The Essential Oils of Indonesia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Natural Beauty Alchemy : Make Your Own Organic
AN IDEA REMAINS AN IDEA, UNTIL IT IS CRAFTED WITH PASSION! Through the challenges, with a lot of time, effort, and determination, this project came together. For my family, who supported and motivated me when I needed it most; for my beautiful mother, who did everything only a mother can do; for my friends, who were amazing first enthusiasts; and for every natural beauty believer, a heartfelt thank you. CONTENTS INTRODUCTION UNDERSTANDING NATURAL SKIN CARE AND INGREDIENTS Skin Skin Care Categories Ingredients RECIPES Making Your Own Skin Care Products Facial Masks and Scrubs Cleansers and Makeup Removers Toners Evening Oils and Serums Facial Creams and Sunscreen Eye Care Neck Care Body Care Hand Care Foot and Heel Care Hair Care Perfumes and Scented Sprays BUYING COMMERCIAL SKIN CARE PRODUCTS Debated Ingredients Animal-Derived Ingredients Certifications and Seals SUBSTITUTION CHART GLOSSARY DISCLAIMER ACKNOWLEDGMENTS INDEX INTRODUCTION What Is Beauty? Beauty is a perceptual concept that grows with individuals of every society and culture. As we begin to understand what it means and grasp its dimensions, we learn to appreciate it and search for it in every facet of our lives. We also attempt to bring beauty into our daily lives by incorporating beautiful things into our surrounding environment and by trying to beautify our own appearance. Most women, men, and children have an innate desire to look and feel beautiful inside and out, and there is a certain harmony that often links inner and outer beauty and reflects the result to the outside. Each person defines and implements beauty in a different way, but despite the subjectivity, a huge platform remains common ground for most people in search of a more “beautiful” look. -
Perfume Engineering Perfume Engineering Design, Performance & Classification
Perfume Engineering Perfume Engineering Design, Performance & Classification Miguel A. Teixeira, Oscar Rodríguez, Paula Gomes, Vera Mata, Alírio E. Rodrigues Laboratory of Separation and Reaction Engineering (LSRE) Associate Laboratory Department of Chemical Engineering Faculty of Engineering of University of Porto Porto, Portugal P. Gomes and V. Mata are currently at i-sensis company S. João da Madeira, Portugal AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Butterworth-Heinemann is an imprint of Elsevier Butterworth-Heinemann is an imprint of Elsevier The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK 225 Wyman Street, Waltham, MA 02451, USA First published 2013 Copyright r 2013 Elsevier Ltd. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangement with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
Making Forest Conservation Matter to Urban Communities At
Planting the Seeds of Stewardship: Making Forest Conservation Matter to Urban Communities at Ontario's Royal Botanical Gardens by Janet Lynn Damianopoulos A capstone paper in conformity with the requirements for the degree of Master of Forest Conservation Graduate Faculty of Forestry University of Toronto © Janet Lynn Damianopoulos 2015 2 Acknowledgments The author would like to extend her sincerest gratitude to Dr. David Galbraith for his external supervision of this project and for the many hours of engaging conversation and stimulating ideas. Immense thanks are also in order to all of the staff at RBG who took the time to provide detailed and comprehensive interviews: Barb McKeane, Nadia Cavallin, Jennifer Dick, Jon Peter, Karin Davidson- Taylor, Bill Killburn, Kathryn Harrison, Nancy Lee Colibaba, Tys Theysmeyer, Sabrina Hall and Jim Mack. Many thanks as well to Stephanie Morningstar and Ben Porchuk for sharing their expertise on medicinal plants and forest bathing practices. This project could not have been completed without the instruction and support of the entire MFC faculty at U of T, in particular Sally Krigstin who helped to arrange the opportunity at RBG and Dr. Anne Koven who was a thoroughly wonderful supervisor and a genuine guiding light. Special thanks are also in order to Ian Kennedy, Susana Diaz, Deborah Paes, Tony Ung and Amalia Veneziano for their ongoing administrative and technical support throughout the MFC program. Finally, many thanks to the 2014 MFC student cohort for their invaluable support and much appreciated company along the road that led here. 3 Executive Summary As urbanization increases, green spaces within urban environments will play an important role in both biodiversity conservation and human health and well-being. -
Les Parfums Dans L'antiquité
Les parfums dans l’Antiquité Des senteurs par fumées (per fumum diront les latins) Brûler des branches, des gommes ou des résines, des compositions aromatiques était la plus simple des méthodes pour disposer d'odeurs agréables. Il y a plus de 5000 ans, les Egyptiens brûlaient des aromates pour le dieu du soleil (Râ), à son lever, à son zénith et à son coucher. C'est probablement dans les temples que se développa l'art de la parfumerie : fumées purificatrices, fumées à la gloire des dieux. L'art du parfum ne se limitait pas aux seules fumigations. Les prêtres devaient fabriquer des onguents pour la toilette des statues divines et pour la momification des grands personnages. Baumes et onguents à base de graisses ou d'huiles saturées de fleurs ou d'épices furent ensuite adoptés par tous les Egyptiens. L'un des raffinements suprêmes était de poser sur la tête de petits cônes d'essence balsamique qui, en fondant, parfumaient le visage. Néfertiti se baignait dans de l'eau de jasmin avant de s'oindre de santal, d'ambre et d'extraits de fleurs rares. La première eau de toilette s'appelait le 'kyphi", mélange de miel, de raisin, de vin, de myrrhe, de genêt, de safran et de genièvre. Les cônes parfumés de 8 cm de haut sur 12 cm de diamètre à la base étaient faits de graisse de bœuf ou de poisson, cuite dans l'eau puis dans le vin et ensuite aromatisée par des huiles végétales. Ils fondaient lentement et parfumaient le visage en permanence. Thèbes, Égypte,1200 avant J.-C Les parfums au Proche Orient En Mésopotamie Pendant la même période, sur les tablettes d'argile sumériennes on pouvait lire que les cérémonies religieuses utilisaient très souvent des combustions de matières premières propres à flatter le nez des dieux et à purifier les sanctuaires. -
Perfume Compositions Parfüm-Zusammensetzungen Compositions De Parfum
(19) TZZ_¥¥_T (11) EP 1 737 937 B1 (12) EUROPEAN PATENT SPECIFICATION (45) Date of publication and mention (51) Int Cl.: of the grant of the patent: C11B 9/00 (2006.01) 12.06.2013 Bulletin 2013/24 (86) International application number: (21) Application number: 05738252.5 PCT/GB2005/001560 (22) Date of filing: 22.04.2005 (87) International publication number: WO 2005/103214 (03.11.2005 Gazette 2005/44) (54) PERFUME COMPOSITIONS PARFÜM-ZUSAMMENSETZUNGEN COMPOSITIONS DE PARFUM (84) Designated Contracting States: • DUPREY, Roger John Henry AT BE BG CH CY CZ DE DK EE ES FI FR GB GR Kent CT4 7BS (GB) HU IE IS IT LI LT LU MC NL PL PT RO SE SI SK TR • HOOPER, David Charles Kent TN25 4JX (GB) (30) Priority: 22.04.2004 GB 0408962 • McNULTY, David Anthony Kent CT5 4HB (GB) (43) Date of publication of application: 03.01.2007 Bulletin 2007/01 (74) Representative: Givaudan Patents Givaudan Schweiz AG (73) Proprietor: Givaudan Nederland Services B.V. Ueberlandstrasse 138 1411 GP Naarden (NL) 8600 Dübendorf (CH) (72) Inventors: (56) References cited: • PERRING, Keith Douglas EP-A- 1 504 744 WO-A-01/16264 Kent TN24 8HS (GB) WO-A-94/16046 WO-A-94/24999 • BEHAN, John Martin WO-A-98/56337 WO-A-03/070871 Kent TN25 4JB (GB) WO-A-2005/044206 US-A- 4 522 748 • NESS, Jeremy Nicholas Kent TN25 4BW (GB) Note: Within nine months of the publication of the mention of the grant of the European patent in the European Patent Bulletin, any person may give notice to the European Patent Office of opposition to that patent, in accordance with the Implementing Regulations. -
The Senses in Early Modern England, 1558–1660
5 Seeing smell Holly Dugan In January 2013, the Institute for Art and Olfaction commissioned graphic artist Micah Hahn and his design studio AutumnSeventy to create a series of prints on perfumery to commemorate its opening in Los Angeles.1 The result was Molecules, Series 1, which depicts three of the most influential molecules that defined twentieth-century perfumery – aldehyde C12, Iso E Super®, and Galaxolide.2 Gilded and embossed, the prints emphasize the chemical structure of these molecules, even as it renders them as fine art. That the prints are also lightly scented with each aromachemical depicted on it emphasizes the broader, and one might say synaesthetic, take on the mission of the institute: to connect fineart with olfaction. Although it is a visual representation of molecules that define modern perfumery, Molecules, Series 1 thus joins a long art historical tradition of cross-modal representations of sensation, particularly smell. Can a molecule be considered fine art? And, if so, which representation of that molecule best captures its olfactory beauty and renders it ‘visible’? Consider, for example, Hahn’s Galaxolide (Figure 3). It playfully invokes a wide variety of sensory modes to capture the aesthetic of Galaxolide. The print highlights both its chemical formula – C18H26 O – and its structural formula. Both are linked to its cultural associations with perfumery and public health. Galaxolide is a second-generation polycyclic synthetic musk, discovered in the 1960s, meant to synthesize the natural scent of deer musk. Translated into the language of public health, it is a hydrophobic but lipophilic ‘toxin’: it won’t wash off in water and is easily stored in human fat.3 Rendered into the language of commercial perfumery, however, it smells ‘clean’, a ‘musky, flowery, woody odor’ with a ‘sweet, powdery nuance’.4 Both its scent and its structure made it ideal for use in laundry detergents and soaps. -
Perfume and Pomanders : Scent and Scent Bottles Through the Ages Pdf, Epub, Ebook
PERFUME AND POMANDERS : SCENT AND SCENT BOTTLES THROUGH THE AGES PDF, EPUB, EBOOK E. Launet | 212 pages | 24 Sep 1999 | Potterton Books Publishing | 9781870599016 | English | Thirsk, United Kingdom Perfume and Pomanders : Scent and Scent Bottles through the Ages PDF Book You are commenting using your WordPress. Eau de cologne containing rosemary, bergamot and bitter orange. Glass is a brittle solid compound composed of silica, sand, soda and lime. I just love perfume bottles but had no idea of the long history. This revolutionised the industry since mass production was possible. War: gunpowder, horses, wet earth, anxiety sweat, leather. This work called for a high degree of skill. Some have argued that the glass industry of Venice did not emerge as a result of the Mesopotamian, Phoenician and Roman influence, but developed independently. The technique of glass-blowing was invented in Syria in the first century BC. Examples of perfume bottles drawn principally from the Schwarzkopf collection in Steinhorst. During the Middle Ages, people became afraid of drinking water for fear of an epidemic. Ziolkowsky GmbH The topper is a simple, dark blue triangular shape. These were openwork metal balls that could be filled with various combinations of aromatics that varied according to recipe, availability, and budget. I have loved perfumes since I was a little girl and I have a pretty substantial collection. Lichtenberger, Marianne Due gocce di profumo Milano: Idealibri England, in particular, produced unique glass perfume bottle decorated with enamelling and often gilded. Date To visit an English town in the late fourteenth century is a bewildering and extreme sensory experience. -
Distillation of Essential Oils1
WEC310 Distillation of Essential Oils1 Elise V. Pearlstine 2 A short history of essential oils many industries and in new applications as awareness of the benefit of naturally derived products grows. Essential oils are volatile, aromatic oils obtained from plants and used for fragrance, flavoring, and health and beauty applications. Historically, aromatic plants provided important ingredients for perfumes, incense, and cosmetics. They have also been used for ritual purposes and in cooking and medicine. Egyptians used aromatic plant materials to preserve mummies, the Ayurvedic literature of India includes many references to scented substances, ancient Chinese herbalists valued them for their curative properties, and royalty used rare aromatics to perfume themselves and their surroundings. Distillation became an important An eighteenth century still from an old method of obtaining the healing and fragrant Figure 1. monograph by Gildemeister. components of various plants and was well-studied beginning in the 18th and continuing in the 19th Plant anatomy and structure as they centuries (Figure 1). In the 1900s, during the time of relate to essential oil production the industrial revolution, component parts of many essential oils were identified. These components An essential oil is the volatile material derived could then be synthesized for use in perfume and from plant material by a physical process. The plant flavor industries. The art of using essential oils material is usually aromatic and of a single botanical declined during this time but experienced a re-birth in species and form; some essential oil plants have a Europe with aromatherapy later in the century. In different chemical makeup depending on the variety recent years, the use of essential oils has increased in of plant, and the essential oils are correspondingly unique. -
Handbook of Essential Oils: Science, Technology, and Applications
Handbook of ESSENTIAL Science, Technology, OILS and Applications Handbook of ESSENTIAL Science, Technology, OILS and Applications Edited by K. Hüsnü Can Bas¸er Gerhard Buchbauer Boca Raton London New York CRC Press is an imprint of the Taylor & Francis Group, an informa business CRC Press Taylor & Francis Group 6000 Broken Sound Parkway NW, Suite 300 Boca Raton, FL 33487-2742 © 2010 by Taylor and Francis Group, LLC CRC Press is an imprint of Taylor & Francis Group, an Informa business No claim to original U.S. Government works Printed in the United States of America on acid-free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number: 978-1-4200-6315-8 (Hardback) This book contains information obtained from authentic and highly regarded sources. Reasonable efforts have been made to publish reliable data and information, but the author and publisher cannot assume responsibility for the valid- ity of all materials or the consequences of their use. The authors and publishers have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. If any copyright material has not been acknowledged please write and let us know so we may rectify in any future reprint. Except as permitted under U.S. Copyright Law, no part of this book may be reprinted, reproduced, transmitted, or uti- lized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopy- ing, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. -
Sustainability Report 2019-2020
Sustainability Report 2019-2020 The Origin of the These notebooks were used by Tadaka Kainosho, the founder of Takasago International Corporation, when he was studying perfumery Corporate Philosophy in Europe. He put down everything he learned in France and Switzerland in these notebooks. Containing pages of writing in French and German, they give a sense of the young Tadaka’s passion as well as his keen interest in the technology. The notebooks hold a great deal of meaning for Takasago International Corporation, which Tadaka later founded, as they provide the foundation of the company’s corporate philosophy of technology-based development. In 1920, Tadaka founded a company specializing in the manufacture of aroma ingredients, one of the first of its kind in Japan, based on a strong belief that fragrances and flavors enrich people’s lives and can thus contribute to society. The company has grown into a global enterprise and yet still maintains the passion of its founder to contribute to society through technology, which remains unchanged even as the world continues to evolve. In order to fulfill our mission to deliver to countless people products that can increase their enjoyment of life, we will drive our global business forward, aiming to become a world-leading flavors and fragrances supplier. “Kainosho notebooks,” where Tadaka wrote about the research in Europe (center/right) and a photo taken during the training at a natural aroma manufacturer in Grasse, South France (left) The Tokyo factory (currently the head office building in Kamata, Ota-ku) at the time of the Takasago International Corporation foundation and the founder Tadaka Kainosho marks its 100th birthday in 2020. -
Perfume Composition Containing (4R)-Cis-4-Methyl-2-Substituted-Tetrahydro-2H-Pyran Derivative and Method for Improving Fragrance by Using It
~™ II 1 1 III II IMI II II I Ml II I II I II (19) J European Patent Office Office europeen des brevets (11) EP 0 770 670 A2 (12) EUROPEAN PATENT APPLICATION (43) Date of publication:ation: (51) |nt. CI.6: C1 1 B 9/00, A61 K 7/46 02.05.1997 Bulletin 1997/18 (21) Application number: 96116354.0 (22) Date of filing: 11.10.1996 (84) Designated Contracting States: • Yamamoto, Takeshi, CH DE FR LI NL c/o Takasago Int. Corporation Hiratsuka-shi, Kanagawa (JP) (30) Priority: 13.10.1995 JP 291932/95 (74) Representative: Grunecker, Kinkeldey, (71 ) Applicant: Takasago International Corporation Stockmair & Schwanhausser Tokyo 108 (JP) Anwaltssozietat Maximilianstrasse 58 (72) Inventors: 80538 Munchen (DE) • Matsuda, Hiroyuki, c/o Takasago Int. Corporation Hiratsuka-shi, Kanagawa (JP) (54) Perfume composition containing (4R)-cis-4-methyl-2-substituted-tetrahydro-2H-pyran derivative and method for improving fragrance by using it (57) A perfume composition which contains a (4R)-cis-4-methyl-2-substituted-tetrahydro-2H-pyran derivative repre- sented by formula (I): wherein ^ represents a single or double bond, and a method for improving fragrance by using this perfume composition. CM < O io o r»- o Q_ LU Printed by Rank Xerox (UK) Business Services 2.14.3/3.4 EP 0 770 670 A2 Description FIELD OF THE INVENTION 5 This invention relates to a perfume composition containing a (4R)-cis-4-methyl-2-substituted-tetrahydro-2H-pyran derivative, which has a high chemical purity and a high optical purity and can impart a refreshing, light and rose green feel to the fragrance of the perfume composition, and a method for improving a fragrance. -
FAFAI Journal July Sept 2019
VOL. XX1 NO. 3 July - September 2019 Mr. Rishabh C. Kothari First Persons – Presidents Message ...................................3 Hon. Editor FAFAI News ...................................................................25 Mr. Kamlesh Hiralal Shah Printer & Publisher Indiascope .....................................................................33 Mr. Ashish Jhunjhunwalla Mr. Ankit Agrawal Worldview ......................................................................49 Mr. Geemon Korah Dr. Geethanjali Ranade Overview on Agarwood -Dr. Kanwal Deep ...........................................................55 Mr. Krish Hirani Mr. Shakti Vinay Shukla Essential Oil growth models and their practical Applications Dr. Sitaram Dixit A Novel Approach (Review) ...........................................67 Standardizing Essential Oils for Purity and Quality - A dire consumer Need ...................................................81 Essential Oil Review - Hemlock Oil ..............................91 All about Black Gold ......................................................98 Calender of Events .......................................................100 N. R. Shah Hall 2-B, Court Chambers, Second Floor 35, Sir Vithaldas Thackersey Marg, Market Indicators ........................................................105 Mumbai - 400020 Tel.: 022 2209 0184 / 2207 6075 E-mail ID : [email protected] Advertisers’ Index .........................................................126 Website : www.fafai.org Inland `500/- Single Copy ` 150/- By Air $ 40 View and