President's Message Shaw Festival Cancels Remaining 2020 Performances of Charley's Aunt and Flush a LOT O'notl
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Radio Drama Produced by Andrew Allan
234 ARCHIVARIA 29 as stem reminders of the author's insistence that art historians be familiar with sev- eral languages. Because of this, a bibliography of the epigraphs would have been very welcome. Eva Major-Marothy National Archives of Canada Living the Part: John Drainie and the Dilemma of Canadian Stardom. BRONWYN DRAINIE. Toronto: Macmillan of Canada, 1988. xii, 340 p. ISBN 0-7715-9918-8. All the Bright Company: Radio Drama Produced By Andrew Allan. HOWARD FINK and JOHN JACKSON, eds. Kingston: Quarry Press and CBC Enterprises, 1987. xvi, 336 p. ISBN 0-9 19627-47-1 (bound) ISBN 0-919627-49-8 (pbk). Image in the Mind: CBC Radio Drama 1944 to 1954. N. ALICE FRICK. Toronto: Canadian State and Arts Publications Ltd., 1987. x, 176 p. ISBN 0-9 19952-34-8 (pbk). Turn up the Contrast: CBC Television Drama Since 1952. MARY JANE MILLER. Vancouver: University of British Columbia Press and CBC Enterprises, 1987. ix, 429 p. ISBN 0-7748-0278-2. Given the number of publications about the organization and regulation of twentieth- century broadcast media in Canada, why have there been comparatively few studies which examine the actual content of the thousands of hours of programming which have been heard and seen in this country? Everyone acknowledges that broadcasting has a significant effect on our thinking, yet this very popularity seems sufficient cause to dismiss it from serious historical consideration. One would have difficulty naming any contemporary activity other than broad- casting in which substantial creativelimaginative effort results in so little archival documentation. Preoccupied with filling tomorrow's airtime, broadcasters can rarely afford the luxury of documenting their efforts. -
Bchn 1990 Summer.Pdf
MEMBER***** ********SOCIETIES Member Societies and their secretaries are responsible for seeing that the correct address for their society is up-to-date. Please send any change to both the Treasurer and the Editor at the addresses inside the back cover. The Annual Return as at October 31st should include telephone numbers for contact. Members dues for the year 1988/89 were paid by the following Members Societies: Alberni District Historical Society, Box 284, Port Alberni, B.C. V9Y 7M7 Atlin Historical Society, PC. Box 111, Atlin, B.C. VOW lAO BCHF - Gulf Island Branch, c/o Marian Worrall, Mayne Island, VON 2JO Burnaby Historical Society, 4521 Watling Street, Burnaby, B.C. V5J 1V7 Chemainus Valley Historical Society, P0. Box 172, Chemainus, B.C. VOR 1KO Cowichan Historical Society, P0. Box 1014, Duncan, B.C. V9L 3Y2 District 69 Historical Society, PC. Box 3014, Parksville, B.C. VOR 2SO East Kootenay Historical Association, P0. Box 74, Cranbrook, B.C. V1C 4H6 Golden & District Historical Society, Box 992, Golden, B.C. VOA 1 HO Kootenay Lake Historical Society, Box 537, Kaslo, B.C. VOG 1 MO Kootenay Museum & Historical Society, 402 Anderson Street, Nelson, B.C. Vi L 3Y3 Ladysmith Historical Society, Box 11, Ladysmith, B.C. VOR 2EO Lantzville Historical Society, Box 501, Lantzville, B.C. VOR 2HO M.S.A. Museum Society, 2313 Ware Street, Abbotsford, B.C. V2S 3C6 Nanaimo Historical Society, P0. Box 933, Station A, Nanaimo, B.C. V9R 5N2 North Shore Historical Society, 623 East 10th Street, North Vancouver, B.C. V7L 2E9 North Shuswap Historical Society, P0. -
Lipman Complete.Docx
· Correspondence from Sandy Forsyth · Letters page from the ‘Evening Standard’ featuring Maureen Lipman’s letter in reply to Charles Spencer’s review of ‘The Graduate’ and Kathleen Turner in the nude. · 2 scrap notes BOX 24 Folder labelled ‘George Elliott’ · Newsletter from the George Elliott Society · The George Elliot Fellowship membership card for Maureen Lipman · Events leaflet, 2003 · Handwritten notes · Clipping from ‘Daily Express Saturday Magazine, 2002 · Research and correspondence relating to BBC production of George Elliot Pamphlets · A Community of Interest: The Story of The George Elliot Fellowship 1930-2000 by Kathleen Adams · The George Elliot Review; Journal of the George Eliot Fellowship No.30 1999 · The George Elliot Review; Journal of the George Eliot Fellowship No.32 2001 · The George Elliot Review; Journal of the George Eliot Fellowship No.33 2002 · George Elliot,:The Pitkin Guide by Kathleen Adams Script · George Elliot Script, BBC 1st July, 2002 · Film Schedules: Sun 8th-Thur 12th Sep 2002 · Updated scripts, loose · Final Film script updated 8th Aug, 2002 Articles and Other · Green Folder labelled Good Housekeeping Articles Oct 1999-Dec 2000 · Woman’s Weekly magazine interview 28th June, 1994 · Programme and correspondence with details of ‘An Evening with Maureen Lipman’ a dinner at Dove house Hospice, Hull Mon 28th June, 1993 Programmes · Candida by Bernard Shaw, Albery Theatre No. 24 Sep, 1977 · The Theatre of Comedy Company ‘See How They Run’ Shaftesbury Theatre, 1984 · Candida by Bernard Shaw, Theatre Royal, -
The Cbc Radio Drama Project and Its Background
THE CBC RADIO DRAMA PROJECT AND ITS BACKGROUND by Howard Fink Radio drama for me, as for many people who were growing up just after the War, was, quite simply, my introduction to theatre: the classics, Renaissance drama, and modern and contemporary plays, including European and Canadian. It is rare that one gets the opportunity to re-examine a major formative influence later in one's life, rarer still to find that in this objective light its value holds up. I have had that happy experience with CBC radio drama. I have also had an experience of a completely different kind, in attempting to trace the materials of this influ- ential phenomenon: one which, as regards the history of Canadian theatre in general, has been shared in some measure by many: it was almost impossible to study the achievement of CBC radio drama as a whole, or even at first to locate the vast majority of the plays created and produced. Of course this is partly owing to the particular nature of theatre, the original form of which, unlike a novel or a book of verse, is a live performance, which remains rather in the memories than in the bookcases of its audience. More particularly, the CBC has always considered itself a production organization rather than a repository of culture, and quite rightly so. It has, in fact, been discouraged from archival activities by the government, which considers the Public Archives of Canada as a more appropriate institution for that role. 3f course such well-known figures as Robertson Davies, George Ryga and James Reaney are well represented in print. -
BECKETT, SAMUEL, 1906-1989 Samuel Beckett Collection, 1955-1996
BECKETT, SAMUEL, 1906-1989 Samuel Beckett collection, 1955-1996 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Beckett, Samuel, 1906-1989 Title: Samuel Beckett collection, 1955-1996 Call Number: Manuscript Collection No. 902 Extent: .5 linear foot (1 box), 1 oversized papers folder (OP), and 1.56 MB born digital materials (63 files) Abstract: Collection of handbills, playbills, and programs relating to Samuel Beckett productions in the United Kingdom. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Access to born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Beckett collection, University of Reading, Reading, England; Carlton Lake collection of Samuel Beckett papers and Samuel Beckett collection, Harry Ransom Humanities Research Center, Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Samuel Beckett collection, 1955-1996 Manuscript Collection No. 902 University of Texas at Austin; and Samuel Beckett papers, Washington University Libraries, Department of Special Collections. -
Theatre Archive Project: Interview with Colin George
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Colin George – interview transcript Interviewer: Kate Harris 21 November 2005 Actor and Director. A Man for All Seasons; audiences; Birmingham Rep; children's theatre; Coventry Belgrade theatre; The Crucible Theatre, Sheffield; drama students; The Elizabethan Theatre Company; Albert Finney; Tyrone Guthrie; Peter Hall; Laurence Olivier; Look Back in Anger; Harold Pinter; The Playhouse Nottingham; The Playhouse, Sheffield; repertory; Maggie Smith; television. KH: This is an interview on the 21st of November with Colin George. Can I just confirm that I've got your permission to put this into the archive? CG: You have. KH: Brilliant, I'd just like to start by asking about how you began working in the theatre? CG: Yes, I began straight from Oxford. I'd been… I suppose inspired by Laurence Olivier principally and his film Henry V, but also I saw him as a boy, in his first Richard III, his first great performance, at the New Theatre, with Olivier, with Richardson and those great seasons they had, Hotspur, you know and so on and decided I'd go into the theatre. And my mother, God bless her, said, ‘Well, get a degree first darling, then you'll always have something to fall back on’, which proved absolutely right, because when I was middle aged - not middle aged, but getting on, three kids and that and no money having left Sheffield and all that - I went to Australia to set up a drama department and later worked for twelve years in Hong Kong, was head of acting at the drama… and that saved my life. -
Dept Web Forsythe Act-Dir
Eric Forsythe Acting Experience (See Key, below). Julius Caesar (Shakespeare) Brutus DC: 1966 (w/Charles Morey) Julius Caesar (Shakespeare) Trebonius PL&T: 1984 (Murphy Guyer) King Lear (Shakespeare) Lear DC: 1975 (Errol Hill) Henry V (Shakespeare) Exeter DC: 1967 Comedy of Errors (Shakespeare) Aegeon DC: 1968 (Don Marcus) Macbeth (Shakespeare) Banquo PL&T: 1985 (Murphy Guyer) Macbeth (Shakespeare) MacD’s Son/Bl. Child CSF: 1958 (Jason Robards) The Tempest (Shakespeare) Trinculo PL&T: 1980 Pericles (Shakespeare) Gower CMU: 1971 (Larry Carra) A Midsummer Night’s Dream (Shakes.) Oberon/Theseus MWVT: 1978 (Karen Trott) Twelfth Night (Shakespeare) Antonio PDG: 1980 (Paxton Whitehead) The Miser (Moliere) Harpagon DC: 1969 Tartuffe (Moliere) Tartuffe MWV: 1979 (David Strathairn) Tartuffe (Moliere) Tartuffe PL&T: 1982 Les Precieuses Ridicules (Moliere) Mascarille DC: 1969 Scapino! (Moliere/Dale/Dunlop) Geronte MWVT: 1978 (Marisa Smith) Prometheus Bound (Lowell) Prometheus PPC: 1972 Dennis Boutsikaris) An Enemy of the People (Ibsen) Mr. Vik DC: 1967 (Richmond Hoxie) The Seagull (Chekhov) Trigorin FT: 1981 Anatol (Schnitzler) Max CC: 1971 La Ronde (Schnitzler) Young Gent TLD: 1970 (Keith Michael) Arms and the Man (Shaw) Russian Officer. MWVT: 1979 (Mandy Carlin) St. Joan (Shaw) Polly/Courcelles McT: 1984 (Nagle Jackson) Augustus Does His Bit (Shaw) Augustus PL&T: 1980 Slasher and Crasher (Morton) Slasher DC: 1968 Charley’s Aunt (Thomas) Spettigue MWVT: 1976 (Jean Passanante) Eric Forsythe 1 The Pirates of Penzance (Gilbert/Sullivan) Major General UI: 1987 Patience (Gilbert/Sullivan) Bunthorne DC: 1968 The Sorceror (Gilbert/Sullivan) J.W. Wells DC: 1967 Yeoman of the Guard (G&S) Sgt. Meryll CMU: 1970 Cox and Box (Burnand & Sullivan) Cox DC: 1967 Cox and Box (Burnand/Sullivan) Sgt. -
June 25 to Work - He Is a the Noël Coward Foundation
www.buxtonoperahouse.org.uk Hay Fever Home Chat is the newsletter FREE TO NCS member Jim Schneider is directing Hay Michael Feinstein of The Noël Coward Society MEMBERS OF Fever at Circle Theatre in Forest Park, For those who wholly owned by Noël Coward Ltd. which is THE SOCIETY Illinois just outside of Chicago. It is running enjoy Michael’s part of the charitable trust: Thursday through Sunday from June 25 to work - he is a The Noël Coward Foundation. August 3rd. noted singer, JUNE 2008 - THE NEWSLETTER OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH The Duke of Kent, KG, GCMG, GCVO, ADC Circle's address is: 7300 W. Madison, Forest pianist, music Officers of the Society are: CHAT Vice Presidents: Tammy Grimes • Penelope Keith CBE • Barry Day OBE • Stephen Fry Park, IL 60130. Telephone is: 708-771- revivalist, and an Chairman: Barbara Longford 0700. interpreter of, and Secretary: Denys Robinson Oh Coward! anthropologist Treasurer: Stephen Greenman North American Director: Light Opera Oklahoma (LOOK) and archivist for TAMMYGRIMES the Great Ken Starrett LOOK’s cabaret season returns in 2008 with Representative for Australia: American Oh, Coward! Robert Wickham NEW VICE PRESIDENT ‘featuring the Songbook - you will want to know that Representative for France: he U.S. membership of The Noël Coward Society is sassy and he is appearing at The Shaw theatre in Hélène Catsiapis delighted that Tammy Grimes has accepted the smart songs of Euston Road, London from September invitation of the Committee to become an Honorary Noël Coward. 18 through September 20. Unless otherwise stated all images and text are copyright Vice President. -
Download Master List
Code Title Poem Poet Read by Does Note the CD Contain AIK Conrad Aiken Reading s N The Blues of Ruby Matrix Conrad Aiken Conrad Aiken Time in the Rock (selections) Conrad Aiken Conrad Aiken A Letter from Li Po Conrad Aiken Conrad Aiken BEA(1) The Beat Generation (Vol. 1) Y San Francisco Scene (The Beat Generation) Jack Kerouac Jack Kerouac The Beat Generation (McFadden & Dor) Bob McFadden Bob McFadden Footloose in Greenwich Village Blues Montage Langston Hughes Langston Hughes / Leonard Feather Manhattan Fable Babs Gonzales Babs Gonzales Reaching Into it Ken Nordine Ken Nordine Parker's Mood King Pleasure King Pleasure Route 66 Theme Nelson Riddle Nelson Riddle Diamonds on My Windshield Tom Waits Tom Waits Naked Lunch (Excerpt) William Burroughs William Burroughs Bernie's Tune Lee Konitz Lee Konitz Like Rumpelstiltskin Don Morrow Don Morrow OOP-POP-A-DA Dizzy Gillespie Dizzy Gillespie Basic Hip (01:13) Del Close and John Del Close / John Brent Brent Christopher Columbus Digs the Jive John Drew Barrymore John Drew Barrymore The Clown (with Jean Shepherd) Charles Mingus Charles Mingus The Murder of the Two Men… Kenneth Patchen Kenneth Patchen BEA(2) The Beat Generation (Vol.2) Y The Hip Gahn (06:11) Lord Buckley Lord Buckley Twisted (02:16) Lambert, Hendricks & Lambert, Hendricks & Ross Ross Yip Roc Heresy (02:31) Slim Gaillard & His Slim Gaillard & His Middle Middle Europeans Europeans HA (02:48) Charlie Ventura & His Charlie Ventura & His Orchestra Orchestra Pull My Daisy (04:31) David Amram Quintet David Amram Quintet with with Lynn Sheffield Lynn Sheffield October in the Railroad Earth (07:08) Jack Kerouac Jack Kerouac / Steve Allen The Cool Rebellion (20:15) Howard K. -
Equity Takes A
EQUITYACTORS’ EQUITY: STANDING UP FOR OURNEWS MEMBERS DECEMBER 2015 / Volume 100 / Number 9 www.actorsequity.org January Membership Equity’s New Production Contract Ratified Meetings Set Changes to Eligibility Requirements for Start off 2016 by attending an Equity Membership Meeting Health Care Help All Members The Eastern Regional Membership Meeting will convene he new Production bargaining partner will help the agreement, including on Friday, January 8, 2016, at 2 p.m. EST in the Council Room Contract has been full Equity membership. improvements that make sick on the 14th floor of the Equity building at 165 West 46th Street, ratified by a 97.04% “Because of these leave available for more New York, New York. T “yes” vote and is in effect negotiations, the trustees of the members, access to physical The agenda will include: immediately. The compensation Equity-League Health Fund therapy, stronger language • Presentation of the St. Clair Bayfield Award and the Joe A. increases of the new four-year have approved a change to the regarding schedule changes Callaway Award contract are retroactive to eligibility requirements that will and housing for tours. • Report of the Eastern Regional Director September 28, 2015. The benefit all of our members who For the first time, the • Report of the Eastern Regional Vice President contract will expire in 2019. work under contract, and this Production Contract ratification change is guaranteed for the vote was conducted exclusively • Membership discussion period in accordance with the by- In an historic move, a change to the eligibility requirements to four years of the new contract,” online, saving the union tens of laws access health insurance will said Executive Director Mary thousands of dollars to be put The Central Regional Membership Meeting will convene benefit all members for the life McColl. -
Orwell's Crystal Chandelier
Orwell’s Crystal Chandelier – Steve Wadhams May – July 2010 Orwell’s Crystal Chandelier May – July 2010 Steve Wadhams I began the Preface to my book “Remembering Orwell” by noting “with some discomfort that I am an exact contemporary – thirty-nine years old in 1984 – of Winston Smith” and that “I am writing this book on April 4th, the very day on which Smith began his rebellion against Big Brother”. Winston Smith‟s job at the Ministry of Truth was to rewrite history. “Remembering Orwell” was an attempt to preserve it, by presenting more or less verbatim the thoughts and memories of 80 people who knew either George Orwell or Eric Blair – conversations I recorded for my five hour radio documentary; “George Orwell: A radio biography”, which aired across Canada and the USA, on January 1st 1984. Well, twenty five years later I‟m still alive and well and still a full time radio producer at the Canadian Broadcasting Corporation. However, most of the people who kindly agreed to be interviewed all those years ago have now passed on. But if I want to bring any one of them back to life and power and thought, restored to their 1983 selves all I have to do is pull out the box that‟s been sitting under my desk all this time, pick any one of the 60 or so cassette tapes which hold the original unedited conversations, put it into the machine and press „play‟. Of course I don't have a recording of Orwell himself because there aren't any, but I see his face every day. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer