Bury Your Gays’
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
The Love That Refuses to Speak Its Name : Examining Queerbaiting and Fan-Producer Interactions in Fan Cultures
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2015 The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures. Cassandra M. Collier, University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Collier,, Cassandra M., "The love that refuses to speak its name : examining queerbaiting and fan-producer interactions in fan cultures." (2015). Electronic Theses and Dissertations. Paper 2204. https://doi.org/10.18297/etd/2204 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women’s and Gender Studies Department of Women’s and Gender Studies University of Louisville Louisville, Kentucky August 2015 THE LOVE THAT REFUSES TO SPEAK ITS NAME: EXAMINING QUEERBAITING AND FAN-PRODUCER INTERACTIONS IN FAN CULTURES By Cassandra M Collier B.A., Bowling Green State University, 2012 A Thesis Approved on May 27, 2015 by the following Thesis Committee: ____________________________________________________ Dr, Dawn Heinecken ____________________________________________________ Dr, Diane Pecknold ____________________________________________________ Dr. -
The Rhetorics of the Voltron: Legendary Defender Fandom
"FANS ARE GOING TO SEE IT ANY WAY THEY WANT": THE RHETORICS OF THE VOLTRON: LEGENDARY DEFENDER FANDOM Renee Ann Drouin A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2021 Committee: Lee Nickoson, Advisor Salim A Elwazani Graduate Faculty Representative Neil Baird Montana Miller © 2021 Renee Ann Drouin All Rights Reserved iii ABSTRACT Lee Nickoson, Advisor The following dissertation explores the rhetorics of a contentious online fan community, the Voltron: Legendary Defender fandom. The fandom is known for its diversity, as most in the fandom were either queer and/or female. Primarily, however, the fandom was infamous for a subsection of fans, antis, who performed online harassment, including blackmailing, stalking, sending death threats and child porn to other fans, and abusing the cast and crew. Their motivation was primarily shipping, the act of wanting two characters to enter a romantic relationship. Those who opposed their chosen ship were targets of harassment, despite their shared identity markers of female and/or queer. Inspired by ethnographically and autoethnography informed methods, I performed a survey of the Voltron: Legendary Defender fandom about their experiences with harassment and their feelings over the show’s universally panned conclusion. In implementing my research, I prioritized only using data given to me, a form of ethical consideration on how to best represent the trauma of others. Unfortunately, in performing this research, I became a target of harassment and altered my research trajectory. In response, I collected the various threats against me and used them to analyze online fandom harassment and the motivations of antis. -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier). -
Between Boys: Fantasy of Male Homosexuality in Boys' Love, Mary Renault, and Marguerite Yourcenar by Jui-An Chou Graduate Pr
Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar by Jui-an Chou Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Anne F. Garréta, Supervisor, Chair ___________________________ Robyn Wiegman, Co-Chair ___________________________ Rey Chow ___________________________ Anne Allison Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2018 ABSTRACT Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar by Jui-an Chou Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Anne F. Garréta, Supervisor, Chair ___________________________ Robyn Wiegman, Co-Chair ___________________________ Rey Chow ___________________________ Anne Allison An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Literature in the Graduate School of Duke University 2018 Copyright by Jui-an Chou 2018 Abstract “Between Boys: Fantasy of Male Homosexuality in Boys’ Love, Mary Renault, and Marguerite Yourcenar” examines an unexpected kinship between Boys’ Love, a Japanese male-on-male romance genre, and literary works by Mary Renault and Marguerite Yourcenar, two mid-twentieth century authors who wrote about male homosexuality. Following Eve Sedgwick, who proposed that a “rich tradition of cross- gender inventions of homosexuality” should be studied separately from gay and lesbian literature, this dissertation examines male homoerotic fictions authored by women. These fictions foreground a disjunction between authorial and textual identities in gender and sexuality, and they have often been accused of inauthenticity, appropriation, and exploitation. -
QUEER LIFE IS TRAGIC: Lauren Berlant's “Cruel Optimism”
sprinkle: An Undergraduate Journal of Feminist and Queer Studies | Volume 12 – 2019 QUEER LIFE IS TRAGIC Lauren Berlant’s “Cruel Optimism” and Lee Edelman’s Negative Queerness in Life is Strange By Tara Fredenburg ABSTRACT. Life is Strange (2015), by Raoul Barbet and Michel Koch, has sparked outrage for “queerbaiting” lesbian and bisexual women in the gaming community, but criticisms pointed toward the game have failed to address its most pernicious argument. By placing the controversy within the historical context of the 1930s Hays Production Code, examining one of the game’s central lessons in conversation with philosopher Lauren Berlant’s concept of “cruel optimism” and critical theorist Lee Edelman’s anti- reproductive definition of queerness, I contend that Life is Strange (2015) reveals the inability of adherents to heteropatriarchal ideals to conceive a world beyond the current, oppressive system by which we live. The 2015 video game Life is Strange by Raoul Barbet and Michel Koch has sparked outrage for “queerbaiting” lesbian and bisexual members of the gaming community, but criticisms pointed toward the game have not yet gone far enough to dissect why its conclusion agitates queer players and what its agenda fails to do. By placing the phenomenon of contemporary queerbaiting within the historical context of the 1930s Hays Production Code, examining one of the game’s central moral takeaways in conversation with philosopher Lauren Berlant’s concept of “cruel optimism,” and then complicating that reading with critical theorist Lee Edelman’s anti-reproductive definition of queerness, I contend that Life is Strange (2015) reveals the inability and reluctance of uncritical adherents to heteropatriarchal ideals to conceive of a world not steeped in such ideology. -
An Analysis and Expansion of Queerbaiting in Video Games
Wilfrid Laurier University Scholars Commons @ Laurier Cultural Analysis and Social Theory Major Research Papers Cultural Analysis and Social Theory 8-2018 Queering Player Agency and Paratexts: An Analysis and Expansion of Queerbaiting in Video Games Jessica Kathryn Needham Wilfrid Laurier University Follow this and additional works at: https://scholars.wlu.ca/cast_mrp Part of the Communication Technology and New Media Commons, Gender and Sexuality Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Needham, Jessica Kathryn, "Queering Player Agency and Paratexts: An Analysis and Expansion of Queerbaiting in Video Games" (2018). Cultural Analysis and Social Theory Major Research Papers. 6. https://scholars.wlu.ca/cast_mrp/6 This Article is brought to you for free and open access by the Cultural Analysis and Social Theory at Scholars Commons @ Laurier. It has been accepted for inclusion in Cultural Analysis and Social Theory Major Research Papers by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Queering player agency and paratexts: An analysis and expansion of queerbaiting in video games by Jessica Kathryn Needham Honours Rhetoric and Professional Writing, Arts and Business, University of Waterloo, 2016 Major Research Paper Submitted to the M.A. in Cultural Analysis and Social Theory in partial fulfillment of the requirements for Master of Arts Wilfrid Laurier University 2018 © Jessica Kathryn Needham 2018 1 Abstract Queerbaiting refers to the way that consumers are lured in with a queer storyline only to have it taken away, collapse into tragic cliché, or fail to offer affirmative representation. Recent queerbaiting research has focused almost exclusively on television, leaving gaps in the ways queer representation is negotiated in other media forms. -
Carmilla and Affect in Contemporary Lesbian Fandom
Lesbian Feelings and Fandoms: Carmilla and Affect in Contemporary Lesbian Fandom by Sneha Shilip Kumar A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario © 2020, Sneha Shilip Kumar Abstract My thesis explores the contemporary lesbian web series as being similar to fanfiction and its fandom as an affective community built on a set of inclusions and exclusions. My case study is Carmilla (Canada, Spencer Maybee 2014-2016), a YouTube web series shot in vlog format, and its lesbian fandom. I argue that Carmilla challenges the genres of the gothic and lesbian vampire in ways similar to fanfiction. Building on the work of fan studies scholars Katrin Döveling and Louisa Stein, I propose that affective bonds are created between Carmilla fans through various kinds of online activities and these flows of affect are influenced by the race and location of fans. My experiences at the first CarmillaCon in Toronto suggest that the online and offline Carmilla fandom both create and reflect each other. i Acknowledgements I am grateful to the Carmilla fandom for many reasons: giving me community when I thought I had none; allowing me to feel acceptance when I felt uncomfortable in my own skin; getting me through long nights filled with many assignments; and finally, providing me with the resources to successfully write my thesis. There are so many people I have to thank for giving me the strength and guidance to finish this project. First and foremost, I am indebted to my supervisor, Dr. -
'Just Like Us'?
‘Just like us’? Investigating how LGBTQ Australians read celebrity media Lucy Watson A thesis submitted to fulfil requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences The University of Sydney 2019 Statement of originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. A version of Chapter Nine appears in the book Gender and Australian Celebrity Culture (forthcoming), edited by Anthea Taylor and Joanna McIntyre. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Lucy Watson 25th September 2019 i Abstract In the 21st century, celebrity culture is increasingly pervasive. Existing research on how people (particularly women) read celebrity indicates that celebrity media is consumed for pleasure, as a way to engage in ‘safe’ gossip amongst imagined, as well as real, communities about standards of morality, and as a way to understand and debate social and cultural behavioural standards. The celebrities we read about engage us in a process of cultural identity formation, as we identify and disidentify with those whom we consume. Celebrities are, as the adage goes, ‘just like us’ – only richer, more talented, or perhaps better looking. But what about when celebrities are not ‘just like us’? Despite relatively recent changes in the representation of lesbian, gay, bisexual, transgender and queer (LGBTQ) life in the media, the world of celebrity is an overwhelmingly heterosexual one. -
Audrey Lindelauf Workingsofpowerin The100
0 15-08-2017 AUDREY WORKINGS OF POWER IN THE 100: LINDELAUF PARADOXES IN POST-APOCALYPTIC SOCIETIES 1 Abstract This study is an attempt to determine what role power plays in post-apocalyptic audio-visual culture and what influence it has on the nature of the dystopian post-apocalyptic film genre. The emergence of post-apocalypticism in American popular culture in the 21st century has led to a projection of our collective hopes and fears onto film worlds. The empty canvas of a world without ideologies, law, governments, or religion allows for a complete re-imagining of social life. The American dystopian post-apocalyptic science fiction drama series The 100 (2014 –) is used as a case study. This thesis examines the way in which power operates in relation to politics and gender in three societies within its fictional world, using the theories and ideas of Michel Foucault (1926 – 1984). Said collective hopes and fears are represented simultaneously in the paradoxical roots of these communities. The society of the Mountain Men seems to be based on ‘contaminated purity’ when looking at their culture, heritage and physicality, the society of the Grounder Clans appears to have its roots in ‘female masculinity’ with an emphasis on violence, and the society of the Sky People gives the impression of ‘civilized primitiveness’, highlighting continuous surveillance. Since the Sky People are implicitly divided in the Arkadians and the Hundred, they are the more complex community and are therefore explored in further detail. They are also the ones that transcend the other two societies in their social progressivity. -
Tragic Ways of Killing a Lesbian: a Synchronic Analysis
Portland State University PDXScholar University Honors Theses University Honors College 8-10-2019 Tragic Ways of Killing a Lesbian: a Synchronic Analysis Taylor D. Watt Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Watt, Taylor D., "Tragic Ways of Killing a Lesbian: a Synchronic Analysis" (2019). University Honors Theses. Paper 787. https://doi.org/10.15760/honors.805 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Running head: TRAGIC WAYS OF KILLING A LESBIAN 1 Tragic Ways of Killing a Lesbian: A Synchronic Analysis Taylor D. Watt Portland State University TRAGIC WAYS OF KILLING A LESBIAN 2 Abstract Following an increase in queer characters over the last few decades, representation of the LGBTQ+ (Lesbian, Gay, Bisexual, Transgender, Queer, etc.) community on television has become a particularly rich field of inquiry for interdisciplinary scholars. One area of interest, the death of contemporary lesbian characters, remains fairly underdeveloped. This thesis attempts to identify structural patterns in the deaths of lesbian characters by subjecting their narrative arcs to structural analysis, specifically a method of linguistic analysis developed by the Swiss linguist Ferdinand de Saussure. I identify structural patterns in the deaths of 6 lesbian characters which took place between the years 2013-2017, as they relate to narrative context, and extract meaning from those patterns. -
Emma and Regina Made Me Realize I Was Gay”: a Study on LGBT Identity Formation in Femslash Fan Communities
“Emma and Regina made me realize I was gay”: A study on LGBT identity formation in femslash fan communities Master’s Thesis Emmi Aalto University of Jyväskylä Department of Language and Communication Studies English 05/05/2020 1 JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistis-yhteiskuntatieteellinen tiedekunta – Kieli- ja viestintätieteiden laitos – The Department Faculty of Humanities and Social Sciences of Language and Communication Studies Tekijä – Author Emmi Aalto Työn nimi – Title “Emma and Regina made me realize I was gay”: A study on LGBT identity formation in femslash fan communities Oppiaine – Subject Työn laji – Level Englanti – English Maisterintutkielma – Master’s thesis Aika – Month and year Sivumäärä – Number of pages 5/2020 145 + 3 liitettä/appendices Tiivistelmä – Abstract Tämän maisterintutkielman ensisijainen tarkoitus on selvittää, miten femslash-nettifaniyhteisöön kuuluminen auttaa LGBT-identiteetin muodostamisessa. Tutkielmasta myös selviää, onko femslash- faneilla erilaisia seksuaali- ja sukupuoli-identiteettejä internetissä verrattuna muuhun sosiaaliseen elämäänsä, millaista tukea kyseisiltä faniyhteisöiltä voi saada ja mitä vähemmistöihin liittyviä asioita näissä yhteisöissä voi oppia. Tutkielman toinen tavoite on käsitellä femslash-faniyhteisöissä tapahtuvaa ja niihin kohdistuvaa syrjintää ja ennakkoluuloja. Tämän lisäksi tutkielmassa käsitellään seksuaali- ja sukupuolivähemmistöjen mediarepresentaatioita ja niiden vaikutuksia seksuaali- ja sukupuolivähemmistöihin. Tutkielmaa varten tehtyyn