DOCSLIB.ORG

Presentatie Vertonersontbijt 8 December 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Presentatie Vertonersontbijt 8 December 2016 VAF Vertonersontbijt Cinematek - 8 december 2016 Programma VLAAMSE DIENST VOOR FILMCULTUUR (VDFC) || Bart Versteirt CINEMATEK DISTRIBUTIE || Daniella Vidanovski LUMIÈRE || Alexander Vandeputte FILM FEST GENT ON TOUR || Martijn Bal & Patrick Duynslaegher MONA FILM || Malikka Bouaissa ANI-MANIA ||Karin Vandenrydt CINÉART || Julie Vanderkelen GOFILEX - VOORDELEN VAN EEN DIGITALE AANSLUITING || Henne Verhoef DIGITAL CINEMA FOR DUMMIES || James Troch (D2) Vlaamse Dienst Voor Filmcultuur (VDFC) Vlaamse Dienst voor Filmcultuur • ° 1994 • Koninklijk Belgische Filmarchief (CINEMATEK) • Universiteiten en Hogescholen “Filmmakers have thousands of secrets, many that they don't know they know. Sometimes we have to stop the movie, go back, and trace precisely how directors achieve their effects.” David Bordwell Vlaamse Dienst voor Filmcultuur Vlaamse Dienst voor Filmcultuur • Filmgeschiedenis • Filmesthetiek • Filmpatrimonium CINEA Live • Lezingen, inleidingen: educatieve omkadering voor kenner en leek • Vertoningen (35mm & digitale restauraties): filmpatrimonium, (her)ontdekkingen CINEA.BE • Ontmoeten / ontdekken / verdiepen [email protected] [email protected] Online • photogénie • young critics Zomerfilmcollege Vertonersontbijt – 8 december 2016 Cinematek distributie DECENTRALISATIE/DISTRIBUTIE - Catalogus in 35 mm (- en -) • Wat is decentralisatie bij Cinematek? - Catalogus op DCP (+ en +) --- nb: BRD/DVD - Ondertitels NL/FR - Goede commerciële voorwaarden voor Belgische filmvertoners • Welke diensten en films worden aangeboden? - Release van gerestaureerd films met pers en promotie - Promo materiaal (poster, foto’s, synopsis,…) CONTENT • Hoe contact met ons opnemen? - Klassiekers en soms meer recente films > Via internationale sales agent > Films gerestaureerd door Cinematek (Ch. Akerman, Hou Hsiao-Hsien,…) The Boys from Fengkuei, Hou Hsiao-hsien(1983) Jeanne Dielman, Ch. Akerman (1975) HIGHTLIGHTS 2016-2017 « Déjà s’envole la Fleur maigre » (P. Meyer, 1960) (LF) MEER INFO, NEWSLETTER INSCHRIJVING,… Release zomer 2016 [email protected] Ook beschikbaar: « Klinkaart » (KF) Restauraties CINEMATEK 02.551.19.00 « The Event » (S. Loznitsa, 2015) – Venice Festival Out of Competition Contact: Release 25/01/2017 Virginie Retica (info/booking/administratie) Co-productie+ restauratieCINEMATEK Daniella Vidanovski (verantwoordelijk) Persvertoning: 21 december in Flagey Vertonersontbijt – 8 december 2016 Lumière Lumière in een notendop • Cinema uitbating: stadsbioscopen Lumière in Brugge en Cartoon’s in Antwerpen • Distributie van kwalitatieve series en films in België en Nederland • Productiehuis Lunanime: - Phantom Boy - Le Ciel Flamand - The Team Nu in de zalen Nu in de zalen • LA DANSEUSE •MAL DE PIERRES • Belgisch-Franse coproductie • Competitie Cannes 2016 • Biopic Loïe Fuller • Boekverfilming Het huis in de • Met o.a. François Damiens, Soko, Via Manno (Milena Agus) Lily-Rose Depp, Gaspard Ulliel • Met Marion Cotillard • Mooie persaandacht • Voor liefhebbers van klassieke, Franse film Nu in de zalen Nu in de zalen •LE CIEL FLAMAND •BACALAUREAT • Van Peter Monsaert (Offline) • Release 21/12/2016 • Succesvolle festivalcarrière: • Gouden Palm-winnaar Toronto, San Sebastian, Londen, Cristian Mungiu Gent en later Amiens, Tallinn, • Roemeens meesterwerk Zagreb, Göteborg en Indië • Prijs Beste Regie Cannes • Lange programmatie in Vlaamse arthousezalen Vertonersontbijt – 8 december 2016 Lumière Line-up voorjaar 2017 Line-up voorjaar 2017 •ROCK ‘N ROLL •LE SECRET DE LA CHAMBRE NOIRE • 22/2/2017 • 8/3/2017 • Komedie van Guillaume Canet • Thriller van Kiyoshi Kurosawa (Journey to the shore, Shokuzai,…) • Met Guillaume Canet, Marion Cotillard, Johnny Hallyday,… • Regieprijs Un Certain Regard Cannes 2015 voor Journey to the Shore • Persiflage van zichzelf, parodie op de showbizz wereld • Onderhuidse Japanse/Franse thriller vol referenties naar cinema en fotografie Line-up voorjaar 2017 Line-up voorjaar 2017 •SAGE FEMME •THE SENSE OF AN ENDING • 29/3/2017 • 22/3/2017 • Drama van Ritesh Batra (The Lunchbox) • Familieverhaal van Martin Provost met Cathérine Deneuve, Catherine • Met Charlotte Rampling, Emily Mortimer, Jim Broadbent, Michelle Dockery,… Frot, Olivier Gourmet,… • Gebaseerd op bestseller Alsof het voorbij is van Julian Barnes •AFTER THE STORM • 26/4/2017 • Familiekroniek van Hirokazu Koreeda (Like father like son, Our little sister,…) • Lumière verdeelt op 1 film na hele oeuvre • Typisch Koreeda universum vol universele karakters -> tegelijk exotisch Japans én herkenbaar Lumière klassiekers DVD en Bluray: wie – wat – hoe? • Regelmatige vertoners Yasujiro Ozu (7 films) * Jacques Tati (6 films)* • alle films die minder dan 1 jaar uit zijn La meglio gioventu (Giordana) - The return (Zvyagintsev) - La piscine (Deray) Contacteer Lumière Y’aura t’il de la neige à Noël (Veysset) - Heimat – Die andere Heimat (Reitz) • Occasionele vertoners Howards End (Ivory) - Fanny & Alexander (Bergman) Contacteer Bevrijdingsfilms (tenzij film < 1 jaar) -> kunnen evenementieel en creatief geprogrammeerd worden Tot slot Lumière series • Info en boekingen: Melina Hellebaut [email protected] / 09 277 05 55 • Aanbod: • Digitaal, DVD en blu-ray • Zijn ook te boeken als special event - Lijst met films op DCP - Lijst met klassiekers Vertonersontbijt – 8 december 2016 Film Fest Gent On Tour Film Fest Gent on tour • Elke maand selecteert FFG een film voor een avant- première in verschillende Vlaamse zalen • Gevarieerd programma weerspiegelt breed spectrum van kwaliteitscinema • Breed vertonersveld (arthouses, multiplex en CC) • Vaste afspraak (bv. elke tweede dinsdag van de maand) • Ambitie start april / mei 2017 • Herlancering na onderbreking in 2014 Samenwerking Waarom • Netwerk uitbouwen • Films / liefhebbers / zalen • Groot aanbod kwaliteitscinema • Flagey (Brussel) • Delen wat we hebben: “gesloten • Lumière (Brugge) portefeuilles” (rechtstreeks met • Samen sterker / Netwerk • Cartoons (Antwerpen) distributeur) • Communicatie • Studio Skoop & Sphinx (Gent) • Aanbod • Omkadering • Buda (Kortrijk) • Publiek • Roxy (Koersel) • Communicatie • Publieksbereik • CC Evergem • kennis • … Omkadering & promotie Praktisch • Omkaderde voorstelling (intro video) • Doel start: april /mei • Intro tekst • 2017 – 2019 +… • Promo-pakket • Contactgegevens! • Maandelijkse advertentie bij mediapartner(s) Geïnteresseerden / uitrol / data / aanbod / Eerste overleg en opzetten praktische • Opname in wekelijkse nieuwsbrief FFG pakket vertoning! netwerk implementatie • Promo via lokale partners (februari) (april) (januari) (maart) Film Fest Gent on tour • Verderzetting programma 2012-2014 Live Track Cinema • Live Track Cinema is een initiatief waarbij Film Fest Gent; KASKcinema en Democrazy pop- en rockmuzikanten uitnodigen om beeld en muziek op een creatieve manier samen te brengen. Muziek én film krijgen een extra dimensie. Beasts of the Southern Wild; Ben Zeitlin * Before Midnight; Richard Linklater * Killer Joe; William Friedkin * Promised Land; Gus Van Sant * Los Amantes Pasajeros; Zijn er nog vragen? Pedro Almodovar * Moonrise Kingdom; Wes Anderson * Philomena; Stephen Frears * Sightseers; Ben Wheatley * Tyrannosaur; Peter Considine * To the Wonder; #FFGent Terrence Malick * Killing them Softly; Andrew Dominik * Woody Allen: A #WSAwards Documentary; Roger B.Weide * The Master; Paul Thomas Anderson * e.a. #FFGentOnTour #LiveTrackCinema Vertonersontbijt – 8 december 2016 Mona Film MONA Film • initiatief van vzw Al.Arte • nieuw artistiek platform • films uit Midden-Oosten & Noord-Afrika • evenwichtig & genuanceerd beeld • diverse doelgroepen MONA Film Festival MONA Film @ … • 3-daags artistiek filmfestival in Cc Berchem • maandelijkse filmvertoningen in uw cc • 10, 11, 12 februari 2017 • lijst uit 15 films • Recente films, documentaires, discussies & animatieworkshop • fysieke filmkopij op BlueRay of een file op DCP • Lanceringsfilm: Dégradé (2015, Palestina) • inleiding & synopsis door MONA • Programma: monafilmfestival.be (vanaf 20/12) • communicatie via de website MONA Film • Reeds partners • Cc Berchem • De Roma in Borgerhout • Red Star Line • Contactgegevens: • [email protected] • [email protected] Vertonersontbijt – 8 december 2016 Ani-mania Anima on tour De beste internationale animatiefilms van de editie 2017 > Alle publiek The Brussels Animation Film Festival > Maart en april 2017 presents ANI-MANIA MADe in Belgium Een bloemlezing van recente Belgische animatiefilms > Niet voor kinderen > Beschikbaar tot eind 2017 Contact: Anima Festival – Folioscope vzw Karin Vandenrydt [email protected] 02/213.19.49 Vertonersontbijt – 8 december 2016 Cinéart Wie zijn we? In mei '68 besloot Eliane Dubois, toekomstig directrice van Cinéart, om geëngageerde films vanuit Frankrijk te verdelen Hieruit groeide Cinélibre (1975), een vzw die zich toelegde op het verdelen van arthouse-films Dit werd later Cinéart: een onafhankelijke filmdistributeur die filmrechten exploiteert in de bioscoop, op DVD, VOD en televisie - en dit in België en Nederland Wie zijn we? Verdeler van 19 Gouden Palmen Cinéart zoekt steevast naar kwaliteitsfilms, of dat nu kleine filmparels zijn of komedies voor een groter publiek I, Daniel Blake (Ken Loach), La Chambre du Fils (Nanni Moretti), Winter Sleep (Nuri Bilge Ceylan), Aandacht voor wereldcinema: Latijns-Amerika (Ixcanul, El Club, etc.), Oost- Dancer in the Dark (Lars Von Trier), La vie d'Adèle (Abdellatif Kechiche), Azië (The Grandmaster, An, etc.) & het Midden-Oosten (Waltz With Bashir, A Rosetta (Jean-Pierre & Luc Dardenne), Amour (Michael
Load more

Recommended publications
  • Cinema Canvas – Persdossier – Juni 2017 1
    Cinema Canvas – persdossier – juni 2017 1 Inhoud De strafste films komen naar jouw stad met Cinema Canvas 3 Week 1 - Kortrijk Woensdag 5 juli: One Flew over the Cuckoo’s Nest (de keuze van Jan Eelen) 4 Donderdag 6 juli: The Searchers (de keuze van Johan Heldenbergh) 5 Vrijdag 7 juli: Me and You and Everyone We Know (de keuze van Patricia Toye) 6 Week 2 - Kortrijk Woensdag 12 juli: Jaws (de keuze van Erik Van Looy) 7 Donderdag 13 juli: Fight Club (de keuze van Tim Van Aelst) 8 Vrijdag 14 juli: Babel (de keuze van Dorothée Van Den Berghe) 9 Week 3 - Antwerpen Woensdag 19 juli: Dangerous Liaisons (de keuze van Hilde van Mieghem) 10 Donderdag 20 juli: La Piscine (de keuze van Nathalie Basteyns) 11 Vrijdag 21 juli: A Clockwork Orange (de keuze van Marcel Vanthilt) 12 Week 4 - Genk Woensdag 26 juli: Badlands (de keuze van Fien Troch) 13 Donderdag 27 juli: Miller’s Crossing (de keuze van Matthias Sercu) 14 Vrijdag 28 juli: Magnolia (de keuze van Luk Wyns) 15 Week 5 - Leuven Woensdag 2 augustus: Donnie Darko (de keuze van Jonas Govaerts) 16 Donderdag 3 augustus: Casablanca (de keuze van Steven De Foer) 17 Vrijdag 4 augustus: Dog Day Afternoon (de keuze van Robin Pront) 18 Week 6 – Sint-Truiden Woensdag 9 augustus: Casino (de keuze van Michaël Roskam) 19 Donderdag 10 augustus: La grande belezza (de keuze van Amira Daoudi) 20 Vrijdag 11 augustus: Les vacances de Mr. Hulot (de keuze van Frank Van Passel) 21 Week 7 – Gent Woensdag 16 augustus: The Green Butchers (de keuze van Tom Van Dyck) 22 Donderdag 17 augustus: Nobody Knows (de keuze van Nathalie Teirlinck) 23 Vrijdag 18 augustus: Blow Out (de keuze van Patrick Duynslaegher) 24 Week 8 - Vilvoorde Woensdag 23 augustus: Dr.
    [Show full text]
  • Factsheet MEDIA Success Stories
    Factsheet MEDIA success stories Saul Fia (Son of Saul, 2015) directed by László Nemes (HU) Oscar for Best Foreign Language Film Grand Prix at Cannes Film Festival Support: € 697,585 for its distribution across Europe Son of Saul is a small-budget film – €1.5 million. MEDIA decided to back the project and contributed to distributed it in 24 countries across Europe – a record on its own. La Grande Bellezza (The Great Beauty, 2013) directed by Paolo Sorrentino (IT) Oscar and Golden Globe for Best Foreign Language Film Support: € 491,531 for its development and its distribution across Europe With La Grande Bellezza, Paolo Sorrentino gained international acclaim as a European director who could encapsulate the human dimension of his characters in a perfect shot. Youth (also funded by MEDIA) continued along the same path. In 2016, Sorrentino made a successful foray into television, with The Young Pope which he considers to be a 10 hour-long movie Ida (2013) directed by Pawel Pawlikowski (PL) Oscar for Best Foreign Language Film Lux Prize Support: € 646,282 for its development and its distribution across Europe MEDIA provided seed money for the development of Ida. It also helped foreign distributors to show the film abroad through distribution schemes: Memento Films in France received €29,000 to show Ida to French audiences. France had the highest proportion of admissions for the film across Europe, with 484,000 viewers, one third of its total admissions. Tabu (2012) directed by Miguel Gomes (PT) 18 prizes and 40 nominations Support: € 192,800 for its development and its distribution across Europe Tabu, by Portugese director Miguel Gomes, was developed with the support of MEDIA.
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • Annelies Beck Expressionisme: Das Cabinet Des “BOEIEND OM TE ZIEN Dr
    Gratis fi lmmagazine NIEUWS INTERVIEWS ARTIKELS RECENSIES Een duizelingwekkende dosis cinema BROER THE DANISH GIRL JENNIFER LAWRENCE PROBLEMSKI HOTEL CAROL TheWoelige winterpret met QuentinHateful Tarantino Eight # januari 2016 18 WE ALL LIVE OR WE ALL DIE. CHRIS PINE ONTDEK ONZE VERTIGO VIERT CASEY AFFLECK ABONNEMENTEN! BEN FOSTER OUD & NIEUW EN ERIC BANA IN CINEMA CARTOON’S ANTWERPEN ABONNEE ›› Vertigo thuisbezorgd €50 ›› 1 T-shir t ZONDAG 10 JANUARI ›› Vertigo thuisbezorgd 2015 MATINEE VRIEND ›› 1 T-shir t ›› Voorrang op Vertigo-events €100 ›› (minstens 10 duotickets) DINSDAG 19 JANUARI ›› Vertigo thuisbezorgd ›› 2 T-shir ts 2016 TOPPER VIP ›› Voorrang op Vertigo-events ›› (minstens 10 duotickets) MET EEN RECEPTIE VOOR VIPABONNEES €200 E ›› Exclusieve VIP-tickets OP DE 26 ETAGE VAN DE BOERENTOREN OOK APART VERKRIJGBAAR TSHIRT €20 (INCLUSIEF VERZENDING) Dames: Rood en blauw Mannen: Grijs en bordeaux GEBASEERD OP HET ONGELOOFLIJKE WAARGEBEURDE VERHAAL Verschillende maten ALLE INFO OP Walt Disney Studios België VANAF 27 JANUARI IN DE BIOSCOOP VERTIGOWEB.BE The Finest Hours - Vertigo.indd 1 22/12/2015 18:06 66746 OPM VERTIGO ADV 1_1.indd 1 21/12/15 14:31 Het wilde Westen oen in 1903 de eerste western The Great Train Robbery in première ging, dook het onervaren publiek weg van het scherm, uit T angst voor een bandiet die recht naar hen schoot. De toon was gezet: het genre zou synoniem worden met adembenemende actie, stoere cowboys en snode Indianen. Door de filmgeschiedenis heen werd de western meermaals doodverklaard, maar telkens verrees IN 2016 IS DE SCANDIMANIA TERUG! hij – vaak glorieuzer dan ooit tevoren. Bij de start van 2016 is het genre in ieder geval springlevend, met Ontdek de nieuwe lichting grand cru series gloednieuwe voorbeelden van de hand van Quentin Tarantino en Alejandro González Iñárritu.
    [Show full text]
  • Bong Joon Ho, Todd Haynes, Michel Hazanavicius, Taylor Sheridan and More
    THE WE’VE GOT CANNES COVERED MAY 2017 EXCLUSIVE Directors Portfolio: Noah Baumbach, Bong Joon Ho, Todd Haynes, Michel Hazanavicius, Taylor Sheridan and more THE ETHEREAL ARTISTRY OF TILDA Plus: The Cannes market, the Chinese giants, the streaming invasion Photographer: Nicolas Guerin/ Production: Clotilde Lecuillier & Sarah Lafrontiere Lafrontiere Clotilde Lecuillier & Sarah Nicolas Guerin/ Production: Photographer: SWINTON THE wEINSTEIN COMPANY IS PROUD TO PRESE NT OUR LINEUP AT THE 2017 CANNES FILM FESTIVAL AND MARKET THE CURRENT WAR THE WAR WITH GRANDPA Directed by: Alfonso Gomez-Rejon Directed by: Tim Hill Written by: Michael Mitnick Written by: Tom J. Astle & Matt Ember Producers: Harvey Weinstein, Based on the book by Robert Kimmel Smith Timur Bekmambetov, Basil Iwanyk, Cast: Robert De Niro, Uma urman, Steven Zaillian, Garrett Basch, Ann Ruark Christopher Walken Cast: Benedict Cumberbatch, Producers: Marvin Peart, Phillip Glasser, Michael Shannon, Katherine Waterston, Rosa Morris Peart Tuppence Middleton, Tom Holland, Release Date: 10/20/17 Nicholas Hoult Worldwide: TWC Release Date: 12/22/17 Worldwide: TWC POLAROID Directed by: Lars Klevberg MARY MAGDALENE Written by: Blair Butler Based on the short lm “Polaroid” Directed by: Garth Davis directed by Lars Klevberg WIND RIVER Written by: Helen Edmundson and Cast: Kathryn Prescott, Javier Botet, Mitch Pileggi Philippa Goslett Directed and Written by: Taylor Sheridan Producers: Roy Lee, Chris Bender, Producers: Basil Iwanyk, Peter Berg, Matthew George, Wayne Rogers, Elizabeth A. Bell
    [Show full text]
  • CREATIVE EUROPE MEDIA Belgian Results 2017
    CREATIVE EUROPE MEDIA Belgian results 2017 Le Fidèle – Michaël R. Roskam • Savage Film received support for the development of “Le Fidèle” in 2012. In 2017, the film received support for a cinema release in France, Hungary, Rumania, Greece, Estonia and Denmark Creative Europe Creative Europe is the 7-year European Commission’s subsidy programme (2014-2020) for the promotion of international co-operation in the cultural, creative and audiovisual sectors with a total budget of 1.46 billion Euros. Creative Europe consists of three sub-programmes: 1. a MEDIA sub-programme in support of the audiovisual sector; 1. a Culture sub-programme in support of the cultural and creative sectors; 2. a cross-sectoral component, including resources for policy co-operation,cross-sectoral activities and the Financial Guarantee Facility The Financial Guarantee Facility has been created to facilitate access to financing for small and medium-sized enterprises within the cultural, creative and audiovisual sectors. The instrument is managed by the European Investment Fund and has a budget of 181 million Euros, which is expected to generate more than 1 billion Euros worth of loans for thousands of cultural and creative SMEs. Since 19 March 2018, PMV and START have been acting as Belgian financial intermediaries for this instrument. With an amount of 25 billion Euros worth of loans, more than 140Belgian SMEs will gain access to these additional funds. Belgium, a key player on the International film and television market Belgium has been a key player on the international film and television markets for a long time. Partly thanks to MEDIA and the various national and regional initiatives, the audiovisual sector in Belgium has been given a boost, both on an economic and an artistic level.
    [Show full text]
  • NUOVO CINEMA Rumenoper
    NUOVO CINEMA RUMENO 2 febbraio - 4 marzo 2009 Da qualche anno il cinema rumeno ottiene prestigiosi riconoscimenti nei maggiori festival internazionali. Sicuramente è improprio parlare di una “Nouvelle vague” che da Bucarest fa sentire la sua voce e attira l’attenzione del mondo intero, anche perché prima non esisteva nessuna “Vieille vague”, ma c’erano solo degli autori isolati, il più importante dei quali è stato sicuramente Lucian Pintilie, regista maledetto messo all’indice dal regime di Ceausescu. Ma è vero che, in questo primo scorcio del nuovo millennio, dalla Romania ci sono giunti diversi film indipendenti di alto valore, che hanno contribuito alla riflessione sul periodo buio della dittatura e sulla fragile democrazia post-rivoluzionaria. I quattro film che presentiamo vogliono essere un assaggio e una testimonianza di questa innegabile realtà. 1 PROGRAMMA Circolo del cinema Bellinzona Cinema Forum 1+2 mar 3 febbraio, 20.30 COME HO VISSUTO LA FINE DEL MONDO Cum mi-am petrecut sfirsitul lumii di Catalin Mitulescu, Romania 2006 sab 7 febbraio, 18.00 4 MESI, 3 SETTIMANE E 2 GIORNI 4 luni, 3 saptamani si 2 zile di Cristian Mungiu, Romania 2007 mar 10 febbraio, 20.30 LA MORTE DEL SIGNOR LAZARESCU Moartea Domnului Lazarescu di Cristi Puiu, Romania 2005 sab 17 febbraio, 18.00 RYNA di Ruxandra Zenide, Svizzera/Romania 2005 2 Circolo del cinema Locarno Cinema Morettina lun 2 febbraio, 20.30 COME HO VISSUTO LA FINE DEL MONDO Cum mi-am petrecut sfirsitul lumii di Catalin Mitulescu, Romania 2006 ven 6 febbraio, 20.30 4 MESI, 3 SETTIMANE E
    [Show full text]
  • Critical Study on History of International Cinema
    Critical Study on History of International Cinema *Dr. B. P. Mahesh Chandra Guru Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri Karnataka India ** Dr.M.S.Sapna ***M.Prabhudevand **** Mr.M.Dileep Kumar India ABSTRACT The history of film began in the 1820s when the British Royal Society of Surgeons made pioneering efforts. In 1878 Edward Muybridge, an American photographer, did make a series of photographs of a running horse by using a series of cameras with glass plate film and fast exposure. By 1893, Thomas A. Edison‟s assistant, W.K.L.Dickson, developed a camera that made short 35mm films.In 1894, the Limiere brothers developed a device that not only took motion pictures but projected them as well in France. The first use of animation in movies was in 1899, with the production of the short film. The use of different camera speeds also appeared around 1900 in the films of Robert W. Paul and Hepworth.The technique of single frame animation was further developed in 1907 by Edwin S. Porter in the Teddy Bears. D.W. Griffith had the highest standing among American directors in the industry because of creative ventures. The years of the First World War were a complex transitional period for the film industry. By the 1920s, the United States had emerged as a prominent film making country. By the middle of the 19th century a variety of peephole toys and coin machines such as Zoetrope and Mutoscope appeared in arcade parlors throughout United States and Europe. By 1930, the film industry considerably improved its technical resources for reproducing sound.
    [Show full text]
  • The Philadelphia Inquirer
    The Philadelphia Inquirer September 10, 2009 “From Toronto to glory” The 34th International Film Festival, starting today, is where Oscar-eager flicks debut - among them, a searing doc about the Barnes Foundation. By Steven Rea Inquirer Movie Columnist and Critic Starting tonight with the world premiere of Creation, a movie about naturalist Charles Darwin starring Paul Bettany, and closing a week from Saturday with Young Victoria, with Emily Blunt as Britain's mighty monarch, the 34th Toronto International Film Festival promises 271 features and more than 500 filmmakers and red-carpet-treading stars. (Most of the 271 films are not about historic 19th-century Englishfolk.) An epic collision of studio releases with Oscar ambitions, of titles from Europe and Asia, Africa and the Americas, Down Under and Up There (Iceland, Scandinavia), TIFF09 boasts the latest from Pedro Almodóvar (Broken Embraces, with Penélope Cruz), the Coen brothers (A Serious Man), and documentarian Michael Moore (Capitalism: A Love Story). George Clooney will be there to talk up Up in the Air, and Megan Fox will pose provocatively as she unveils her hip horror exercise Jennifer's Body (scripted by Juno's Diablo Cody). Of particular interest to Philadelphia-area residents, and art lovers the world over, is Don Argott's The Art of the Steal, a conspiracy theory- documentary about the Barnes collection and its controversial move from Merion to a new site on the Benjamin Franklin Parkway. Although the film will have its world premiere Saturday at North America's biggest and most prestigious festival, The Art of the Steal was screened for a handful of critics in New York last week.
    [Show full text]
  • Investing in Creativity: 25 Years of MEDIA Programme Celebrated at Cannes Film Festival Brussels, 13 May 2016
    European Commission - Press release Investing in creativity: 25 years of MEDIA programme celebrated at Cannes Film Festival Brussels, 13 May 2016 Video clip on MEDIA-funded movies This year's Cannes Film Festival is a great occasion to celebrate the 25th anniversary of MEDIA, the EU's support programme for the European audiovisual industry. MEDIA-funded films once again feature very strongly in the selection: 10* of the 21 films in competition for the Palme d'Or this year have been supported by MEDIA, including films by Ken Loach, Pedro Almodóvar, Cristian Mungiu and the Dardenne brothers. In the last 25 years, 40 MEDIA-funded films have been awarded the Palme d'Or, the Grand Prix or the Best Director Award (see factsheet). Both European Commission Vice-President Ansip and Commissioner Oettinger will be at the Cannes Film Festival this year to discuss the achievements of MEDI A and how the EU can further strengthen the audiovisual sector, which employs over 1.3 million people in the EU, under its strategy to create a Digital Single Market. Andrus Ansip, Vice-President for the Digital Single Market, said: "The MEDIA programme has played an essential role to help European films reach new audiences across borders. We need to build on this success and foster the circulation of content in Europe with the right EU framework. Digital developments bring opportunities and challenges for the audiovisual sector. We need to find solutions together to boost the legal offer online and fight piracy. I am really looking forward to discussions with filmmakers in Cannes." Günther H.
    [Show full text]
  • Of Compassion” Dalai Lama (Refugee)
    Official Oscar® Entry – Switzerland Foreign Language Film and Best Documentary Feature AFTER THE BOAT IS FULL AND MORE THAN HONEY A FILM BY ACADEMY AWARD® NOMINEE MARKUS IMHOOF “ We need a revolution of compassion” Dalai Lama (refugee) WRITTEN AND DIRECTED BY MARKUS IMHOOF • CINEMATOGRAPHY PETER INDERGAND SCS • SCRIPT COLLABORATION AND EDITING BEATRICE BABIN BFS • ADDITIONAL EDITING THOMAS BACHMANN SOUND DIETER MEYER JÜRG LEMPEN HUGO POLETTI • SOUND DESIGN SEBASTIAN TESCH • RE-RECORDING MIXER ANSGAR FRERICH • MUSIC COMPOSITING PETER SCHERER • VOICE-OVER CATARINA GENTA ROBERT HUNGER-BÜHLER • VFX LUGUNDTRUG • PRODUCTION MANAGEMENT TASSILO ASCHAUER • PRODUCERS PIERRE-ALAIN MEIER THOMAS KUFUS MARKUS IMHOOF EDITORIAL URS AUGSTBURGER (SRF) SVEN WÄLTI (SRG SSR NATIONAL COORDINATION) CARLOS GERSTENHAUER (BR) MATTHIAS LEYBRAND (BR) • A COPRODUCTION OF THELMA FILM ZERO ONE FILM ORMENIS FILM PICTURE © MASSIMO SESTINI /markusimhoof.eldorado kinolorber.com 212-629-6880 [email protected] a zero one / Thelma Film production Directed by the Academy Award Nominee MARKUS IMHOOF Switzerland release: 03/08/2018 Trailer, Press Kit and Hi Res Images to download: www.markus-imhoof.ch/en/2018/02/16/eldorado-2018/ www.markus-imhoof.ch • ∙ /markusimhoof.eldorado US PUBLIC RELATIONS WORLD SALES Mediaplan PR Films Boutiques www.mediaplanpr.com www.filmsboutique.com +1 310-260-2800 [email protected] [email protected] [email protected] CREW Director and scriptwriter Markus Imhoof DoP Peter Indergand (scs) Sound Dieter Meyer, Jürg Lempen, Hugo
    [Show full text]