“Shaw Festival and the Case of the Missing Actor” a Role Drama for Junior Division Students
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Good King Charles Study Guide New.Pub
In Good King Charles’s Golden Days By Bernard Shaw ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 The Playwright 5 Who’s Who 6-7 Director’s Notes 8 Designer’s Notes 9-10 Production History 11 World of the Play 12-16 Did You Know? 17 Say What? 18 Sources 19 Activities 20-32 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written during, or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – musical treats either from, or set during the period of our mandate • Canadian Work – to allow us to hear and promote our own stories, and our own WHAT MAKES points of view about the mandate period. SHAW SPECIAL MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design. -
Shaw Festival Mourns the Loss of Director Neil Munro Media Release #23
Shaw Festival mourns the loss of director Neil Munro Media Release #23 Niagara-on-the-Lake, Ontario, July 13, 2009…The Shaw Festival Company is deeply saddened to announce today the passing of long-time Resident Director, Neil Munro. Mr. Munro died July 13, 2009 at the age of 62 at London Ontario’s University Hospital after a lengthy illness. He is predeceased by his wife Carole Galloway and is survived by his sister Anna Munro, nephew John Munro and his mother-in-law Stella Galloway and sister-in-law Jackie Martinez. On making this announcement, Jackie Maxwell commented: “Neil Munro created an indelible mark on the Shaw Festival. As a director he had a vision that was unique — blending extraordinarily detailed preparation with brilliant and at times outrageous ideas, always in the service of illuminating and revitalizing each play. His passion for theatre was immense, only matched by that for the artists he worked with – especially actors. As Resident Director, his commitment to and love for the Ensemble and all it stood for was clear daily as was his brilliant sceptical humour which unsuccessfully hid his true warmth and empathy. We already miss him terribly but our vivid memories of his talent and his passion will live on here at The Shaw, and I know, in the hearts of the many, many Canadians artists whose lives he touched.” Mr. Munro has been one of Canadian theatre’s most vital artists for more than 35 years as a director, actor and playwright. He is revered at The Shaw as a director who brought a fascinating and often controversial directorial touch to many plays, notably, his recent productions of Somerset Maugham’s The Circle and Tennessee Williams’ Summer and Smoke (2007). -
2018 SEASON April 4 to October 28 Niagara-On-The-Lake, Ontario Tim Carroll, Artistic Director Tim Jennings, Executive Director
2018 SEASON April 4 to October 28 Niagara-on-the-Lake, Ontario Tim Carroll, Artistic Director Tim Jennings, Executive Director 1.800.511.SHAW 1 Contents Welcome from the Artistic Director 1 2018 Season Plays 2 Reading Series 23 Secret Theatre 25 Acting Ensemble 26 Ticket Prices + Marquee Seating 28 Theatres 29 Ways to Save + Policies 30 How to Order 32 Calendar 32 Stay the Night 48 Membership 50 Beyond the Stage — for Friends 51 Beyond the Stage — for All 52 Beyond the Stage — for Young People 54 Sponsors 56 Getting Here 57 We acknowledge and honour the land upon which we gather as the historic and traditional territory of First Nations peoples. In particular we recognize and thank the Neutral Nation, the Mississauga and the Haudenosaunee for their stewardship of these lands over millennia. , 2017) , 2017) Credits Design: Key Gordon Communications | keygordon.com Joan Saint Edited by: Nathalie Ivany-Becchetti Me and My Girl Ensemble photography: David Cooper Backstage photography: Christopher Wahl Ancillary and Niagara photography: Cosmo Condina Photography Photography for: The Magician’s Nephew, Grand Hotel, The Hound of the Baskervilles, Stage Kiss and The Orchard (After Chekhov) by Peter Andrew Lusztyk Irving ( Jeff Cover: ( Emily Lukasik page: This 1.800.511.SHAW 2 My second season This company has amazing musical performers. Grand Hotel is a blockbuster is a chance to put musical with a bit of everything: passion, into practice what crime, laughter, a wonderful score and I learnt in my first. great dancing. Our audience loves brilliant writing, for So, what did young or old. -
Lipman Complete.Docx
· Correspondence from Sandy Forsyth · Letters page from the ‘Evening Standard’ featuring Maureen Lipman’s letter in reply to Charles Spencer’s review of ‘The Graduate’ and Kathleen Turner in the nude. · 2 scrap notes BOX 24 Folder labelled ‘George Elliott’ · Newsletter from the George Elliott Society · The George Elliot Fellowship membership card for Maureen Lipman · Events leaflet, 2003 · Handwritten notes · Clipping from ‘Daily Express Saturday Magazine, 2002 · Research and correspondence relating to BBC production of George Elliot Pamphlets · A Community of Interest: The Story of The George Elliot Fellowship 1930-2000 by Kathleen Adams · The George Elliot Review; Journal of the George Eliot Fellowship No.30 1999 · The George Elliot Review; Journal of the George Eliot Fellowship No.32 2001 · The George Elliot Review; Journal of the George Eliot Fellowship No.33 2002 · George Elliot,:The Pitkin Guide by Kathleen Adams Script · George Elliot Script, BBC 1st July, 2002 · Film Schedules: Sun 8th-Thur 12th Sep 2002 · Updated scripts, loose · Final Film script updated 8th Aug, 2002 Articles and Other · Green Folder labelled Good Housekeeping Articles Oct 1999-Dec 2000 · Woman’s Weekly magazine interview 28th June, 1994 · Programme and correspondence with details of ‘An Evening with Maureen Lipman’ a dinner at Dove house Hospice, Hull Mon 28th June, 1993 Programmes · Candida by Bernard Shaw, Albery Theatre No. 24 Sep, 1977 · The Theatre of Comedy Company ‘See How They Run’ Shaftesbury Theatre, 1984 · Candida by Bernard Shaw, Theatre Royal, -
George Bernard Shaw in Context Edited by Brad Kent Frontmatter More Information
Cambridge University Press 978-1-107-04745-7 - George Bernard Shaw in Context Edited by Brad Kent Frontmatter More information GEORGE BERNARD SHAW IN CONTEXT When Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time but also for how relevant he is to ours. This collection sets Shaw’s life and achievements in context, with forty-two chapters devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw’s life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new direc- tions of research for future scholars. brad kent is Associate Professor of British and Irish Literatures at Université Laval and was Visiting Professor at Trinity College Dublin in 2013–14. His recent publications include a critical edition of Shaw’s Mrs Warren’s Profession (2012), The Selected Essays of Sean O’Faolain (forthcoming), and essays in University of Toronto Quarterly, Modern Drama, ARIEL: A Review of International English Literatures, English Literature in Transition, Irish University Review, and The Oxford Handbook of Modern Irish Theatre. He is also the programme director of the Shaw Symposium, held annually at the Shaw Festival in Niagara-on-the-Lake, Canada. -
BECKETT, SAMUEL, 1906-1989 Samuel Beckett Collection, 1955-1996
BECKETT, SAMUEL, 1906-1989 Samuel Beckett collection, 1955-1996 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Beckett, Samuel, 1906-1989 Title: Samuel Beckett collection, 1955-1996 Call Number: Manuscript Collection No. 902 Extent: .5 linear foot (1 box), 1 oversized papers folder (OP), and 1.56 MB born digital materials (63 files) Abstract: Collection of handbills, playbills, and programs relating to Samuel Beckett productions in the United Kingdom. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Access to born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Beckett collection, University of Reading, Reading, England; Carlton Lake collection of Samuel Beckett papers and Samuel Beckett collection, Harry Ransom Humanities Research Center, Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Samuel Beckett collection, 1955-1996 Manuscript Collection No. 902 University of Texas at Austin; and Samuel Beckett papers, Washington University Libraries, Department of Special Collections. -
June 25 to Work - He Is a the Noël Coward Foundation
www.buxtonoperahouse.org.uk Hay Fever Home Chat is the newsletter FREE TO NCS member Jim Schneider is directing Hay Michael Feinstein of The Noël Coward Society MEMBERS OF Fever at Circle Theatre in Forest Park, For those who wholly owned by Noël Coward Ltd. which is THE SOCIETY Illinois just outside of Chicago. It is running enjoy Michael’s part of the charitable trust: Thursday through Sunday from June 25 to work - he is a The Noël Coward Foundation. August 3rd. noted singer, JUNE 2008 - THE NEWSLETTER OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH The Duke of Kent, KG, GCMG, GCVO, ADC Circle's address is: 7300 W. Madison, Forest pianist, music Officers of the Society are: CHAT Vice Presidents: Tammy Grimes • Penelope Keith CBE • Barry Day OBE • Stephen Fry Park, IL 60130. Telephone is: 708-771- revivalist, and an Chairman: Barbara Longford 0700. interpreter of, and Secretary: Denys Robinson Oh Coward! anthropologist Treasurer: Stephen Greenman North American Director: Light Opera Oklahoma (LOOK) and archivist for TAMMYGRIMES the Great Ken Starrett LOOK’s cabaret season returns in 2008 with Representative for Australia: American Oh, Coward! Robert Wickham NEW VICE PRESIDENT ‘featuring the Songbook - you will want to know that Representative for France: he U.S. membership of The Noël Coward Society is sassy and he is appearing at The Shaw theatre in Hélène Catsiapis delighted that Tammy Grimes has accepted the smart songs of Euston Road, London from September invitation of the Committee to become an Honorary Noël Coward. 18 through September 20. Unless otherwise stated all images and text are copyright Vice President. -
Black and Asian Theatre in Britain a History
Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation. -
CITY of ANGELS Book by Larry Gelbart | Music by Cy Coleman | Lyrics by David Zippel Hits the West End!
PRESS RELEASE: 19 December 2019 The Donmar Warehouse’s Olivier Award-winning production of CITY OF ANGELS Book by Larry Gelbart | Music by Cy Coleman | Lyrics by David Zippel Hits the West End! Josie Rourke’s critically acclaimed and Olivier Award winning production of City of Angels makes its West End transfer six years since opening at the Donmar Warehouse in 2014. The musical will play at the Garrick Theatre for a limited season, opening on Tuesday 24 March 2020 with previews from Thursday 5 March 2020, reuniting the production’s entire creative team. The West End production will star Hadley Fraser (Les Misérables, Young Frankenstein), Theo James (Divergent series), Rosalie Craig (Company), Rebecca Trehearn (Show Boat), Jonathan Slinger (various roles with the RSC) with BRIT Award winner Nicola Roberts (Girls Aloud) making her stage debut and Emmy and Grammy Award nominee Vanessa Williams (Ugly Betty, Desperate Housewives) making her West End debut. The cast also includes Marc Elliott, Emily Mae, Cindy Beliot, Michelle Bishop, Nick Cavaliere, Rob Houchen, Manuel Pacific, Mark Penfold, Ryan Reid, Joshua St Clair & Sadie-Jean Shirley. A screenwriter with a movie to finish. A private eye with a case to crack. But nothing’s black and white when a dame is involved. And does anyone stick to the script in this city? This is Tinseltown. You gotta ask yourself: what’s real…and what’s reel… Josie Rourke’s “ingenious, stupendous revival” (The Telegraph) premiered in 2014, when it was hailed as “a blissful evening” (The Stage) that’s “smart, seductive and very funny” (Evening Standard). -
DAVID WOOD a Chronology
DAVID WOOD A Chronology CHILDREN’S PLAYS AND MUSICALS (acting editions published by Samuel French) 1967 THE TINDERBOX (book, music and lyrics). (Based on the story by Hans Andersen) Swan Theatre, Worcester. Unpublished. 1968 THE OWL AND THE PUSSYCAT WENT TO SEE... (co-written with Sheila Ruskin, based on the verses and stories of Edward Lear). Swan Theatre, Worcester. Subsequently WSG Productions Ltd. production at Jeannetta Cochrane Theatre, London (1969) and many more London Christmas seasons. * 1969 LARRY THE LAMB IN TOYTOWN (co-written with Sheila Ruskin, adapted from the stories of S.G. Hulme-Beaman). Swan Theatre, Worcester. Subsequently WSG Productions Ltd production at Shaw Theatre, London, 1973. * 1970 THE PLOTTERS OF CABBAGE PATCH CORNER (book, music and lyrics). Swan Theatre, Worcester. Subsequently Knightsbridge Theatical Productions Ltd/WSG Productions Limited production, Shaw Theatre 1971 and 1972 and Whirligig Theatre tour including Sadler’s Wells Theatre, London, 1979. 1971 FLIBBERTY AND THE PENGUIN (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre pilot tour, 1978. * 1972 TICKLE (one act) (book, music and lyrics). The Dance Drama Theatre tour. Subsequently Wakefield Tricycle Company production at Arts Theatre, London, 1977. THE PAPERTOWN PAPERCHASE (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre tour, including Sadler’s Wells Theatre, London, 1984.* 1973 HIJACK OVER HYGENIA (book, music and lyrics). Swan Theatre, Worcester. 1975 OLD MOTHER HUBBARD (book, music and lyrics). Queen’s Theatre, Hornchurch. 1976 THE GINGERBREAD MAN (book, music and lyrics). Towngate Theatre, Basildon. Subsequently, Cameron Mackintosh/David Wood production, The Old Vic (1977 and 1978) and many other London seasons. -
MR GILLIE by James Bridie
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The first London production in over 60 years MR GILLIE by James Bridie. Directed by Jenny Eastop. Set and Costumes Designed by Anna Yates. Presented by Mercurius in association with Neil McPherson for the Finborough Theatre. Cast: David Bannerman. Andrew Cazanave Pin. Emma D’Inverno. Ross Dunsmore. Caitlin Fielding. Drew Paterson. Malcolm Rennie. Andy Secombe. "I find most good men occupied in designing and strengthening cages. I do not like cages. I think that the few minutes between the door of the cage and the jaws of the cat make life worth living." In a new production commissioned by the Finborough Theatre and continuing their rediscovery of James Bridie, one of the West End’s most successful dramatists of the 1930s and 1940s, the first London production since its 1950 premiere of Mr Gillie runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 25 June 2017 (Press Night: Monday, 26 June 2017 at 7.30pm). Village headmaster William Gillie is killed by the furniture van coming to take away his possessions, as he is being evicted from his home when his school is closed down. He has spent his entire teaching career fighting the Education Board’s narrow idea of schooling, trying to inspire his pupils to strive for great creative lives. Having lost his school and his home and with none of his pupils quite finding the wings to fly free, his life is examined by a heavenly Procurator and Judge. -
See a Full List of the National Youth
Past Productions National Youth Theatre '50s 1956: Henry V - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Worthington Hall, Manchester 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Moray House Theatre, Edinburgh 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Lyric Theatre, Hammersmith '60s 1960: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour of Holland. Theatre des Nations. Paris 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Ellen Terry Theatre. Tenterden. Devon 1961: Richard II - William Shakespeare, Dir: Michael Croft @Apollo Theatre, Shaftesbury Avenue 1961: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Julius Caesar - William Shakespeare, Dir: Michael Croft @ British entry at Berlin festival 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Italian Tour: Rome, Florence, Genoa, Turin, Perugia 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Tour of Holland and Belgium 1962: Henry V - William Shakespeare, Dir: Michael Croft @ Sadlers Wells 1962: Julius Caesar - William Shakespeare, Dir: Michael Croft @ Sadlers Wells1962: 1962: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour for Centre 42. Nottingham, Leicester, Birmingham, Bristol, Hayes