Footprints Winter 09 Pt. 1 Layout 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Word and Work
"Holding fast the Faithful Word ■■ • ■ * The Word and Work CQ "Holding forth the Word of Life." November - December, 2005 INCONCEIVABLE LOVE- STUNNING FORGIVENESS INCREDIBLE TRANSFORMATION! AUCAS!! 50 Yrs Later DON'T Let the Rush of the Holidays Keep you from reading this month's VrE-R-Y VALUABLE Articles!!! Then SHARE them with others. * * "All married couples, all missionaries and all Christians should read this article!" Which article? Check it out for yourself. * * * "When it comes time to die, make sure that all you have to do is die." -Jim Elliot Vital Information for Students Hoping to Enter College! The June 2005 W&W had an article~S.CC. Lives On through S.C.E.C. It explained that some scholarship funds are available to students from churches that formerly supported Southeastern Christian College. 12 colleges (see below) now participate in this program. Read on, and act soon or it will be too late! Important and Time-Sensitive Announcement Regarding College Scholarships From: Hughes Jones, 130 Jackson Pike, Harrodsburg, KY 40330. Telephone: 859 734-7197. Email: [email protected] For: Southeastern Christian Education Corporation, 476 Sparrow Lane, Harrodsburg, Ky 40330 Date: October 17, 2005 Southeastern Christian Education Corporation Announcement: Prospective college students desiring to have an SCEC financial aid grant included in their aid package for the 2006/07 school year are encouraged to complete their college admission process prior to Feb ruary 01, 2006. This date should allow the participating college finan cial aid offices time needed to prepare requests for assistance from Southeastern Christian Education Corporation before anticipated dead lines. -
Analyse Ludique De La Franchise Saw
Université de Montréal Analyse ludique de la franchise Saw Par Janie Brien Département d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade M.A. en études cinématographiques Décembre 2012 © Janie Brien, 2012 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : Analyse ludique de la franchise Saw présenté par : Janie Brien a été évalué(e) par un jury composé des personnes suivantes : Carl Therrien président-rapporteur Bernard Perron directeur de recherche Richard Bégin membre du jury i Résumé La saga Saw est une franchise qui a marqué le cinéma d’horreur des années 2000. Le présent mémoire tâchera d’en faire une étude détaillée et rigoureuse en utilisant la notion de jeu. En élaborant tout d’abord un survol du cinéma d’horreur contemporain et en observant la réception critique de la saga à travers l’étude de différents articles, ce travail tentera en majeure partie d’analyser la franchise Saw en rapport avec l’approche ludique du cinéma en général et celle adoptée par Bernard Perron. Cette étude, qui s’élaborera tant au niveau diégétique que spectatoriel, aura pour but de montrer l’importance de la place qu’occupe la notion de jeu dans cette série de films. Mots-clés Cinéma d’horreur, jeu, puzzle, torture. ii Abstract The Saw saga is a franchise that marked the horror film industry in the 2000’s. This report will try and give a thorough and detailled study while using the idea of a game. At the same time taking a cursory glance at contemporary horror films and observing how the critics were received by studying different articles. -
Dead by Daylight “SAW®” Chapter Launches on Steam, Xbox One and Playstation®4
PRESS RELEASE STOCKHOLM, SWEDEN (January 23, 2018) Dead by Daylight “SAW®” Chapter Launches on Steam, Xbox One and PlayStation®4 Starbreeze Publishing, together with Behaviour Digital and global content leader Lionsgate (NYSE: LGF.A, LGF.B), today released the “SAW®” chapter for Dead by Daylight. SAW is one of the most successful horror franchises ever, grossing nearly $1 billion at the worldwide box office. The “SAW” chapter lets players take on the infamous character of Amanda Young, one of Jigsaw’s most well-known protégés, with a brand-new power and feature: the reverse bear trap. In an innovative twist of a classic Dead by Daylight mechanic, Amanda disguised as The Pig can place reverse bear traps on survivors, spicing up the game of cat-and-mouse as every second counts for the survivors to escape. The new survivor introduced in the chapter is David Tapp, a relentless cop set on bringing down The Pig. The two will fight it out inside iconic locations from the films. The new chapter is available today for $6.99 on Windows PC through Steam and other digital distribution channels as well as on Xbox One and the PlayStation 4® computer entertainment system. The “SAW” chapter includes: • New Killer + Perks and Power - The Pig • New Survivor + Perks - David Tapp • New Map - Gideon Meat Plant Visit the website for more information and videos: www.deadbydaylight.com/saw. Dead by Daylight is an asymmetrical multiplayer horror game in which one crazed killer hunts four friends through a terrifying nightmare. Players take on the roles of both killer and survivors in a deadly game of cat and mouse. -
Hollywood in Hell –
Hollywood in Hell – SIN CITY, religiöse Motive und die Darstellung des Bösen Masterarbeit zur Erlangung des Grades Master of Arts (M.A.) an der Philosophisch-Sozialwissenschaftlichen Fakultät der Universität Augsburg Betreuer: Prof. Dr. Thomas Hausmanninger Michaela Strasser An der Brühlbrücke 1 86152 Augsburg Matr. Nr. 801231 Augsburg, 26. Juli 2007 Für die Filmanalyse wurde auf die amerikanische Originalversion zurückgegriffen. FRANK MILLER’S SIN CITY. Recut – Extreme XXL-Edition (USA 2005) 119 min 136 min extended-Version Produktion: Dimension Film, Troublemaker Studios Produzenten: Elizabeth Avellan, Robert Rodriguez, Frank Miller, Harvey und Bob Weinstein Regie: Robert Rodriguez, Frank Miller Drehbuch: Frank Miller (Comics) Kamera: Robert Rodriguez Musik: John Debney, Graeme Revell, Robert Rodriguez Schnitt: Robert Rodriguez Darsteller: Mickey Rourke (Marv), Jaime King (Goldie/Wendy), Elijah Wood (Kevin), Rutger Hauer (Cardinal Roark), Clive Owen (Dwight), Benicio Del Toro (Jackie Boy), Rosario Dawson (Gail), Michael Clarke Duncan (Manute), Alexis Bledel (Becky), Devon Aoki (Miho), Brittany Murphy (Shellie), Bruce Willis (Hartigan), Jessica Alba (Nancy Callahan), Nick Stahl (Roark Junior/Yellow Bastard), Michael Madsen (Bob), Powers Boothe (Senator Roark), Nicky Katt (Stuka), Carla Gugino (Lucille), Josh Hartnett (The Salesman), Marley Shelton (The Customer) FSK: Keine Jugendfreigabe Start: 1. April 2005 (USA), 11. August 2003 (Deutschland) Budget: 40 Mio US $ Einspielergebnis 159.098.862 US $ (weltweit) Für die Comics wurde die amerikanische Version von Millers Sin City Reihe verwendet (2. Auflage). Frank Miller’s Sin City Volume 1 (2005): The Hard Goodbye. Dark Horse Books. Oregon. Frank Miller’s Sin City Volume 3 (2005): The Big Fat Kill. Dark Horse Books. Oregon. Frank Miller’s Sin City Volume 4 (2005): That Yellow Bastard. -
2016 ANNUAL CONVENTION PRE-CONVENTION BROCHURE INSIDE on PAGE 22 NIA Benchbar Coverage40 V2.Pdf 1 10/18/15 1:27 PM
2016 ANNUAL CONVENTION PRE-CONVENTION BROCHURE INSIDE ON PAGE 22 NIA_BenchBar_Coverage40_v2.pdf 1 10/18/15 1:27 PM HONESTLY, IT'S OUR BEST POLICY KBA TERM LIFE PLAN UP TO $500,000 COVERAGE, NON-MEDICAL APPLICATION* C 10 & 20 YEAR LEVEL TERM WITH SPECIAL END OF TERM CONTINUATION M Y CM MY KBA INDIVIDUAL OWN OCCUPATION DISABILITY INCOME PLAN CY UP TO $10,000/MO COVERAGE, NON-MEDICAL APPLICATION* CMY NO EXAMS, BLOOD TESTS OR TAX RETURNS REQUIRED K niai.com Call or Email TODAY | 800.928.6421 | [email protected] | www.NIAI.com NIA IS THE KBA LIFE & DISABILITY PLAN ADMINISTRATOR. *EXAMS OR ADDITIONAL INFO MAY BE REQUIRED WITH CERTAIN MEDICAL HISTORIES. VOL. 80, NO. 1 This issue of the Kentucky Bar Association’s B&B-Bench & Bar was published in the month of January. COMMUNICATIONS & Contents PUBLICATIONS COMMITTEE 2 President’s Page James P. Dady, Chair, Bellevue By Doug Farnsley Paul Alley, Florence Features: Criminal Law Elizabeth M. Bass, Lexington 4 The Kentucky Judiciary: The Transformation Continues James Paul Bradford, Paducah By Judge Gregory M. Bartlett Frances E. Catron Cadle, Lexington Anne A. Chesnut, Lexington 8 A Primer on Prelims By Ben Leonard Rachel Dickey, Louisville Mark Flores, Lexington 12 Kentucky’s SMART Probation: Coming to a Court Near You? Cathy W. Franck, Crestwood By Judge David A. Tapp Lonita Baker Gaines, Louisville 16 The Kentucky Innocence Project: A Pedagogical Perspective William R. Garmer, Lexington By Mark Stavsky Laurel A. Hajek, Louisville P. Franklin Heaberlin, Prestonsburg 22 2016 KBA Annual Convention Judith B. Hoge, Louisville Pre-Convention Brochure Jessica R. -
Military Academy Estarlished 1880 Lexiivgton, Missouri G4dg7
V £i f-T i" 1' 11 w Ml 11 UIENTUIORTH MILITARY ACADEMY ESTARLISHED 1880 LEXIIVGTON, MISSOURI G4DG7 HIGH SCHOOL AND JUNIOR COLLEGE WENTWDRTH'S PURPOSE It IS the purpose of Wentworth Military Academy to provide the best conditions possible for the all 'round development of worthy boys and young men. To attain this high purpose, the Academy places greatest emphasis upon these four points: First, it is the Academy's aim to assemble only the highest types of students—deserving youths of good parentage—to assure wholesome associations and greater progress. Every pre caution is taken to keep undesirable boys—all those that might prove detrimental to others^ out of the Academy. Second, to employ only men of highest character and ability for Its faculty. It Is not enough for a Wentworth faculty member to be merely a scholar and a splendid Instructor. He must also possess a spirit of friendliness and a sincere desire to give kindly help whenever necessary. He must thoroughly understand the Innermost problems of boys—be patient with them—and be ready to serve each boy to the best of his ability. Third, to provide the very best equipment throughout every department to the end that every boy will have all those things necessary to his health and happiness and that none shall want for anything that will help him to make progress. Fourth, to provide a program for each day that will best serve the interests of every student. "r^^ ^^^SKHP** G k***'^*''^ p^' :2S>-"' WENTWDRTH FROM THE AIR No. I. Administration Building, "D" Company No. -
Rocío Scarso 90226
Evolución de los efectos especiales en el cine de terror Un mundo en desarrollo hasta el siglo XXI Rocío Scarso 90226 Diseño de Imagen y Sonido Investigación Nuevas Tecnologías 28/05/2019 Índice Índice de Figuras 4 Introducción 5 Capítulo 1. El mundo del susto 12 1.1 Expresionismo Alemán 13 1.1.2 Características de la vanguardia 14 1.2 Universal vs Hammer 16 1.3 Características del cine del terror 18 1.4 Subgéneros del cine de terror 19 1.4.1 Slasher 19 1.4.2 Gore 20 1.4.3 Thriller 21 1.4.4 Terror psicológico 22 1.4.5 Found Footage 23 1.4.6 Zombies 23 1.5 El terror alrededor del mundo 24 1.5.1 Cine Oriental 25 1.5.2 Cine Europeo 27 1.5.3 Cine Hispanoamericano 31 1.6 Terror posmoderno 35 Capítulo 2. Los efectos especiales como factor primordial 39 2.1 Inicios de los FX 39 2.1.1 Georges Méliès 40 2.1.2 Segundo de Chomón 41 2.2 Tipos y técnicas de efectos especiales 42 2.2.1 Efectos Ópticos 43 2.2.2 Efectos Mecánicos 43 2.2.3 Efectos de Maquillaje 44 2.2.4 Maquetas 45 2.2.5 Efectos de sonido 45 2.2.6 Stop Motion 46 2.2.7 Matte Painting 46 2.2.8 Retroproyección 46 2.3 Efectos Digitales 47 2.3.1 Chroma 47 2.3.2 Morphing 47 2.3.3 Captura de movimiento 48 2.4 Efectos especiales en la posmodernidad 48 2.4.1 George Lucas 49 2.4.2 Steven Spielberg 50 2.4.3 Peter Jackson 51 2.4.4 James Cameron 52 Capítulo 3. -
You've Seen the Movie, Now Play The
“YOU’VE SEEN THE MOVIE, NOW PLAY THE VIDEO GAME”: RECODING THE CINEMATIC IN DIGITAL MEDIA AND VIRTUAL CULTURE Stefan Hall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: Ronald Shields, Advisor Margaret M. Yacobucci Graduate Faculty Representative Donald Callen Lisa Alexander © 2011 Stefan Hall All Rights Reserved iii ABSTRACT Ronald Shields, Advisor Although seen as an emergent area of study, the history of video games shows that the medium has had a longevity that speaks to its status as a major cultural force, not only within American society but also globally. Much of video game production has been influenced by cinema, and perhaps nowhere is this seen more directly than in the topic of games based on movies. Functioning as franchise expansion, spaces for play, and story development, film-to-game translations have been a significant component of video game titles since the early days of the medium. As the technological possibilities of hardware development continued in both the film and video game industries, issues of media convergence and divergence between film and video games have grown in importance. This dissertation looks at the ways that this connection was established and has changed by looking at the relationship between film and video games in terms of economics, aesthetics, and narrative. Beginning in the 1970s, or roughly at the time of the second generation of home gaming consoles, and continuing to the release of the most recent consoles in 2005, it traces major areas of intersection between films and video games by identifying key titles and companies to consider both how and why the prevalence of video games has happened and continues to grow in power. -
Selling the Splat Pack: the Dvd Revolution and the American Horror Film
SELLING THE SPLAT PACK: THE DVD REVOLUTION AND THE AMERICAN HORROR FILM Mark Bernard A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Dr. Cynthia Baron, Advisor Dr. Scott A. Magelssen Graduate Faculty Representative Dr. Paul McDonald Dr. Maisha Wester ii ABSTRACT Dr. Cynthia Baron, Advisor In 2006, journalists began writing about the emergence of a group of young filmmakers who specialized in horror films featuring torture and graphic violence. Because of their gory and bloody movies, these directors came to be known as “the Splat Pack,” and they were depicted by the press as subversive outsiders rebelling against the Hollywood machine. However, what many discussions of the Splat Pack ignore is how the success of this group of directors was brought about and enabled by the industrial structure of Hollywood at the middle of the first decade of the twenty-first century. Drawing from political economy methodology, this study seeks to understand and illuminate the industrial changes and realignments that gave rise to the Splat Pack, first by looking at how industrial changes have affected the content of horror films of the past, and secondly by examining how the advent of DVD technology made way for the gory, “Unrated” films of the Splat Pack. DVD played a major role in the rise of the Splat Pack by changing the way horror films were presented to their potential audiences and by leading to an industry acceptance of “Unrated” films. With this in mind, this study then turns to an analysis of several key films directed by the Splat Pack and uses the commodity form of the DVD as a lens through which to interpret these films. -
Online Sean Patrick Flanery Plastic Surgery Zip for Android
Site Navigation Deutsch Enter Search Sean patrick flanery Are the Speculations About Mariah Carey Plastic Surgery plastic surgery Correct?. 10 years ago (March 07, 2011 02:21 PM). He seems to 16 First Avenue have gained some weight which wouldn't be too bad. Except he's Haskell, NJ 07420 USA not immediately recognizable, because it seems he's had a nose 973-248-8080 job to slope his nose down. Der Inhalt ist verfügbar unter CC BY- Fax: 973-248-8012 SA 3.0, sofern nicht anders angegeben. Aesthetic sean patrick [email protected] flanery plastic surgery is the type of sean patrick flanery plastic [email protected] surgery methods to improve the human being. For example, people can prolong youth and feel their beauty longer, get rid of emotional stress from realizing their real or imagined imperfections. Most often, such kind of operations are made by movie and showbiz stars, or by their fans, who tend to become like their idols. Pertaining to the film, I felt their appearances lent to the credibility of the roles. It would seem quite unusual to me if two aging vigilantes had still managed to maintain their polished appearances more than a decade later. As for the reality of what may, or may not have taken place in their personal lives, apparently they don't wish to share it. Rumors fuel buzz, of course. But personal should remain personal when intended. He may not be a mega-star but he will certainly be a favorite among the fans of the endearing cult film "The Boondock Saints." An actor who has made his way in various forms on the small and big screen, sean patrick flanery plastic surgery is simply the tale of saving face. -
Capítulo 3. Terror En El Siglo XX Versus En El Siglo XXI
Capítulo 3. Terror en el siglo XX versus en el siglo XXI Como se fue investigando a lo largo del presente PG, la evolución de los efectos especiales y las nuevas tecnologías influyeron en la realización de las películas de terror. Para poder observar estos cambios, en este capítulo serán analizadas cuatro películas de distintas décadas para notar las similitudes y diferencias que tienen entre ellas, destacando los efectos especiales que presentan cada una. 3.1 Drácula El análisis comenzará con una de las primeras adaptaciones del libro de Bram Stoker Drácula, la película del famoso vampiro dirigida por Tod Browning y producida por Carl Laemmle estrenada en 1931 por la productora Universal Studios. 3.1.1 Sinopsis El señor Renfield, un hombre de negocios, viaja hacia Transilvania para cerrar un trato con su cliente, el conde Drácula. Los habitantes del pueblo le advierten a Renfield que no vaya hacia el castillo, ya que sospechan que allí viven vampiros que al caer la noche despiertan y se alimentan de sangre humana, pero el hombre no hace caso a los avisos y continúa hacia su destino de todas formas para llevar a cabo su trato con el cliente. Al llegar al castillo Renfield nota que es un lugar amplio, oscuro y casi carente de muebles que parece estar abandonado, lleno de insectos y telarañas. Allí es recibido por el conde y conversan sobre su trato: conseguirle a Drácula una propiedad para vivir en Londres. Esa noche, el conde hipnotiza a Renfield bajo la forma de un murciélago y luego lo ataca, volviéndolo su esclavo. -
In the Court of Criminal Appeals of Tennessee at Nashville April 2000 Session
IN THE COURT OF CRIMINAL APPEALS OF TENNESSEE AT NASHVILLE APRIL 2000 SESSION STATE OF TENNESSEE v. ANTHONY DAVID TAPP Direct Appeal from the Circuit Court for Rutherford County No. F-39407 James K. Clayton, Jr., Judge No. M1999-00414-CCA-R3-CD - Filed August 10, 2000 The defendant, Anthony David Tapp, was convicted of vehicular homicide as a result of intoxication. The trial court imposed a Range I sentence of 10 years. In this appeal of right, the defendant contends that the trial court erred by allowing into evidence pretrial statements which had been made by him but which had not been provided by the state in advance of the trial. The judgment is affirmed. Instructions by the defendant to witnesses of an accident not to speak to police did not qualify as discoverable material within the terms of Rule 16 of the Tennessee Rules of Criminal Procedure. In consequence, the defendant is not entitled to a new trial. Tenn. R. App. P. 3; Judgment of the Trial Court Affirmed. GARY R. WADE, P.J., delivered the opinion of the court, in which JERRY L. SMITH and ROBERT W. WEDEMEYER, JJ., joined. Gerald L. Melton (on appeal), District Public Defender, Russell N. Perkins (on appeal and at trial), Assistant Public Defender, Murfreesboro, Tennessee, for the appellant, Anthony David Tapp. Paul G. Summers, Attorney General & Reporter, Lucian D. Geise, Assistant Attorney General, and John W. Price and Thomas F. Jackson, Jr., Assistant District Attorneys General, for the appellee, State of Tennessee. OPINION On the evening of December 26, 1996, the victim, Dorris Tucker, was killed while riding as a passenger in a truck driven by the defendant.