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TRACY HALL ADAMS EDITOR www.adamsapplefilms.com FEATURES THE TURNING Amblin Entertainment Prod: Scott Bernstein, Roy Lee, John Middleton Dir: Floria Sigismondi (Additional Editor) TRIBES OF PALOS VERDES Falcon Films Prod: Gabriela Revilla Lugo, Robbie Brenner Dir: Brendan Malloy, Emmett Malloy ALBION: THE Character Brigade Prod: Dori Sperko Dir: Castille Landon ENCHANTED STALLION (Additional Editor) THE LAST WITCH HUNTER Summit Entertainment Prod: Adam Goldworm, Bernie Goldmann Dir: Breck Eisner (Additional Editor) AUTOBAHN Relativity Media Prod: Rian Cahill, Tom Rice Dir: Eran Creevy BY WAY OF HELENA Mandeville Films Prod: David Hoberman, Todd Lieberman Dir: Kieran Darcy-Smith BRICK MANSIONS Relativity Media Prod: Luc Besson, Jonathan Vanger, Dir: Camille Delamarre (Additional Editor) Matt Alvarez PARANOIA Relativity Media Prod: Scott Lambert, Ryan Kavanaugh, Dir: Robert Luketic Alexandra Milchan, Douglas Urbanski RIDDICK Universal Pictures Prod: Samantha Vincent, Vin Diesel, Dir: David Twohy Mike Drake, Ted Field LIMITLESS Relativity Media Prod: Ryan Kavanaugh, Tucker Tooley, Dir: Neil Burger Scott Kroopf TAKE ME HOME Universal/Relativity Media Prod: Ryan Kavanaugh, Tucker Tooley, Dir: Michael Dowse TONIGHT (Additional Editor) James Whitaker A PERFECT GETAWAY Universal/Relativity Media Prod: Robbie Brenner, Ryan Kavanaugh, Dir: David Twohy Ken Halsband AN EMPRESS AND THE United Filmmakers Org., Prod: Andrew Loo, Eric Tsang Dir: Tony Ching Siu Tung WARRIORS Hong Kong THE FLOCK MGM Prod: Jenette Kahn, Andrew Loo, Peter Schwerin Dir: Andrew Lau THE CHRONICLES OF Universal Pictures Prod: Scott Kroopf, Vin Diesel, Ted Field Dir: David Twohy RIDDICK (Additional Editor) UNDERWORLD Lakeshore / Sony Pictures Prod: Robert Bernacchi, Gary Lucchesi, Dir: Len Wiseman (Assistant Editor) Richard Wright THE GREEN MILE Castlerock Pictures Prod: Frank Darabont, David Valdes Dir: Frank Darabont (Assistant Editor) SMALL SOLDIERS Dreamworks Prod: Walter Parkes, Michael Finnell, Dir: Joe Dante (Assistant Editor) Colin Wilson THE ROCK Buena Vista Pictures Prod: Jerry Bruckheimer, Sean Connery, Dir: Michael Bay (Assistant Editor) Barry Waldman TREMORS II: AFTERSHOCKS Universal Pictures Prod: Nancy Roberts, Christopher DeFaria Dir: S.S. Wilson (Assistant Editor) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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GARY KRAUSE Music Editor FILM CREDITS
GARY KRAUSE Music Editor Emmy Award winning Music Editor, Gary L. Krause has been an active member of the Motion Picture Editors Guild, Academy of Television Arts and Sciences, and Motion Picture Sound Editors for over 20 years. His career has allowed him to work at movie studios, scoring stages, and recording studios all over the globe including Walt Disney Studios, Warner Bros. Studios, Universal Pictures Studios, Paramount Pictures Studios, Sony Pictures Studios, Twentieth Century Fox Studios, Lucas Film/ Skywalker Ranch, Barbra Streisand Scoring Stage, Clint Eastwood Scoring Stage, Paramount Scoring Stage, Todd AO Scoring Stage, Capitol Records, The Village Studios, Conway Studios, Abbey Road, Studio City Sound, and Signet Sound. He has worked directly with many prominent film makers which include Justin Lin, James Wan, F. Gary Gray, Francis Lawrence, Sylvester Stallone, William Friedken, Richard Donner, Bill Paxton, Alex Kurtzman, Peter Lenkov, and Brian Tyler. Gary began his career as a musician working at the world famous West LA Music, ushering in the digital recording era. While there he worked with many prominent artists, producers and composers such as Hans Zimmer’s Remote Control (formerly known as Media Ventures), Columbia Pictures, David Foster, Brenda Russell, Christopher Cross, Greg Wells, Anthony Hopkins, Ronald and Nancy Reagan, Donny Osmond, Ringo Star, John Debney, Danny Elfman, William Ross and Charlie Fox. He left West LA Music to join Todd AO Sound in 1996, where he collaborated with many talented colleagues and honed his editorial and mixing skills working on many film and television projects. He segued from sound editorial to music editorial in the late 90’s - early 2000’s to assist A-List composer Brian Tyler with the launch of his then nascent career.
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WINTER 2018 Hawken REVIEW This is How We Learn: The Intensive Experience From the Desk of D. Scott Looney “Just as truly as each individual has different physical characteristics, so truly does he possess individual and peculiar talents, wants, powers, tastes, instincts, and tendencies. And because of this there can be no real and efficient education where a general course of instruction and a general method of training is applied to a group of [students].” – James A. Hawken, 1915 At opening meetings in August, I gave each faculty and staff member a copy of author Todd Rose’s recent book, The End of Average: How We Succeed in a World That Values Sameness, because it resonates remarkably well not only with the direction we are heading, but with our founder James A. Hawken’s original commitment to individualized education. The concept of “the end of average,” while by some standards is not new, is groundbreaking when viewed in the context of today’s approach to education and the workplace. I highly recommend the book. This issue of the Review highlights one of the many ways Hawken is taking the lead in making learning more individualized and relevant: the Upper School Intensives. Now in their eighth year, the Intensive program has evolved to the point where it has become part of the natural rhythm of the school year. Its uniqueness and success has drawn over fifty schools from across the country to visit Hawken to see just how it is implemented, and many schools are adopting versions of it if not mimicking our approach to a tee.
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STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48
STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 1 of 48 STUNT CONTACT ACTION BREAKDOWN SERVICE FOR STUNT PROFESSIONALS 1-11-2017 (323) 951-1500 WWW.STUNTCONTACT.COM 2017. Stunt Contact is provided under a single license and is for personal use only. Any sharing or commercial redistribution of information contained herein is strictly prohibited without the express written permission of the Editor and will be prosecuted to the full extent of the law. SHOW TITLE: UNDERWATER FEATURE** PRODUCTION COMPANY: CHERNIN ENTERTAINMENT / TWENTIETH CENTURY FOX FILM CORP ADDRESS: UNDERWATER - PROD OFFICE FOX LOUSIANA PRODUCTIONS LLC 8301 W JUDGE PEREZ DR SUITE 302 CHALMETTE, LA 70043 ATTN: MARK RAYNER, STUNT COORDINATOR [email protected] TEL: 504-595-1710 PRODUCER: PETER CHERNIN, TONIA DAVIS, JENNO TOPPING WRITER: BRIAN DUFFIELD DIRECTOR: WILLIAM EUBANK LOCATION: NEW ORLEANS SHOOTS: 3/6/2017 SPECIAL INSTRUCTIONS: AQUATIC THRILLER WILL BE HELMED BY “THE SIGNAL” DIRECTOR, WILLIAM EUBANK. AFTER AN EARTHQUAKE DESTROYS THEIR UNDERWATER STATION, A CREW OF SIX MUST NAVIGATE TWO MILES IN THE DANGEROUS UNKNOWN DEPTHS OF THE OCEAN FLOOR TO MAKE IT TO SAFETY. SCRIPT WAS ON THE 2015 HIT LIST. VERY EARLY. PROJ IS STILL IN CASTING - NOT CERTAIN OF DOUBLE REQUIREMENTS. LOCAL HIRES MAY SUBMIT NOW BY EMAIL ONLY. SHOOTS THRU MID-MAY. SHOW TITLE: KNUCKLEBALL FEATURE** PRODUCTION COMPANY: THE UMBRELLA COLLECTIVE / 775 MEDIA ADDRESS: KUCKLEBALL - PROD OFFICE 2003090 ALBERTA LTD 1 To subscribe go to: www.stuntcontact.com STUNT CONTACT BREAKDOWN SERVICE 1-11-2017 8581 SANTA MONICA BLVD #143, WEST HOLLYWOOD, CA 90069 - TEL: 323-951-1500 Page 2 of 48 123 CREE ROAD SHERWOOD PARK, AB T8A 3X9 ATTN: RON WEBBER, STUNT COORDINATOR [email protected] 587-328-0288 PRODUCER: KURTIS DAVID HARDER, LARS LEHMAN, JULIAN BLACK ANTELOPE WRITER: KEVIN COCKLE, MICHAEL PETERSON DIRECTOR: MICHAEL PETERSON LOCATION: EDMONTON, AB CAST: MICHAEL IRONSIDE SHOOTS: 1/16/2017 - TENT SPECIAL INSTRUCTIONS: HORROR THRILLER.
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Kelly Valentine Hendry
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THE FIGHTER Program Note
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lifestyle TUESDAY, JULY 15, 2014 GOSSIP KISS announce Las Vegas shows Jetta was ‘nervous’ working ISS have promised a “double dose this is a double dose.” Though the 3,200- way as a Broadway show, when you have a tacle. Paul said: “That being said, it’s not with Pharrell [of] steroids” with their Las Vegas res- capacity venue is smaller than the group permanent installation, you’re not breaking going to be that show. Here, we’re in the idency. The legendary group will per- usually play, the ‘Crazy Crazy Nights’ hit- down every night to travel. So we can do enviable position of being able to do a KISS inger Jetta was “nervous but excited” before K form nine shows at The Joint at Hard Rock makers insist it won’t be restricting, but things we wouldn’t normally do.” The group show that we haven’t been able to do. We working with Pharrell Williams. The Liverpudlian Hotel & Casino from November 5, and gui- instead allows them the opportunity to try - which currently comprises Paul, Gene will pack 10 pounds of gunpowder into a 5- Sstar was stunned when she received a call from tarist Paul Stanley has promised the gigs new things. Paul added to USA Today Simmons, Tommy Thayer and Eric Singer - pound bag. “Anybody who sees the band the ‘Happy’ hitmaker last summer and he asked her to will be bigger and better than anything newspaper: “Usually, going into a smaller are currently on a co-headline tour with sees four guys reveling in the smoke and fly to Miami to work on new material.
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Chris Benstead
Chris Benstead COMPOSER Chris Benstead is a British film composer, arranger and Academy-Award winning re-recording mixer. He has worked on several projects with director Guy Ritchie including composing the score for The Gentlemen, starring Matthew McConaughey and Michelle Dockery and the upcoming action thriller Wrath of Man. He also arranged and composed additional music for Guy Ritchie’s Aladdin alongside legendary songwriter and composer Alan Menken and produced and arranged the songs in the film, working with Will Smith to create re-imagined versions of the classic Disney songs. Chris composed additional music for Beauty and The Beast working closely with Alan Menken and director Bill Condon. His arrangements helped contribute to the film’s massive success - becoming the biggest grossing musical of all time. Chris received OSCAR and BAFTA awards for his work as re-recording mixer on Alfonso Cuaron’s masterpiece Gravity, starring Sandra Bullock and George Clooney. Chris’ unique skillset allowed him to mix and sculpt the music in an extremely immersive way, pushing the limits of surround sound and exploiting the new ‘Dolby Atmos’ standard. As an in-demand music editor Chris has worked on over 40 films including the latest James Bond film No Time to Die, Wonder Woman, Black Swan, Brave, Thor and Cinderella and has worked with some of the most high-profile directors in the industry including Paul Greengrass and Sir Kenneth Branagh. Chris is a versatile multi-instrumentalist and achieved a First-Class honours in music and sound recording from the University of Surrey. He was also named as Alumni of the year for his ground-breaking achievement in music mixing on ‘Gravity’.
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Road to the Oscars the Social Network (2010): Trent Reznor, Atticus Ross Wish 143 (2009): Ian Barnes, Samantha Waite Up-To-The-Minute Updates
NOMINEES FOR THE 83rd ANNUAL ACADEMY AWARDS Best Motion Picture of the Year Best Writing, Screenplay Best Achievement in Music Written 127 Hours (2010): Christian Colson, Danny Boyle, Based on Material Previously for Motion Pictures, Original Song John Smithson Produced or Published 127 Hours (2010): A.R. Rahman, Rollo Armstrong, Black Swan (2010): Mike Medavoy, Brian Oliver, 127 Hours (2010): Danny Boyle, Simon Beaufoy Dido(“If I Rise”) Scott Franklin The Social Network (2010): Aaron Sorkin Country Strong (2010): Tom Douglas, Hillary Lindsey, The Fighter (2010): David Hoberman, Todd Lieberman, Toy Story 3 (2010): Michael Arndt, John Lasseter, Troy Verges(“Coming Home”) Mark Wahlberg Andrew Stanton, Lee Unkrich Tangled (2010): Alan Menken, Glenn Slater Inception (2010): Christopher Nolan, Emma Thomas True Grit (2010): Joel Coen, Ethan Coen (“I See the Light”) The Kids Are All Right (2010): Gary Gilbert, Winter’s Bone (2010): Debra Granik, Anne Rosellini Toy Story 3 (2010): Randy Newman Jeffrey Levy-Hinte, Celine Rattray (“We Belong Together”) The King’s Speech (2010): Iain Canning, Emile Sherman, Best Animated Feature Film Gareth Unwin of the Year Best Achievement in Sound Mixing The Social Network (2010): Scott Rudin, Dana Brunetti, How to Train Your Dragon (2010): Dean DeBlois, Inception (2010): Lora Hirschberg, Gary Rizzo, Ed Novick Michael De Luca, Ceán Chaffin Chris Sanders The King’s Speech (2010): Paul Hamblin, Martin Jensen, Toy Story 3 (2010): Darla K. Anderson The Illusionist (2010): Sylvain Chomet John Midgley True Grit (2010): Ethan Coen, Joel Coen, Scott Rudin Toy Story 3 (2010): Lee Unkrich Salt (2010): Jeffrey J. Haboush, William Sarokin, Winter’s Bone (2010): Anne Rosellini, Alix Madigan Scott Millan, Greg P.
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