Korean Architecture and Dwelling Culture: Past and Present

Total Page:16

File Type:pdf, Size:1020Kb

Korean Architecture and Dwelling Culture: Past and Present KOREAN ARCHITECTURE AND DWELLING CULTURE: PAST AND PRESENT SOGU HONG Hankuk University of Foreign Studies, E-mail: [email protected], [email protected] Abstract— This study discusses the striking differences between traditional and modern architecture and dwelling culture of Korea. Also it suggests how to integrate old and new tradition in the contemporary Korean architecture and dwelling culture. Keywords— Architecture, Korean Apartment, Dwelling, Hanok, Tradition. I. INTRODUCTION the highly revered harmony of nature”(Matosian 2012). This paper focuses on the striking contrast between traditional and modern architecture of Korea. The B. Reflecting Simple and frugal lifestyle aim of this paper is to investigate the traditional and Traditional Korean architecture is relatively simple in modern Korean architecture to answer a number of scale or ornamentation. Rooms were of relatively questions: Are the roles once played by the traditional small size and simply decorated. They are usually architecture and dwelling still relevant? Does the old filled with not too many materials. Thus we can en- architectural elements still persist despite social joy the beauty of emptiness, leaving “the room as less changes and new ways of living? What caused the occupied as possible”(Jang-Gwon Kim 2009). This change of dwellings from Hanok to Apatu (apart- reflected the Confucian ideology of emphasising a ment)? If social and formal concepts behind the tradi- simple and frugal lifestyle(Matosian 2012). The feel- tional architecture have changed, what new forms and ing of openness is important. The house in ‘п’ shape concepts have taken their place? Is there any kind of has a open garden in the centre. From the garden we integration between old and new architecture? What can see the wide-open sky and birds flying over it. In is the problem of modern architecture and dwelling of this way, hanok usually harmonize with the natural Korea? What is the aesthetic difference between tra- surroundings(Jang-Gwon Kim 2009). ditional and modern architecture? C. Aesthetic aspects: Non-symmetrical and natu- Based on my research and personal experience, I will ral design discuss the above-mentioned issues. Finally, I will According to Matosian, most designs are non- discuss my opinion on how to solve the problems of symmetrical, following the natural setting. The use of contemporary architecture and dwelling of Korea. irregular stone and wood is combined with an aes- thetically pleasing touch, being as natural as possible. II. BACKGROUND: CHARACTERISTICS OF The eco-friendly and environment-friendly concept TRADITIONAL ARCHITECTURE already began in Korea few thousand years ago. Another strength of the hanok is its a ability to “con- A. A close relationship with nature tain light”(Jang-gwon Kim) Since doors and windows Korea was an agricultural society, and Koreans estab- of Korean hanok are covered with Korean paper, han- lished a close relationship with its nature. The strong ji, the inside of the whole house is easily filled with characteristics of traditional Korean architecture are full of direct and indirect lighting, “which creates its simpleness, spontaneity and respect for nature. diverse colors and beauty”(Jang-gwon Kim). According to Matosian, “Koreans readily accepted naturalistic philosophies and applied their own inter- D. Scientific elements pretation of them to architectural plans and placement Traditional architecture, especially hanok has many of buildings”(Matosian 2012). scientific elements. The stylobate - choseak (founda- One of the most important elements in Korean archi- tion stone) supports a row of wooden columns and tecture is the natural environment. protect wooden materials from humidity and insects. Matosian(2012) says that Korean traditional architec- According to Jang-Gown Kim, because of “a differ- ture did not resist the magnificence of the natural ence in the meridian altitude of the winter solstice environment nor compete with it. and the summer solstice, the varying lengths of the On the contrary, its traditional architectural design eves are intended to screen or allow in the sought to attain an ideal harmony between their struc- light”(Jang-Gwon Kim 2009). During four seasons, it tures and their natural surroundings: “Efforts were was important to make people stay warm and cool made to avoid having man-made construction disrupt enough. In order to help to stay cool in the summer, the natural contour of the terrain, thereby disrupting hanok has a daecheong(main floored room) which is Proceedings of The IRES 22nd International Conference, Toronto, Canada, 1st January 2016, ISBN: 978-93-85832-86-4 5 Korean Architecture and Dwelling Culture: Past and Present a large space between the rooms and can be com- historic villages, which have been built and pared to living room nowadays. The floor of dae- thrived for hundreds of years. However, since its cheong is made out of wood. Also the front and back first construction of apartments in the 1930’s, and windows of daecheong can be always open or very after its rapid industrial expansion in the 1970’s easy to open. Thus this place helps to keep the whole and 1980s, many historical and traditional parts house stay cool by letting the air enter(Na-eum Kwon of Seoul, including hanok houses and small alleys, 2014). were changed and erased by an exploding number Korean hanok has ondol which literally means of apartments built in Seoul. In only 30 years, “warming the stone”(Oxford Dictionary). Ondol, the apartments have occupied everywhere in Seoul, heating system helps to heat the floor of the house. including mountain and river areas, and they have The fireplace of the kitchen is connected to the become Korea’s representative residential hous- rooms. Once the fireplace is heated up, the heat is ing type and a major element of cityscape … The moved to the floor of other rooms. Then, the layer of supply of apartments in Seoul has reached almost stone in the floor gets heated(Na-eum Kwon 2014). 1,381,252 units (the total area of the units is Finally the warm air circulates and makes the room 117.41km2), and the length of total apartment is temperature go up. The ondol floor is designed to about 1/2 of the circumference of the earth(Chung heat the room not only in winter, but also in summer Kee Lee). to avoid moisture. The floors and ondols of traditional hanok are con- IV. PROBLEMS OF MODERN DWELLING - structed higher than ground level for keeping the APARTMENTS house warm and dry. The main material for ondol is usually baked clay plastered with oiled rice paper. A. Uniformity and Homogeneity Rice paper used for windows and doors add aesthetic Apartments in South Korea used to be built in a uni- beauty to hanok. Also it is so functional that it keeps form, linear arrangement using the basically same warmth inside and quickly dries during the rainy sea- floor plan, stacking it vertically and horizontally son. (Chung Kee Lee). Korean apartment buildings are similar to a series of boxes. They look very simple III. THE FACTORS OF CHANGES: MODERNI- and undecorated. Even though every building is SATION, INDUSTRIALISATION AND URBA- slightly different in its hight, design and logo paint- NISATION ing, it is true all apartments are homogeneous and repetitive shape of housing complexes. On the out- There has been several attempts to change Korean side, there are open green fields and parking lots. traditional architecture. First of all, during the This open space is possible because each unit is built Japanese occupation, Japanese colonial government vertically, not horizontally. On each floor of an attempts to replace Korean architecture with Japanese apartment complex there are usually multiple units. architectural traditions(Bartholomew 1993).. Accord- Two or three, or sometimes more units share one ele- ing to Bartholomew, Japanese colonial government vator, hallway, stairway and electricity. Even the attempted to demolish structures of Korean Imperial floor plan of each unit is just same in most cases. palace and traditional Korean garden. The following is the explanation about the Korea- During the Korean war(1950-1953), many buildings nized Apartment Design: were destroyed. Thus, after the war, the modernisa- tion and the industrialisation of the nation, became Every unit is designed for a nuclear family of 4 the most important task that the Korean government people. Two bedrooms for children are right in should pursue. Since then, traditional buildings be- front of the entrance. The master bedroom for the came marginalised and actively destroyed during parents is placed in the deepest room and has a Korea’s rapid period of industrialisation. American separate bathroom. The living room is located in models became popular for new Korean buildings. the center of the unit, integrating the other rooms. Most buildings tended to be built quickly with little Balconies, which mostly face the south, provide regard for local identity. While urbanisation was oc- extra sunshine and outdoor access. There might curring rapidly in Seoul, migrated workers needed be little variation from this plan, but it is very their new homes in city. Because of urbanisation and rare. Considering that this is the result of a long industrialisation, while traditional hanok villages period of adaptation, the main characteristic of a were gradually disappeared, hundreds of simple Korean apartment is the ‘living room centered cheap apartments were constructed very fast. The plan’. This is a reflection of the ‘madang centered following short history of apartment in Seoul shows plan’ of hanoks, or Korean traditional hous- us how many apartments have occupied everywhere es(Wonseok Jang 2014). in this city: According to Wonseok Jang, the living room is the Seoul has been noted for its beautiful scenery place where many family activities take place such as comprised of surrounding mountains … with the watching TV, ancestral rites, and receiving guests.
Recommended publications
  • Korean Architecture, Art & Design Tour
    Korean Architecture, Art & Design Tour TOUR October 21 – 28/29, 2017 7 nights in the DPRK + 1 on the train Optional 3 night tour extension OVERVIEW A tour de force of Korea's unique visual arts. Korea is a visually stunning country; ancient temples and prestige socialist avenues, traditional homes and towering monumental structures, revolutionary artwork and kitsch interiors, architectural futurism and brutalism, and much more besides. This seven-night tour is the most in-depth look at the visual arts of the DPRK to-date and includes on-the-spot lectures by some of the artists and architects responsible for shaping visual North Korea today. We’ll also learn about their inspirations in history, philosophy, and practicalities- both modern and ancient. This is in addition to visits to some of the most iconic and architecturally significant buildings in the country, many of which are open only for participants on this tour and do not normally admit visitors. As an added treat we have the rare chance to visit an apartment residence in the capital and time to extensively walk the streets of the city, while fitting in the highlights of the country in Pyongyang and Kaesong. For those wanting to see more of the country, it is possible to add a three-night extension to Korea’s East Coast. The extension will visit the remote industrial city of Hamhung, rebuilt with the assistance of East German planners after the Korean War and only opened to tourists in 2010, and the port city of Wonsan which offers great examples of both colonial-era and the latest modern architectural styles.
    [Show full text]
  • Korean Architecture Breathing with Nature Introduction 6
    KOR.EA I-<F KOREA ESSENTIALS No. 12 FOUNDATION ,,~'!""'_ 'I\' Korean Architecture Breathing with Nature Introduction 6 Chapter 1 Natural Perspective Revealed 10 Nature: the Most Fundamental Influence I Preserving the Sp irit of Wo od and Stone I Coping with the Environment I Architecture Breathing with Nature I Natural In fluences on Architecture Chapter 2 A Brief History 26 Prehistoric Era I Walled City-Sates and Early Kingdoms I Three Kingdoms Period I North So ut h States Period I Goryeo I Jo seo n I Daehan Empire I Japanese Colon ial Period I Post- Lib eration Chapter 3 Anatomy of Traditional Architecture 46 Elements of Korean Architecture I Materials I Co ntinuity Chapter 4 Korea's Most Important Historical Buildings 68 Bu lguksa Temple and Seokguram Grotto I Changdeokgung Palace I Jongmyo Shrin e I Hwaseong Fortress I Soswaewon Garden I Byeongsan Seowon I Buseoksa Temple I Do sa n Seodang and Dosan Seowon I Hae in sa Janggyeonggak I Yangdong Village Chapter 5 Korea's Early Modern Architecture 94 Early Modern Architecture? I Arc hitecture of the Dae han Empire I Arch itecture of t he Japa nese Co lon ial Era I Po st- Lib eration Architecture I Notable Modern Architectural Works Appendix Information 114 Delving Deeper • Chogajip and Giwajip 49 • Baeheullim, Gwisoseum and Anssollim 51 • Building a Hanok 61 • Geumsan: Forbidden Forests 63 • Architects 67 6 INTRODUCTION Foreign visitors to Korea today are often struck, a bove all , by the country's architectural landscape. Republic of Apartment was the title of one recent work by a French geographer attempting to make sense of the prevalence of the uniform high-rise apartment blocks she found, both in Seoul and in the Korean countryside.
    [Show full text]
  • Syllabus, Modern and Contemporary Korean Art
    ARTH 62.20 / ASCL 62.08 Modern and Contemporary Korean Art Professor Sunglim Kim Lectures: H hours T and Th 6:30–8:20 PM (EST) Office Hours: by appointment via Zoom Zoom meeting ID: 603 636 2867 Contact Information: [email protected] or [email protected] Course Description This course examines the art and culture of Korea from the end of the 19th century through the early 21st century. During this period Korea experienced the fall of its last dynasty (500-years-long), annexation to Japan, the Korean War, division into two Koreas, democratization, and internationalization/globalization. The class Will explore hoW visual art, including paintings, ceramics, architecture, photographs, posters, and film, reflected and expressed the political, socio-economic, and cultural changes and concerns of each period, in both South and North Korea. Readings: Jane Portal, Art Under Control In North Korea, London, UK: Reaktion Books, 2005. Youngna Kim, 20th Century Korean Art, London, UK: Lawrence King, 2005. Hyung-Min Chung, Modern Korean Ink Painting, Elizabeth, NJ & Seoul: Hollym, 2006. Charlotte Horlyck, Korean Art: From the 19th Century to the Present, London, UK: Reaktion Books, 2017. Readings consist of excerpts from books (above), journals, and exhibition catalogues. Some of the assigned readings come from Korean journals published in English. Written by some of Korea’s leading scholars, these articles provide Korean perspectives on Korean history and culture. All required readings Will be provided as doWnloadable PDF files located on the course Canvas site. Course Requirements and Grading Attendance (10%) and Participation in Discussion (10%): All the classes Will be delivered synchronously via Zoom.
    [Show full text]
  • Korean Architecture Вінницький Національний Технічний Університет Анотація Як Утворилася Південна Корея
    УДК 725 (519) Жук С. П. Korean architecture Вінницький національний технічний університет Анотація Як утворилася Південна Корея. Яка була її архітектура. Яка архітектура і на сьогоднішній день цінується в Південній Кореї. Усе це буде розглянуто у статті нижче Ключові слова: Корея, Південна Корея, Корея у роки війни, пост модерн у Кореї. Abstract How South Korea was formed. What was her architecture. What architecture is today valued in South Korea. All this will be considered in the article below Key words: Korea, South Korea, Korea during the war, modern Korea. Korean architecture refers to the built environment of Korea from c. 30,000 BC to the present.From a technical point of view, buildings are structured vertically and horizontally. A construction usually rises from a stone subfoundation to a curved roof covered with tiles, held by a console structure and supported on posts; walls are made of earth (adobe) or are sometimes totally composed of movable wooden doors. Architecture is built according to the k'a unit, the distance between two posts (about 3.7 meters), and is designed so that there is always a transitional space between the "inside" and the "outside." The console, or bracket structure, is a specific architectonic element that has been designed in various ways through time. If the simple bracket system was already in use under the Goguryeo kingdom (37 BC – 668 AD)—in palaces in Pyongyang, for instance—a curved version, with brackets placed only on the column heads of the building, was elaborated during the early Goryeo (Koryo) dynasty (918–1392). The Amita Hall of the Buseok temple in Yeongju is a good example.
    [Show full text]
  • Understanding Architectural Heritage of Dosan Seowon and Assessing Its Spatial Significance
    Understanding Architectural Heritage of Dosan Seowon and Ecological Assessing its Spatial Significance / Yoo,Y.C Josefina B.A Kim,G Understanding Architectural Heritage of Dosan Seowon and Assessing its Spatial Significance 도산서원의 건축 문화유산에 대한 이해와 공간적 의미의 평가 * ** *** Yoo, Yeong Chan Josefina B. Alfonso Kim, Gon 유 영 찬 호세피나 비 알폰소 김 곤 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ Abstract Dosan Seowon, one of the earliest and most prestigious private Confucian academies in Korea, is an example of a heritage property citizens wish to sustain for the benefit of future generations. It is recognized of its contribution to the Korean society and as an architectural and historical interest. This study conducts architectural and cultural research about Dosan Seowon by scrutinizing its evidential, historical, aesthetic and spatial values. By doing so, it is possible to recognize how appreciated qualities are vulnerable to harm through only understanding their heritage values without practical management solutions. That understanding should then provide the basis for developing and implementing management strategies (including maintenance, cyclical renewal and repair) that will best sustain the heritage values in a physical aspect. The conclusion suggests that communication about Dosan Seowon among those who are concerened is significant. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ Keywords : Dosan Seowon, spatial values, heritage values, historical importance, management strategies 키워드 : 도산서원, 공간가치, 문화유산, 역사적 중요성, 관리기법 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 1. Introduction environment and space is a unique record of human activities of the past. Dosan Seowon is one of the best According to Usman Haque, the field of examples because of its architecture and landscape that architecture is very broad because people themselves tell the story about its past and its association with interpret, appropriate, design and reuse spaces within Toegye.
    [Show full text]
  • In Search of Genuine Taste of Korea
    In Search of Genuine Taste of Korea Sang-kyu Kim Professor of Design at the Seoul National University of Science and Technology In Search of Genuine Taste of Korea MA:T The word taste, as referred to in this exhibition, is exclusively focused on the taste of Korea and the Korean people’s attitude towards nature and man-made objects strictly from a designer’s perspective. It involves the ‘taste’ of food itself, the ‘taste’ of cooking and sharing of food, the visual ‘taste’ of objects surrounding food, and the physical and emotional ‘taste’ of the eating place. As overarching as it may sound, the heart of it still lies in the taste of the food itself. Korean cusine is of particular interest in this exhibition, but defining it is difficult to begin with. What makes it so difficult, first, is that so many different ingredients and foods have been flooded into Korea in the past couple of years, blurring the line between what is and is not Korean food. What’s more, the Korean government’s Korean food globalization policies have heightened interest in Korean food, sparking controversy over authenticity of certain well-known Korean dishes. Ju Yeong-ha, a folklorist and professor ‘roughly’ defines Korean food in his book Culinary Humanities, “Korean food refers to food produced and consumed by Korean people, includig North Koreans, using traditional cooking methods ranging from boiling, seasoning, steaming, panfrying, boiling down to grilling that were commonly used throughout the 20th century.” The author explains how Koean culinary culture has gone through changes and adaptations, yet he also shares the unchanged essence of Koreans’ perception of Korean food.
    [Show full text]
  • Accommodation of Western Modernism in Korean Architecture -A Case Study of Dong-Jin Park (1899-1981)
    Accommodation of Western Modernism in Korean Architecture -A Case Study of Dong-jin Park (1899-1981)- Myengsoo Seo*1 1 Ph.D., Fellow, Kyujanggak Institute for Korean Studies, Seoul National University, Korea Abstract This research examines the adoption of Western modernism in Korean modern architecture in the early 20th century, which was a period of conflict not only between tradition and modernity, but also between the East and West. The overall research explores a representative and pioneering Korean modern architect, Dong- jin Park (1899-1981), who actively practiced his design during the Japanese colonial period. In particular, this research scrutinizes Dong-jin Park's recognition of Western modernism through his publications, for example, in magazines and newspapers, which described his recognition of Western architecture. Through the representative architect's ideas and writings, this research seeks to identify the characteristics and origins of Korean modern architecture. Keywords: Dong-jin Park; Modernism; Tradition; Korean modern architecture 1. Introduction limited, there were, nevertheless, a few Korean modern In Korean history, the initial debate between architects who actively practiced their design in Korea tradition and modernity dates back to the 19th century. Joseon. Moreover, they tried to embody Korean The Korea Joseon Dynasty had changed rapidly due modern architecture in the context of both Western to its contact with Western civilization, and Korea architecture and Japanized Western architecture. These experienced a serious crisis in attempting to solidify efforts formed the characteristics of Korean authentic the nation's identity while undergoing the period of modern architecture. This research is aimed at finding Japanese colonialism (1910-1945).
    [Show full text]
  • South Korean Architecture in the Postcolonial
    South Korean Architecture in the Postcolonial Era Phil-Seong Choi MArch (History & Theory) The University of New South Wales 1998 ABSTRACT The study aims to confine and stimulate discourses on Orientalism and Postcolonialism in South Korean architecture. While those issues are dynamically examined and carefully justified in such Commonwealth countries as Australia, Hong Kong, Singapore, they have rather been ignored and eluded in the historically, culturally, or even economically colonised countries in northern Asia including South Korea and Japan. In order to investigate the current situation in South Korea, its architectural developments in recent history in the 20th century are analysed by looking at the Japanese Invasion in the first half of the century followed by the immense westernisation in the postwar period on their architecture. Modernism in Japanese architecture is briefly studied by referring to the projects that Kenzo Tange and the Metabolist architects assuredly experimented in the 1960s and 70s with reference to western architectural trends such as ‘megastructure’, ‘plug-in construction’, and so on. Also, Australian critic Robin Boyd’s representation of Japanese architecture to the west in the 1960s is comprehended as an aspect of cultural colonisation. Having compromised with both Japanese and western modern paradigms that affected almost every social and cultural aspect since the late 19th century, architectural historians and academics in South Korea recently began to debate on the Postcolonialism by re-examining the early modernist architects and principles. Two influential Korean architects, Jung-Up Kim and Su-Geun Kim, are selected for case studies and the conflicting paradigms of a major architectural trend between tradition and colonialism is arguably assessed.
    [Show full text]
  • Le Nouveau Centre Culturel Coréen Au Cœur De Paris
    Le nouveau Centre Culturel Coréen au cœur de Paris Nous vous informons que, compte tenu de la pandémie en cours, tous les événements annoncés dans ce calen- drier des activités risquent évidemment d’être remis en question en cas d’aggra- vation de la situation sanitaire. Merci de suivre attentivement dans les jours qui viennent les informations diffusées en temps réel sur notre site internet : www.coree-culture.org. Et n’oubliez pas que plusieurs de nos événements culturels en ligne, Situé au 20 rue La Boétie, dans le 8e arrondissement, le nouveau Centre Culturel Coréen à Paris permet d’offrir au public français, avec ses quelque 3 756 m² annoncés dans notre programme (soit 5 fois la superficie de ses anciens locaux de l’avenue d’Iéna), beaucoup d’avril, seront toujours disponibles plus d’activités et d’événements. Avec son auditorium ultra moderne, ses deux au cours des mois à venir sur notre grands espaces d’exposition, une vaste bibliothèque et de nombreux espaces site et nos réseaux sociaux. pour les ateliers d’art et cours de coréen, ce nouveau lieu est destiné à deve- nir le haut lieu de la culture coréenne à Paris et des échanges franco-coréens. Centre Culturel Coréen B facebook.com/CentreCulturelCoreen youtube.com/CentreCulturelCoreen 20 rue La Boétie, 75008 Paris - Métro : Miromesnil F A twitter.com/KoreaCenterFR V instagram.com/centreculturelcoreen 2 1 AVRIL AVRIL Exposition « Palais royaux de Corée » L’exposition « Palais royaux de Corée » célèbre le premier anniversaire de l’ouver- Du 11 janvier ture du Nouveau Centre Culturel Coréen, et commémore à cette même occasion le 40e anniversaire du Centre Culturel Coréen à Paris.
    [Show full text]
  • An Overview of Korean Wooden Architecture1
    An Overview of Korean wooden architecture1 Plenary speech by Architect CHO, In-Souk I. Opening remarks One of the challenges we face today in architectural design is to find a globally sustainable design approach. Yet another challenge, when considering the complexity of the rich heritage of Asia and its local wisdom, would be how to differentiate it from other places on earth. The topic of today’s sub- theme is how these two challenges are incorporated or not in the architecture of the region. Besides globalization in general, urbanization and curbing climate change seem to be the two global megatrends that will have the greatest impact on our future. Both will also play an extremely important role in architectural design. The principal function of a house was protection against the weather. The earlier forms of human habitats were crude structures without significant distinguishing characteristics. As human lifestyles diversified and the functions of shelters expanded to accommodate individual and social needs and activities, houses began to assume national, regional and individual characteristics. The natural environment, along with such cultural elements as people’s lifestyles and customs, also played an important role in the evolution of architectural styles. Korean houses, as domestic architecture does in all cultures, showcased people’s everyday activities as well as their history and culture. This presentation will focus on the Korean Perspective regarding the dimensions of a sustainable design approach, examining the Korean traditional house of wooden structure:2 hanok. II. Understanding hanok (Grammar of Hanok) Common considerations incorporated into the design works to be elaborated on later are as follows: careful survey of site condition and location; proper adoption of hierarchy of buildings and courtyards; 1 This is a part of the presentation to “the 15th Asian Congress of Architects” introducing my own design works under the title <Designing Hanok, the Korean Organic House: contemporary Challenges> in Bali, Indonesia October 29.
    [Show full text]
  • Moving Gyeongseong: Korean Reaction to Changes in the Urban Landscape of Colonial Seoul in the 1920S
    Moving Gyeongseong: Korean Reaction to Changes in the Urban Landscape of Colonial Seoul in the 1920s Jane Song Senior Honors Thesis International Relations, Asian Studies i Table of Contents Table of Contents .......................................................................................................................... ii List of Figures ................................................................................................................................ iii Acknowledgements ........................................................................................................................ iv Preface............................................................................................................................................. v Introduction ..................................................................................................................................... 1 Questions and Hypothesis ........................................................................................................ 5 Background History ................................................................................................................. 8 Sources ................................................................................................................................... 10 Literature Review and Approach............................................................................................ 13 Chapter 1: Gyeongseong‘s Landmarks as Symbols of Japan‘s Colonial Power ........................ 19
    [Show full text]
  • The Encyclopaedia of Korea
    1 The Encyclopaedia of Korea Aak [Music] Academy of Korean Studies Located in Songnam in Kyonggi Province, the Academy of Korean Studies (Han'guk Chongshin Munhwa Yon'guwon) was established by the government in 1978 to undertake studies in the heritage of the Korean people. The Academy sponsors research projects in the fields of history, philosophy, education, society, literature, arts and other attributes of traditional Korean life and culture. Graduate courses commenced in 1980, with master and doctorate programs now well established in most fields of Korean studies. Unlike normal graduate schools in Korea, the academy is not affiliated with an undergraduate program. Graduate students are exempted from tuition and accommodation fees, and they live on campus, thus encouraging their complete devotion to their studies. An allowance is granted to students who maintain outstanding grades. To promote the study of Korean culture overseas, enrolment opportunities are offered to overseas students interested in Korean studies. Foreign students receive similar privileges and the same level of instruction as Korean students. Adoption Characteristics Traditional methods of adoption (yangja) in Korea were radically different from what is connoted by the accepted English meaning. The primary focus of the adoption was not the child, but the parent. Traditional adoption meant the selection of a relative of the next lower generation, to serve as the heir for a man, and to provide rituals for him after he died. Many adoptions, in fact, did not take place until after the father had died; and in most cases, the 'child' was a full-grown adult. In traditional Korea, society was based on the principles of patrilineage, that is to say, a lineage resting on patrilineal inheritance and organisation.
    [Show full text]