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International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 LOUISIANA MID PRICE MUSIC SERIES • LOUISIANA LEGENDS • Professor Longhair AVAILABLE Mardi Gras in New Orleans NOW! CONTAINES THE ORIGINAL RECORDING OF “Mardi Gras in New Orleans” & “She Ain’t Got No Hair” RE U.S. BUYERS: WILL BE ADVERTISED IN BLUES ACCESS & BLUES REVUE & SAMPLED TO BLUES RADIO & PRINT MEDIA Walk into any gift shop or poster shop in New Orleans and you'll invariably see the image of Professor Longhair. He's left his indelible image on that city long after his death. It's really something to attain Sainthood in a city where sinners rule. Living in the French Quarter, he was exposed to all sorts of Jazz, Dixieland and blues sounds emanating from the various clubs. His mother encouraged him musically; anything being an improvement on hustling tips on the streets. He settled on the piano and taught himself the unsyncopated style that we 1. She Ain't Got No Hair hear today. 2. Mardi Gras In New Orleans World War II rolled around and he attempted to enlist 3. Professor Longhair's Boogie but was turned down due to medical reasons. He 4. Bye Bye Bye formed the Three Hair Combo and then the Shuffling 5. Big Cheif Hungarians. Their success led to a deal with Jesse 6. Tipitina Erickson's Talent Records out of Dallas. Four sides 7. Doin' It resulted, all of which are included here. Notable among these is She Ain't Got No Hair, a tongue in 8. Her Mind Is Gone cheek ditty about under age girls. 9. How Long Has That Train Been Gone 10. Doin' The Mess Around The Professor was invited to play the inaugural New 11. Bald Head Orleans Jazz & Heritage Festival where he was 12. Big Chief (version 2) introduced to a whole new crop of fans. COMBINED RELEASE WITH LOUISIANA MID PRICE SERIES Ernie K-Doe - AIM 1202 The Building Is Shakin’ & The Walls Are Tremblin’ Johnny Adams - AIM 1201 The Immortal Soul Of Rockin’ Tabby Thomas - AIM 1203 Swamp Man Blues AIM 1204 CD.

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Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magniﬁcent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Grifﬁth 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station
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E a R L Y I N F L U E N C
ProfessorEARLY INFLUENCES Longhair “The Bach of Rock,” New Orleans composer Allen Tous- In the period 1953-64, Professor Longhair waxed sides for a saint called him . The cornerstone of New Orleans rhythm & number of labels, but their popularity was limited to the New blues piano, Professor Longhair’s astounding music influenced Orleans area at least in part because of the artist’s unwilling the work of Fats Domino, Dr. John, James Booker, Huey “Pi ness to travel. In 1964, Longhair created the Mardi Gras an ano ’ Smith, Art Neville, and Allen Toussaint himself. Long them “Big Chief’ for Watch. But he soon sank into obscurity, hair’s unique appeal lay in his offbeat songs, his warbling and by the end of the decade was sweeping out a record shop voice and the infectiously syncopated piano style which he and playing cards for his meager living. once described as a blend of “rhumba, mambo and calypso.” Unbeknownst to ‘Fess* he had become a mysterious legend He was born Henry Roeland Byrd on December 19, 1918 in among blues record collectors on both sides of the AtlantltS Bogalusa, Louisiana and moved to New Orleans with his He was eventually tracked down by Quint Davis and Allison mother two years later. As a youth he tap-danced for tips on Minor, organizers of the first New Orleans Jazz & Heritage Bourbon Street, and later beat on lard cans and orange crates Festival. “He wasn’t playing at all then,” Davis later recalled. with a “spasm band.” By the early Thirties, young Henry was “He was in a totally depreciated state physically, along with frequenting the South Rampart Street honky tonks to hear bar poverty and rejection.
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Kelley Hunt B2 Bio Final
Kelley Hunt • BIO • “THE BEAUTIFUL BONES” • EER1406 SINGER-SONGWRITER KELLEY HUNT BLENDS ROOTS, ROCK AND SOUL IN HER CINEMATIC NEW ALBUM THE BEAUTIFUL BONES Multi-instrumentalist’s co-produced sixth disc brings her stunning range and soulful vision to the fore with lavish support from cast of all-star musical friends LAWRENCE, KS — Kelley Hunt’s new album, The Beautiful Bones, offers a dozen superbly crafted songs that blend timeless music with a contemporary perspective – drawing a bead on modern life with grace, humor and gravity through the earthy poetry of her lyrics. Those songs are buoyed by a performing style that balances Hunt’s virtuosity with the down-home gospel, soul and R&B that’s part of her DNA. The title track is a perfect example of Hunt’s art, with its shimmering guitar and B-3 organ providing a gorgeously textured canvas for her haunting, soulful voice. And its storyline is an equally deep illustration of her multi-faceted writing, celebrating both the joy of life and its impermanence, while quietly reminding that the Earth is a delicate and mortal place that must be tended to flourish. “That song was the key to the album’s identity,” Hunt explains. “I had already written most of the songs, and felt they were about the things that are important to us all as people, but ‘The Beautiful Bones’ connected them. I was inspired by looking out my kitchen window while I was playing guitar and seeing the bare branches of a tree covered in snow, and I started to think about the layers we all have in our lives and the possibilities that come with each of them.
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Tipitina's Uptown: Rub the Head the Howlin' Wolf Offers Wide Variety
Tipitina's Uptown: rub the head Just a quick and relatively safe jaunt made a name for themselves at from the streetcar line lies a small club Tipitina's. One can see anything from with a big stage. The building has country to funk to R&B to jazz at the served many purposes over its 85 year "Fess" place. history, including a gymnasium, Tipitina' s attracts a young and seafood restaurant, gambling hall and energetic crowd. This is opposed to an infamous brothel (and not just five other local venues whose crowds are Tulane sorority sisters living together, I predominantly mid-life crisis sufferers, am sure). Today, the building houses the like the House of Blues. And, on the premier music venue in New Orleans. other hand, it is not a teenage pop As you walk into the club the first mecca, like the Lakefront Arena. Tip's thing you see, except the doorman of generally pulls in young locals, college I course, is a bust of the late jazz piano folk and a few older regulars. legend Professor Longhair. The Getting into Tip's is easy but the • Professor is the Buddha of the New bartenders usually check for bracelets at 1 Orleans music scene, for rubbing his the bar. The atmosphere is almost head is rumored to give good luck. The supernatural, marked by dim lighting • 'Fess is the patron saint of the club, and and dark wood paneling. It is a some say his ghost relatively clean venue compared to still possesses venues like the Howlin' Wolf and those who grace Carrollton Station.
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Roots and Branches Handout SESSIONS Revnov20
THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS : Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) THE BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
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2020 First Extraordinary Session ENROLLED SENATE
2020 First Extraordinary Session ENROLLED SENATE CONCURRENT RESOLUTION NO. 2 BY SENATOR CARTER AND REPRESENTATIVE LYONS A CONCURRENT RESOLUTION To express the sincere condolences of the Legislature of Louisiana upon the death of Arthur "Art" Lanon Neville. WHEREAS, it is with deep regret and profound sorrow that the Legislature of Louisiana learned of the passing of Art Neville, in New Orleans, Louisiana, at the age of eighty-one on July 22, 2019, after years of declining health; and WHEREAS, Arthur Lanon Neville was born on December 17, 1937, the son of Amelia (Landry) and Arthur Neville Sr.; and WHEREAS, he grew up in New Orleans and was a singer, songwriter, and keyboardist; and WHEREAS, Art Neville started on piano and performed with his brothers at an early age and was influenced by the R&B styles of James Booker, Bill Doggett, Booker T. Jones, Lloyd Glenn, and Professor Longhair; and WHEREAS, when in high school, he joined The Hawketts and, in 1954, recorded "Mardi Gras Mambo" that gained popularity and became a New Orleans carnival anthem; and WHEREAS, Art Neville joined the United States Navy in 1958 and returned to music in 1962; and WHEREAS, in the early 1960s, he formed the Neville Sounds which included Aaron Neville, Cyril Neville, George Porter, Leo Nocentelli, and Ziggy Modeliste playing at the Nitecap and the Ivanhoe nightclubs; and WHEREAS, Art Neville backed many notable artists such as Lee Dorsey, Betty Harris, and the Pointer Sisters; his band had a strong sense of "groove" and, unlike traditional groups, each instrument was free to lead and go anywhere musically … this style, over time, became known as "New Orleans Funk"; and WHEREAS, he was a staple of the New Orleans music scene for more than five Page 1 of 3 SCR NO.
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Big Band Early Jazz New Orleans Jazz Brass Band R
21st C. 21st C. Elec- 21st C. 21st C. 21st C. 90s/ Jazz Rock tronica R&B Rap Sacred Music 2000s Jason Moran Brittany Howard DJ Spooky The Roots Frank Ocean Kendrick Lamar Aeolians of Oakwood Kamasi Washington Gary Clark, Jr. Carl Craig Beyoncé Usher Kanye West Tasha Cobbs Concert & Roy Hargrove Janelle Monae Flying Lotus Rihanna Solange Nicki Minaj Jonathan McReynolds 90s Gospel Joshua Redman Stew Alicia Keys Jay-Z Marvin Sapp Terri Lyne Carrington Tamar-kali 50 Cent Kierra Sheard Kirk Franklin Classical Afropunk Trey McLaughlin Donnie McClurkin Mary Mary Audra McDonald, Soprano Donald Lawrence Lawrence Brownlee, Tenor Sounds of Blackness Morris Robinson, Bass 80s/90s Rock Techno 90s R&B 90s Rap Yolanda Adams Janinah Burnett, Soprano Nicole Mitchell, Composer Bad Brains Living Colour Doug Pinnick Juan Atkins R. Kelly Maxwell De La Soul Nas Tania Leon, Composer Fishbone Chocolate Genius Toshi Reagon Derrick May Mariah Carey Mary J. Blige A Tribe Called Jay-Z George E. Lewis, Composer Lenny Kravitz Garland Jeffreys Kevin Saunderson MeShell Erykah Badu Quest The Notorious 80s Superstars Terence Blanchard, Composer Tracy Chapman Slash D. Wynn NdegéOcello Boyz II Men Ice Cube B.I..G. Nkeiru Okoye, Composer D’Angelo Dr. Dre Lil’ Kim Michael Jackson Prince Lionel Richie Courtney Bryan, Composer Snoop Doggy Missy Elliott Tina Turner Whitney Houston Imani Winds, Wind quintet Dogg Lauryn Hill Wu-Tang Clan Outkast 80s Jazz House 80s Rap 2Pac 80s R&B 80s 70s/80s Wynton Greg Osby Frankie Knuckles Sugar Hill Gang LL Cool J Public Enemy Stevie Wonder Marsalis Geri Allen Ron Hardy Grandmaster Flash MC Lyte N .W.
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Mojeaux SONG LIST
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Artist of the Fifties
Artist of the Frankie Lymon and Harry Belafonte The Teenagers Danny and The Juniors Fifties Johnny Burnette The Chords James Brown Wanda Jackson Elvis Presley Bobby Darin Chuck Willis Chuck Berry Ritchie Valens Duane Eddy Miles Davis Dizzy Gillespie Lambert, Hendricks Buddy Holly & The Jackie Wilson and Ross Crickets The Modern Jazz Les Paul & Mary Ford Little Richard Quartet Johnnie Ray Frank Sinatra Louis Armstrong Bill Doggett Ray Charles Sam Cooke 90 Wilbert Bo Diddley Max Roach Harrison Ella Fitzgerald Link Wray "Tennessee" Ernie Woody Guthrie Ford Thelonious Monk Dinah Washington João Gilberto The Everly Brothers Dion Huey "Piano" Smith & Jerry Lee Lewis Cliff Richard The Clowns Fats Domino Nina Simone Dale Hawkins Sonny Rollins Screamin' Jay Hawkins The Clovers Muddy Waters Sarah Vaughan The Orioles Johnny Cash Little Willie John 9Lester Young Charles Mingus Jackie Brenston Jerry Butler Eddie Cochran Benny Goodman Clyde McPhatter Hank Williams Chet Baker The Diamonds Count Basie The Isley Brothers Lennie Tristano Gene Vincent The Flamingos Professor Longhair Bill Haley and His The Five Satins Kitty Wells Comets Marty Robbins The Chantels Dave Brubeck John Coltrane The Del-Vikings Ornette Coleman Cannonball Adderley Sun Ra Duke Ellington LaVern Baker Ruth Brown Howlin' Wolf Willie Mae "Big Mama" Billy Ward & The Art Blakey Thornton Dominoes The Coasters Nat King Cole The Big Bopper The Platters Erroll Garner The Champs Carl Perkins Julie London The Monotones Billie Holiday The Weavers Peggy Lee Big Joe Turner Tito Puente Art Pepper Charlie Parker Lonnie Donegan Horace Silver Lloyd Price Barrett Strong The Cadillacs Bud Powell Elmore James The Dells The Drifters The Penguins Patsy Cline Clifford Brown George Russell Little Walter Jacques Brel B.B.
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“Some Kind of Something Is Going on Down There” Crossroads at Congo Square by Robert H
Winter/Spring 2015 “Some Kind of Something Is Going On Down There” Crossroads at Congo Square by Robert H. Cataliotti The Neville Brothers’ live recording of the song “Congo Square” opens with a funky, percolating, second line1 drum groove, over which Cyril Neville declares, We’re gonna take you to New Orleans, To that place where American music was born, y’all, A place called Congo Square. The song, written by guitarist Sonny Landreth, harmonica player Mel Melton, and bassist David Ranson, is a paean to the nineteenth-century Sunday gatherings of African people on a field at the back of the city that were a combination of music and dance, spiritual ritual, marketplace, socializing, and tourist attraction. Congo Square in New Orleans brought together people from a range of African nations. While some were brought directly from Africa, many came through Saint-Domingue/Haiti and Cuba. African people born in the Americas also joined in the mix, and the gatherings attracted both the enslaved and free people of color (gens de couleur libres). In addition, Native Americans and Caucasian people whose origins were in Europe and the United States were drawn to the festivities. The gatherings in Congo Square were not only, as Neville asserts, an essential source point for American music; they were also an outlet to survive, resist, and transcend the brutal dehumanization and exploitation of slavery by maintaining a link to an African identity. These gatherings formed an artistic, cultural, and economic crossroads that was mysterious, powerful, and without precedent. As the song “Congo Square” proclaims, “some kind of something is going on down there.” Congo Square was unique because it was virtually the only locale in North America where African people were allowed to gather to perform their traditional music, especially their drumming.
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In Gratitude Playlist
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The Pride of New Orleans
DOWNBEAT 76th Annual Readers Poll Winners! 76TH 76TH A NNUAL REA NNUAL D E R S POLL POLL S W INNE Trombone R S // Tr OM B ONE ONE SHORTY S HO R TY // The Pride of A HMA D JAMAL New Orleans // E S P Poll Winners E R ANZA ANZA Ahmad Jamal Sp HALL OF FaME AL D ING Esperanza Spalding // B R A D Brad Mehldau M EHL D AU Miles Davis Jeff Beck COMPLETE RESULTS INSIDE! Rudresh DECEMBER 2011 U.K. £3.50 Mahanthappa BLINDFOLD TEST D E C EM Holiday B E R 2 011 Gift Guide DOWNBEAT.COM DECEMBER 2011 VOLUME 78 – NuMBER 12 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 | Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
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