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Eugene Burger (1939-2017)
1 Eugene Burger (1939-2017) Photo: Michael Caplan A Celebration of Life and Legacy by Lawrence Hass, Ph.D. August 19, 2017 (This obituary was written at the request of Eugene Burger’s Estate. A shortened version of it appeared in Genii: The International Conjurors’ Magazine, October 2017, pages 79-86.) “Be an example to the world, ever true and unwavering. Then return to the infinite.” —Lao Tsu, Tao Te Ching, 28 How can I say goodbye to my dear friend Eugene Burger? How can we say goodbye to him? Eugene was beloved by nearly every magician in the world, and the outpouring of love, appreciation, and sadness since his death in Chicago on August 8, 2017, has been astonishing. The magic world grieves because we have lost a giant in our field, a genuine master: a supremely gifted performer, writer, philosopher, and teacher of magic. But we have lost something more: an extremely rare soul who inspired us to join him in elevating the art of magic. 2 There are not enough words for this remarkable man—will never be enough words. Eugene is, as he always said about his beloved art, inexhaustible. Yet the news of his death has brought, from every corner of the world, testimonies, eulogies, songs of praise, cries of lamentation, performances in his honor, expressions of love, photos, videos, and remembrances. All of it widens our perspective on the man; it has been beautiful and deeply moving. Even so, I have been asked by Eugene’s executors to write his obituary, a statement of his history, and I am deeply honored to do so. -
Therapeutic Magic: Demystifying an Engaging Approach to Therapy
Therapeutic Magic: Demystifying an Engaging Approach to Therapy Steven Eberth, OTD, OTRL, CDP Richard Cooper, Ed.D, FAOTA, OTR Warren Hills, Ph.D, LPC, NCC ●What strategies could you use to introduce therapeutic magic with your clients? Quick Survey ●What barriers exist that may impede your ability to use therapeutic magic? History of Magic • Dr. Rich Cooper • In the beginning . ●The use of magic as a therapeutic activity has existed since World War 1 History of Magic ●Occupational therapy literature evidenced the use of therapeutic magic in 1940 History of ●Project Magic was conceived by magician, Magic David Copperfield and Julie DeJean, OTR ●In 1981, the Department of Occupational Therapy at the Daniel Freeman Center for Diagnostic and Rehabilitative Medicine in Inglewood, California piloted the use of magic History of ●In 1982, Project Magic was endorsed by the Magic American Occupational therapy Association ●The Healing of Magic program was developed History of by world renown illusionists Kevin and Cindy Magic Spencer ●In 1988, Kevin suffered injuries to his head and lower spinal cord from a near-fatal car accident ●In support of his own recovery, he worked with therapists in North Carolina on what was to become the foundation for “The Healing of Magic” ●Kevin earned Approved Provider Status from the American Occupational Therapy Association History of ●He is considered the leading authority on the therapeutic use of magic in in physical and Magic psychosocial rehabilitation https://www.spencersmagic.com/healing-of- magic/ Our Story Our humble beginning . ● How we got started ● The search for training materials begins ● What we’ve done: WMU Story ● # of students ● Grant for materials ● Resource boxes ● Documentation and reimbursement skills ● Program evaluation student surveys I am in my second fieldwork one right now at the Kalamazoo Psychiatric Hospital. -
Magic Show! 2 Choose a Trick to Perform
EI-5166 Ages 6+ Grades 1+ MagicMagic SchoolSchool TextbookTextbook Begin magic school here! Welcome to the Magic Show! 2 Choose a trick to perform. You have just entered the exciting, magical world of illusion. Spend some time The number of stars next to the title of each trick indicates how easy a trick is studying steps 1-5 to understand how this book works. Then turn the page to begin to learn and perform. Start with the # tricks. They are easy to learn and do your magic schooling. Soon, everyone will be yelling, “How did you do that?” not require much practice. The ## tricks are easy, but require more practice. The ### tricks require more time to learn and some more practice to get the illusion just right. Study the diagram below to understand the format for Becoming a Magician the tricks. Become familiar with your props. 1 Here are the magical items included in this kit. Study the pictures and their names below. If you are learning a trick and do not know what an item is, refer back to these pictures. Magic wand Surprise Blue trick box bottle with lid Egg cup Vanishing and half egg water vase Green trick box Practice your tricks. Metal ring 4 plastic rings with loose partition 3 (red, yellow, blue) Before the day of your big performance, practice, practice, practice! Red square with hole Memorize the tricks you plan to perform. You don’t want to be looking at this and 2 plastic windows guide during your show. It’s a good idea to practice in front of a mirror, with 4 rubber bands Spring too. -
Ring Report March 2017 Meeting and Dennis' Deliberation
Ring Report March 2017 Meeting and Dennis’ Deliberation Posted on March 21, 2017 by Dennis Phillips Ring Report Ring #170 “The Bev Bergeron Ring” SAM Assembly #99 March 2017 Meeting President Craig Schwarz brought our monthly meeting to order. We took a moment to remember the late Jim Zachary who recently passed on. Dan Stapleton did an update on this year’s Magicpalooza , the Florida State Magic Convention. This year called the Close-Up Conference and Competition held May 12th -14th at the Orlando/Maitland Sheraton Hotel Member Marty Kane, announced the release of his new book, “Card ChiKanery” which is loaded with great card magic. The Bev Bergeron Teach-in was the classic “Coin Through Handkerchief” which can be found in the Bobo book. Phil Schwartz presented his Magic History Moment #83, a look at his collection of letters between Charles Carter and Floyd Thayer. Carter was a Pennsylvania born illusionist who began touring the U.S. in 1906. He was trained in the legal professor and had an elegant writing style. He bought and later sold to Houdini, the Martinka’s magic business in New York and moved to San Francisco and lived in a grand house. Carter avoided the competition in America and toured his illusion show overseas on five tours until his death in Bombay, India in 1936. Carter had his illusions built by Floyd Thayer’s company in Los Angeles. Phil is a 40-year long Thayer collector and wrote the Ultimate Thayer, a comprehensive history of Thayer’s magic company. In addition to showing us, the correspondence between Carter and Thayer, Phil also showed an original Carter Egyptian theme poster nicknamed “Carter on a Camel.” It was startling to see the low prices that Carter paid Thayer for illusions back in the 1920s and early 1930s until Phil explained that we must multiply the amount by 17 times due to dollar inflation. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Rare Books, Manuscripts, Maps & Photographs
Rare Books, Manuscripts, Maps & Photographs - Including the Trevor Dawson Magic Collection (613) Wed, 30th Sep 2020, Live Online | Viewing in Edinburgh Viewing Times: Book an Appt Viewing by appt from 28-29 Sept. Lot 185 Estimate: £150 - £250 + Fees American Magicians's Postal Envelope Fronts & Envelopes a collection, comprising chiefly envelope fronts P.C. Sorcar, Calcutta (to the Magicians Round Table), c.1948; P.C. Sorcar, Calcutta (to the Great Okito Bamberg), 1951; P.C. Sorcar, Calcutta, 1945; Ottokar Fischer, Vienna (to John Lippy), Oscar S. Teale (to Homer H. Woulffe), 1919; Mora Chinese Magical Diversions (to Mr Libonati Magician), 1943; Postcard to Monsieur Adelphe Blind, unfranked; Tarbell System Incorporated (unfranked); The Show of a Thousand Wonders, Wood the Man of Mystery (to Arthur Felsman), 1931; Madame Reno the Empress of Magic, (to Woulffe), 1912; Dell O'Dell (to R.C. Buff), 1941; Harry Rice (to Arthur P. Felsman), 1923; Amedeo the International Deceptionist (to Homar Hermann), 1949; envelope from Powell Prince of Mystery...; envelope back only from Ralph Emerson Powell Prince of Modern Magic; envelope from Jadu Chakra India (to T. Okito Bumberg), 1951; Kilg Felton The Man of Mystery (to A.P. Felsman), date not legible; Arthur D Gans (to Arthur Felsman), 1929; Elite Entertainers Arthur D. Gans (to A. Felsman), 1919; Richiardi Jr. (to Mr Joe Palens), 1957; Gambols with Newmann's in Ghosts, unaddressed; The Great Newman (envelope back); Return in Ten Days to Virgil (to R.G. Buff), 1950; Charles J. Hagen (to H.H. Woulfe), 1919; Lighter the Wizard (unaddressed); Frederic la Delle (to A.P. -
My Best Self-Working Card Tricks Ebook, Epub
MY BEST SELF-WORKING CARD TRICKS PDF, EPUB, EBOOK Karl Fulves | 160 pages | 28 Mar 2003 | Dover Publications Inc. | 9780486419817 | English | New York, United States My Best Self-Working Card Tricks PDF Book I'd like you to guess which one. He loves card games, card magic, cardistry, and card collecting, and has reviewed several hundred boardgames and hundreds of different decks of playing cards. Magicians use a different method called the end riffle. Before the trick started you placed any 9- spot on top of the deck. Klondike, chapter intro. Related to Lucky 13 George Sands , Back Stop. Deal thirty-five cards off the top into the face- up heap. Push off a packet of seven cards without reversing their order. According to Hoyle. Lift off a group of cards. Here are my choices for 10 of the very best self-working card tricks in the world, ever. Since the spectator does nothing more than deal three cards to one heap and one to the other heap, there is little risk of something going wrong. Ask the spectator to cut the four-card heap and complete the cut, then to give it another complete cut. Dracula's Calling Card. When showing the list at the beginning, obscure the one positive entry at position 9 bv keening the hand over the list, Figure Look at the face card of the group you cut off, and then place that packet on top of these cards. Also published here Blackgammon Karl Fulves , Congratulate the lucky couple on being one in a million. -
Harvard- Educated Magician and Puzzle Maker on Magic As Storytelling
Co.CREATE Co.EXIST Co.DESIGN Co.LABS SUBSCRIBE CREATE DAILY Co.CREATE “NOW YOU SEE ME” HARVARD- CREATIVITY \ CULTURE \ COMMERCE EDUCATED MAGICIAN AND PUZZLE EDITOR: MAKER ON MAGIC AS TERESSA IEZZI STORYTELLING TWO THOUSAND AND 06 / 06 THIRTEEN BY: SUSAN KARLIN Now You See Me’s magic consultant, David Kwong, reveals how helping the cast master real sleight-of-hand moves helped authenticate the film’s EDITOR'S PICKS characters and enhance its storytelling. 40 99 In an age of CGI, why bother with a magic consultant? The early moments of Now You See Me answer this question--when the movie audience becomes the foil in a real magic trick. After a few seconds WORK MODE: of spirited card deck cuts and shuffles, an illusionist played by Jesse FROM BEETHOVEN TO WOODY ALLEN— THE DAILY RITUALS OF THE WORLD’S Eisenberg shuffles the card faces to the audience and tells us to pick one. MOST CREATIVE PEOPLE AND WHAT YOU We do and--there’s a collective gasp--that’s the card that flashes in lights CAN LEARN FROM THEM on the skyscraper behind him. How the hell? “There’s an authenticity that people can detect with actual sleight-of- hand,” says David Kwong, a 32-year-old Harvard-educated magician and puzzler who designs and advises on illusions for film and TV, and writes crossword puzzles for The New York Times. “Both of those moments are really important in establishing the skills and technical abilities of the characters. We open the film that way, so when things get more exaggerated later, the audience has been grounded in the reality of that first authentic -
David Copperfield PAGE 36
JUNE 2012 DAVID COPPERFIELD PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Fax: 866-591-7392 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JUNE 2012 M-U-M JUNE 2012 MAGAZINE Volume 102 • Number 1 S.A.M. NEWS 6 From the Editor’s Desk Photo by Herb Ritts 8 From the President’s Desk 11 M-U-M Assembly News 24 New Members 25 -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol
Cybaris® Volume 6 | Issue 1 Article 2 2015 The ffecE ts of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law Jared R. Sherlock Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sherlock, Jared R. (2015) "The Effects of Exposure on the Ecology of the Magic Industry: Preserving Magic in the Absence of Law," Cybaris®: Vol. 6: Iss. 1, Article 2. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Sherlock: The Effects of Exposure on the Ecology of the Magic Industry: Pre Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 2 THE EFFECTS OF EXPOSURE ON THE ECOLOGY OF THE MAGIC INDUSTRY: PRESERVING MAGIC IN THE ABSENCE OF LAW JARED R. SHERLOCK † I. Introduction ................................................................................. 3 II. BackGround of Intellectual Property in the Magic Industry .................................................................................... 4 A. Brief History ...................................................................... 4 B. The -
Biography Cyril Takayama Born and Raised in Los Angeles, California and Now Based in Tokyo, Japan, Cyril Epitomizes the 21St Century Entertainer
Biography Cyril Takayama Born and raised in Los Angeles, California and now based in Tokyo, Japan, Cyril epitomizes the 21st century entertainer. Fascinated with magic from his youth, he became one of the early pioneers of street magic and known for his ability to be an effective story teller. Television Appeared in over 16 prime time TV specials in Japan an in two TV series in over 26 countries 2009: Starred in a 3-part English language TV special titled “Cyril, Simply Magic,” in partnership with Sony Pictures Entertainment Networks Asia’s AXN channel 2011: Filmed 16th Japanese prime time TV special with Fuji TV 2012: Starred and served as executive producer of a new TV series, in partnership with Charis Entertainment, Sony-owned AXN Asian and AXN Mystery Japan Launched “Cyril’s Family Vacation” 2014: Premiered “Magiculous Rio,” which was filed entirely in Rio der Janeiro, Brazil. Street Magic Traveled extensively sharing his magic and visiting various places from Brazil to India, to China and Indonesia, to Italy and Australia, among many other places Live Tour 2007: 35-city tour throughout Japan 2015: Cyril World Tour 2015 The Secret Tokyo Cyril Magic Up Close & Personal World Tour in Macau The Secret 2015 World Tour in Osaka 2016: Cyril Magic Up Close & Personal Live in Hong Kong Cyril Magic Up Close & Personal Live in Bangkok Recognition - 2007: Recognized by his peers in the magic community at the 39th Annual Academy of Magical Arts Awards, AKA the “Academy Awards of Magic. He was voted “Magician of the Year” (same category as David Copperfield and Seigfried & Roy).