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Claire Kincade [email protected] Clairekincade.Com
Claire Kincade [email protected] clairekincade.com Education 2012 Pennsylvania Academy of the Fine Arts, Certificate in Painting 2016 University of Pennsylvania, Bachelor of Fine Arts Solo Shows 2016 Colors in Rhythm, Gross McCleaf Gallery, Philadelphia, PA Group Shows 2018 New Radicals, curated by Aubrey Levinthal, Cerulean Art, Philadelphia, PA In, Around, and Through: Navigating Spaces, Noba Artspace, Bala Cynwyd, PA 2017 Annual National Juried Show, juried by Stuart Shils, Prince Street Gallery, Chelsea, NY Painted-Paint-Painting, Gross McCleaf Gallery, Philadelphia, PA Emerging Artists Exhibit, Philadelphia Sketch Club, Philadelphia, PA 2015 Mother Nature, Gallery 543, Philadelphia, PA Daybreak, Works on Paper Gallery, Philadelphia, PA Claire Kincade, Joyce Werwie Perry, and Laura Adams, Cerulean Arts, Philadelphia, PA 2014 Separate Spaces, Conservation Studio for Art, Philadelphia, PA Should I Stay or Should I Go? Gross McCleaf Gallery, Philadelphia, PA A Fine Arrangement, curated by Jan Baltzell and Michael Gallagher, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Lilies, Figs and Folly: Contemporary Still Life, curated by Bill Scott, Cerulean Arts, Philadelphia, PA 2013 First Annual Juried Exhibition, juried by Stuart Shils, Cerulean Arts, Philadelphia, PA Shared Space, Conservation Studio for Art, Philadelphia, PA 2012 Benefit Show, DASBAM, Philadelphia, PA Annual Student Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2011 Figure, Blue Streak Gallery, Williamtown, DE Figure, Oxford Arts Alliance, Oxford, PA Annual Student Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Lectures Artist Talk, Cerulean Arts Gallery, November 2015 Panel Discussion, Pennsylvania Academy of the Fine Arts, March 2014 Grants/Awards/Honors 2013 Cerulean Arts, First Place in Annual Juried Exhibition, Philadelphia, PA 2012 PAFA, The Louis S Ware Travel Scholarship, Philadelphia, PA 2011 PAFA, The Elizabeth Arrasmith Memorial Scholarship, Philadelphia, PA PAFA, The Gamblin Paint Prize, Philadelphia, PA . -
SPEAKERS LIST, 1984-1991 Institute of Bill of Rights Law Professor
SPEAKERS LIST, 1984-1991 Institute of Bill of Rights Law Professor Kathryn Abrams Boston University School of Law: Freedom of Expression: Past, Present and Future (1991) Terrence B. Adamson, Esq. Dow, Lohnes & Albertson: Libel Law and the Press: Myth ami Reality (1986) Allan Adler, Esq. Counsel for Center of National Security Studies, American Civil Liberties Union: National Security and the First Amendment (1985) The Honorable Anthony A. Alaimo United States District Court for the Southern District of Georgia: Conference for the Federal Judiciary in Honor of the Bicentennial of the Bill of Rights (1991) The Honorable Arthur L. Alarcon United States Court of Appeals for the Ninth Circuit: Conference for the Federal Judiciary in HOIwr of the Bicentennial of the Bill of Rights (1991) Professor Anita L. Allen Georgetown University Law Center: Conference for the Federal Judiciary in Honor of the Bicentennial of the Bill of Rights (1991); Bicentennial Perspectives (1989) Professor Robert S. Alley Department of Humanities, University of Richmond: Fundamentalist Religion and The Secular State (1988) The Honorable Frank X. Altimari United States Court of Appeals for the Second Circuit: COliference for the Federal Judiciary in Honor of the Bicentennial of the Bill of Rights (1991) David A. Anderson Thompson & Knight Centennial Professor, University of Texas: Libel Law ami the Press: Myth and Reality (1986); National Security and the First Amendment (1985); Defamation ami the First Amendment: New Perspectives (1984); Legal Restraints on the Press (1985) Libel on the Editorial Pages (1987) Professor Douglas A. Anderson Director, Walter Cronkite School of Journalism and Teleconuuunication, Arizona State University: Libel on the Editorial Pages (1987) Professor Gerald G. -
What Inflamed the Iraq War?
Reuters Institute for the Study of Journalism Fellowship Paper, University of Oxford What Inflamed The Iraq War? The Perspectives of American Cartoonists By Rania M.R. Saleh Hilary Term 2008 1 ACKNOWLEDGEMENT I would like to express my deepest appreciation to the Heikal Foundation for Arab Journalism, particularly to its founder, Mr. Mohamed Hassanein Heikal. His support and encouragement made this study come true. Also, special thanks go to Hani Shukrallah, executive director, and Nora Koloyan, for their time and patience. I would like also to give my sincere thanks to Reuters Institute for the Study of Journalism, particularly to its director Dr Sarmila Bose. My warm gratitude goes to Trevor Mostyn, senior advisor, for his time and for his generous help and encouragement, and to Reuter's administrators, Kate and Tori. Special acknowledgement goes to my academic supervisor, Dr. Eduardo Posada Carbo for his general guidance and helpful suggestions and to my specialist supervisor, Dr. Walter Armbrust, for his valuable advice and information. I would like also to thank Professor Avi Shlaim, for his articles on the Middle East and for his concern. Special thanks go to the staff members of the Middle East Center for hosting our (Heikal fellows) final presentation and for their fruitful feedback. My sincere appreciation and gratitude go to my mother for her continuous support, understanding and encouragement, and to all my friends, particularly, Amina Zaghloul and Amr Okasha for telling me about this fellowship program and for their support. Many thanks are to John Kelley for sharing with me information and thoughts on American newspapers with more focus on the Washington Post . -
Communities Prepare for MLK Day Celebrations
GIRL SCOUT COOKIES MAKING ANNUAL APPEARANCE, A3 LEESBURG, FLORIDA Saturday, January 11, 2014 www.dailycommercial.com BITTER PILL: Medicare changes would nix SPORTS: Montverde Academy guaranteed access to some drugs, A5 to dedicate Cruyff Court, B1 Jobs report shockingly weak CHRISTOPHER S. RUGABER for four straight months — steady job growth. AP Economics Writer a key reason the Federal Re- Blurring the picture, a wave WASHINGTON — It came serve decided last month to of Americans stopped look- as a shock: U.S. employers slow its economic stimulus. ing for work, meaning they added just 74,000 jobs in De- So what happened in De- were no longer counted as cember, far fewer than any- cember? Economists strug- unemployed. Their exodus one expected. This from an gled for explanations: Unusu- cut the unemployment rate economy that had been add- ally cold weather. A statistical from 7 percent to 6.7 percent AP FILE PHOTO ing nearly three times as many quirk. A temporary halt in SEE ECONOMY | A5 Job seekers wait in line at a job fair in Miami. Decision delayed on Niagara’s call to double draw Staff Report aquifer by 2016. Wa- Water management ter manage- officials say they need ment offi- more time to review cials then Niagara Bottling’s re- said they quest to nearly double DANTZLER would rec- the amount of water its ommend draws from the Floridan the district’s board of Aquifer, so a permit re- governors approve the view scheduled for Tues- request when it meets day has been pushed Tuesday. back to Feb. -
Philadelphia
ICON – PHILADELPHIA LOFTS AT LOGAN VIEW 1666 CALLOWHILL 1 FRANKLIN TOWN 17TH & CALLOWHILL 1 SHOT COFFEE 1040 N 2ND ST ( AMERICAN AT GEORGES) 110 CHURCH GALLERY 110 CHURCH STREET 12TH STREET GYM 204 S 12TH STREET 1830 RITTENHOUSE 1830 RITTENHOUSE 2101 COOPERATIVE INC 118 S 21ST STREET 2130 ARCH STREET 2130 ARCH 22 FRONT ST CONDOS 22 FRONT ST 220 W RITTENHOUSE 220 W RITTENHOUSE 23RD STREET CAFÉ 233 N 23RD ST 3RD STREET GALLERY 45 NTH 2ND STREET 4 PENN CENTER 1600 JFK BLVD A FULL PLATE CAFE 1009 N BODINE ST A X D GALLERY 265 S 10TH ST ACADEMY HOUSE 1420 LOCUST ST ADELPHIA HOUSE 1229 CHESTNUT STREET AIGA GALLERY 72 N 2ND ALEXANDER INN 301 S 12TH ST ALLIED ADVERTISING 2001 MARKET STREET ANJOU RESTAURANT 206 MARKET STREET ANNENBERG CENTER 3680 WALNUT ST ARCADIA BOUTIQUE 819 N 2ND ST ARCH ENEMY 109 ARCH STREET ARDEN THEATRE 40 N 2ND ST ART INSTITUTE 1622 CHESTNUT ST ART INSTITUTE 2300 MARKET ST ART JAZZ GALLERY 70 N 2ND ART STAR 623 NTH 2ND STREET ARTHUR ROSS GALLERY 220 S 34TH STREET ARTIST & CRAFTSMAN SUPPLY 307 MARKET ST ARTIST HOUSE GALLERY 57 N 2ND ST ARTS TOWER CONDOS 1324 LOCUST ATRIA SENIOR LIVING 150 N 20TH ST AU BON PAIN - 30TH ST STATION 2951 MARKET STREET AU BON PAIN - DIETRUCH HAL 3620 LOCUST WALK ICON – PHILADELPHIA AU BON PAIN - HUNTSMAN BLDG 3730 WALNUT ST 2ND AU BON PAIN - U OF P MEDICAL CTR 421 CURRIE BLVD BAILY BUILDING 1218 CHESTNUT STREET BAR FERDINAND 1030 N 2ND ST BELGRAVIA CONDOS 1811 CHESTNUT BELLVUE BLDG FOOD COURT 1415 CHANCELLOR ST BLICK ART MATERIALS 1330 CHESTNUT STREET BLUESTONE FINE ART GALLERY 142 N 2ND STREET -
A L E X a N D R a T Y
A L E X A N D R A T Y N G 117 Woodside Avenue, Narberth PA 19072 (610) 664-0651 [email protected] www.alexandratyng.com ____________________________________________________________________________ BIOGRAPHY Alexandra Tyng is a contemporary realist painter known for her narrative, symbolic figurative works, her expansive aerial landscapes, and her portraits. She is currently working in Philadelphia, PA. BORN 1954, Rome, Italy EDUCATION: Harvard University, Cambridge, MA, B.A. Fine Arts 1975 University of Pennsylvania, Philadelphia, PA, M.S. Education 1977 SOLO EXHIBITIONS: 2019 Transitional Space, Dowling Walsh Gallery, Rockland, ME 2017 Brief Window, Dowling Walsh Gallery, Rockland, ME 2015 Ways and Intersections, Gross McCleaf Gallery, Philadelphia, PA 2013 The Unseen Aspect, Dowling Walsh Gallery, Rockland, ME 2012 Alexandra Tyng: Maine, Fischbach Gallery, New York, NY 2011 Right Here: New Maine Island Paintings, Dowling Walsh Gallery, Rockland, ME 2009 Above and Beyond, Fischbach Gallery, New York, NY 2005 Wide Angles and Peripheral Visions, Fischbach Gallery, New York, NY Alexandra Tyng ’71, Select Gallery, Philadelphia, PA 2003 On the House, Fischbach Gallery, New York, NY 2001 Maine Times, Fischbach Gallery, New York, NY 1999 Paintings of Maine, Fischbach Gallery, New York, NY 1997 Alexandra Tyng, Fischbach Gallery, NY, City Arts League, Philadelphia, PA 1994 Lakes and Camps, University City Arts League, Philadelphia, PA GROUP EXHIBITIONS: 2020 Allied Artists of America 107th Exhibition, National Arts Club, New York, NY, Len G. Everett Memorial Award The Maine Event, Gallery 222, Malvern, PA Holiday Salon, Dowling Walsh Gallery, Rockland, ME 2019 Maine, the Painted State, Greenhut Gallery, Portland, ME Painting the Figure II, Wausau Museum of Contemporary Art, WI 2018 Trust the Process, curated by Randall Graham, Gallery 222, Malvern PA 2017 Women Painting Women: In Earnest, curated by Alia El-Bermani, Customs House Museum, Clarkesville, TN; Texas A&M J. -
The Monthly Newsletter of the Philadelphia Sketch Club
The Monthly Newsletter of the Philadelphia Sketch Club Gallery hours: Wednesday, Friday, Saturday, Sunday: 1 PM to 5 PM August 2015 Ken Weiner Inside “The Portfolio”: Reminder: It’s never too late. You can always renew your membership for 2015! Contribute to the Sketch Club 2 Price for standard membership is now $160 for Current Public Relations Initiatives 2 renewal. You may pay online at http://sketchclub.org/annual-dues-payment/ Sketch Club Activities 3 or mail your check to: Focus on: Sketch Club 155th Anniversary Gala 5 The Philadelphia Sketch Club 2015 PSC Main Gallery Schedule 6 235 S. Camac St. Philadelphia, PA 19107 2015 Stewart Gallery Exhibition Schedule 7 For questions please contact the Gallery Art Natters: Member News 8 Manager at 215-545-9298 or email: Open Workshop Schedule 14 [email protected] Call for Volunteers 15 Late Breaking News – See items that were submitted after the publication date. Go to: Send your member news, announcements and corrections to [email protected]. The deadline for ALL submissions is 1 week http://sketchclub.org/late-breaking-news/ before the end of the month. The PSC general email is: info@sketchclub The Philadelphia Sketch Club - 235 South Camac Street - Philadelphia PA 19107 - 215-545-9298 A nonprofit organization under Chapter 501(c)(3) of the Internal Revenue Code. Page 1 The Monthly Newsletter of the Philadelphia Sketch Club Gallery hours: Wednesday, Friday, Saturday, Sunday: 1 PM to 5 PM August 2015 Contribute to the Sketch Club Please consider additional giving tax deductible financial support to the Sketch Club beyond your basic membership dues. -
For Immediate Release: March 27, 2018
CONTACT: Cardenas Grant Communications Luz Cardenas - 215.520.8850 Email: [email protected] For Immediate Release: March 27, 2018 MAYOR JIM KENNEY AND A HOST OF CITY LEADERS HELP DISTRIBUTE $2.67 MILLION TO ARTS & CULTURE ORGANIZATIONS ESSENTIAL TO THE DIVERSE MIXTURE OF ARTS PROGRAMS ENRICHING CITY LIFE PHILADELPHIA — In a City Hall ceremony, hundreds of Philadelphia arts and culture organizations received 2.67 million in Art & Culture Grants from the Philadelphia Cultural Fund for 2018. The funds will help support 325 local arts groups in communities throughout the City. From small, volunteer and neighborhood organizations like G-town Radio and KyoDaiko Japanese Taiko Drummers to well established institutions such as Taller Puertorriqueño and The Barnes Foundation, these cultural venues are essential to the diverse mixture of arts programs which enrich City life. Mayor James Kenney and a host of city leaders attended the grant award ceremony in the Mayor’s reception room. “Our city is all the more vibrant and attractive because we have such a dynamic, diverse cultural life in Philadelphia,” said Mayor Jim Kenney. “Whether it’s music or theater or fine arts, our neighborhoods are brimming with the talent that is being recognized today and rewarded for their dedication and contributions. Support of the arts is not an option, it is an essential part of what defines us as a first class city.” Since 1991, the City of Philadelphia has allocated money for direct funding for arts and culture organizations with a special aim to provide general operating funds, the most difficult kind of philanthropic support to secure, to arts and culture programs including those that are underserved by mainstream funders. -
Materializing Blackness: the Politics and Production of African Diasporic
A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree by Examining Committee Members: ABSTRACT “Materializing Blackness: The Politics and Production of African Diasporic Heritage” examines how intellectual and civic histories collide with the larger trends in the arts and culture sector and the local political economy to produce exhibitions at the African American Museum in Philadelphia (AAMP) and structure the work that museum exhibitions do to produce race visually for various audiences. Black museums are engaged in the social construction of race through their exhibitions and programs: selecting historical facts, objects and practices, and designating them as heritage for and to their audiences. In tracking this work, I am interested in 1) the assemblages of exhibits that are produced, as a function of 2) the internal logics of the producing institutions and 3) larger forces that structure the field as a whole. Looking at exhibits that engage Blackness, I examine how heritage institutions use art and artifacts to visually produce race, how their audiences consume it, and how the industry itself is produced as a viable consumptive market. Undergirded by the ways anthropologists of race and ethnicity have been explored and historicized race as a social construction I focus on an instantiation of the ways race is constructed in real time in the museum. This project engages deeply with inquiries about the social construction of race and Blackness, such as: how is Blackness -
Our Doors Are Always Open
Our doors Dear Abby Pat Oliphant are always open. Ziggy Roger Ebert Pooch Café The Argyle Sweater Cynthia Tucker Stone Soup Sales and Editorial Contacts at: Cul de Sac Pet Connection www.amuniversal.com/ups Fact Sheet • September 2008 4520 Main St. • Kansas City, MO 64111 800-255-6734 • 816-932-6600 TJ Tomasi, Golf Insider Close to Home PRICKLY CITY by Scott Stantis • Daily and Sunday COMIC PANELS — 1/3 st., 1/4 st., 1/3 tab BUSINESS & FINANCE THE ARGYLE SWEATER by Scott Hilburn • STONE SOUP by Jan Eliot • Daily and Sunday THE MOTLEY FOOL • Weekly • Composed Daily and Sunday —1/3 st., 1/4 st., 1/3 tab — 1/3 st., 1/4 st., 1/3 tab half-page of lively investment advice CLOSE TO HOME by John McPherson • Daily TANK McNAMARA by Jeff Millar and Bill Hinds SCOTT BURNS by Scott Burns • 2x weekly and Sunday — 1/3 st., 1/4 st., 1/3 tab • Daily and Sunday — 1/3 st., 1/4 st., 1/3 tab • Savvy advice to put your finances in order CORNERED by Mike Baldwin • Daily color or b/w TOM THE DANCING BUG by Ruben Bolling and Sunday — 1/3 st. • Weekly (oversized) COLOR & GRAPHIC SERVICES THE 5TH WAVE by Rich Tennant • Weekly FACES IN THE NEWS by Kerry Waghorn • Available in color or b&w SUNDAY–ONLY FEATURES • 3 images offered weekly • Color and b&w THE FLYING MCCOYS by Glenn and Gary McCoy BIOGRAPHIC by Steve McGarry • Boldly illustrated • Established master caricaturist • Daily and Sunday — 1/3 st., 1/4 st., 1/3 tab personality profiles — 1/3 st., 1/4 st., full tab PRIMARY COLOR created by Harriet Choice • Four IN THE BLEACHERS by Steve Moore • Daily * FAMILY TIME CROSSWORD by Timothy Parker • categories can be purchased all together or and Sunday — 1/3 st., 1/4 st., 1/3 tab Crossword puzzle for kids and parents to work separately. -
UPS Fact Sheet 9/04B
Fact Sheet • June 2006 4520 Main St. • Kansas City, MO 64111 800-255-6734 • 816-932-6600 www.amuniversal.com/ups CORNERED by Mike Baldwin • Daily color FOCUS • Full page • National and international ADVICE or b/w and Sunday news and analysis CONSEJOS by Liliana Gundlach, Catherine Jagers THE 5TH WAVE by Rich Tennant • Weekly GENERATIONS • Half-page • Feature news for the and Daniel Ramirez • Weekly • Bilingual advice • Available in color or b&w growing mature readership from three personable, hip young Latino THE FLYING MCCOYS by Glenn and Gary GOLF INSIDER • Full page • Coverage of pro professionals • Available in Spanish McCoy • Daily and Sunday tours and expert instruction from T.J. Tomasi, DEAR ABBY by Abigail Van Buren • 7x weekly; IN THE BLEACHERS by Steve Moore • Daily a Top 100 teaching pro available as composed column • The one and only and Sunday THE GREAT OUTDOORS • Half-page • Hunting FOCUS ON THE FAMILY by Dr. James Dobson NON SEQUITUR by Wiley • Daily and Sunday and fishing, hiking and camping • Weekly • Forum on family values with a REAL LIFE ADVENTURES by Lance Aldrich and HEALTHY LIVING • Full page • Columns and Christian perspective • Available in Spanish Gary Wise • Daily and Sunday news features about personal health and fitness THE LAST WORD IN ASTROLOGY by ZIGGY by Tom Wilson • Daily and Sunday LIFESTYLES • Full page • Entertainment, home Eugenia Last • 7x weekly; available as composed • Available in Spanish improvement, fashion and consumer tips column • Multimedia astrologer brings an ancient NASCAR INSIDER • Full -
Measuring Anti-Americanism in Editorial Cartoons By
Measuring Anti-Americanism in Editorial Cartoons By: Mark Long, Rick L. Bunch, and Robert Earl Lloyd Long, M., Bunch, R.L., & Lloyd, R.E. (2009). Measuring anti-Americanism in editorial cartoons. Social Science Quarterly, 90, 652-673. DOI: 10.1111/j.1540-6237.2009.00636.x. ***Note: This version of the document is not the copy of record. Made available courtesy of Wiley-Blackwell. The definitive version is available at www3.interscience.wiley.com. ***Note: Figures may be missing from this version of the document. Abstract: Objective- Anti-Americanism has been subjected to minimal statistical analysis. Further, scant attention is paid to what constitutes anti-Americanism for Americans. The objective of this article is to measure Americans' perceptions of anti-Americanism. Methods- Using a range of quantitative methods, including Pearson's correlation coefficient, Shannon's entropy measure, and Cohen's d statistics, we measure students' evaluations of editorial cartoons after 9/11. Twin measures of message and equity, along with participant and cartoon variables, are used to calibrate anti-Americanism in Spanish and U.S. editorial cartoons. Results- Our results indicate that message ratings, that is, anti- or pro-American, were more dependent on the nature of the cartoons than of the participants. White males rated these editorial cartoons as more equitable than other participants. The study shows that Spanish cartoons were rated significantly more anti-American. Conclusion- The article concludes that the use of U.S. icons is key to seeing anti-Americanism, along with gender, race, and origin of cartoon. Article: Anti-Americanism is increasingly salient in popular and scholarly discourses in the United States in this early part of the 21st century, as America's image has “plummeted throughout much of the world” (Kohut, 2007:13).