Annandale-On-Hudson, New York School of Painting and Sculpture, Columbia University, New York The New School for Social Research, New York La Universidad De Puebla, Mexico SOLO EXHIBITIONS 2022 Carolee Schneemann, Barbican Museum, London, UK (forthcoming) 2021 After Carolee: Tender and Fierce, Artpace, San Antonio, TX 2020 Liebeslust und Totentanz (Love’s Joy and Dance of Death), Bündner Kunstmuseum, Chur, Switzerland Off the Walls: Gifts from Professor John R. Robertson, Blanton Museum of Art, Austin, TX American Women: The Infinite Journey, La Patinoire Royale, galerie Valérie Bach, Saint-Gilles, Belgium All of Them Witches, curated by Dan Nadal and Laurie Simmons, Jeffrey Deitch, Los Angeles, CA Don’t Let this be Easy, Walker Art Center, Minneapolis, MN Barney, Scheemann, Shiraga, Tanaka, Fergus McCaffrey, Tokyo, Japan 2019 Carolee Schneeman, les Abattoirs, Toulouse, France Up to and Including Her Limits: After Carolee Schneemann, Museum Susch, Zernez, Switzerland Exhibition of Edition Works, Michele Didier, Paris, France Carolee Schneeman, mfc-michele Didier, Paris, France 2017 Kinetic Painting, Museum fur Moderne Kunst, Frankfurt, Germany; MoMA PS 1, Long Island City, NY More Wrong Things, Hales Gallery, London, United Kingdom 2016 Further Evidence – Exhibit A, P·P·O·W, New York, NY Further Evidence – Exhibit B, Galerie Lelong, New York, NY 2015 Kinetic Painting, Museum der Moderne Salzburg, Salzburg, -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
44 MILLION REASONS to #Savegamingrevenue
44 MILLION REASONS TO #SaveGamingRevenue ECGRA has strategically invested $44 million in 203 community and cultural assets, 700 entrepreneurs and business lenders, job Grants training and educational institutions, and & Loans neighborhoods and municipalities. 6:1 Return Local share gaming revenue is strengthening the nonprofit ECGRA has invested $6.7 million in business TM organizations and for-profit $ growth through Ignite Erie resulting in $39.6 businesses in the city of Erie that 22mm million in additional capital for local companies. are implementing the city’s in the City comprehensive plan. $18.1million in gaming revenue is inextricably woven into $ Erie’s cultural, recreational, 18.1mm and human services assets, ECGRA’s investments have resulted QUALITY dramatically improving quality in a cumulative impact of $87.2 OF LIFE of life for residents and quality million, supported and sustained of experience for tourists. 573 573 jobs, and generated $2.9 JOBS million in local and state taxes. Two Ways to Help WRITE. CALL. ADVOCATE EDUCATE yourself. for Erie’s share. Transforming a Region with Local Share Gaming Revenue: An Economic Impact Study Tell Your Legislators How ECGRA Read and Share ECGRA’s Grant Money Works for You! Economic Impact Study at ECGRA.org/impactstudy ECGRA.org/calltoaction prepared by: @ECGRA814 #IgniteErie ECGRA.org/igniteerie /ECGRA ECGRA_Economic Impact Full Page Ad.indd 1 3/1/17 3:11 PM 44 MILLION REASONS TO CONTENTS: From the Editors The only local voice for Sometimes we all need a news, arts, and culture. March 29, 2017 Editors-in-Chief: little health care. Brian Graham & Adam Welsh #SaveGamingRevenue or an entire week recently, one of our Managing Editor: staff members had a nagging cough. -
Constructing and Performing an On-Air Radio Identity in a Changing Media Landscape
CONSTRUCTING AND PERFORMING AN ON-AIR RADIO IDENTITY IN A CHANGING MEDIA LANDSCAPE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by David F. Crider January 2014 Examining Committee Members: Dr. Nancy Morris, Advisory Chair, Department of Media Studies and Production Dr. Patrick Murphy, Department of Media Studies and Production Dr. Donnalyn Pompper, Department of Strategic Communication Dr. Catherine Hastings, External Member, Susquehanna University ii © Copyright 2014 by David F. Crider All Rights Reserved iii ABSTRACT The radio industry is fighting to stay relevant in an age of expanding media options. Scholarship has slackened, and media experts say that radio’s best days are in the past. This dissertation investigates how today’s radio announcer presents him/herself on the air as a personality, creating and performing a self that is meant for mass consumption by a listening audience. A participant observation of eleven different broadcast sites was conducted, backed by interviews with most key on-air personnel at each site. A grounded theory approach was used for data analysis. The resulting theoretical model focuses on the performance itself as the focal point that determines a successful (positive) interaction for personality and listener. Associated processes include narrative formation of the on- air personality, communication that takes place outside of the performance, effects of setting and situation, the role of the listening audience, and the reduction of social distance between personality and listener. The model demonstrates that a personality performed with the intent of being realistic and relatable will be more likely to cement a connection with the listener that leads to repeated listening and ultimately loyalty and fidelity to that personality. -
ULM College of Arts, Education and Sciences Visual and Performing Arts
ULM College of Arts, Education and Sciences Visual and Performing Arts JAZZ DANCE I DANC 1014, CRN 63516 Tuesday/Thursday 11:00 am-12:15 pm BROWN ANNEX 120 INSTRUCTOR: Vanessa Kanamoto, MFA, BA, BS Office: Brown Annex 120 Office Phone: 342-1312 Office Hours: By appointment Office E-mail: [email protected] Recommended text: Jazz Dance: A History of the Roots and Branches by LIndsay Guarino & Wendy OLIver *Can access on Moodle I. COURSE DESCRIPTION The purpose of this course is to introduce students to Jazz technique and to develop a “thinking body” through active participation and personal discovery. Drawing on a variety of influences, students will be able to understand and demonstrate the aesthetic attributes and styles of Jazz dance by focusing on rhythm, gravity, isolations, coordination, and alignment. Students will also become familiar with terminology and historical aspects associated with Jazz dance. II. COURSE OBJECTIVES • To establIsh a consIstency of ‘daILy’ studio practIce and towards usIng jazz class progressIon to buiLd a ‘permanent’ foundatIon for buiLding your technique • The student wILL demonstrate an understanding of beginning/Intermediate jazz termInology. • The student wILL be able to consIstentLy execute proper body aLIgnment and body- mechanic princIples in statIc and dynamIc movement. • Students wILL deveLop and increase in strength, flexibiLIty, baLance, endurance, coordinatIon, and precIsIon in executIng barre exercIses and center floor combinatIons. • Students wILL buiLd musIcaL, rhythmIc, phrasIng, and spatIaL skiLLs suitable to the technique and style of jazz dance. • Students wILL learn aspects of jazz dance history. III. INSTRUCTIONAL METHODS AND ACTIVITIES 1. Class demonstratIon and partIcIpatIon 2. -
Jaimie Goodwin Sag/Aftra Height: 5’3 Weight: 115 Eyes: Brown Hair: Brown
! CLEAR TALENT GROUP " """"""10950 Ventura Blvd. Studio City, CA 91604 " (818) 509-0121 JAIMIE GOODWIN SAG/AFTRA HEIGHT: 5’3 WEIGHT: 115 EYES: BROWN HAIR: BROWN FILM/TELEVISION VEGAS GUEST STAR CBS MAD MEN FEATURED DANCER AMC ALL THE RIGHT MOVES CO-STAR OXYGEN GLEE REOCCURRING DANCE ROLE FOX SO YOU THINK YOU CAN DANCE (S3) TOP 10 FINALIST FOX SO YOU THINK YOU CAN DANCE(S8/S9/S11) ALLSTAR FOX ROCK OF AGES ROLE/FEATURED DANCER ADAM SHANKMAN EMMY AWARDS 2013 FEATURED DANCER SPICER LIFF AND CHOREO NOMS. AMERICAN MUSIC AWARDS: TAYLOR SWIFT DANCER TYCE DIORIO AMERICAN MUSIC AWARDS: KATY PERRY DANCER NICK AND RJ 82ND ANNUAL ACADEMY AWARDS FEATURED DANCER ADAM SHANKMAN 85TH ANNUAL ACADEMY AWARDS FEATURED DANCER ROB ASHFORD HIGH SCHOOL MUSICAL 3 FEATURED DANCER KENNY ORTEGA DANCING WITH THE STARS LEAD DANCER DEREK HOUGH DANCING WITH THE STARS LEAD DANCER TRAVIS WALL (SHAPING SOUND) DANCING WITH THE STARS FEATURED DANCER TRAVIS WALL (SCHOOL OF ROCK) DANCING WITH THE STARS FEATURED DANCER TRAVIS WALL (NOTHIN’ BUT STRINGS) DANCING WITH THE STARS FEATURED DANCER TRAVIS WALL (ADELE) DANCING WITH THE STARS FEATURED DANCER TYCE DIORIO (ANNIE LENNOX) MISERY LOVES COMPANY LEAD TEDDY FORANCE SHAWN HOOK “EVERY RED LIGHT” MUSIC VIDEO LEAD DEE CASPARY " LIVE/STAGE SHAPING SOUND NATIONAL TOUR LEAD TRAVIS WALL SO YOU THINK YOU CAN DANCE TOUR LEAD FOX ROCK THE BALLET TOUR LEAD RASTA THOMAS DIZZY FEET GALA GUEST PERFORMER NIGEL LYTHGOE "GOOGLE/YOUTUBE BRANDCAST GUEST PERFORMER TRAVIS WALL INDUSTRIALS GALLO WINE FEATURED DANCER MIA MICHAELS "AUDI FEATURED DANCER -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
Nicki Minaj Pink Friday Deluxe Version Explicit FLAC · Cad Cam Software Free
1 / 5 Nicki Minaj - Pink Friday (Deluxe Version) [Explicit] {FLAC} Apr 3, 2021 — 6ix9ine - TROLLZ - Alternate Edition (with Nicki Minaj) [2020] [bunny] ... Nicki Minaj - Pink Friday (Complete Edition) [16 bits|44.1 kHz FLAC & Apple Lossless] ... Nicki Minaj - Beam Me Up Scotty (Explicit) 2021 [Tidal 16bits/44.1kHz] ... Nicki Minaj The Pinkprint Target Deluxe Edition + 2 bonus track itunes.. by I Dunham · 2018 — Pg. 112: Figure 11: Torrent file hash info. 11. Pg. 117: Figure 12: A screenshot of a private tracker's search functions, as well as other elements through which .... Feb 8, 2021 — Nicki Minaj - Pink Friday (Deluxe Version) [Explicit] {FLAC} ... Minaj Nicki: Pink Friday - Roman Reloaded -Deluxe Edition CD.. In 2009 an .... korean music flac download 1MB 02 - Scream Hard as You Can. flac 07 Don´t Let ... with 2014′s “Dirty Vibe,” which saw him and Some settings need to be done in ... [Flac+tracks] Nicki Minaj – Pink Friday 2010 (Japan Edition) [Flac+tracks] The ... 2020년 6월 20일 Download [FLAC] K-pop kpop Epub Torrent. iso to flac free .... Aug 7, 2016 — Torrent nicki minaj discography mp3 David Guetta - The Whisperer feat. ... Artist Album name Pink Friday Best Buy Exclusive Deluxe Version Date 2010 Genre Play time 01:08:39 Format FLAC 1107 Kbps MP3 320 Kbps M4A 320 ... Torrent Info Name: Nicki Minaj Feat Lil Wayne High School Explicit Edit.. Dec 15, 2010 — Исполнитель: Diddy & Dirty Money Наименование: Last Train to Paris ... Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продол. ... Allowed (Deluxe Edition) (2010) Lossless · Nicki Minaj - Pink Friday ... Read reviews and buy Nicki Minaj - Queen [Explicit] (Target Exclusive) (CD) at Target. -
Page 1 of 57
Page 1 of 57 Dear Teachers, Dancers, Family and Friends, Welcome to the 2019 Season at Tribute National Talent. As we celebrate our 8th season, we feel very blessed to host an event that gives us the opportunity to do what we love while spending time with so many wonderful people. We hope you feel very welcome and a part of our family as you enjoy seeing all the outstanding dancers who will grace the stage this weekend. As we grow older, we begin to see things in a different light and our thoughts and feelings seem to be more important and significant. Over the last several years I have written welcome letters that talk about what Tribute is all about. Now going into our 8th season, I just wanted to simply say THANK YOU. As parents, we cherish every moment we can spend with our kids as they grow. Dance teachers also feel this way since they are like family as they see the dancers grow up in the studio and then graduate. In 2010 after my father passed, I knew I had to make some changes in my life so I could be a better husband and father. My son was 7 years old and my daughter was 2 years old at the time. I remember that before I started Tribute, I missed so much time with my own family when I was gone on the road so often and then all summer doing nationals. As I share this picture with you of me and my children from 2014, I am reminded of how truly blessed I am.