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Banner Moments: the National Anthem in American Life
Deep Blue Deep Blue https://deepblue.lib.umich.edu/documents Research Collections Library (University of Michigan Library) 2014 Banner moments: the national anthem in American life Clague, Mark https://hdl.handle.net/2027.42/120293 Downloaded from Deep Blue, University of Michigan's institutional repository Banner Moments: The National Anthem in American Life 12 September – 18 December 2014 Audubon Room University of Michigan Library Ann Arbor, Michigan © 2014 University of Michigan Library (Special Collections Library) All rights reserved. Curators Mark Clague and Jamie Vander Broek acknowledge the assistance of the following in shaping and mounting this exhibit: staff members of the William L. Clements Library, Bentley Historical Library, University of Michigan Museum of Art, and the U-M Library, including Brooke Adams, Pablo Alvarez, Tim Archer, Marcy Bailey, Cathleen A. Baker, Kristen Castellana, Martha Conway, Roberta Frey Gilboe, Melissa Gomis, Tom Hogarth, Dave Hytinen, Gregory Kinney, Sarah Kennedy, Clayton Lewis, Karl Longstreth, Mary Morris, Kirsten Neelands, Lynne Raughley, Grace Rother, Theresa Stanko, Diana Sykes, and Tim Utter. Banner Moments: The National Anthem in American Life Unlike the Declaration of Independence, the U.S. Constitution, or even the American Flag, Francis Scott Key’s song “The Star-Spangled Banner” lacks a singular icon that defines it. Rather the song must be brought to life through performance. Individuals sing the anthem into a fleeting materiality, simultaneously constructing themselves as a community while inscribing the song ever more deeply into cultural memory. The artifacts in this exhibit capture material iterations of the song and thus record the crystallization of an American national consciousness. -
The Star-Spangled Banner
Concerts from the Library of Congress 2013-2014 POETS AND PATRIOTISM: THE 200TH BIRTHDAY OF tHE STAR-SPANGLED BANNER Thursday, July 3, 2014 ~ 2 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building Presented in association with Star Spangled Music Foundation National Endowment for the Humanities Banner Moments Summer Institute Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, July 3, 2014 — 2 pm POETS aND pATRIOTISM: THE 200TH ANNIVERSARY oF tHE STAR-SPANGLED bANNER THOMAS HAMPSON, BARITONE MATTHEW THOMPSON, PIANIST SUSAN kEY, sTAR SPANGLED MUSIC FOUNDATION MARK CLAGUE, UNIVERSITY oF MICHIGAN UNIVERSITY oF mICHIGAN aLUMNI cHORUS • Program Introduction | THomas Hampson & Mark Clague Setting the Stage FRANCIS HOPKINSON (1737-1791) lYRICS bY THOMAS PARNELL (1679-1718) "My Days Have Been So Wondrous Free" FRANCIS HOPKINSON (1737-1791) "O'er the Hills Far Away" "My Generous Heart Disdains" FRANZ JOSEPH HAYDN (1732-1809) lYRICS bY ANNE HUNTER (1742-1821) "THe Sailor's Song" 1 The Anthem JOHN STAFFORD SMITH (1750-1836) lYRICS bY RALPH TOMLINSON (1744-1778) "THe Anacreontic Song" (1775-1776)* TRADITIONAL "Yankee Doodle" (ca. -
The Use of Newspapers As a Source for Musicological Research: a Case
The Use of Newspapers as a Source for Musicological Research: A Case Study of Dublin Musical Life 1840–44 Catherine Ferris Thesis submitted to National University of Ireland, Maynooth for the Degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare April 2011 Head of Department: Professor Fiona M. Palmer Supervisor: Professor Barra Boydell Contents Acknowledgements i Abbreviations ii List of Tables iii Part I Chapter 1: Introduction 1 Methodology 11 Thesis Overview 14 Editorial Decisions 16 The Class Context 17 Chapter 2: The Use of Newspapers for Musicological Research 19 Newspaper Characteristics 24 Newspaper Access and Formats 26 Considerations in the Use of Newspapers for Musicological Research 28 Newspaper Bias 29 The Audience: Literacy, Circulation and Reading Rooms 32 History of the Press 37 Freeman’s Journal 40 Evening Packet 49 Saunders’s News-Letter 58 Comparative Bias 65 Single Newspaper Study 71 Chapter 3: Case Study: Dublin Music Societies, 1840–1844 74 Hibernian Catch Club 75 Anacreontic Society 90 Philharmonic Society 110 Antient Concerts Society 130 University Choral Society 151 University Church Music Society 172 Societa Armonica 176 Dublin Sacred Harmonic Society 179 Dublin Harmonic Society 182 Metropolitan Choral Society 184 Amateur Harmonic Society 198 Tradesmen’s Harmonic Society 201 Dublin Concordant Society 205 Orpheus Society 207 Case Study Conclusion 211 Chapter 4: Conclusion 215 Part II Register of Musical Data on the Music Societies in the Freeman’s Journal, the Evening Packet and the Saunders’s News-Letter, 1840–1844 222 Bibliography 463 Abstract 505 Acknowledgements Foremost, I am indebted to my supervisor Professor Barra Boydell for his inestimable guidance, support and encouragement throughout my studies. -
Washington Provided Her with a Sketch of an Idea He Had for the American Flag
Washington provided her with a sketch of an idea he had for the American flag. Ross changed the star from a 6-pointed star to a 5-pointed star. The flag developed consisted of 13 stars arranged in a circular pattern on a blue background in the upper left corner with 13 horizontal stripes, 7 being red and 6 being white. It was not until July 4, 1960 that our current flag was adopted when Hawaii became the 50th star to be added to flag. If this new Country had a flag, they had to have a song! On March 4, 1931, the Star-Spangled Banner was adopted as the national anthem. Francis Scott Key During the war of 1812, Key along with John Stuart Skinner, a British Happy Independence Day! Prisoner Exchange Agent, dined aboard the HMS Tonnant as the guest of Vice Proclaim Liberty throughout all the land unto all the inhabitants thereof! Admiral Alexander Cochrane, Rear Admiral George Cockburn, and Major General Robert Ross. Skinner and Key were trying to negotiate the release of prisoners, one UPPER EAST AND KNOXVILLE AREA ASSOCIATIONS WELCOME NEW KNIGHTS! of whom was Dr. William Beanes. Because of Key’s knowledge of strength and The Upper East and Knoxville Area York Rite Associations completed their positions of British units and the intent of Britain to invade Baltimore, Key was Spring Festivals recently with a total of 51 being Knighted. Shown in the unable to return to his own ship and was forced to watch the bombarding of the photographs below are the classes, with Upper East Association on left and Knoxville American forces at Fort McHenry during the Battle of Baltimore on the night of Area Association on right. -
FORT Mchenry National Monument and Historic Shrine Maryland
FORT McHENRY UNITED STATES DEPARTMENT OF THE INTERIOR Stewart L. Udall, Secretary NATIONAL PARK SERVICE Conrad L. Wirth, Director HISTORICAL HANDBOOK NUMBER FIVE This publication is one of a series of handbooks describing the historical and archeological areas in the National Park System. It is printed by the Government Printing Office, and may be pur chased from the Superintendent of Documents, Washington 25, D. C. Price 25 cents FORT McHENRY National Monument and Historic Shrine Maryland h Harold I. Lessem and George C. Mackenzie NATIONAL PARK SERVICE HISTORICAL HANDBOOK SERIES No. 5 Washington, D.C, 1954 Reprint 1961 The National Park System, of which Fort McHenry National Monument and Historic Shrine is a unit, is dedicated to conserving the scenic, scientific, and historic heritage of the United States for the benefit and enjoyment of its people. Qontents Page FORT WHETSTONE, 1776-97; FORT McHENRY, 1798-1812 1 THE WAR OF 1812 4 THE CHESAPEAKE CAMPAIGN 5 BALTIMORE, THE BRITISH OBJECTIVE 6 THE BATTLE OF NORTH POINT 9 THE BOMBARDMENT OF FORT McHENRY ... 10 MAJ. GEORGE ARMISTEAD, COMMANDER OF FORT McHENRY 13 "THE STAR-SPANGLED BANNER" 15 FRANCIS SCOTT KEY 23 "THE STAR-SPANGLED BANNER" AFTER 1815 . 24 BRITISH BOMBS 27 BRITISH ROCKETS 29 FORT McHENRY AFTER 1814 31 FORT McHENRY TODAY "34 MUSEUMS 37 HOW TO REACH THE FORT 38 SERVICES TO THE PUBLIC 38 RELATED AREAS 38 ADMINISTRATION 38 The interior of Fort McHenry as seen through the sally port. ORT McHENRY occupies a preeminent position among the historic shrines and monuments of our country by reason of its special meaning in F American history. -
GAZETTE Volume 25, No
GAZETTE Volume 25, No. 24 • June 27, 2014 • A weekly publication for Library staff Inside Exploring Magna Carta’s Impact The Library on July 8 will launch a lecture series related to its upcoming 10-week exhibition, “Magna Carta: Muse and Mentor.” Page 2 Prints and Photographs Division Francis Scott Key watches the bombardment of Fort McHenry in 1814. Bringing ‘Banner’ to Light How Library Helped Uncover Story of Anthem Teddy and Taft Pulitzer Prize-winning historian Doris By Mark Hartsell Celebrating 200 Years of Kearns Goodwin appears at the Library ‘The Star-Spangled Banner’ to discuss her most recent work, “Bully he story of “The Star-Spangled Pulpit: Theodore Roosevelt, William • Panel discussion: July 3, Whittall Howard Taft and the Golden Age of Banner,” for many decades, seemed Journalism.” T as murky as the smoky haze over Pavilion (12:30 p.m.) Page 3 Fort McHenry on the morning two cen- • Concert with Thomas Hampson: turies ago when Francis Scott Key wrote July 3, Coolidge Auditorium (2 p.m.). Swendiman Honored by CRS the lyrics that still inspire a nation. Concert is sold out. Standby tickets may Kathy S. Swendiman of the American No one knew for sure who wrote the be available. Law Division receives the Director’s • Display: Great Hall, through July 7 Award for her contributions to the Con- music. No one fully understood the cir- gressional Research Service. cumstances of the tune’s creation (but, Page 6 no, it wasn’t a bawdy English drinking song). No one fully understood how Key’s because of research conducted by Music words became connected to the music Division librarians or with Library of Con- On Tap or how they were disseminated. -
New England Society Songs
FROM THE ARCHIVES: NEW ENGLAND SOCIETY SONGS On December 22, 1806, the New England Society held a dinner to celebrate the 186th anniversary year of the landing of the Pilgrims in Plymouth, MA. Two songs were written for the occasion, Song I and Song II. Words to these songs are on the following page. Song I is sung to the tune of Hail, Columbia which was originally composed for George Washington’s inauguration by Philip Phile in 1789. Known as The President’s March, Joseph Hopkinson arranged the piece with lyrics in 1798. Hail, Columbia became a popular patriotic song and it was the unofficial national anthem of the United States until 1931 when it was replaced with The Star-Spangled Banner. Columbia was a goddess-like symbol who personified the national spirit and the United States. This poetic name was used in the 18th and 19th centuries. Hail, Columbia is now the official song for the Vice President of the United States. Song II is sung to the tune of To Anacreon in Heaven, a popular British drinking song that was originally composed by John Stafford Smith for the Anacreontic Society, a London men’s club. The tune, used with different sets of lyrics, was popular both in England and in the United States throughout the 19th century. In 1814, Francis Scott Keyes, wrote Defence of Fort McHenry while watching the British naval ships bombard Fort McHenry in Chesapeake Bay during the War of 1812. This poem was set to the tune of To Anacreon in Heaven and renamed The Star-Spangled Banner. -
FORT Mchenry National Monument and Historic Shrine Maryland
FORT McHENRY UNITED STATES DEPARTMENT OF THE INTERIOR Douglas McKay, Secretary NATIONAL PARK SERVICE Conrad L. Wirth, Director HISTORICAL HANDBOOK NUMBER FIVE This publication is one of a scries of handbooks describing the historical and archeological areas in the National Park System. It is printed by the Government Printing Office, and may be pur chased from the Superintendent of Documents, Washington 25, D. C. Price 25 cents FORT McHENRY National Monument and Historic Shrine Maryland Harold I. Lessem and George C. Mackenzie NATIONAL PARK SERVICE HISTORICAL HANDBOOK SERIES No. 5 Washington, D. C, 1954 The National Park System, oj which Fort McHenry National Monument and Historic Shrine is a unit, is dedicated to the conservation oj America's scenic, scientific, and historic heritage for the benefit and enjoyment oj the people. Contents Page FORT McHENRY, 1794-1812 1 THE WAR OF 1812 4 THE CHESAPEAKE CAMPAIGN 5 BALTIMORE, THE BRITISH OBJECTIVE 6 THE BATTLE OF NORTH POINT 9 THE BOMBARDMENT OF FORT McHENRY ... 10 MAJ. GEORGE ARMISTEAD, COMMANDER OF FORT McHENRY 13 "THE STAR-SPANGLED BANNER" 15 FRANCIS SCOTT KEY 23 "THE STAR-SPANGLED BANNER" AFTER 1815 . 24 BRITISH BOMBS 27 BRITISH ROCKETS 29 FORT McHENRY AFTER 1814 31 FORT McHENRY TODAY 34 MUSEUMS • ... 37 HOW TO REACH THE FORT 38 SERVICES TO THE PUBLIC 38 RELATED AREAS 38 ADMINISTRATION 38 The interior of Fort McHenry as seen through the sally port. ORT McHENRY occupies a preeminent position among the historic shrines and monuments of our country by reason of its special meaning in F American history. It was a glimpse of the American flag waving defiantly' over the ramparts of Fort McHenry that inspired Francis Scott Key to compose our national anthem. -
The Anacreontic Song Melodic Source of “The Star-Spangled Banner” 1775 Or 1776
The Anacreontic Song Melodic Source of “The Star-Spangled Banner” 1775 or 1776 ★ ★ ★ Words by Ralph Tomlinson Music by John Stafford Smith ★ ★ ★ (C Major • High Voice) Edited by Mark Clague and Andrew Kuster The Anacreontic Song, 1775 or 1776 Melodic source of “The Star-Spangled Banner” Lyric by Ralph Tomlinson (1744–1778); music by John Stafford Smith (1750–1836) Historical Note Performance Suggestions The song that gave Francis Scott Key the melody for Approach this song with an emphasis on text delivery “The Star-Spangled Banner” was among the more and story telling; acting gestures and distinct voices for popular broadside ballad tunes in the new American different speakers were probably used in the 18th c. nation. It was created as the constitutional anthem of but were criticized in excess. At club meetings verses The Anacreontic Society, an all-male music club based would be sung by a soloist with a four-part men’s in London and founded around 1766. The club drew choral echo of the final lines. Group unison and SATB inspiration from the sixth-century BC Greek poet realizations should not be feared, however. If used, a Anacreon and indeed the song’s text calls upon this men’s chorus can be distributed from top to bottom as namesake for support. Verses 2 through 5 tell a story T1 & B1 (top stave), T2 & B2 (lower stave). The tempo about Zeus (also referred to as Old Thunder, King of the should be quick. Note the characteristic triple rhyme in Gods, and Jove) becoming concerned that club measures 9, 10 and 12 of each verse. -
The Rockets' Red Glare: Twhp Lesson Plan
National Park Service Teaching with Historic Places U.S. Department of the Interior “The Rockets’ Red Glare”: Francis Scott Key and the Bombardment of Fort McHenry “The Rockets’ Red Glare”: Francis Scott Key and the Bombardment of Fort McHenry (Maryland Governor's Office) The man standing on the deck of the sailing ship had opposed the war. Now he watched helplessly as ships of the greatest navy in the world rained shot and shell on the little fort protecting the city of Baltimore, Maryland. He found he cared very much about the outcome. The bombardment had lasted for more than 24 hours. He strained to see through the morning mist. What he saw was a huge flag, big enough to show the enemy that the fort had survived. Francis Scott Key was overcome by “joyful triumph” and began to jot words down on a piece of paper: “O say can you see . .” Key wrote his poem in 1814, in the last year of the War of 1812. The United States had declared war on Great Britain in June 1812. At first, the British were too busy fighting the French to devote much energy to the pesky Americans. Once Napoleon abdicated in April 1814, the British set out to teach their former colonies a lesson. In August, fifty ships sailed up Chesapeake Bay. After occupying Washington on August 24, and burning the Capitol, the White House, and other public buildings, the British turned their attention northward. Fort McHenry stood between the British navy and the city of Baltimore. When the fort refused to be subdued, the ships sailed away, to the cheers of the defenders. -
The Star-Spangled Banner
#1181 The Keys of the Kingdom of Heaven – The tune of “The Star-Spangled Banner” was taken from the tune of the English drinking song “To Anacreon in Heaven,” part 1, The inhabitants of the earth are made drunk with the wine of America The tune of “The Star-Spangled Banner.” The tune of “The Star-Spangled Banner” came from the tune of the English drinking song, “To Anacreon in Heaven.” “To Anacreon in Heaven.” Anacreon was a celebrated Greek poet of the 6th century B.C. (563-478 B.C.). He was noted for his poems praising love, wine, and revelry. The Anacreontic Society was a popular gentlemen’s club in London, named in honor of Anacreon. The society’s patron saint was Anacreon, often referred to as “the convivial bard of Greece.” The society’s membership was dedicated to “wit, harmony, and the god of wine.” Anacreon The lyrics of “To Anacreon in Heaven.” Apparently, extensive lyrics to the song were written by Mr. Ralph Tomlinson, who had Bacchus been president of the society. There are many stanzas. The chorus honors Bacchus, the god of the grapevine and wine in Greek mythology. And besides I’ll instruct you Like me, to entwine The Myrtle of Venus With Bacchus’s Vine. The tune to “To Anacreon in Heaven.” Members of the Anacreontic Society, including John Stafford Smith, a court musician and member of the society, worked in a collective effort for the society on the tune to the song, “To Anacreon in Heaven.” As early as 1798 the tune of “To Anacreon in Heaven,” also called “The Anacreontic Song,” appeared in American papers with various lyrics. -
The National Anthem
\y:jB^-- o V o^-.... m^- -^of i^m\ '-^^0^ ^- 0-^ V*^'^.**'• •" • .« V^^-.o^ "^^'^•^V.^'^ -o. 1^^ . t • ( ^*^ :- ^-^ C • . °o -/>^'\ •: "^^ ** •^ <> *'7V. r.o^ y. i:^c^^:^i^^v^ r^a^-^c^ .^ .,. ^* 'S-' /\ ''^} /% I®'" /\ #lt <^ ^°-n*«, '.^ ^^ .^\^:;&' *I:A^* '^^ ^ ILiegislation to Make "The Star-Spangled Banner" the National Anthem HEARIl BEFOKB COMMITTEE ON T' s HOUSE OF EEPRES SEVENTY-FIEST CONGRESS SECOND SESSION ON H. R. 14 Serial 3 UNITED STATES GOVERNMENT I'niNTING OFFICE 05140 WASHINGTON : 1930 CONTENTS Fan Statement of— Hon. J. Charles Linthicum, a Member of Congress from the State of Maryland 2 Mrs. N. L. Dashiell, National and Maryland State Society, United States Daughters of 1812 4 Capt. Walter I. Joyce, chairman Americanization committee, Veterans of Foreign Wars of the United States & Capt. Edwin S. Bettelhoini, jr., chairman of the legislative committee of the Veterans of Foreign Wars 10 Mrs. Samuel Z. Shope, president of the National Society United States Daughters of 1812 17 Mrs. J. Charles Linthicum, State captain of the State of Maryland, Daughters of 1912 ." 17 Mr. Frank B. Steele, secretary-general of tlie Sons of the American Revolution of the United States IS Mrs. Margaret J. Bennet, Woman's Relief Corps 18 Mrs. Charles Haas, World War Mothers 18 Mrs. Gola T. Duval, Sons and Daughters of Liberty 1& Mrs. Bertrand L. Pettigrevv, chairman of the national defense com- mittee. Daughters of the Union 1ft Miss Mae Helm, Daughters of American Revolution 20 Mrs. Frank Foster Greenawalt, Daughters of American Revolution.. 20 Mrs. Amanda Shaw Hirsch, president-general of the Daughters of the Defenders of the Republic 22 Mrs.