DOCSLIB.ORG

The Patient Speaks: a Phenomenological Exploration of the Patient's Experience of Psychoanalysis

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Patient Speaks: a Phenomenological Exploration of the Patient's Experience of Psychoanalysis Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2020 The Patient Speaks: a Phenomenological Exploration of the Patient's Experience of Psychoanalysis Katherine Williams Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Social Work Commons Recommended Citation Williams, Katherine, "The Patient Speaks: a Phenomenological Exploration of the Patient's Experience of Psychoanalysis" (2020). Dissertations. 3832. https://ecommons.luc.edu/luc_diss/3832 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2020 Katherine Williams LOYOLA UNIVERSITY CHICAGO THE PATIENT SPEAKS: A PHENOMENOLOGICAL EXPLORATION OF THE PATIENT’S EXPERIENCE OF PSYCHOANALYSIS A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN THE CANDIDACY OF THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN SOCIAL WORK BY KATHERINE M. WILLIAMS CHICAGO, IL MAY 2020 Copyright by Katherine M. Williams, 2020 All rights reserved. ACKNOWLEDGEMENTS My graduate education was conducted as a dual student at two institutions simultaneously, at Loyola University Chicago School of Social Work where I was a doctoral student and at the Chicago Psychoanalytic Institute where I am training to be a psychoanalyst. These years of training have been the most arduous but the also the most vitalizing of my life. My deep desire to train as an analyst while working on a dissertation become a reality on a cold November morning as I sat in David Terman’s M.D. office discussing my future. David with clarity and enthusiasm suggested I pursue my professional goals. His enthusiasm soon combined with a commitment to support me in my training process. On the long journey of training David has been my mentor, clinical supervisor and member of my dissertation committee. When I think of David my heart overflows with gratitude and deep affection when I think of the many ways in which he always believed I could complete the task and was always ready to support me. Many others contributed their energies to promote my journey. I was fortunate to have a committee comprised of scholars and master clinicians. Dr. Marcia Spira not only served as the chair of my committee but has been supporting me in many practical ways for years as I navigated the complex path between the university and the Institute and at times she functioned as a type of diplomatic envoy between the two institutions most notably in assisting in the process of transferring academic credit from the institute to the university. Dr. Nora Ishibashi readily agreed to be the methodologist on my committee and her knowledge as an anthropologist, social worker, clinical researcher and clinician was endlessly helpful in the iii research process. I have come to depend on Nora’s encouragement in my research and clinical work. Dr. Terry Northcut understood my need to be an analyst way back in my first MSW class with her. Terry encouraged me and provided endless support all along the journey including inviting me to do my practice teaching in her classroom. I want to take this opportunity to thank the many individuals in my academic home Loyola University Chicago, School of Social Work and my clinical home Chicago Psychoanalytic Institute for training and mentoring me. At Loyola thanks to Dr. James Marley for mentoring me in the treatment of psychotic patients. Thank you to Dr. Philip Hong for teaching me so much about research and for being a model of academic integrity, Dr. Susan Grossman for encouraging my clinical research aspirations, Dr. Brian Kelly for providing me a model of how to be a qualitative researcher, Dr. Marta Lundy for introducing me to the joys of teaching and to Dean Stephanie Chapman for providing me opportunities to teach and for providing guidance along the way. I also want to thank the following faculty for providing me with excellent doctoral level course work that assisted me in formulating my research agenda: Dr. John Orwat, Dr. Julia Pryce and Dr. Katherine Tyson McCrea. I am also grateful for the many years of exposure to the social justice values that a Jesuit education provided and I try to live up to what I think of as Loyola’s secular motto of “seeking knowledge in service of humanity.” At the Chicago Psychoanalytic Institute want to thank the president Erika Schmidt LCSW, a social worker, for her tireless efforts in running the Institute. I also want to iv acknowledge the professional staff of the Institute in particular the following: Allison Chandler, the Director of Education, who expertly assisted in the transfer of elective credits from the Institute to Loyola. I also want to thank Christine Susman for all the support and for functioning as the memory of the Institute which was helpful to my research. Also want to thank John Leonard, the Institute librarian who provided me with research support and endless encouragement. I want to thank the faculty of the Institute who invested so much of their time in my training. In particular, to my supervisors: Dr. Dennis Shelby who is not only an outstanding clinical supervior but has often acted as an informal fifth member of my dissertation committee. Dennis was always willing to talk me through challenging research problems. Thanks also to my supervisor Jorge Schneider M.D. who is a deeply empathic and supportive supervisor and thank you to David Terman M.D. for supporting me in being truly responsive to patients. Thank you to Ruth Yanagi, M.D. who has functioned as my analytic mother and like all good mothers encourages me to take on challenges and to do more. Thank you to David Garfield, M.D. for affirming my need to work with acute patients and being my clinical guide in how to do the work. I want to thank Robert Galatzer-Levy M.D. for taking a walk with me years ago at the annual APsaA meeting in New York City where I expressed wanting to do a quantitatively based clinical outcomes study but was struggling to formulate a plan how best to do this. Bob responded by saying: “there is not much that is interesting in the numbers you might want to think of another way.” That comment provided the catalyst for me to engage with a qualitatively based research design for this dissertation. I want to thank the many other Institute faculty members for mentorship and training: Michael Hoit, M.D., Paul Holinger, M.D., Mark Levey, M.D., Barbara Rocah, M.D., Brenda Solomon, M.D., Arnold Tobin, M.D., Clifford Wilkerson, v M.D., Dr. Molly Witten, Karen Martin LCSW, Dr. Elizabeth Feltman, Elizabeth (Lisa) Lennihan LCSW, James Fisch, M.D. James Wilson, M.D., Dr. Christine Kieffer, Dr. Ann Kaplan, Anne Schlachter LCPC, and Dr. Jonathan Lear for teaching me so much about Freud and thank you to Dr. Frank Summers whose writings and focus on the experiencing subject has been instrumental in how I ultimately approached clinical outcome research. Also want to thank the late Dr. Lewis Aaron, taken from us to soon, for encouraging my research and to Glen Gabbard, M.D. for always being willing to speedily answer my questions with clarity and insight. A big thank you to the candidates and in particular my cohort at the Chicago Psychoanalytic Institute. Training would be so much more difficult and lonely were it not for the support and camaraderie of this group. I want to in a special way thank my dear friend and colleague Dr. Sidney Miller for being a companion on the journey. Thank you also to Theo Pintzuk, LCSW whose help was instrumental during the data collection phase of this research. Also want to acknowledge and thank our distant analytic training colleagues who have enriched my training experience. Your commitment to training and psychoanalysis has inspired me. I want to thank my late father, Stephen John Williams, for being my first intellectual mentor and first Freud teacher. Thank you to my patients, both past and present, because of you I wake up each morning with a sense of purpose. You each live in a part of my heart that belongs only to you. I also want to thank close friends, Sue Campbell and Garry and Astrid Brown for all the years of support and friendship. Thank you to my two dogs, Marsport Sigmund Freud (“Ziggy”) and Marsport Winston Churchill for their love, devotion and teaching me to live in the moment. You are my experience of Paradise. This dissertation would not have been completed without the daily support of two extraordinary individuals in my life, my husband Dr. Steven Timm and my analyst Scott Davis, vi M.D. Steven has for the better part of my life sustained me with love, friendship and companionship as we have built a life together. With Scott I discovered that analysis can be a transcendent experience and our deep connection endures through the joys and challenges of life. The journey continues and life is rich with meaning. Finally I want to thank the participants to this study: Brenda, Debbie, Paul, Pearl, Ruby, Sally, Shelly, Jennifer, Jim and John. Your stories live inside me and I am committed to having your voices heard. vii Dedicated to my husband, Dr. Steven Timm and to my analyst, Scott Davis, M.D. In offering a contrasting viewpoint that regards experiencing as the key to human existence, psychoanalysis becomes an alternative worldview that places the highest value not on any measurable outcome, but on the realization of potential on awareness and expansion of experience.
Load more

Recommended publications
  • Beckett's Victors: Quests Without Qualities Paul Shields
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Beckett's Victors: Quests without Qualities Paul Shields Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BECKETT’S VICTORS: QUESTS WITHOUT QUALITIES By PAUL SHIELDS A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring 2005 The members of the Committee approve the dissertation of Paul Shields defended on January 4, 2005. ____________________________________ S. E. Gontarski Professor Directing Dissertation ____________________________________ Mary Karen Dahl Outside Committee Member ____________________________________ Karen Laughlin Committee Member ____________________________________ Fred L. Standley Committee Member Approved: ____________________________________ Bruce Boehrer, Director of Graduate Studies The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother and father— and for my grandmother, Lucille iii ACKNOWLEDGEMENTS I would like to thank Stan Gontarski for his guidance and encouragement during the development of this study and over the course of my graduate career. His insights are evident on every page. I would also like to thank the members of my committee: Karen Laughlin for her support (and for buying coffee in Sydney); Fred L. Standley for his generosity; and Mary Karen Dahl for her willingness to be a part of this project. I must also thank Yu-Mi Yang for introducing me to Deleuze’s work and Chris Ackerley for reading parts of the manuscript. I am greatly indebted to Lori and Ben York, who have always cared about my pursuits and, more importantly, my well-being.
    [Show full text]
  • The Enigma of the Hour 100 Years of Psychoanalytic Thought
    The Enigma of the Hour 100 Years of Psychoanalytic Thought An exhibition to mark the centenary of The International Journal of Psychoanalysis curated by Simon Moretti with Goshka Macuga and Dana Birksted-Breen Freud Museum London Exhibition Guide On the occasion of the centenary of a return to disintegration of the death drive Linder, Goshka Macuga, Simon The International Journal of Psychoanalysis, the of Thanatos. In dialogue with the curators, exhibition The Enigma of the Hour: 100 Years the group of researchers and psychoanalysts of Psychoanalytic Thought presents archival explored in collaboration various aspects of the Moretti, Daniel Silver, Paloma material around specific themes, which touch history of the International Journal, the fruit of on the origins and life of The International which is exhibited in the Display Case in the Journal, alongside contemporary artworks. Exhibition Room and elaborated on in the Varga Weisz with additional Originally conceived by the Journal’s editor- Compendium to it. in-chief Dana Birksted-Breen and curated works by Duncan Grant, by artists Simon Moretti and Goshka Macuga The exhibition includes new commissions with Dana Birksted-Breen, the exhibition by Simon Moretti and Goshka Macuga, brings together themes central to both psycho- made in response to the themes and archives Barbara Ker-Seymer & John analysis and art: translation, transformation, chosen, as well as especially selected works temporality, the unconscious, metaphor and by their invited artists, Linder, Daniel Silver dreams. The theme of Oedipus, which was so and Paloma Varga Weisz, and loans from the Banting, Rodrigo Moynihan critical to Freud’s theorizing, with Oedipus British Psychoanalytic Society, and the Tate and the Sphinx from a painting by Ingres Gallery, including works by Duncan Grant, chosen as logo of the Journal, also appears Barbara Ker-Seymer with John Banting and as a leitmotif in the exhibition.
    [Show full text]
  • Death and Mastery: Psychoanalytic Drive Theory and the Subject of Late Capitalism / Benjamin Y
    !"#$% #&! '#($")* &"+ !,)"-$,.&( ,& -),$,-#/ $%".)* New Directions in Critical Theory Amy Allen, General Editor New Directions in Critical Theory presents outstanding classic and contempo- rary texts in the tradition of critical social theory, broadly construed. The series aims to renew and advance the program of critical social theory, with a particular focus on theorizing contemporary struggles around gender, race, sexuality, class, and globalization and their complex interconnections. Narrating Evil: A Postmetaphysical Theory of Reflective Judgment, María Pía Lara The Politics of Our Selves: Power, Autonomy, and Gender in Contemporary Critical Theory, Amy Allen Democracy and the Political Unconscious, Noëlle McAfee The Force of the Example: Explorations in the Paradigm of Judgment, Alessandro Ferrara Horrorism: Naming Contemporary Violence, Adriana Cavarero Scales of Justice: Reimagining Political Space in a Globalizing World, Nancy Fraser Pathologies of Reason: On the Legacy of Critical Theory, Axel Honneth States Without Nations: Citizenship for Mortals, Jacqueline Stevens The Racial Discourses of Life Philosophy: Négritude, Vitalism, and Modernity, Donna V. Jones Democracy in What State?, Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross, Slavoj Žižek Politics of Culture and the Spirit of Critique: Dialogues, edited by Gabriel Rockhill and Alfredo Gomez-Muller Mute Speech: Literature, Critical Theory, and Politics, Jacques Rancière The Right to Justification: Elements of Constructivist
    [Show full text]
  • Nederlands Film Festival
    SHOCK HEAD SOUL THE SPUTNIK EFFECT Simon Pummell PRESS BOOK 12 / 02 / 12 INTERVIEWS TRAILERS LINKS SHOCK HEAD SOUL TRAILER Autlook Film Sales http://vimeo.com/36138859 VENICE FILM FESTIVAL PRESS CONFERENCE http://www.youtube.com/watch?v=xwqGDdQbkqE SUBMARINE TRANSMEDIA PROFILES Profiles of significant current transmedia projects http://www.submarinechannel.com/transmedia/simon-pummell/ GRAZEN WEB TV IFFR Special http://www.youtube.com/watch?v=BrxtxmsWtbE SHOCK HEAD SOUL SECTION of the PROGRAMME http://www.youtube.com/watch?v=-se5L0G7pzM&feature=related BFI LFF ONLINE SHOCK HEAD SOUL LFF NOTES http://www.youtube.com/watch?v=5xX6iceTG8k The NOS radio interview broadcasted and can be listened to online, http://nos.nl/audio/335923‐sputnik‐effect‐en‐shock‐head‐soul.html. NRC TOP FIVE PICJ IFFR http://www.nrc.nl/nieuws/2012/01/19/kaartverkoop-gaat-van-start-haal-het- maximale-uit-het-iffr/ SHOCK HEAD SOUL geselecteerd voor Venetië Film Festival... http://www.filmfestival.nl/nl/festival/nieuws/nederlandse-film... SHOCK HEAD SOUL geselecteerd voor Venetië Film Festival 28 juli 2011 De Nederlands/Engelse coproductie SHOCK HEAD SOUL van regisseur Simon Pummell met o.a. Hugo Koolschijn, Anniek Pheifer, Thom Hoffman en Jochum ten Haaf is geselecteerd voor de 68e editie van het prestigieuze Venetië Film Festival in het Orizzonti competitieprogramma. Het festival vindt plaats van 31 augustus tot en met 10 september 2011. Synopsis: Schreber was een succesvolle Duitse advocaat die in 1893 boodschappen van God doorkreeg via een ‘typemachine’ die de kosmos overspande. Hij bracht de negen daaropvolgende jaren door in een inrichting, geteisterd door wanen over kosmische controle en lijdend aan het idee dat hij langzaam van geslacht veranderde.
    [Show full text]
  • A Literatura Na Construção Da Linguagem Do Analista1
    JORNAL de PSICANÁLISE 51(95), 259-272. 2018 A literatura na construção da linguagem do analista1 Maria Luiza Salomão,2 São Paulo Resumo: Ao refletir sobre a construção da linguagem analítica, tomo o conceito de Ferro (2008), que vê nos relatos do paciente uma narrativa: enfatiza a escuta do como o paciente narra, e não o conteúdo propriamente dito (sintomas). Reflito sobre como Freud, em seus historiais clínicos, concede-se liberdade para criar uma narrativa sobre seus pacientes, criando conceitos iluminadores da prática psicanalítica. Dou como exemplo o conceito de cena primária, presente em seu trabalho com o paciente russo Sergei Pankejeff (Freud, 1918/2010), o Homem dos Lobos, que rejeita ter tido a experiência descrita por Freud, dizendo ser uma invenção do pai da psicanálise. Freud, ao comunicar suas descobertas, constrói, audaz, uma linguagem e um léxico, que permite ao leitor um desdobramento fértil de ideias e de percepções. Ao transmitir sua experiência analítica, não cuida de seguir literalmente o relato do paciente, mas cria uma narrativa que permite ir além do vivido na dupla, construindo conceitos com base em sua potência investigativa e imaginativa. Considero, neste texto, a leitura de textos psicanalíticos como experiências emocionais, semelhantes às leituras que faço de poesias e de prosas literárias. Reflito brevemente sobre as vicissitudes que os analistas enfrentam na transmissão de suas experiências clínicas nos encontros entre pares; assim como na interferência da personalidade do analista na experiência e no relato da experiência da dupla analítica. Palavras-chave: narrativa psicanalítica, construção da linguagem psicanalítica, leituras psicanalíticas Leio a literatura psicanalítica como leio poesia e escrita literária.
    [Show full text]
  • Freud a to Z Ffirs.Qrk 1/10/05 12:25 PM Page Ii Ffirs.Qrk 1/10/05 12:25 PM Page Iii
    ffirs.qrk 1/10/05 12:25 PM Page i Freud A to Z ffirs.qrk 1/10/05 12:25 PM Page ii ffirs.qrk 1/10/05 12:25 PM Page iii Freud A to Z Sharon Heller, Ph.D. John Wiley & Sons, Inc. ffirs.qrk 1/10/05 12:25 PM Page iv Copyright © 2005 by Sharon Heller. All rights reserved. Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008. Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials.
    [Show full text]
  • 9789461664174.Pdf
    A DARK TRACE SIGMUND FREUD ON THE SENSE OF GUILT FIGURES OF THE UNCONSCIOUS 8 Editorial Board PHILIPPE VAN HAUTE (Radboud University Nijmegen, The Netherlands) TOMAS GEYSKENS (Catholic University Leuven, Belgium) PAUL MOYAERT (Catholic University Leuven, Belgium) MONIQUE DAVID-MÉNARD (Université Paris VII – Diderot, France) VLADIMIR SAFATLE (University of Sao Paolo, Brazil) CHARLES SHEPHERDSON (State University of New York at Albany, USA) A Dark Trace Sigmund Freud on the Sense of Guilt Herman Westerink The translation was funded by the Netherlands Organisation for Scientific Research (NWO). Original title: Het schuldgevoel bij Freud. Een duister spoor. Authorized translation from the Dutch language edition published by Uitgeverij Boom, Amsterdam. © 2005 Dutch language edition by Uitgeverij Boom, Amsterdam (The Netherlands). © 2009/2013 English language edition by Leuven University Press / Universitaire Pers Leuven / Presses Universitaires de Louvain. Minderbroedersstraat 4, B-3000 Leuven (Belgium) ePDF published in 2021 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © 2021 Herman Westerink This ePDF is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Further details about Creative Commons licences are available at http://creativecommons.org/licenses/ Attribution should include the following information: Herman Westerink. A Dark Trace: Sigmund Freud on the Sense of Guilt. Leuven: Leuven University Press,
    [Show full text]
  • Out of Hours Art
    Out of Hours art were related to Lucian Freud. Geordie Greig Mad, Bad and Sad: definitely worth a visit. The somewhat writes: wOMen and THe Mind dOcTOrS oppressive interior served to overwhelm Freud Museum, London the art a tad. Perhaps this is also symbolic? ‘He was accused of infidelity, cruelty and 10 October 2013–2 February 2014 The weight of history anchoring down and absenteeism as a father, yet in spite of providing the backdrop to modern female sometimes defiantly selfish behaviour some The house is unmistakably Sigmund artistic expressions. Despite this you of this children and girlfriends, and even the Freud’s, although he only occupied couldn’t really argue with Sarah Lucas’s children of his girlfriends, would defend him it for a year. Emigrating to England as forthright Suffolk Bunny (1997–2004) which over what was pretty indefensible behaviour. a result of Germany’s annexation of was placed in Freud’s study. What could we All his life he got away with it. He was so Austria in June 1938, Freud died there infer from this? A joke at Freud’s expense? charged with charm and charisma, few were in 1939. Now a museum, visitors can Women as subjects but now taking over immune to his power of seduction on some see his collection of heavy furniture, rich the house with humorous, unequivocal, level.’ cloths, and archaeological treasures and in-your-face art? The patriarchal gaze totems of many traditions: Greek, Roman, upturned. To further underline the point This book is perhaps too preoccupied with Mesopotamian. He called them his ‘old and we also had Helen Chadwick’s arresting gossip about the amorous part of Freud’s grubby gods’ who aided him in his work.
    [Show full text]
  • The Vagaries of Psychoanalytic Interpretation
    The Vagaries of Psychoanalytic Interpretation: An Investigation into the Causes of the Consensus Problem in Psychoanalysis (Authors version of a paper published in Philosophia 42 (3), pp. 779-799.) Kevin Lynch Abstract Though the psychoanalytic method of interpretation is seen by psychoanalysts as a reliable scientific tool for investigating the unconscious mind, its reputation has long been marred by what’s known as the consensus problem: where different analysts fail to reach agreement when they interpret the same phenomena. This has long been thought, by both practitioners and observers of psychoanalysis, to undermine its claims to scientific status. The causes of this problem, however, are dimly understood. In this paper I attempt to illuminate one important cause of the consensus problem by investigating the role which reliance on ‘associative evidence’ has in generating consensus failures. Various options for overcoming the difficulties with this form of clinical evidence are then examined. It is argued that these problems can be mitigated by the notion of overall associative fit, though they are exacerbated by certain loose standards used for what counts as acceptable associative evidence. The possibility of using more rigorous standards is discussed. 1. Introduction Freud’s psychoanalytic method of interpretation (PMI), in contrast to specific Freudian theories, is often hailed as the most significant and enduring of his legacies (e.g., Lothane 1998, p. 62). With the PMI, Freud supposedly gave us something more valuable than a set of doctrines, namely, the means for deciphering a wide variety of puzzling human phenomena to ascertain the ‘hidden meanings’ supposedly encoded in them, including neurotic and hysterical symptoms, dreams, and even cultural products like religions and art-works (all of which may be called ‘neurotic symptoms’ in an extended sense).
    [Show full text]
  • Freud's Library a Comprehensive Catalogue Compiled and Edited By
    1 Freud’s Library A Comprehensive Catalogue Compiled and edited by J. Keith Davies and Gerhard Fichtner London: The Freud Museum Tübingen: edition diskord 2004 2 Contents 0. Note for the User 3 1. Abbreviations 4 2. Bibliography 6 3. Catalogue of Freud’s Library 8 4. Appendices (Samples of markings, underlinings and annotations) 540 4.1 Appendix 1 (Constans, L.: Oedipe, 1881) 541 4.2 Appendix 2 (Herzfeld, M.: Leonardo da Vinci, 1906) 545 4.3 Appendix 3 (Jensen, W.: Gradiva, 1903) 546 4.4 Appendix 4 (Lipps, T.: Komik und Humor, 1898) 549 4.5 Appendix 5 (Müller, J.: Handbuch der Physiologie, 2 v., 1834–40) 551 4.6 Appendix 6 (Philippson, L.: Family Bible, 1839) 553 4.7 Appendix 7 (Schreber, D. P.: Denkwürdigkeiten, 1903) 557 4.8 Appendix 8 (Smith, W. R.: Lectures on the religion, 1907) 564 4.9 Appendix 9 (Solmi, E.: Leonardo da Vinci, 1908) 573 4.10 Appendix 10 (Wittels, F.: Sigmund Freud, 1924) 573 5. Indices 1* 5.1 Index of Names 1* 5.2 Subject Index (english) 77* 5.3 Subject Index (german) 160* 5.4 Index of Publishers 242* 5.5 Index of Titles 268* 5.6 Index of Titles of Freud’s Works 363* 5.7 Index of Dedications 375* 5.8 Index of the Date of Dedications 388* 5.9 Index of Signatures 396* 5.10 Index of the Date of Signatures 399* 5.11 Index of Markings 405* 5.12 Index of Ex libris 406* 5.13 Index of Ownerships of the library’s parts 407* 5.14 Index of the Languages of Publications 418* 5.15 Index of Pictures on CD 429* 3 Note for the User The following catalogue unites those parts of Freud’s original library which were dispersed as a result of his emigration to London 1938.
    [Show full text]
  • Freud's Idea of Sublimation
    1 Freud’s Idea of Sublimation Introduction In his short glossary of Freudian ideas and concepts Nick Rennison defines sublimation in this way: Sublimation—the unconscious mental process by which in- stinctual, socially unacceptable energy or libido is transferred to a non-instinctual, socially acceptable activity, e.g., Freud be- lieved that the sublimation of unsatisfied libido was behind the creation of great art and literature.1 Rennison describesSAMPLE libido in this way: Libido—in psychoanalytic theory, the sexual drive and energy which is directed towards individuals and objects in the outside world. Neurotic and other psychiatric illnesses are often the re- sult of libido that is inappropriately directed.2 In this chapter we will present Freud’s concept of sublimation, focusing on his presentation of the concept in several of his writings, including 1. Rennison, Freud & Psychoanalysis, 89. 2. Ibid., 87. 3 © 2015 The Lutterworth Press 4 part —The Liberating Effects of Sublimation Five Lectures on Psychoanalysis, which he delivered at Clark University in Worcester, Massachusetts, in 1909.3 The Concept of Sublimation Freud spoke about sublimation in his Introductory Lectures on Psycho- Analysis, which he presented in two successive winter terms at the Uni- versity of Vienna (1915 and 1916). In the first lecture he commented on the fact that psychoanalysis has been criticized for asserting that instinc- tual impulses that must be described as sexual, in both the wider and narrower sense of the word, play an extremely large role in the causation of neuroses. But, Freud noted, psychoanalysis has emphasized that these same sexual impulses also make contributions “to the highest cultural, artistic and social creations of the human spirit.”4 Freud also notes that the second assertion has been subject to even greater criticism than the first, and suggests that the reason for this is that psychoanalysis holds that civilization has been created under the pressure of the exigencies of life at the cost of the instincts.
    [Show full text]
  • Reassessing Sigmund Freud's Literary Style Through a Comparative Study of the Principles and Fict
    IMPRESSIONS OF AN ANALYST: REASSESSING SIGMUND FREUD’S LITERARY STYLE THROUGH A COMPARATIVE STUDY OF THE PRINCIPLES AND FICTION OF FORD MADOX FORD, HENRY JAMES, VIRGINIA WOOLF & DOROTHY RICHARDSON by GEMMA BANKS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Department School of English, Drama, American and Canadian Studies College of Arts and Law University of Birmingham April 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The connection between Sigmund Freud and modernism is firmly established and there is an increasing (though still limited) body of scholarship that adopts methods of literary analysis in approaching Freud’s texts. This thesis adds depth and specificity to a broad claim to literariness by arguing that Freud can be considered a practitioner of modern literary impressionism. The claim is substantiated through close textual analysis of key texts from James Strachey’s Standard Edition of the Complete Psychological Works of Sigmund Freud, alongside theory and fiction by significant impressionist authors Ford Madox Ford, Henry James, Virginia Woolf and Dorothy Richardson.
    [Show full text]