Biobibliografisk Notis
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Alien Love- Passing, Race, and the Ethics of the Neighbor in Postwar
UNIVERSITY OF CALIFORNIA Los Angeles Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy In English By Hannah Wonkyung Nahm 2021 © Copyright by Hannah Wonkyung Nahm 2021 ABSTRACT OF THE DISSERTATION Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 by Hannah Wonkyung Nahm Doctor of Philosophy in English University of California, Los Angeles, 2021 Professor King-Kok Cheung, Co-Chair Professor Richard Yarborough, Co-Chair This dissertation examines Black-authored novels featuring White (or White-passing) protagonists in the post-World War II decade (1945-1956). Published during the fraught postwar political climate of agitation for integration and the continual systematic racism, many novels by Black authors addressed the urgent topic of interracial relationality, probing the tabooed question of whether Black and White can abide in love and kinship. One of the prominent—and controversial—literary strategies sundry Black novelists used in this decade was casting seemingly raceless or ambiguously-raced characters. Collectively, these novels generated a mixture of critical approval and dismissal in their time and up until recently, marginalized from the African American literary tradition. Even more critically overlooked than the ostensibly raceless project was the strategic mobilization of the trope of passing by some midcentury Black ii writers to imagine the racial divide and possible reconciliation. This dissertation intersects passing with postwar Black fiction that features either racially-anomalous or biracial central characters. Examining three novels from this historical period as my case studies, I argue that one of the ways in which Black writers of this decade have imagined the possibility of interracial love—with all its political pitfalls and ethical imperatives —is through the trope of passing. -
Alice Munro, at Home and Abroad: How the Nobel Prize in Literature Affects Book Sales
BNC RESEARCH Alice Munro, At Home And Abroad: How The Nobel Prize In Literature Affects Book Sales + 12.2013 PREPARED BY BOOKNET CANADA STAFF Alice Munro, At Home And Abroad: How The Nobel Prize In Literature Affects Book Sales December 2013 ALICE MUNRO, AT HOME AND ABROAD: HOW THE NOBEL PRIZE IN LITERATURE AFFECTS BOOK SALES With publications dating back to 1968, Alice Munro has long been a Canadian literary sweetheart. Throughout her career she has been no stranger to literary awards; she’s taken home the Governor General’s Literary Award (1968, 1978, 1986), the Booker (1980), the Man Booker (2009), and the Giller Prize (1998, 2004), among many others. On October 10, 2013, Canadians were elated to hear that Alice Munro had won the Nobel Prize in Literature. Since the annual award was founded in 1901, it has been awarded to 110 Nobel Laureates, but Munro is the first Canadian—and the 13th woman—ever to win. In order to help publishers ensure they have enough books to meet demand if one of their titles wins an award, BookNet Canada compiles annual literary award studies examining the sales trends in Canada for shortlisted and winning titles. So as soon as the Munro win was announced, the wheels at BookNet started turning. What happens when a Canadian author receives the Nobel Prize in Literature? How much will the sales of their books increase in Canada? And will their sales also increase internationally? To answer these questions, BookNet Canada has joined forces with Nielsen Book to analyze Canadian and international sales data for Alice Munro’s titles. -
A Canadian Example
Central European Journal of Canadian Studies Revue d’Etudes Canadiennes en Europe Centrale volume 12/13 (2018) | (51–62) The Book Cover as an Artistic Statement and a Cultural Phenomenon – A Canadian Example La couverture de livre comme déclaration artistique et phénomène culturel - un exemple canadien articles — Nikola Tutek articles Abstract This paper deals with some basic features of postmodernist book cover designs, the appli- cation of the theory of multimodality in book cover design analyses, and, most importantly, the cultural aspect of creation and interpretation of book cover designs. My research and respective results are exemplified by short analyses of cover designs of three collections of short fiction by Alice Munro, which feature the artwork of the Canadian painter Mary Pratt. The focus of analyses is on the interrelations between the artistic and cultural features of both images and texts, and how these interrelations help in establishing the notion of Canadianness. Keywords: multimodality, Alice Munro, Mary Pratt, book cover, Canadianness Résumé Cet article traite de quelques caractéristiques de base des couvertures de livres postmoder- nistes, de l’application de la théorie de la multimodalité dans les analyses de conception de couvertures de livres et, surtout, de l’aspect culturel de la création et de l’interprétation des couvertures. Mes recherches et résultats respectifs sont illustrés par de brèves analyses de couvertures de trois collections de court métrage d’Alice Munro, qui présentent l’œuvre de la peintre canadienne Mary Pratt. Les analyses portent sur les interrelations entre les caractéristiques artistiques et culturelles des images et des textes, et sur la façon dont ces interrelations aident à établir la notion de canadianité. -
Biobibliographische Notiz
Biobibliographische Notiz Alice Munro wurde am 10. Juli 1931 in Wingham in der kanadischen Provinz Ontario geboren. Ihre Mutter war Lehrerin und ihr Vater Fuchsfarmer. Nach dem Schulbesuch studierte sie Journalistik und Englisch an der Universität Western Ontario, brach das Studium jedoch ab, als sie 1951 heiratete. Zusammen mit ihrem Mann zog sie nach Victoria in Britisch-Kolumbien, wo beide eine Buchhandlung eröffneten. Munro begann bereits in jungen Jahren, Erzählungen zu schreiben, doch als Buchautorin debütierte sie erst 1968 mit der Novellensammlung Dance of the Happy Shades , die in ihrem Heimatland gro be Anerkennung fand. Seit Beginn der 1950er Jahre hatte sie bereits in verschiedenen Zeitschriften publiziert. Im Jahre 1971 gab sie eine Reihe Erzählungen unter dem Titel Lives of Girls and Women (Kleine Aussichten: ein Roman von Mädchen und Frauen , 1983) heraus, ein Buch, das Kritiker als Bildungsroman bezeichneten. Munro wurde insbesondere als Autorin von Erzählungen bekannt, und im Laufe der Jahre entstanden zahlreiche Bände. Zu ihren Werken zählen Who Do You Think You Are ? (1978; Das Bettlermädchen: Geschichten von Flo und Rose , 1981), The Moons of Jupiter (1982; Die Jupitermonde, 1986), Runaway (2004; Tricks, 2006), The View from Castle Rock (2006; Wozu wollen Sie das wissen? 2008) und Too Much Happiness (2009; Zu viel Glück , 2011). Der Band Hateship, Friendship, Courtship, Loveship, Marriage (2001; Himmel und Hölle , 2004) bildete den Ausgangspunkt für den 2006 entstandenen Film Away from Her (An ihrer Seite ) der Regisseurin Sarah Polley. Munros jüngster Band Erzählungen hei bt Dear Life (2012). Munro erfährt hohe Anerkennung für ihre feinstimmige novellistische Erzählkunst, die ein klarer Stil und psychologischer Realismus auszeichnen.