DOCSLIB.ORG

Skyliner #5 a Zine from Pixel Motel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Skyliner #5 a Zine from Pixel Motel Everything in its own place. Something about Fan Art ......... 03 Guest Artist: Geneva Bowers . 06 Fan Art Tribute ......................... 11 MovieTime ............................... 22 A Visit with Edgar Rice Burroughs ............. 24 Drinking Things ........................ 28 Things We May Have Done ...... 32 Pixelarium (LoCs) ..................... 33 Cover Art Space Letterman by: Geneva Bowers Skyliner #5 A Zine from Pixel Motel. ©2019 Pixelmotel properties owned only by donating artists and may not be reproduced without express say-so from the artist. In case you haven’t been warned, PC doesn’t live here. If you need a warning about anything, this isn’t for you, and if you can’t take a joke, go no further. Alan White Fandom’s Sin-Cake Eater CONTACT IIIIIII IIIIIIIIIIIIII IIIIIII Fan Art Hugo Winner Geneva Bowers has graciously shared her splendid art with us for this issue which lead to tracking down artists of yesterday, today and tomorrow to either meet for the first time or reacquaint in this cross-generational celebration of Fan Artistry! What a Long Strange Trip It's Been, as Jerry Garcia was want to say. Nostalgia allows a few of us to mine the gray cells back to the days when artists and writers were held prisoner only by the means with which their work could be reproduced, assembled and distributed. In fact, it was a group effort. I remember nights in Bjo Trimble’s basement watching the mimeo drum spin and joining the group of silent robots walking endlessly ‘round and ‘round the kitchen table collating pages of her latest masterpiece. I met Bjo at Forry Ackerman’s digs in 1960 and discovered I lived only a few miles from her. She introduced me to fanzines and fannish doodles known as “Fan Art”. Art was basically lauded for originality and the technical ability of drawing into Bjo Trimble, 1965 a wax stencil, plus the arcane skills of running a mimeograph. If not that, then being funny, fannish and mentioning other fans was a must. The only way of showing off your art was in poorly reproduced fanzines and convention art shows. But there were some stunning successes too. In fact, some of the work was so damn dedicated, you might wonder why, since zines are now remarkably easy to produce, and there are artists like Geneva Bowers and other Hugo nominees, most covers today are photographs and clipart. Exhibit A. Time and energy shared with friends is a good thing, though the current zine revival has repurposed the word “Fanzine” and returned to paper and scissors which old timers may think more craft project than zine. Artwork for “The Reign of the Super-Man” in the fanzine Science Fiction: The Advance Guard of Future Civilization #3 (January 1933). Written by Superman creators Jerry Siegel as “Herbert S. Fine”; illustrated by Joe Shuster. Fan Art Hugos began in 1967 when there was a marked difference between fan and pro art. In fact, the first winner was Jack Gaughan, taking both Pro and Fan Art Hugos that year. < Jack Gaughan Pro Art for The Wrecks of Time by Michael Moorcock - 1967 Jack Gaughan Fan Art > Captain Rats - 1967 1965 to 1974 Jack was nominated for eleven Pro Hugos taking home three consecutive rockets. He scored a nomination and win for Fan Art Hugo in 1967. It’s fair to ask a current definition of Fan Art as I readily admit I don’t have a clue. In the realm of Comics fandom, the line between Fan and Pro is barely negligible if at all. In TruFandom, you can’t see either shore, the distance becoming vast indeed since the days of George Barr (5 noms, 1 win), and Alicia Austin (3 noms, 1 win). The new generation of artists have successfully closed the gap on that score. Publishing and distributing a zine was tenuous at best, and with much grinding of teeth an artist would send off perhaps a week’s work to a fan-ed which may never see the light of day, nor be returned. Instead of an original, I once sent a photocopy of a fillo to a fan- ed who severely scolded me for destroying “the very concept” of fan art. Today, with so many modes of creation and venues for distribution, least of which is a historical fanzine format, someone much younger and more active will have to tell me just what is the purpose of Fan Art today, and is Fan Art actually done for fans? Back in the day, art was shared for free to liven up fanzines when Fandom was small enough you at least knew (of) everyone. Art since the inception of home computers and the internet, gallops hand in hand with the main- streaming of science fiction and fantasy. As fandom has become a worldwide phenomenon, ubiquitous, yet less about creativity and process while more about derivative replication making an accurate definition more important now than ever. Definitions are contradictory and Rules seem vague at best. So far, my pleas have fallen on deaf eyeballs, so yes, I’ll need your help. It’s not what it was in 1960, nor should it be; so let’s take a gander at fannish art today. TruFandom still has it own accolade: The FAAn Award given at the annual Corflu, much like the Hugos except for, ummmm everything. And in these waning years, it’s become more a self congratulatory event for celebrating things they barely remember doing. But as if to prove my point, the purview of older fandom has become so rigid, they don’t allow themselves to enjoy the wider selection of younger fan artists available. If not for Steve Stiles I would have no idea who any of the Hugo contenders were, nor even how I would find out who they are. Thus, inspiration for this issue. How the tribute went down: I tracked down fan artists, starting with anyone nominated for a Hugo still extant; anyone winning a Rotsler or FAAn Award. A few had passed; some had bowed out with no possible contact info. There was a pair of “I’ll think about its," and a pair of “I’m too busy” letters, fair enough. I never asked anyone to actually do any art, just share something representative of what they have done. Venturing into the web unknown I posted to many Facebook pages smacking of fan and genre art; some immediately deleted by admin. Then Deviant Art, Pinterest, Googling Fanart names of yore. China, Canada, Sweden, France, Russia, all about the U.S. A few years back, Taral and I assembled an online Fan Art Gallery lest those gone before be forgotten. It was like pulling teeth and eating their pets. And in the end, interest in such things proved nonexistent. I was hoping the youngsters would come through for this project. With invites exceeding 200 I really thought I’d get at least thirty takers. Who wouldn’t want to share an issue with Geneva Bowers? Nic Farey thought I’d only get two; oh ye of little faith. Well, I showed him, I got 11 (crap!), and not a one under fifty! Not a single younger artist responded. Perhaps they have the same tunnel vision as the old timers. But to be honest, why would they contribute to zines boasting a completely different fannish frame of reference to which they normally subscribe? Oh well, it is, what it is. Thanks to artist wranglers Brad and Taral for casting the nets even wider, much appreciated. Let’s hope when younger artists see Geneva’s work in these pages they will be less reticent to share; they are always welcome here. So with great pleasure let’s visit our Hugo winning guest artist: Geneva Bowers. GUEST ARTIST GENEVA BOWERS Geneva Bowers is a self taught freelance artist residing in the North Carolina Mountains. Her love of nature and fantasy influences her artwork in every degree. Her main medium is digital, working in Adobe Photoshop and Art Studio Pro. When not drawing, she loves to go for a quick cycle and watching cheesy court shows. WEBSITE In 1960 I received fanzines through the mail and fandom became more than a concept; fanzines made it tangible. Brightening covers and each page of badinage were illustrations; outlandish, stylish, pithy yet singular of color. Zines were like smoke signals launched by isolated fans declaring “Here I am and here’s how I see it!” Many cartoons were early avatars of the fans themselves. Listen closely, you can hear voices from sixty years prior; smell the fuzzy paper and ink they were printed with - essence of Fandom itself. However, when Fandom went mainstream with the advent of Star Trek/Wars, history reset itself. Go ahead, Google “Fan Art”, evidently, fanart started yesterday. I’ve been grousing over being out of touch with fandom, particularly fan artists. Thus it’s up to me to offer the olive branch. Our Guest was an easy call for the Best Fan Artist Hugo. The images of Geneva Bowers are delightful in their style and personal originality, breathing a fresh nuance of science fiction and fantasy into real world daydreams. Today them millennial young’ns have the mob, the mode, the enthusiasm and the means to cover the world with art in a heartbeat. They also have the ability to use modern utilities in creating their art in spectacular new ways. We may have been here first, but they are here now. Just maybe it’s time we learn something from them. Let’s see what we get. MMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM \MMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM MMM MMMMMMMMMMMMMMMMMMMMMMMMMM MMMMMMMMMMM MMMMMMMMMMMMMMMMMMMMMMMMMM TARAL WAYNE Canada “If I’ve become a “lifelong fan,” it wasn’t for the lack of trying to be something else – illustrator, comic book artist, writer, SF editor… But being a “fan” seems to be what I was cut out for.
Load more

Recommended publications
  • To Sunday 31St August 2003
    The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
    [Show full text]
  • Audiences, Gender and Community in Fan Vidding Katharina M
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos.
    [Show full text]
  • Expressions in Fan Culture
    Háskóli Íslands Hugvísindasvið Japanskt mál og menning Expressions in Fan Culture Cosplay, Fan Art, Fan Fiction Ritgerð til BA-prófs í japönsku máli og menningu Ragnhildur Björk Jóhannsdóttir Kt.: 210393-2189 Leiðbeinandi: Gunnella Þorgeirsdóttir Maí 2017 Expressions in Fan Culture Abstract This composition is a BA thesis for Japanese Language and Culture at the University of Iceland. In this essay, I will give the reader a little insight into the world of fan culture and will be focusing on how fans express themselves. Fans get inspired by books, movies and television programmes to create all kinds of fan work; whether it is fan fiction, fan art, doujinshi, cosplay, or any other creations. Furthermore, the thesis will explore fan culture as it presents itself in Japan and compare it to fan culture in Europe and the USA. I will discuss the effect these creations, although mainly fan fiction, has on authors of popular media and on social media and how the Internet has made it easier for fans all over the world to connect, as well as for fans and creators to connect. 2 Expressions in Fan Culture Contents Abstract ..................................................................................................................... 2 Contents .................................................................................................................... 3 Introduction ............................................................................................................... 4 What is Fan Culture ..................................................................................................
    [Show full text]
  • Star Trek STAG NL 40
    April, 1980 NEWSLETTER No. 40 President, Janet Quarton, 15 Letter Daill, Cairnbaan, Lochgilphead, Argyll" Scotland. Vice President, Sheila Clark, 6 Craigmill Cottages, Strathmartine, by Dundee, Scotland. Committee, Beth Hallam, Flat 3, 36 Clapham Road; Bedford, England: Sylvia Billings, 49 Southampton Road,Far Cotton, Northampton,NN4 9EA, England. Valerie Piacentini, 20 Ardrossan Road, Saltcoats, Ayrshire, Scotland. Honorary JViembers: Gene Roddenberry, ~jajel Barrett, Hilliam Shatner, De Forest Kelley, James Doohan, George Takei, Susan Sackett, Grace 1,00 \4hitnoy, Impert Evans, Sonni Cooper, Anne Jl'JcCaffroy, Anne Page, Bjo Trimble. , DUES U.K. & Eiro - £2.50 U;K. currency Europe - £4.50 airmail, £3.50 surface U.S.A. - t13.00 or £5.50 airmail, t8.50 or £3.50 surface. Australia & Japan - £6.00 airmail; £3.50 surface. The' U.S. dollar rate includes a one dollar bank clearing charge. Surface mail outside Europe can take a minimum of 2 - 3 months. Hi folks, As you can see it is newsletter time again, although this one has turned out to be more like a book. We had hoped to keep tho lengtp down a bit but we had a lot on'merchan­ dise to tell you and also a lot of comments on the movie. We decided to print as many comments as 1'10 could in this newsletter rather than spread them out bot1'leen a fe1'l nowsletters incase you got rather fed up reading them. At this point we don't plan to print any more movie comments as we think just about everything has been said, but if you feel y'qu really 1'Iant to make a comment on something Which is said about the movie in this n81;sletter send your comment to Sheila and we will consider printing it.
    [Show full text]
  • Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation
    Intellectual Property Brief Volume 8 Issue 2 Article 1 2016 Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation Mynda Rae Krato George Washington University Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Krato, Mynda Rae (2016) "Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation," Intellectual Property Brief: Vol. 8 : Iss. 2 , Article 1. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 FICTITIOUS FLATTERY: FAIR USE, FANFICTION, AND THE BUSINESS OF IMITATION Mynda Rae Krato INTRODUCTION ............. 92 L Background............................................................. 94 A. Foundational Statutory and Case Law..................................94 B. Fanfiction Case Law..............................................96 C. Popular Culture and the Power of Fandoms .............................
    [Show full text]
  • Alternate Universe Fan Videos and the Reinterpretation of the Media
    Alternate Universe Fan Videos and the Reinterpretation of the Media Source Introduction According to the Francesca Coppa, American scholar and co-founder of the Organization for Transformative Works1, fan videos are “a form of grassroots filmmaking in which clips from television shows and movies are set to music.”2 Fan videos are commonly referred to as: fanvid, songvid, vid, AMV (for Anime Music Video); their process of creation is called vidding and their editors (fan)vidders. While the “media tradition” described above in Francesca Coppa‟s definition is a crucial part of the fan video production, many other fan videos are created for anime, especially Asian ones (AMV), for video games (some of them called Machinima), or even for other subjects, from band tributes to other types of remix. The vidding tradition – in its current “shape” – goes back to the era of the first VCR; but the very first fan videos may be traced back to the seventies in a slideshow format. When channel mixers and numerous machines available to a large group of consumers emerged, this fan activity easily became an expanding one amongst the fan communities, who were often interested in new technology, whatever era it is. Vidding has now become a digital process, thanks to the expansion of computer and related technical means, including at least semiprofessional editing software. It seems relevant to point out how rare it is that a vidder goes through editing training when they begin to create fan videos, or even become a professional editor later on. Of course, exceptions exist, but vidding generally remains a hobby.
    [Show full text]
  • Theorizing the Anti-Fan
    Beyond the H8R: Theorizing the Anti-Fan “Where‟s the „Dislike‟ Button?” From the benign to the vitriolic, haters are everywhere. One TV critic recently asked, ―Whatever happened to ‗I don‘t like‘?‖(Weeks 2011) Let us consider ―hateration,‖ that is hate as anti-fan activity, on a continuum. On the passive end, if you do not like something on a Facebook friend‘s wall your options are to either comment with your dislike or ignore the posting. Somewhere in the middle of the continuum, celebrity news blogs such as dlisted, mix equal parts adoration and hate in posting, such as acknowledging celebrity birthdays under the heading ―Birthday Sluts.‖ And, at a gathering of friends, a lull in conversation can be enlivened by a round of the party game, ―Kill, Fuck, Marry‖ or naming six celebrities you would like to put on an airplane that is sure to have engine failure and crash. (Those last two are on the vitriolic end, in case that was not clear.) Hate for genre texts, people, events, and objects in popular culture is all around us, yet it continues to be an overlooked sentiment in fan studies. Anti-fans hang about the periphery of fandom, but they are nonetheless part of the fan world. It is not that web 2.0 – the mix of interactivity and online communities – is blind to the existence of dislike nor completely ignores the sentiment. The 2012 Adobe Digital Index Report finds that a little more than half (53%) of consumers surveyed ―said they would very much like to have a ‗dislike‘ button‖ on the social media site Facebook (Lomas 2012).
    [Show full text]
  • Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K
    Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K. ConFrancisco Report........................................... 5 Le Guin & Brian Attebery, eds.; Chimera, Mary 1993 Hugo Awards W inners................................5 Rosenblum; Core, Paul Preuss; A Tupolev Too Nebula Awards Weekend 1994 ............................6 Far, Brian Aldiss; SHORT TAKES: Argyll: A The Preiss/Bester Connection.............................6 Memoir, Theodore Sturgeon; The Rediscovery THE NEWSPAPER OF THE SCIENCE FICTION FIELD Delany Back in P rint............................................ 6 of Man: The Complete Short Science Fiction of HWA Changes......................................................6 Cordwainer Smith, Cordwainer Smith. (ISSN-0047-4959) 1992 Chesley Awards W inners............................6 Reviews by Russell Letson:................................21 EDITOR & PUBLISHER Bidding War for Paramount.................................7 The Mind Pool, Charles Sheffield; More Than Charles N. Brown Battle of the Fantasy Encyclopedias................... 7 Fire, Philip Jose Farmer; The Sea’s Furthest ASSOCIATE EDITOR Fantasy Shop Helps AIDS F u n d ......................... 9 End, Damien Broderick. SPECIAL FEATURES Reviews by Faren M iller................................... 23 Faren C. Miller Complete Hugo Voting.......................................36 Green Mars, Kim Stanley Robinson; Brother ASSISTANT EDITORS 1993 Hugo Awards Ceremony........................... 38 Termite, Patricia Anthony; Lasher, Anne Rice; A Marianne
    [Show full text]
  • Fancyclopedia: F – Version 1 (May 2009)
    The Canadian Fancyclopedia: F – Version 1 (May 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. F FACES / FAERIE / FALCON / FALCON SF&F SOCIETY / FANACTIC / FANADIAN / FANATICUS / FANCESTOR WORSHIP / FANCYCLOPEDIA / FANDOM / FANDOMS (Numbered Eras) / FANDOMS CANADIAN (Numbered Eras) / THE FANDOM ZONE / FAN DRINKS / FANED - FAN ED / FANERGY / FAN FEUD / FAN FILMS / FAN FILMS ( AMERICAN ) / FAN FILMS ( BRITISH ) / FAN FILMS ( CANADIAN ) / FANICHE / FANNISH DRINKSH BOOK / FANNISH LEGENDS / FANTARAMA / FAN-TASMS / FANTASTELLAR ASSOCIATION / FANTASTOLOGY / FANTASY / FANTASY CLASSIFICATION SYSTEM / FANTASY PICTORIAL / FANTHOLOGY 76 / FANTIQUARIAN / THE FANTIQUARIAN CHRONICLER / FANUCK - FANUCKER / FAST- FORWARD / FAT, OLD, AND BORING / FAZZ BAZZ / FELTIPIXINE / FEM FAN - FEMME FAN / FEN / FENAISSANCE / FEN AND THE ART OF FANZINE PUBLISHING / FEN COMMANDMENTS / FERGONOMICS / FERSHIMMELT / FEWMETS / FIAGGH / FIAWOL / FICTONS FREE-FOR-ALL / FIE / FIJAGH / FILK / FILKSONG / FILKER / FILK ROOM / FILKZINE / FILLER / FILLERS / FINAL FRONTIER / THE FINAL FRONTIER / FIRST CANADIAN CARBONZINE / FIRST CANADIAN FAN CLUB / FIRST CANADIAN FAN DIRECTORY / FIRST CANADIAN FAN ED / FIRST CANADIAN
    [Show full text]
  • File 770 #132
    September 1999 1 2 File 770:132 The Last Diagnostician: I met James White at Intersection James White in 1995. We shared hot dogs in the SECC food court and talked 1928-1999 about what he might do as next year's Worldcon guest of honor. Tor Books was taking over publishing his Sector General series. They issued The Galactic Gourmet to coincide with We all look up to James here, and not just L.A.con III. Final Diagnosis and Mind Changer followed, and because he is about 6 1/2 feet tall. -- Walt Willis Double Contact is in the pipeline. All were edited by Teresa Nielsen Hayden, who did a wonderful interview of James James White died August 23 in Norn Iron, the day after during our Friday night GoH programming. suffering a stroke. His son, Martin, told Geri Sullivan that so far The committee fell completely under his charm. Gary Louie as he knew it was over very quickly. White was 71. spent countless hours compiling a “concordance” of terms and Looking around the obituaries and medical reports in this ideas from White’s science fiction (as yet unfinished). Fans issue makes me believe there must be an epidemic rampaging invented strange “alien food” to display and serve at a book among the nicest and sweetest people in fandom. And if charm, launch party in the Fan Lounge. Bruce Pelz issued t-shirts for a rich sense of humor and a gracious interest in everyone they “The White Company.” He also had about 15 “Diagnostician” met were the chief traits of the victims, none were more at risk badge ribbons printed, given to James to present to fans he than three Irish fans who made SLANT among the finest found especially helpful.
    [Show full text]
  • A Portrait of Fandom Women in The
    DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day.
    [Show full text]
  • Corflu 37 Program Book (March 2020)
    “We’re Having a Heatwave”+ Lyrics adapted from the original by John Purcell* We’re having a heatwave, A trufannish heatwave! The faneds are pubbing, The mimeo’s humming – It’s Corflu Heatwave! We’re starting a heatwave, Not going to Con-Cave; From Croydon to Vegas To bloody hell Texas, It’s Corflu Heatwave! —— + scansion approximate (*with apologies to Irving Berlin) 2 Table of Contents Welcome to Corflu 37! The annual Science Fiction Fanzine Fans’ Convention. The local Texas weather forecast…………………………………….4 Program…………………………………………………………………………..5 Local Restaurant Map & Guide…………..……………………………8 Tributes to Steve Stiles:…………………………………………………..12 Ted White, Richard Lynch, Michael Dobson Auction Catalog……………………………………………………………...21 The Membership…………………………………………………………….38 The Responsible Parties………………………………………………....40 Writer, Editor, Publisher, and producer of what you are holding: John Purcell 3744 Marielene Circle, College Station, TX 77845 USA Cover & interior art by Teddy Harvia and Brad Foster except Steve Stiles: Contents © 2020 by John A. Purcell. All rights revert to contrib- uting writers and artists upon publication. 3 Your Local Texas Weather Forecast In short, it’s usually unpredictable, but usually by mid- March the Brazos Valley region of Texas averages in dai- ly highs of 70˚ F, and nightly lows between 45˚to 55˚F. With that in mind, here is what is forecast for the week that envelopes Corflu Heatwave: Wednesday, March 11th - 78˚/60˚ F or 26˚/16˚C Thursday, March 12th - 75˚/ 61˚ F or 24˚/15˚ C Friday, March 13th - 77˚/ 58˚ F or 25 / 15˚ C - Saturday, March 14th - 76˚/ 58 ˚F or 24 / 15˚C Sunday, March 15th - 78˚ / 60˚ F or 26˚/16˚C Monday March 16th - 78˚ / 60˚ F or 26˚/ 16˚C Tuesday, March 17th - 78˚ / 60˚ F or 26˚/ 16˚C At present, no rain is in the forecast for that week.
    [Show full text]