ROBERTS & TILTON 5801 Washington Boulevard FOR IMMEDIATE RELEASE Culver City, CA 90232 October 14, 2011 T 323-549-0223 F 323-549-0224 www.robertsandtilton.com
[email protected] In Context October 29 - December 17, 2011 Opening Reception Saturday, October 29th, 6-8pm Radcliffe Bailey, Romare Bearden, Hannelore Baron, Louise Bourgeois, Hans Burkhardt, Joseph Cornell, Dale Brockman Davis, David Hammons, George Herms, Sola Irene, Ed Kienholz, Kyle Leeser, Maddy Leeser, Michael McMillian, Demetrius Oliver, John Outterbridge, Man Ray, Robert Rauschenberg, Alison Saar, Betye Saar, Lezley Saar, Kiki Smith, Gordon Wagner, Hank Willis Thomas. Roberts & Tilton is pleased to announce, In Context, a group exhibition celebrating Betye Saar’s solo installation, Red Time. Artists proceeding, following and contemporary to Saar contextualize and historicize varying facets of Saar’s fifty-year oeuvre. Each participating artist references a particular aspect of Saar’s practice: found object Assemblage, socially charged imagery, or works of metaphysical focus. Joseph Cornell’s Assemblage boxes were an early and prominent influence on Saar. Cornell’s 1967 retrospective at the Pasadena Art Museum coincided with the emergence of Saar’s transition from drawing and printmaking to the Assemblage work for which she is best known. Man Ray and Robert Rauschenberg, both having well-documented histories working in Los Angeles, share similarities to Saar; Ray: in obscure content, Rauschenberg: in comparable style. Ray and Rauschenberg, along with Ed Kienholz, were part of the foundational bridge between Los Angeles and the international art world. In this exhibition, Ed Kienholz is represented by The Minister, a stately Assemblage from 1961. Like Saar, Kienholz utilized found objects as the underpinnings for social commentary—often harsh, complicated and grim; like Kienholz, Saar creates these challenging works as a vehicle for societal change.