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2020-Indiana-Festival-Guide.Pdf
2020 ® A proud sponsor of the Indiana Festival Guide since 1972 You think about your to-do list. AUTO • HOME • LIFE BUSINESS • ANNUITIES • FARM We’ll help you think about your what-if list. INFarmBureau.com 2020 June 13-14 September 10-13 West Boggs Civil War Reenactment White River Valley Antique Show 16117 US-231, Loogootee Daviess Fairgrounds August 6-8 September 11-12 Odon Old Settlers Festival Chandelier Barn Market Odon Park, Odon 5060 E 350 N, Montgomery September 5 September 19-20 Amish Quilt Auction 20th Century Chevy Car Festival Simon J Graber Building, Cannelburg East Side Park, Washington September 10-13 September 26 Daviess County Turkey Trot Wine & Brew Fest Ruritan Park, Montgomery Main Street, Washington AUTHENTIC AMISH QUILTS FABULOUS FOOD ANTIQUES GUIDED TOURS 812.254.5262 • [email protected] Find more festival and event information at IndianaFestivals.org and see page 103 for County & Regional Map. 1 Welcome! Dear Indiana Travelers and Festival Fans, Here in Indiana, festival season never stops. From car shows to music festivals to Suzanne Crouch county fairs, there is something for everyone in the Hoosier state. Lt. Governor The 2020 Indiana Festival Guide® is the best source for choosing from one of the state’s hundreds of festivals. So pick your favorites, mark your calendars and enjoy all that Indiana has to offer. On behalf of Indiana Tourism and the Indiana State Festivals Association, we would like to thank you for choosing Indiana as your festival destination all year long. Safe travels! Brenda Alexander President, ISFA Frankton Heritage Days Brenda Alexander Mission Statement: The Indiana State Festivals Association® (ISFA) is a non-profit organization created to “Empower Indiana Festivals, Events and Organizations through education, networking and leadership.” ISFA is devoted to promoting and enhancing festivals and events throughout the state. -
Hoosiers and the American Story Chapter 3
3 Pioneers and Politics “At this time was the expression first used ‘Root pig, or die.’ We rooted and lived and father said if we could only make a little and lay it out in land while land was only $1.25 an acre we would be making money fast.” — Andrew TenBrook, 1889 The pioneers who settled in Indiana had to work England states. Southerners tended to settle mostly in hard to feed, house, and clothe their families. Every- southern Indiana; the Mid-Atlantic people in central thing had to be built and made from scratch. They Indiana; the New Englanders in the northern regions. had to do as the pioneer Andrew TenBrook describes There were exceptions. Some New Englanders did above, “Root pig, or die.” This phrase, a common one settle in southern Indiana, for example. during the pioneer period, means one must work hard Pioneers filled up Indiana from south to north or suffer the consequences, and in the Indiana wilder- like a glass of water fills from bottom to top. The ness those consequences could be hunger. Luckily, the southerners came first, making homes along the frontier was a place of abundance, the land was rich, Ohio, Whitewater, and Wabash Rivers. By the 1820s the forests and rivers bountiful, and the pioneers people were moving to central Indiana, by the 1830s to knew how to gather nuts, plants, and fruits from the northern regions. The presence of Indians in the north forest; sow and reap crops; and profit when there and more difficult access delayed settlement there. -
David Foster Wallace on the Good Life
10/31/2014Forthcoming in Freedom & Self: The Philosophy of David Foster Wallace 124 6 David Foster Wallace on the Good Life Nathan Ballantyne and Justin Tosi Dostoevsky wrote fiction about the stuff that’s really important. He wrote fiction about identity, moral value, death, will, sexual vs. spiritual love, greed, freedom, obsession, reason, faith, suicide. And he did it without ever reducing his characters to mouthpieces or his books to tracts. His concern was always what it is to be a human being—that is, how to be an actual person, someone whose life is informed by values and principles, instead of just an especially shrewd kind of self-preserving animal. —David Foster Wallace, “Joseph Frank’s Dostoevsky” David Foster Wallace thought that the point of writing fiction was to explore what it is to be a 1 human being. In this essay, we argue that his writings suggest a view about what philosophers would call the good life . Wallace’s perspective is subtle and worthy of attention. We’ll contrast what Wallace says with some popular positions from moral philosophy and contemporary culture. Wallace said much about ethical matters even though he didn’t write on them formally or systematically. How then shall we distill views from his writings? Our strategy is to present Wallace’s reactions, as found in his fiction and some essays, to three positions about the good life. We will ask what Wallace would make of those positions and thus try to triangulate his own view by reference to them. The first position we’ll explore is sometimes called ironism . -
Drive Historic Southern Indiana
HOOSIER HISTORY STATE PARKS GREEK REVIVAL ARCHITECTURE FINE RESTAURANTS NATURE TRAILS AMUSEMENT PARKS MUSEUMS CASINO GAMING CIVIL WAR SITES HISTORIC MANSIONS FESTIVALS TRADITIONS FISHING ZOOS MEMORABILIA LABYRINTHS AUTO RACING CANDLE-DIPPING RIVERS WWII SHIPS EARLY NATIVE AMERICAN SITES HYDROPLANE RACING GREENWAYS BEACHES WATER SKIING HISTORIC SETTLEMENTS CATHEDRALS PRESIDENTIAL HOMES BOTANICAL GARDENS MILITARY ARTIFACTS GERMAN HERITAGE BED & BREAKFAST PARKS & RECREATION AZALEA GARDENS WATER PARKS WINERIES CAMP SITES SCULPTURE CAFES THEATRES AMISH VILLAGES CHAMPIONSHIP GOLF COURSES BOATING CAVES & CAVERNS Drive Historic PIONEER VILLAGES COVERED WOODEN BRIDGES HISTORIC FORTS LOCAL EVENTS CANOEING SHOPPING RAILWAY RIDES & DINING HIKING TRAILS ASTRONAUT MEMORIAL WILDLIFE REFUGES HERB FARMS ONE-ROOM SCHOOLS SNOW SKIING LAKES MOUNTAIN BIKING SOAP-MAKING MILLS Southern WATERWHEELS ROMANESQUE MONASTERIES RESORTS HORSEBACK RIDING SWISS HERITAGE FULL-SERVICE SPAS VICTORIAN TOWNS SANTA CLAUS EAGLE WATCHING BENEDICTINE MONASTERIES PRESIDENT LINCOLN’S HOME WORLD-CLASS THEME PARKS UNDERGROUND RIVERS COTTON MILLS Indiana LOCK & DAM SITES SNOW BOARDING AQUARIUMS MAMMOTH SKELETONS SCENIC OVERLOOKS STEAMBOAT MUSEUM ART EXHIBITIONS CRAFT FAIRS & DEMONSTRATIONS NATIONAL FORESTS GEMSTONE MINING HERITAGE CENTERS GHOST TOURS LECTURE SERIES SWIMMING LUXURIOUS HOTELS CLIMB ROCK WALLS INDOOR KART RACING ART DECO BUILDINGS WATERFALLS ZIP LINE ADVENTURES BASKETBALL MUSEUM PICNICKING UNDERGROUND RAILROAD SITE WINE FESTIVALS Historic Southern Indiana (HSI), a heritage-based -
DAVID FOSTER: HITMAN TOUR FEATURING SPECIAL GUEST KATHARINE Mcphee ANNOUNCED in the 2019-2020 KAUFFMAN CENTER PRESENTS SERIES
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Ellen McDonald, Publicist Monday, September 16, 2019 Kauffman Center for the Performing Arts (816) 213-4335 | [email protected] Bess Wallerstein Huff, Director of Marketing Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] DAVID FOSTER: HITMAN TOUR FEATURING SPECIAL GUEST KATHARINE McPHEE ANNOUNCED IN THE 2019-2020 KAUFFMAN CENTER PRESENTS SERIES An Intimate Evening with David Foster: Hitman Tour Featuring Special Guest Katharine McPhee coming to Muriel Kauffman Theatre on May 19 Kansas City, MO – Today, the Kauffman Center for the Performing Arts announced AN additional performance in the 2019- 2020 Kauffman Center Presents series. David Foster and Katharine McPhee will perform in Muriel Kauffman Theatre on Tuesday, May 19 at 7:30 p.m. GRAMMY Award-winning producer David Foster is embarking on an extensive North American tour beginning January of 2020 and ending at the Kauffman Center on May 19. The tour, An Intimate Evening with David Foster: Hitman Tour, is an extension of his highly successful and sold-out 2019 tour. Foster, who is one of the biggest musical forces of our time, created this jaw-dropping musical extravaganza that includes the greatest hits of his career. Thrilling, humorous and refreshingly honest, David Foster performs songs he wrote or produced from his four decades of hits and includes fascinating storytelling about the songs, artists, and moments of his life. Delivered by powerhouse performers, the hits include Celine Dion’s “Because You Loved Me,” Whitney Houston’s “The Bodyguard,” Earth Wind and Fire’s “After The Love Is Gone,” Chicago’s ”You’re The Inspiration,” Josh Groban’s “You Raise Me Up,” Michael Bublé’s “Home,” Natalie Cole’s “Unforgettable,” and many more. -
Proceedings of the Indiana Academy of Science
Our Highways, An Indian Heritage Floy Hurlbut, Ball State Teachers' College Before the coming of the white man, Indiana was an impenetrable wilderness. It was heavily forested, the forests choked with a dense cover of undergrowth and then entwined with wild grape vines. In the north and central parts, swamps were widespread, and the whole area inhabited by wild beasts and a few tribes of semi-nomadic Indians. Because land transportation was so difficult, the earliest routes of the white man into Indiana were the waterways. Along the south, the Ohio gave access from Pennsylvania, Virginia, and the Carolinas. The Cumberland Gap was an easy passage from the Carolinas and Eastern Tennessee to Kentucky, down the Kentucky River to the Ohio and to one of the major crossings of the Ohio at Madison. The crossing above the Falls at Louisville was the route followed by George Rogers Clark into Indiana. There was a third crossing at Evansville and one at Lawrence- burg. Some of the early settlers continued on down the Ohio to the Wabash, and up the Wabash. The early history of Vincennes and New Harmony are well known. In the northern part of the state, the St. Joseph was one of the early transportation routes up the river from its mouth at Benton Harbor, or La Salle's Fort Miamis, to the big bend at South Bend, then across a short portage to the headwaters of the Kankakee, down the Kankakee, the Illinois and Mississippi rivers to the Gulf. This was the route followed by La Salle in his journey to the mouth of the great "Father of Waters." Another water route was by way of Lake Erie, the Maumee River, a short portage from the Maumee to the Little Wabash, and down the Wabash to the Ohio. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Concert with Elia Cmiral September 23, 2012
Concert with Elia Cmiral September 23, 2012 To date, Elia has written nearly forty scores for independent films, TV and major studios Born in Czechoslovakia, Elia Cmiral including STIGMATA, WRONG TURN, attended the Prague Music JOURNEY TO THE END OF THE NIGHT and Conservatory, where he studied the PULSE trilogy. Cmiral’s scores for THE DEATHS OF IAN STONE, produced by Stan composition and double bass. Elia's first Winston and Brian Gilbert, and TOOTH AND scoring opportunity came with his NAIL, were featured in the 2008 After Dark father's production of CYRANO DE Horrorfest. His score for SPLINTER, a cutting- BERGERAC. From this experience he edge horror film directed by Toby Wilkins, discovered his passion for writing for the received the Best Score award at the stage. Screamfest'08 film festival in Los Angeles. Elia then worked with Czech director Juraj Herz Elia Cmiral on a score for the German-produced film By the early 80's, Cmiral had moved to HABERMANN, a WWII drama based on a true Sweden. Throughout his time there, he wrote story, which won the top prize at the 7th “Jewish scores for several European films, TV, and Eye” Film Festival in Ashkelon, Israel. three ballets. In 1989, he moved to the United A Czech composer Elia Cmiral, States to attend USC's Scoring for Motion Elia also composed part of "A Symphony of Pictures and Television program. Soon after Hope," a collaboration of several Hollywood presents a Concert Suite from his graduating from USC, Cmiral scored his first composers, which is to benefit victims of the American feature, APARTMENT ZERO, Haiti earthquake disaster. -
Indiana History: a Booklist for Fourth Grade
Volume 8, Number 2 (1989) /53 Indiana History: A Booklist for Fourth Grade Winnie Adler and Dianne Lawson, Youth Librarians Tippecanoe County Public Library Lafayette, IN Presenting our Hoosier heritage to connections, and other works which Indiana youngsters is a joy that have chapters on Eastern Woodland parents, teachers and librarians or Indiana Indians. Only four Lincoln share. Unfortunately, although biographies are cited in the "Famous Indiana history is studied in fourth People" section although there are grade, many of the materials that others which are appropriate. would be useful to youthful research ers are at a much higher level. To General Works help meet the demand for lower level Indiana history materials, our youth • Bailey, Bernardine. Picture Book staff reviewed our collection and Of Indiana. Albert Whitman, 1966. created a topical list to guide students. • Britannica Junior. Encyclopedia Of course this booklist is based Britannica, Inc., 1976. chiefly on our own collection and • Crout, George. Where The although we have consistently sought Ohio Flows. Benefic Press, 1964. elementary-level Indiana materials, you may well own titles which we • Crump, Claudia. Indiana Yester lack. We hope this booklist will help day and Today. Silver Burdett, 1985. you as we all try to share the good • Fradin, Dennis B. Indiana In news about Indiana's past. Words and Pictures. Children's, 1980. The topical non-fiction list is not • McCall, Edith. Forts In The annotated as most of the titles are self Wilderness. Children's, 1980. expanatory. The six categories are based on subjects suggested by a • Peek, David T. Indiana Adven- fourth grade teacher and our experi ture. -
Biography Hit Man
DAVID FOSTER “I believe that everyone gets three rounds in their life,” says musician, songwriter, composer, arranger, producer, and recording artist David Foster. “For me, two are completed and I’m on to Round Three. I think you have to change it up every round. My mantra is retreat and attack in another direction, which I’ve done twice. Now I'm going to do it again.” Foster’s first round was as a studio musician, arranger, and recording artist. His second round was becoming one of the most successful songwriters and record producers in history — shepherding albums that have collectively sold in the hundreds of millions. This period of his four-decade career also found him creating The David Foster Foundation and volunteering his time and talent to over 400 charities, as well as becoming a household name as a performer throughout Asia where he tours annually. For his third round, Foster is gearing up to take on Broadway with several projects. These include writing the music for a new musical about the iconic, animated character Betty Boop, which will be directed by Tony Award-winner Jerry Mitchell. He is writing the music for a musical based on the Amy Bloom novel and New York Times bestseller Lucky Us, directed by Tony Award-nominee Sheryl Kaller. Foster is also developing a scripted narrative one-man show based on the story of his career that he will perform himself. And finally, he is gearing up to write an original show with Oscar-nominated actor Chazz Palminteri that Foster describes as “a cross between The Bodyguard and The Phantom of the Opera.” As one of the most illustrious composers of our time, Foster’s skill set of creating hits, writing indelible melodies, and building dramatic moments, has primed him for this third round. -
TOTO Bio (PDF)
TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies. -
FICTION CRAFT SEMINAR Darin Strauss Tuesday/Thursday, 3:30Pm-6:00Pm
FICTION CRAFT SEMINAR Darin Strauss Tuesday/Thursday, 3:30pm-6:00pm This class will teach you to read as a writer. (It may dampen the naive joy of reading for pleasure a bit). We'll use outside texts to answer the elemental questions of story telling. And we'll look at things that lit classes don't: how to begin a story, say; how to introduce a character. And we'll take up such questions as, “What is the relationship of plot to sub-plot? How does one hold the reader's attention?” Of course, in Art, rules must be flexible—but I ask my students to think of writing in strategic terms; each story-telling decision needs to make tactical sense. With that in mind, we'll examine—with so much esprit de corps as to arouse envy—the tenets of the Art of Fiction. Grades are in large part based on class participation and attendance. If you show up and talk about the books you've read, you'll likely to do well. If you don't do either, then you'll do poorly. (Each class missed will take your grade down a notch.) Also, we have a strict no-plagiarism policy. One strike and you fail. Book List: ▪the packet Cormac McCarthy, “No Country for Old Men” Kazuo Ishiguro, "Remains of the Day" Reading Schedule: Class 1) Barthleme's "The School," Saunders essay on "The School." (This will be read in class.) Class 2) Zadie Smith: "Miss Adele Among the Corsets"; Lydia Davis selection; Grace Paley selection Class 3) Elmore Leonard 3:10 to Yuma; film of the same story Class 4) Raymond Carver's "What We Talk About When We Talk About Love." Class 5) VS Pritchett "The Saint."; Lorrie Moore: "People Like That Are The Only People Here"; Lorrie Moore "And You're Ugly, Too" Class 6) VS Pritchett: "The Diver"; Isaac Babel stories; Alice Munro stories Class 7) Except of David Foster Wallace; of George Sanders; rules of comedy; McCarthy Class 8) Kazuo Ishiguro "Remains of the Day"; Colson Whitehead "Underground Railraod Course Assignments: 1) Students will beSAMPLE designated "discussion leaders" for the fiction that's on the reading schedule.