DOCSLIB.ORG

Big Band Workshop Flyer+Plakat

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Big Band Workshop Flyer+Plakat Justinus Kerner Gymnasium Heilbronn & K2acht Big Band – Workshop & Konzert Donnerstag, 10.07.2014 Bei diesem ganztägigen Workshop proben Profi-Jazz-Musiker aus dem Großraum Stuttgart/Heilbronn einen Tag lang mit den einzelnen Sections bzw. der ganzen Big Band und geben individuelle und professionelle Tipps. Um 19:30 gibt es dann ein gemeinsames öffentliches Konzert im K2acht , bei dem die Big Band die erste Hälfte, die Band der Dozenten dann die zweite Hälfte spielen wird. Der Eintritt ist frei, um Spenden zur Deckung der Workshopkosten wird gebeten. K2acht Café/Bar/Restaurant, Weststraße 28, 74072 Heilbronn; www.k2acht.de Der Workshop wird gefördert von der Stadt Heilbronn Die Dozenten: Christoph Beck – Saxophon Christoph Beck begann 2007 sein Bachelor Studium der Jazz und Popularmusik an der staatlichen Hochschule für Musik und darstellende Kunst in Stuttgart, welches er im April 2012 abschloss (summa cum laude). Ab dem Wintersemester 2012/2013 studiert Christoph Beck in Würzburg bei Hubert Winter (Master in Performance). In den Jahren 2006 - 2008 war er Mitglied des Landesjugend- jazzorchesters Baden-Württemberg unter der Leitung von Prof. Bernd Konrad sowie 2010/2011 Mitglied des Bundesjugendjazzorchester (Bujazzo) unter der Leitung von Prof. Steffen Schorn und Prof. Maria Baptist. Tourneen führten ihn unter anderem nach China (2007), in die Vereinigten Arabischen Emirate (2008 und 2010), Südafrika (2010) und Irland (2010). 2009 erhielt Christoph Beck den „Young Lions Jazz Award“ des Lions Club Stuttgart/Killesberg und war 2010 Sti- pendiat der Baden-Württemberg Stiftung. Als freischaffender Musiker konzertiert Christoph Beck regelmäßig mit der Tobias Becker Bigband, eigenen En- sembles wie „Eckbert Schaf“ und “Das letzte Känguru“, den „Hot Damn Horns“, diversen Jazz und Popularmusik Projekten und in verschiedenen Theaterproduktionen. Matthias Paar – Trompete Matthias Paar studierte Schulmusik (2002 bis 2007) mit Hauptfach Trompete bei Bertram Schwarz an der Musikhochschule Stuttgart, den Diplomstudiengang Jazz/Popularmusik (2004-2007) bei Claus Stötter und Christian Myers sowie das Verbreiterungsfach Jazz/Pop (2006-2007). Seit dem Schuljahr 2009/10 ist er am Justinus-Kerner-Gymnasium Heilbronn als Musiklehrer tätig aber auch weiterhin künstlerisch aktiv. Im klassischen Bereich Auftritte in zahlreichen Orchestern (Stuttgarter Saloniker, Christophorus-Sinfonieorchester Stuttgart, Bruckner-Sinfonie- Orchester u. a.), Mitglied im Salonorchester Da Capo in Konstanz. Er war Mitglied im Jugendjazzorchester Baden-Württemberg, der Big Band sowie der Salsa Band der Musikhoch- schule Stuttgart und ist seit 2004 Mitglied der LE-BigBand (LBBW-Jazz-Open, Konzerte mit Ack van Rooyen, Pete York, Bill Ramsey, …); außerdem zahlreiche Gastauftritte mit unterschiedlichen Formationen (Die Dicken Kinder, Saloniker String&Swing Orchestra, diverse Musicalaufführungen uvm.) Florian Seeger – Posaune Florian Seeger studierte Jazzposaune an der Hochschule für Musik in Stuttgart und am Konservatorium in Gent (Belgien). Er war Mitglied im Jugendjazzorchester BW, mit dem er 2004 eine Asien Tournee bestritt. Zurzeit spielt er u. a. bei der Dancefloorjazz-Band „The Feedbackbrothers“, ist Lead-Posaunist der „Tobias Becker Big Band“ und tourt mit „Volxtanz“ durch Europa. Christoph Neuhaus – Gitarre Christoph Neuhaus wurde 1986 in Stuttgart geboren. Nach einem längeren Auslandsaufenthalt 2006 in Sydney, AUS begann er sein Studium an der „Hochschule für Musik und Darstellende Kunst“ Mannheim im Studiengang Jazz/Popularmusik bei Prof. Frank Kuruc und absolvierte die Bache- lorprüfung mit Bestnote im Januar 2012. 2009/2010 Mitglied der Konzertbesetzung der European Masterclass Big Band, damals unter der Leitung von Peter Herbolzheimer. Konzerte und Arbeitsphasen mit u.a. Benny Golson, John Ruocco und Ack van Rooyen. Im Juni 2010 erhielt er ein Stipendium für das „KEEP AN EYE“ Jazz Meeting am Con- servatorium van Amsterdam, welches von der „Manhattan School of Music“ und dem CvA jährlich veranstaltet wird. Unterricht bei Dick Oatts, Maarten van der Grinten u.a. Ab September 2010 studierte Christoph Neuhaus als ERASMUS Stipendiat am Conservatorium van Amsterdam bei Jesse van Ruller, Martijn van Iterson und Yaniv Nachum. Im Oktober 2010 Einladung und Stipendium für das int. „GENERATIONS“ Jazz Meeting in Frauenfeld, CH unter der Leitung von Roman Schwaller. Unterricht bei Adrian Mears, Eric Alexander, Harold Mabern und Joe Farns- worth. Im November 2011 nahm er mit der Formation „Christoph Neuhaus Quintett“ seine Debüt CD „Directions“ feat. dem international renommierten Posaunisten Adrian Mears auf. September 2012 begann Christoph Neuhaus ein Master Studium in Performing/Producing Jazz & Popmusik an der Musikhochschule Basel bei Wolfgang Muthspiel und Domenic Landolf. Christoph Neuhaus spielt als freischaffender Musiker mit seiner eigenen Contemporary Jazz Formation „Christoph Neuhaus Quintett“ und in verschiedenen Jazz/Rock/Pop Projekten im Süddeutschen Raum. Ausserdem spielt/spielte er u.a. mit folgenden Musikern und Bands: SWR Big Band, Herb Geller, Ack van Rooyen, SWR Radiosinfonieorchester Stuttgart, Peter Herbolzheimer, Peter Weniger, Frank Kuruc, Adrian Mears, Thomas Stabenow, Kicks n Sticks Big Band, Hubert Nuss, AMBECO Or- chestra Amsterdam, LaJazzO BW (Ltg. Bernd Konrad), Shine On - a tribute to Pink Floyd, Bestoph - Acoustic Covers etc. Filmmusik Kompositionen für diverse Produktionen. Engagements bei verschiedenen Theaterproduktionen. Unterricht und Workshops bei: Greg Osby, Avishai Cohen, Joel Frahm, Jesse van Ruller, Dave Liebman, Jim McNeely, Gilad Hekselman, Steve Khan, Jiggs Whigham, Rick Stone, Jean Francois Prins, Tom van der Geld, Jörg Reiter etc. Seit 2011 Dozent für Gitarre bei „Terra Musica“ Workshops in Italien. Seit 2011 Dozent an der Musikschule Mosbach. Ab 2012 Dozent an der JMS Remseck Ab 2012 Dozent für Jazz Gitarre an der Hochschule für Musik Freiburg Georg Bomhard – Bass Georg Bomhard studierte Kontrabass und E-Bass an den Hochschulen in Stuttgart und Graz. Er fühlt sich in fast allen musikalischen Genres zu Hause, und spielt Barockmusik ebenso begeistert wie in BigBands. Sein musikalisches Schaffen führte ihn bereits nach Brasilien, Chile, Thailand, Kambodscha, Vietnam und Indonesien. Er spielte mit: Madeline Bell, Jeff Cascaro, Klaus Doldinger, Georgy Fame, Tom Gäbel, Stefan Gwildis, Max Mutzke, Helen Schneider, Cassandra Steen, Chris Thomson, Hugo Strasser, u.a. Er ist in unterschiedlichen Ensembles festes Mitglied als Kontra-, E-Bassist und Tubist. Die aktuellen Ensembles sind: www.moritzvonwoellwarth.de; www.feedbackbrothers.de; www.theholyknights.de; www.mufforchester.de; www.myspace.com/flohmarkttrio/; www.lumberjack.de Felix Schrack – Schlagzeug Felix Schrack studierte von 2007-2012 an der Musikhochschule Stuttgart bei Eckhard Stromer und Manfred Kniel (Schlagzeug), Michael Kiedaisch (Vibraphon) und Prof. Rainer Tempel (Arrangement/Komposition). Bachelor Abschluss Sommersemester 2012 mit Bestnote. 2010/2011 Auslandssemester an der Akademia Muzyczna in Krakau/Polen. Seit dem Wintersemester 2012 studiert Felix Schrack in Würzburg Master Jazz in Performance bei Bastian Jütte und Bill Elgart (Schlagzeug). Tourneen im Auftrag der Deutschen Botschaft nach unter anderem nach Aserbaidschan, Georgien und Armenien (2009) und diverse andere Konzerte/Tourneen in Europa. Sonderpreis Jugend Jazzt 2006 mit der Lumberjack BigBand; Young Lions Jazz Award mit „Viertonic“ 2009; DAAD Stipendium 2010/2011; Sonderpreis mit der polnischen Band F.O.U.R 2011 In Warschau/PL; 2013 Preisträger Jazzförderung „Next Generations“ Jazzförderung Aidlingen Felix Schrack spielt und spielte als freischaffender Musiker in verschiedensten Projekten wie Thea- ter/Musicalproduktionen (u.a. Edith Piaf Musical), Jazzcombos wie dem Lukas Brenner Trio (Preisträger „Next Ge- nerations“ Jazzförderung Aidlingen 2013) oder auch Bigbands (z.B. Lumberjack BigBand 2004-2008, Konzerte mit Randy Brecker, Bob Mintzer oder den New York Voices). Musik komponieren spielt für Felix Schrack eine wichtige Rolle, daher bestand sein Abschlusskonzert Bachelor 2012 vorwiegend aus Eigenkompositionen, April 2012 Aufführung eines BigBand Stückes von ihm im Wilhelma- theater Stuttgart im Rahmen eines Konzertes der SWR BigBand, Kompositionen für das Lukas Brenner Trio u.a. .
Load more

Recommended publications
  • BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
    BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • SUS Ad for 2011 1
    The Foundation for Music Education is announcing the 7th annual summer “Stars Under The Stars,” featuring the Brad Leali Quartet with Brad Leali on Saxophone, Claus Raible on piano, Giorgos Antiniou on bass, Alvester Garnett on drums, and joined by vocalist Martha Burks. The event will be on Friday, August 12, 2011 from 7:00 to 10:00 PM at the Louise Underwood Center. “Stars Under the Stars” is an evening concert benefitting music scholarships that will include an hour of socializing with sensational food and drink from “Stella’s.” The event benefits music education scholarships. Our traditional guest host and emcee will be local TV and Radio personality Jeff Klotzman. The “Stars” this year are brilliant world-class jazz artists from the United States, Greece, and Germany! For information about tickets and/or making donations for “Stars Under the Stars,” please call 806- 687-0861, 806-300-2474, and www.foundationformusiceducation.org. Information - The Quartet is captivating through the spontaneity and homogeneousness of the performance as well as with the communicative, non-verbal interaction of the four musicians. The band book consists, besides grand jazz classics, mainly of original compositions by the members. BRAD LEALI Saxophone http://www.bradleali.com/ CLAUS RAIBLE Piano, compositions and arrangements http://www.clausraible.com/Projects.htm GIORGIOS ANTONIOU Bass http://www.norwichjazzparty.com/Musician.asp?ID=22 ALVESTER GARNETT Drums http://www.alvestergarnett.com/ MARTHA BURKS Vocalist http://www.marthaburks.com/ Some comments about the quartet in the press: “This quartet enchanted the audience from the first, almost explosion like saxophone note and put them under their spell ..
    [Show full text]
  • Professor Doctor FRIEDRICH GULDA Called to the Waiter, Member to Qualify for the Final Eliminations
    DOWN BEAT, august 1966 VIENNESE COOKING written by Willis Conover Professor Doctor FRIEDRICH GULDA called to the waiter, member to qualify for the final eliminations. Then he'd have to "Dry martini!'' The waiter, thinking he said "Drei martini|'' go through it all again. brought three drinks. It's the only time Gulda's wishes have The jurors were altoist Cannonball Adderley, trombonist J. J. ever been unclear or unsatisfied. Johnson, fluegelhornist Art Farmer, pianist Joe Zawinul, The whole city of Vienna, Austria snapped to attention when drummer Mel Lewis and bassist Ron Carter. The jury Gulda, the local Leonard Bernstein decided to run an chairman who wouldn't vote except in a tie, was critic Roman international competition for modern jazz. Waschko. The jury's refreshments were mineral water, king- For patrons he got the Minister of Foreign Affair, the Minister size cokes, and Viennese coffee. For three days that was all of Education, the Lord Mayor of Vienna and the they drank from 9:30 am till early evening. The jury took la Amtsfuhrender fur Kultur, Volksbildung und Schulverwaltung duties seriously. der Bundeshauptstadt Wien. For his committee of honor he A dialog across the screen might go like this. enlisted the diplomatic representatives of 20 countries, the Young lady in the organization (escorting contestant): "Mr. directors of 28 music organizations, and Duke Ellington. For Watschko?" expenses he obtained an estimated $80,000. For contestants Watschko: "Yes?" he got close to 100 young jazz musicians from 19 countries- Young lady: "Candidate No. 14 " some as distant as Uruguay and Brazil.
    [Show full text]
  • Download Booklet
    ILJA REIJNGOUD QUARTET featuring Fay Claassen The Shakespeare Album Ilja Reijngoud – trombone, compositions Fay Claassen – vocals Martijn van Iterson – guitar Marius Beets – bass Marcel Serierse – drums Special Guest Paul Heller – tenor saxophone* 1. Sonnet 32. William Shakespeare. Composition Ilja Reijngoud (5:19) If thou survive my well-contented day… 2. Sonnet 89. William Shakespeare. Composition Ilja Reijngoud (6:33) Say that thou didst forsake me for some fault… 3. Sonnet 22. William Shakespeare. Composition Ilja Reijngoud (7:59) My glass shall not persuade me I am old… (*) 4. Sonnet 106. William Shakespeare. Composition Ilja Reijngoud (6:24) When in the chronicle of wasted time… 5. Introduction (0:49) 6. Sonnet 36. William Shakespeare. Composition Ilja Reijngoud (7:34) Let me confess that we two must be twain… 7. Sonnet 18. William Shakespeare. Composition Ilja Reijngoud (6.41) Shall I compare thee to a summer’s day?... 8. English heart. Composition Ilja Reijngoud (6:43) 9. Helas. Oscar Wilde. Composition Ilja Reijngoud (6:42) 10. Canzonet. Oscar Wilde. Composition Ilja Reijngoud (5:14) 11. Never Alone. Composition Ilja Reijngoud (7:15) Fay(Total time 67:30) Ilja Reijngoud – trombone, compositions Fay Claassen – vocals Ilja Martijn van Iterson – guitar Marius Beets – bass Marcel Serierse – drums Special Guest Paul Heller – tenor saxophone* This album is a live recording of a concert given by the Ilja Reijngoud Quartet with Fay Claassen, in which the texts of William Shakespeare take center stage. The best-known and best-loved sonnets of Shakespeare have been set to music by Ilja with much devotion and care. Inspired by two marvelous poems from the pen of Oscar Wilde, Ilja composed two additional songs to complete this album.
    [Show full text]
  • Legends of West Brochure
    JAZZ AID P U.S. POSTAGE presents WEST NONPROFIT ORG. PERMIT NO. 1260 LONG BEACH, CA. COAST 3 LEGENDS OF THE WEST 17 Concerts 8 Panel Discussions A Four Day 5 Film Showings Jazz Festival September 29 ~ October 2, 2005 8-0038 Four Points Sheraton-LAX NG BEACH, CA 9080 CA BEACH, NG .O. BOX 8038.O. BOX LO THE ANGELES LOS JAZZ INSTITUTE P WAY OUT WEST 1957 BY WILLIAM CLAXTON lajazzinstitute.org Bud Shank | Johnny Mandel | Chico Hamilton Quintet | Paul Horn BONUS EVENT Frank Morgan | Buddy Collette | Med Flory | Howard Rumsey In our continuing effort to pay tribute to the Lennie Niehaus | Jack Costanzo | Dave Pell Octet | Herb Geller brilliant artists who have Allyn Ferguson’s Chamber Jazz Sextet | Anthony Ortega | Bill Trujillo been significant figures of the Los Angeles Jazz Scene, FEATURING Claude Williamson | Chuck Flores | John Pisano | Fred Katz we are pleased to announce Jazz West Coast 3- ABOUT THE Legends of the West. Festival Los Angeles Legends of the West is a musical celebration of Facts Jazz Institute both the musicians and The Los Angeles Jazz Institute houses the behind the scenes people Dates and maintains one of the largest whose innovative explorations SEPTEMBER 29-OCTOBER 2, 2005 jazz archives in the world.All styles created a unique jazz scene and eras are represented with a here on the west coast. Place special emphasis on the preservation The Four Points Sheraton at LAX and documentation of jazz in southern In addition to 17 concerts, 9750 Airport Blvd., California. Many artists personal there will also be film showings, Los Angeles, CA 90045 collections are being preserved at panel discussions, photo exhibits The special convention rate is the Institute including the archives and special presentations where $82 and $92 per night.
    [Show full text]
  • MICHAEL GIBBS and the NDR BIGBAND Title: BACK in the DAYS (Cuneiform Rune 322)
    Bio information: MICHAEL GIBBS AND THE NDR BIGBAND Title: BACK IN THE DAYS (Cuneiform Rune 322) Cuneiform publicity/promotion dept.: tel 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ / BIG BAND JAZZ "Gibbs music is full of intriguing inner detail that does not deflect from the ultimate destiny of his pieces." – BBC Music Magazine "Mike Gibbs' ingenious arrangements suggest a pop art incarnation of a traditional big band -- assembled from blistering guitar riffage, fiery brass and deeply idiosyncratic rhythms ...[his music]...nevertheless retains the soulfulness of conventional jazz, and for all its mind-expanding consciousness, the music speaks to the body as loudly as it does the intellect. Most impressive is the tactile sumptuousness of Gibbs' sound -- the music boasts as many tints and textures as a Pantone Color Guide." – All Music Guide With a career spanning more than half a century and at least three continents, trombonist, composer and arranger Michael Gibbs is a jazz giant who has spent recent decades writing arrangements mostly for other artists. Documenting his tremendously rewarding collaboration with the vaunted 18-piece NDR Bigband, Back In the Days is an invaluable addition to Gibbs’ fascinating but unfortunately sparse discography as a leader. Recorded over five sessions between 1995 and 2003, Back In the Days features seven Gibb originals, three jazz standards and two pieces by Gibb collaborators, all arranged and conducted by Gibbs. While the album’s title smacks of nostalgia, there’s nothing sentimental or backward looking about Gibbs’ music.
    [Show full text]
  • Stratospheric Brochure
    AID P U.S. POSTAGE ONPROFIT ORG. N PERMIT NO. 1260 PERMIT NO. LONG BEACH, CA. LONG BEACH, LIVE IN CONCERT! Maynard Ferguson and his Big Bop Box 8038 Nouveau Band plus O. Long Beach, CA 90808-0038 The Los Angeles Jazz Institute Angeles Jazz The Los P. over 50 years of M.F. Alumni featured in 18 concerts, 3 film showings and 8 panel discussions September 30-October 3, 2004 ★ Four Points Sheraton-LAX t is with great pleasure that the Los Angeles Jazz Institute presents: “Stratospheric”, celebrating the illustrious career of Maynard Ferguson Festival Facts and the multitude of composers, arrangers and instrumentalists DATES who have worked with him. September 30-October 3, 2004 From his earliest days in Canada to his work as a sideman and featured Featuring soloist, on to leading his own ensembles he has had a major impact on PLACE I the jazz world . an impact that carries on at the beginning of the I 21st century. MAYNARD FERGUSON The Four Points & BIG BOP NOUVEAU Sheraton at LAX ABOUT THE The concept of “Stratospheric” is to celebrate Maynard’s entire career and 50 years of 9750 Airport Blvd., LOS ANGELES from the late 1940s to the present. There are 18 concerts, 3 film Los Angeles, CA 90045 showings and 8 panel discussions featuring a wide array of alumni. Alumni including: The special convention rate JAZZ INSTITUTE Some concerts feature MF alumni leading their own groups and there is $79 and $89 per night. Slide Hampton The Los Angeles Jazz Institute are also a number of all-star bands playing the original arrangements Bill Holman Hotel stay not included houses and maintains one of in registration fee.
    [Show full text]
  • Bob Gordon Discography
    BOB GORDON DISCOGRAPHY BOB GORDON RECORDINGS, CONCERTS AND WHEREABOUTS Bob Gordon was born in St. Louis, Missouri, June 11, 1928. He passed away in a car accident between Hollywood and San Diego, CA., August 28, 1955 by Kenneth Hallqvist, Sweden January 2019 Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 1 INTERNAL INFORMATION Colour markings for physical position: IKEA-boxes with Bob Gordon = GREEN IKEA-boxes with Lars Gullin = YELLOW IKEA-boxes with Gerry Mulligan = BLUE Shelves = ORANGE Cupboard = RED Bob played tenor sax with: Shorty Sherock (1946) Alvino Ray (1948-1951) Billy May (1952) Horace Heidt (1952-1953) George Redman (1954) Search for LPs/CDs: GNP J.S.L.P. 50.042: "Maynard Ferguson - Dimensions" (Trip Jazz LP available) EMArcy LP #MG 36044: "Lyle Murphy: Four saxophones in twelwe tones" (10" LP 1955) Mercury CD EJD-1016: COMPACT JAZZ - Maynard Ferguson with Bob Gordon (released in Japan 1989) EMArcy CD #3071: "Introducing Bob Gordon" Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 2 Abbreviations used in this discography acc accordion mda mandola arr arranger mdln mandolin as alto saxophone mel melodica b bass (contrabass or double bass) mgs Moog synthesizer b-cl bass clarinet oboe oboe b-tb bass trombone oca ocarina b-tp bass trumpet org organ bars baritone saxophone p piano bgs bongos panfl pan flute bjo banjo perc percussion bnd bandoneon saxes saxophones bs bass saxophone sop soprano saxophone bsn bassoon st-d steel drums cgs
    [Show full text]
  • Blue Immersion ( Eng)
    "BLUE IMMERSION" Diane Peters: harp, vox, sounds Enzo Carpentieri: drums, percussion Marc Abrams: double bass, guimbri # An Immersion into a unique atmosfere, with an all original sound of cosmic and spiritual jazz, afro grooves, experimental, sounds and improvisation. The harp, double bass and drums emerse themselves in the hight and depths of blue inspiring an entrancing sound journey where the voice, percussion, asian and african instruments and sound effects, paint the way with infinite shades. Australian Harpist Diane Peters here side by side with two well known jazz musicians on both the Italian and International scene Enzo Carpentieri e Marc Abrams. Right from the start Diane Peters has been inspired by the first non classical harpists such as Alice Coltrane and Dorothy Ashby and by the jazz of the Coltrane era. Diane has developed her own original sound playing both solo and various groups from jazz to electronic music, using both voice, and effects combined with her ancestral instrument, in a modern setting, playing an acoustic electric “Camac Blue.” Diane Peters - Jazz harpist, Composer - Australia Diane Peters is an artist of international level, who started out developing her unique style in Melbourne’s venues and jazz clubs. She has a BA in jazz, improv from the VCA, and honours in Composition at Monash Uni. Melbourne, Australia. In 2001 a CD with her quintet “Diane Peters’ Archaeopteryx”of her original music was released, recorded for Radio "ABC Jazz track" at ABC studios Melbourne. She played in NY, Paris, Belgium, and Amsterdam (at the 5th European harp symposium). Other invites to play on the stages of International harp festivals include: ’98 Perugia, 2001 Arles, 2004 ANU, Australia and 2015 Viggiano.
    [Show full text]
  • Suggested Listening - Jazz Artists 1
    SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
    [Show full text]
  • 2017-18 Georgia All-State Jazz Ensemble SUGGESTED LISTENING—JAZZ ARTISTS
    2017-18 Georgia All-State Jazz Ensemble SUGGESTED LISTENING—JAZZ ARTISTS This is a list that that I’ve selected from Jamey Aebersold’s Jazz Aides 2000 list so it would fit on one page and not be so overwhelming. It is NOT THE definitive list, but you can’t go wrong focusing on any of these to imitate so you can innovate. …. Jim Warrick, Guest Director FLUTE Dave Valentine, Hubert Laws, James Moody, Herbie Mann, Frank Wess, Jeremy Steig, Roland Kirk, Yusef Lateef, David Liebman, Eric Dolphy CLARINET Benny Goodman, Artie Shaw, Buddy DeFranco, Woody Herman, Pee Wee Russell, Jimmy Guiffre, Eric Dolphy (bass clarinet), Eddie Daniels, Paquito D'Rivera, Phil Woods, Art Pepper, John Carter ALTO SAX Charlie Parker, Sonny Stitt, Lou Donaldson, Phil Woods, Cannonball Adderley, Charlie Mariano, Lee Konitz, Paul Desmond, Ornette Coleman, Roscoe Mitchell, Eric Dolphy, Herb Geller, Art Pepper, Lennie Niehaus, Bud Shank, Lanny Morgan, Richie Cole, Eric Kloss, Bunky Green, Bobby Watson, Kenny Garrett, Greg Osby, Frank Morgan, John Jenkins, Jim Snidero, Paquito D'Rivera TENOR SAX Lester Young, Walt Weiskopf, Coleman Hawkins, Stan Getz, John Coltrane, Sonny Rollins, Gene Ammons, Joe Henderson, Wayne Shorter, George Coleman, Dave Liebman, Pharoah Sanders, Ben Webster, Benny Golson, Dexter Gordon, Wayne Marsh, Zoot Sims, Hank Mobley, Sonny Stitt, Bob Berg, Joe Farrell, Mike Brecker, Bud Freeman, Von Freeman, Chico Freeman, Rick Margitza, Branford Marsalis, Larry Schneider, Bill Evans, Joe Lovano, James Moody, Joshua Redman, Illinois Jacquet, Eddie “Lockjaw”
    [Show full text]