Transcription of the 2005 Kenyon Commencement Address - May 21, 2005
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How Do Fish See Water? Building Public Will to Advance Inclusive Communities
How Do Fish See Water? Building Public Will to Advance Inclusive Communities Tiffany Manuel, TheCaseMade “There are these two young fish swimming along, and they happen to meet an older fish swimming the other way, who nods at them and says, ‘Morning, boys. How’s the water?’ And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes, ‘What the hell is water?’” —David Foster Wallace1 Cultivating more equitable and inclusive communities is challenging work. In addition to the technical challenges of fostering such communities, there also is the added conundrum of how we build public support for policies and investments that make equitable and inclusive development possible. On the public will-building front, this work is made exponentially tougher because it generally means asking people to problematize an issue—racial and economic segregation—that they do not see as a problem that threatens the values and vitality of the communities in which they live. Unlike climate change, health care, education, or other social “issues” that are well-understood as requiring public intervention, racial and economic segregation operates so ubiquitously that it is often ignored as a “thing” to be solved. It just is. And, when people are asked explicitly to reflect on the high level of concentrated segregation that characterizes their communities and to consider the well-documented negative consequences of us living so separately, many struggle to “see” this as a compelling policy problem with the same shaping force of other issues requiring national attention. Perhaps most importantly, they struggle to see their stake in shaping solutions and supporting policies that cultivate more equitable and inclusive places. -
This Is Water and Religious Self-Deception Kevin Timpe in The
This is Water and Religious Self-Deception Kevin Timpe OF WATER AND ESKIMOS In the spring of 2005, David Foster Wallace offered the commencement speech at Kenyon College, which was soon widely reproduced across the internet.1 It contains a forceful warning against intellectual arrogance and about the need to “exercise control over how and what you think” (53, emphasis original). Wallace began his speech with the following parable: There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says, “Morning, boys. How‟s the water?” And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes, “What the hell is water?” This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story thing turns out to be one of the better, less bullshitty conventions of the genre[,] … but if you‟re worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don‟t be. I am not the wise old fish. The point 1 After his death in 2008, this speech was published as This is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life (New York: Little, Brown, and Company, 2009). All subsequent references to “This is Water” will be made parenthetically and will refer to this printing. of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. -
David Foster Wallace on the Good Life
10/31/2014Forthcoming in Freedom & Self: The Philosophy of David Foster Wallace 124 6 David Foster Wallace on the Good Life Nathan Ballantyne and Justin Tosi Dostoevsky wrote fiction about the stuff that’s really important. He wrote fiction about identity, moral value, death, will, sexual vs. spiritual love, greed, freedom, obsession, reason, faith, suicide. And he did it without ever reducing his characters to mouthpieces or his books to tracts. His concern was always what it is to be a human being—that is, how to be an actual person, someone whose life is informed by values and principles, instead of just an especially shrewd kind of self-preserving animal. —David Foster Wallace, “Joseph Frank’s Dostoevsky” David Foster Wallace thought that the point of writing fiction was to explore what it is to be a 1 human being. In this essay, we argue that his writings suggest a view about what philosophers would call the good life . Wallace’s perspective is subtle and worthy of attention. We’ll contrast what Wallace says with some popular positions from moral philosophy and contemporary culture. Wallace said much about ethical matters even though he didn’t write on them formally or systematically. How then shall we distill views from his writings? Our strategy is to present Wallace’s reactions, as found in his fiction and some essays, to three positions about the good life. We will ask what Wallace would make of those positions and thus try to triangulate his own view by reference to them. The first position we’ll explore is sometimes called ironism . -
DAVID FOSTER: HITMAN TOUR FEATURING SPECIAL GUEST KATHARINE Mcphee ANNOUNCED in the 2019-2020 KAUFFMAN CENTER PRESENTS SERIES
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Ellen McDonald, Publicist Monday, September 16, 2019 Kauffman Center for the Performing Arts (816) 213-4335 | [email protected] Bess Wallerstein Huff, Director of Marketing Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] DAVID FOSTER: HITMAN TOUR FEATURING SPECIAL GUEST KATHARINE McPHEE ANNOUNCED IN THE 2019-2020 KAUFFMAN CENTER PRESENTS SERIES An Intimate Evening with David Foster: Hitman Tour Featuring Special Guest Katharine McPhee coming to Muriel Kauffman Theatre on May 19 Kansas City, MO – Today, the Kauffman Center for the Performing Arts announced AN additional performance in the 2019- 2020 Kauffman Center Presents series. David Foster and Katharine McPhee will perform in Muriel Kauffman Theatre on Tuesday, May 19 at 7:30 p.m. GRAMMY Award-winning producer David Foster is embarking on an extensive North American tour beginning January of 2020 and ending at the Kauffman Center on May 19. The tour, An Intimate Evening with David Foster: Hitman Tour, is an extension of his highly successful and sold-out 2019 tour. Foster, who is one of the biggest musical forces of our time, created this jaw-dropping musical extravaganza that includes the greatest hits of his career. Thrilling, humorous and refreshingly honest, David Foster performs songs he wrote or produced from his four decades of hits and includes fascinating storytelling about the songs, artists, and moments of his life. Delivered by powerhouse performers, the hits include Celine Dion’s “Because You Loved Me,” Whitney Houston’s “The Bodyguard,” Earth Wind and Fire’s “After The Love Is Gone,” Chicago’s ”You’re The Inspiration,” Josh Groban’s “You Raise Me Up,” Michael Bublé’s “Home,” Natalie Cole’s “Unforgettable,” and many more. -
Clinton County Community Foundation Carroll County Community Foundation of Howard County, Inc
Community Foundation Charitable Dreams for Community Needs 2015 Annual Report Clinton County Community Foundation Carroll County Community Foundation of Howard County, Inc. Community Foundation Inside This Report Mission, Vision and Core Values 2 Board Members and Volunteers 4 Ways to Give 5 Donors and Tributes 6 Memorials 10 Organizations 15 Endowed Funds • Howard County 16 • Carroll County 20 • Clinton County 21 Grants • Howard County 23 • Carroll County 30 • Clinton County 33 Financial Report 37 Lilly Endowment Community Scholars 38 David Foster Society 39 Friends of Carroll County 40 and Friends of Clinton County Community Foundation of Howard County, Inc. Carroll County Community Foundation Clinton County Community Foundation 215 W. Sycamore Street Kokomo, Indiana 46901 Monday - Friday 8 a.m. - 4:30 p.m., or by appointment (765) 454-7298 or (800) 964-0508 info@cfh oward.org Visit us online: www.cfh oward.org www.cfcarroll.org www.cfclinton.org National Standards The Community Foundation Serving Howard, Carroll and Clinton Counties has achieved the Certifi cate of Standards Compliance with the Ethical and Operational Standards for Indiana Community Foundations. The standards are administered through the National Association of Council on Foundations to verify that foundations demonstrate accountability, transparency and continuous self-improvement. 1 Our Mission The mission of the Community Foundation Serving Howard, Carroll and Clinton Counties is to connect people, resources and causes to produce a positive and sustainable change in the communities we serve. Vision The Community Foundation is recognized by the community to be an eff ective, credible and infl uential broad-based organization. It serves the community as a catalyst dedicated to improving the quality of life of our people through the permanent stewardship of fi nancial gifts placed in its care. -
The End of the Tour
Two men bare their souls as they struggle with life, creative expression, addiction, culture and depression. The End of the Tour The End of the Tour received accolades from Vanity Fair, Sundance Film Festival, the movie critic Roger Ebert, the New York Times and many more. Tour the film locations and explore the places where actors Jason Segel and Jesse Eisenberg spent their downtime. Get the scoop and discover entertaining, behind-the-scene stories and more. The End of the Tour follows true events and the relationship between acclaimed author David Foster Wallace and Rolling Stone reporter David Lipsky. Jason Segel plays David Foster Wallace who committed suicide in 2008, while Jesse Eisenberg plays the Rolling Stone reporter who followed Wallace around the country for five days as he promoted his book, Infinite Jest. right before the bookstore opened up again. All the books on the shelves had to come down and were replaced by books that were best sellers and poplar at the time the story line took place. Schuler Books has a fireplace against one wall which was covered up with shelving and books and used as the backdrop for the scene. Schuler Books & Music is one of the nation’s largest independent bookstores. The bookstore boasts a large selection of music, DVDs, gift items, and a gourmet café. PHOTO: EMILY STAVROU-SCHAEFER, SCHULER BOOKS STAVROU-SCHAEFER, PHOTO: EMILY PHOTO: JANET KASIC DAVID FOSTER WALLACE’S HOUSE 5910 72nd Avenue, Hudsonville Head over to the house that served as the “home” of David Foster Wallace. This home (15 miles from Grand Rapids) is where all house scenes were filmed. -
The Lobster Considered
6 ! e Lobster Considered Robert C. Jones ! e day may come, when the rest of the animal creation may acquire those rights which never could have been withholden from them but by the hand of tyranny. — Jeremy Bentham Is it not possible that future generations will regard our present agribusiness and eating practices in much the same way we now view Nero ’ s entertainments or Mengele ’ s experiments? — David Foster Wallace ! e arguments to prove man ’ s superiority cannot shatter this hard fact: in su" ering the animals are our equals. — Peter Singer In 1941 M. F. K. Fisher " rst asked us to consider the oyster,1 n o t a s a m o r a l but as a culinary exploration. Sixty-three years later when David Foster Wallace asked us to consider the lobster2 for ostensibly similar reasons, the investigation quickly abandoned the gustatory and took a turn toward the philosophical and ethical. In that essay, originally published in Gourmet magazine, Wallace challenges us to think deeply about the troubling ethical questions raised by the issue of lobster pain and our moral (mis)treatment of these friendly crustaceans. Since the publication of that essay, research on nonhuman animal sentience has exploded. News reports of the " ndings of research into animal behavior and cognition are common; 2010 saw the publication of a popular book of the title Do Fish Feel Pain? 3 In this essay, I accept Wallace ’ s challenge and argue not only that according to our best 1 M. F. K. Fisher, Consider the Oyster (New York: Still Point Press, 2001). -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Concert with Elia Cmiral September 23, 2012
Concert with Elia Cmiral September 23, 2012 To date, Elia has written nearly forty scores for independent films, TV and major studios Born in Czechoslovakia, Elia Cmiral including STIGMATA, WRONG TURN, attended the Prague Music JOURNEY TO THE END OF THE NIGHT and Conservatory, where he studied the PULSE trilogy. Cmiral’s scores for THE DEATHS OF IAN STONE, produced by Stan composition and double bass. Elia's first Winston and Brian Gilbert, and TOOTH AND scoring opportunity came with his NAIL, were featured in the 2008 After Dark father's production of CYRANO DE Horrorfest. His score for SPLINTER, a cutting- BERGERAC. From this experience he edge horror film directed by Toby Wilkins, discovered his passion for writing for the received the Best Score award at the stage. Screamfest'08 film festival in Los Angeles. Elia then worked with Czech director Juraj Herz Elia Cmiral on a score for the German-produced film By the early 80's, Cmiral had moved to HABERMANN, a WWII drama based on a true Sweden. Throughout his time there, he wrote story, which won the top prize at the 7th “Jewish scores for several European films, TV, and Eye” Film Festival in Ashkelon, Israel. three ballets. In 1989, he moved to the United A Czech composer Elia Cmiral, States to attend USC's Scoring for Motion Elia also composed part of "A Symphony of Pictures and Television program. Soon after Hope," a collaboration of several Hollywood presents a Concert Suite from his graduating from USC, Cmiral scored his first composers, which is to benefit victims of the American feature, APARTMENT ZERO, Haiti earthquake disaster. -
Biography Hit Man
DAVID FOSTER “I believe that everyone gets three rounds in their life,” says musician, songwriter, composer, arranger, producer, and recording artist David Foster. “For me, two are completed and I’m on to Round Three. I think you have to change it up every round. My mantra is retreat and attack in another direction, which I’ve done twice. Now I'm going to do it again.” Foster’s first round was as a studio musician, arranger, and recording artist. His second round was becoming one of the most successful songwriters and record producers in history — shepherding albums that have collectively sold in the hundreds of millions. This period of his four-decade career also found him creating The David Foster Foundation and volunteering his time and talent to over 400 charities, as well as becoming a household name as a performer throughout Asia where he tours annually. For his third round, Foster is gearing up to take on Broadway with several projects. These include writing the music for a new musical about the iconic, animated character Betty Boop, which will be directed by Tony Award-winner Jerry Mitchell. He is writing the music for a musical based on the Amy Bloom novel and New York Times bestseller Lucky Us, directed by Tony Award-nominee Sheryl Kaller. Foster is also developing a scripted narrative one-man show based on the story of his career that he will perform himself. And finally, he is gearing up to write an original show with Oscar-nominated actor Chazz Palminteri that Foster describes as “a cross between The Bodyguard and The Phantom of the Opera.” As one of the most illustrious composers of our time, Foster’s skill set of creating hits, writing indelible melodies, and building dramatic moments, has primed him for this third round. -
David Foster Wallace: Media, Metafiction, and Miscommunication
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 "Becoming" David Foster Wallace: Media, Metafiction, and Miscommunication Gordon Hugh Willis IV Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the American Literature Commons, and the American Popular Culture Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Willis, Gordon Hugh IV, ""Becoming" David Foster Wallace: Media, Metafiction, and Miscommunication" (2018). Senior Projects Spring 2018. 133. https://digitalcommons.bard.edu/senproj_s2018/133 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. !i “Becoming” David Foster Wallace: Media, Metafiction, and Miscommunication Senior Project submitted to The Division of Languages and Literature of Bard College by Gordon Hugh Willis IV Annandale-on-Hudson, New York May 2018 !ii Dedicated to Nathan Shockey for keeping me on track, something with which I’ve always -
TOTO Bio (PDF)
TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies.