Music and 'Magnetism'– a Celebration of Wales
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National Identity in the Life and Music of Grace Williams
Bangor University DOCTOR OF PHILOSOPHY Music in the blood & Poetry in the soul? National identity in the life and music of Grace Williams Cotterill, Graeme Award date: 2012 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 MUSIC IN THE BLOOD & POETRY IN THE SOUL? National identity in the life and music of Grace Williams Graeme James Cotterill Submitted in partial fulfilment of the requirement for the degree of Doctor of Philosophy University of Wales, Bangor 12 January 2012 CONTENTS Abstract ii Acknowledgements iii Author's declarations iv Citations vii Introduction ix Chapter I Collective Culture 1 Grace Williams and the institutions of Welsh cultural heritage Chapter II Nation shall Speak unto Nation 37 Grace Williams and the BBC in Wales Chapter III Folk Song and Fantasy; Landscape and Legend 67 Two decades of Grace Williams's 'Welsh' works I: 1930-50 Chapter IV Linguistic Imposition and Inspiration 87 Two decades of Grace Williams's 'Welsh' works II: 1951-71 Chapter V How Welsh is Welsh Music? 109 External factors shaping Grace Williams's reception Bibliography The Appendix, a catalogue of Grace Williams's compositions, is supplied as a separate volume. -
Sir Haydn Jones Papers, (GB 0210 HAYNES)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Sir Haydn Jones Papers, (GB 0210 HAYNES) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 04, 2017 Printed: May 04, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/sir-haydn-jones-papers-2 archives.library .wales/index.php/sir-haydn-jones-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Sir Haydn Jones Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................. 4 Pwyntiau mynediad -
Desert Island Times 19
D E S E RT I S L A N D T I M E S S h a r i n g f e l l o w s h i p i n NEWPORT SE WALES U3A No.19 24th July 2020 Rebuilding of Newport Bridge, 1927 Temporary bridge to the left of the new structure A miscellany of Contributions from OUR members 1 Expectations Fulfilled! by Stephen Berry Since my teens I have been an avid reader of British crime fiction – the title that piqued my interest and started me on this wonderful pastime was, not unsurprisingly, “4.50 from Paddington”, one of the Miss Marple books of Agatha Christie. Leaving aside my usual criticism of the railway details in the story (the sort of anomalies that have me shouting at the television whenever a programme featuring railways is shown!), the book was a good read and encouraged me to acquire the rest of her output. Not content with just her work, I moved on through other authors such as Ngaio Marsh, Patricia Wentworth, Ruth Rendell and others from the so-called “golden age” of detective fiction. Later I became acquainted with more modern writers – P.D. James, Colin Dexter, Stephen Booth, Peter Robinson, Ellie Griffiths, Kate Ellis, Joy Ellis, J.R. Ellis (what is it about the name ‘Ellis’? None of these is related to the others!), to name but a few of the many. Many books – particularly Agatha Christie’s books – have been made into films and a number into television series. I must admit that I find the quality of these varies greatly from excellent to absolute rubbish! When a specific title is made into a film I expect the story line to be followed exactly, though many film adaptations seem to be at best very loosely based on a book of the same name. -
An Introduction to Welsh Solo Vocal Repertoire
LANGUAGE AND DICTION Leslie De’Ath, Associate Editor An Introduction to Welsh Solo Vocal Repertoire Rachel Schutz INTRODUCTION he Land of Song.” The London Illustrated first christened Wales with this nickname in 1873 when the United Choir of “ South Wales won the Challenge Cup at Crystal Palace.1 The name stuck, not without reason. Singing has been, and remains, an important part of Welsh culture, in the form of folk song, choral music, T2 or art song. Perhaps best known outside Wales are the male voice choirs that developed in the coalmining communities in South Wales. Likely less Rachel Schutz known are the hymn tunes still employed by Protestant denominations that came out of the nonconformist (non-Anglican) Welsh church.3 And finally, almost entirely unknown outside Wales is the rich volume of art song com- posed in Wales since the late nineteenth century. This article aims to bring a portion of this art song repertoire to wider attention and make it accessible to performers, teachers, and audiences beyond Wales. While it is true that song and singing have long been an integral part of Welsh culture, there is debate as to whether there is anything identifiably “Welsh” in Welsh vocal music beyond language and a shared nationality among composers. The debate over what constitutes a “national” sound in music has been contested in many forums over many years.4 Does a Welsh sound really exist, and, if so, can we point to specific musical features that define this sound? Or is the idea of a Welsh sound a social construct created simply through the knowledge that a composer is Welsh? It is outside the purview of this investigation to resolve that long-standing philosophic and musicological debate. -
Stetson Stetson University Chamber Orchestra
STETSON UNIVERSITY DAVID BJELLA A native of Cedar Rapids, Iowa, Cellist David Bjella has a multi-faceted career as a teacher, chamber musician, orchestral player, and soloist. He is Professor of Cello at Stetson University as well as Co-Principal of the IRIS Chamber Orchestra under the direction of Michael Stern. He was a member of the Inman Piano Trio for 13 years. He is one of the featured IRIS chamber musicians for the Naxos released CD "Music of Stephen Hartke" which was chosen by the New York Times as a Top Ten Classical Recording of 2003. Mr. Bjella has been on the faculty at the Orfeo Festival in Italy, the Rocky Mountain Summer Conservatory in Steamboat Springs, Colorado, the Bellingham Festival in Washington state, the Quartz Mountain Festival in Oklahoma, the Interlochen Center for the Arts in Michigan, the Bay Area Music Festival in St. Petersburg, Florida, and Cuerdas de Enlace, a performing and teaching festival in Honduras. As soloist, he has appeared with many regional and college orchestras in the Southeast and Midwest; he has also been Principal Cellist of the Florida Symphony, Orlando Philharmonic, Southwest Florida Symphony and the Annapolis Symphony. ANTHONY HOSE STETSON UNIVERSITY Anthony Hose is the Director of Orchestras at Stetson University; Principal Conductor, Welsh Chamber Orchestra; Artistic Director, Beaumaris Festival; and Head of Music Emeritus, Welsh National Opera. CHAMBER ORCHESTRA His European orchestra work includes Ankara Symphony, Berlin Symphony, Budapest Concert, Icelandic Symphony, Rhine Philharmonic, Munich Bach Collegium, Suisse Romande, London Philharmonic, Royal Philharmonic, Royal Liverpool Philharmonic, London Mozart Players, Anthony Hose, conductor English Chamber and BBC Scottish. -
Easter-4B-1115-20210
All Souls Episcopal Parish 2220 Cedar Street, Berkeley California The Foirth Sunday of Easter Sung Eucharist April 25, 2021 ~ 11:15 am No matter who you are or where you are in your spiritual journey, you are welcome here. Prelude Prelude on Psalm 37:11, Op. 32, No. 2 Herbert Howells (1892–1983) But the meek-spirited shall possess the earth, and shall be refreshed in the multitude of peace. —Coverdale Psalter Hymn 492, Sing, ye faithful, sing with gladness Finnian bb ™ j œ ™ j œ & b œ œ œ œ œ œ œ œ œ œ œ œ ˙ 1 Sing, ye faith - ful, sing with glad - neœss, wake your no - blest, sweet - est strain, 2 Sing how he came forth from hea - ven, bowed him-self to Beth-le_hem's cave, 3 So, he tast - ed death for mor - tals, he, of hu - man - kind the head, 4 Now on high, yet ev - er with us, from his Fa - ther's throne the Son bb ™ j œ ™ j œ œ ˙ & b œ œ œ œ œ œ œ œ œ œ nœ with the prais - es of your Sa - viœor let his house re - sound a - gain; stooped to wear the ser - vant's ves - ture, bore the pain, the cross, the grave, sin - less one, a - mong the sin - ful, Prince of life, a - mong the dead; rules and guides the world he ran - somed, till the_ap-point - ed work be done, ™ ™ b œ b˙ œ œ ™ j œ ™ &b b œ J œ œ œ œ œ œ œ ˙ œ w him let all your mu - sic ho - nor, and your songs ex - alt his reign.