Senate Joint Resolution 913
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Howlin' Wolf, Muddy Waters, Bo Diddley
Howlin' Wolf The Super Super Blues Band mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: The Super Super Blues Band Country: Europe Released: 1992 Style: Chicago Blues MP3 version RAR size: 1262 mb FLAC version RAR size: 1907 mb WMA version RAR size: 1900 mb Rating: 4.3 Votes: 300 Other Formats: DMF XM MMF WMA ASF RA DXD Tracklist Hide Credits Long Distance Call 1 9:15 Written-By – McKinley Morganfield Ooh Baby / Wrecking My Love Life 2 Written By – Ellas McDaniel / Clifton James-Kay McDanielWritten-By [Ooh Baby] – Ellas 6:34 McDanielWritten-By [Wrecking My Love Life] – Clifton James, Kay McDaniel Sweet Little Angel 3 6:38 Written-By – Robert McCollum Spoonful 4 4:13 Written-By – Willie Dixon Diddley Daddy 5 5:12 Written By – Ellas McDaniel-Harvey FuquaWritten-By – Ellas McDaniel, Harvey Fuqua The Red Rooster 6 7:25 Written-By – Willie Dixon Goin' Down Slow 7 4:49 Written-By – James B. Oden Companies, etc. Distributed By – BMG Credits Bass – Buddy Guy Drums – Clifton James Guitar – Hubert Sumlin Liner Notes [Original Lp Release] – Richard Meltzer Liner Notes [Reissue Note] – A.M.* Other [Cd Reissue Coordination] – Andy McKaie Other [Digitally Transferred By] – Robert Stroughton Piano – Otis Spann Vocals, Guitar – Bo Diddley, Muddy Waters Vocals, Harmonica, Acoustic Guitar – Howlin' Wolf Vocals, Tambourine – Cookie Vee Notes Recorded in Chicago, September, 1967 Originally released January 26, 1968 Digitally transferred from original masters MCA Studios, No. Hollywood, CA Made & printed in Germany Barcode and Other Identifiers -
Shoosh 800-900 Series Master Tracklist 800-977
SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount -
HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never -
Loretta Lynn: Writin' Life Article 1
Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse. -
Maria Von Matthiessen Photoprints
Maria von Matthiessen Photoprints NMAH.AC.0622 NMAH Staff 1998 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Series 1: Images in book or close variants, with page number, undated................. 3 Series 2: Photos not in Book, undated.................................................................... 6 Maria von Matthiessen Photoprints NMAH.AC.0622 Collection Overview Repository: Archives Center, National Museum of American History Title: Maria von Matthiessen Photoprints Identifier: NMAH.AC.0622 Date: 1990-1998 Creator: -
CONGRESSIONAL RECORD— Extensions of Remarks E1204 HON
E1204 CONGRESSIONAL RECORD — Extensions of Remarks June 11, 2008 to bring about funding for the National Under- of this Administration in fact constitute grounds Diddley is the author of a body of songs— sea Research Program, the Integrated Ocean for impeachment—and I do not think that including ‘‘Who Do You Love?’’ ‘‘Road Run- Observing Program, and a range of fisheries Members of the House should be called upon ner,’’ ‘‘Mona,’’ ‘‘Before You Accuse Me’’ and research programs. to reach that conclusion today. ‘‘I’m a Man’’—that are among the earliest ex- No stranger to the community, Dr. Grassle Before the House is asked to reach such a amples of rock and roll rising out of rhythm is a member of numerous professional organi- draconian conclusion, the president should and blues. Diddley married into his music two zations, including the New Jersey Academy of have an opportunity to respond to the resolu- worlds he knew well—the Deep South and the Sciences, the American Society of Naturalists, tion’s charges and the statements and actions streets of Chicago. He formed a band called the Estuarine Research Federation, the Na- it cites in support of those charges. Before we the Hipsters while in high school and landed tional Association of Marine Laboratories and are asked to vote on the resolution, we should a regular spot at the 708 Club on Chicago’s the Oceanography Society, to name a few. He have the benefit of hearing from appropriate South Side in 1951. also served as Past President of the Inter- legal experts and other qualified witness and Diddley’s earliest records were contempora- national Association of Biological Oceanog- the Judiciary Committee should prepare a re- neous with those of label mate Chuck Berry. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Big Al's R&B, 1956-1959
The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6. -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
Deal Signed by Jagger& Richard •••Mathews Runs Date* CBS France Records Go Behind Iron Curtain
Senator Dirksen: Artist With A Bullet • • • Wolpin Exits Famous Jan. 1 • • Bell To Handle New Greene- Stone Labels* $1 Mil Writer Deal Signed By Jagger& Richard •••Mathews Runs Date* CBS France Records Go Behind Iron Curtain Int'l Section FRONT COVER: AND ALONG CAME THE ASSOCIATION Begins Pg. 55 p All the dimensions of a#l smash! *smm 1 4-439071 P&ul Revere am The THE single of '66 B THE SPIRIT OP *67 from this brand PAUL REVERE tiIe RAIDERS INCLUDING: HUNGRY THE GREAT AIRPLANE new album— STRIKE GOOD THING LOUISE 1001 ARABIAN NIGHTS CL2595/CS9395 (Stereo) Where the good things are. On COLUMBIA RECORDS ® "COLUMBIA ^MAPCAS REG PRINTED IN U SA GashBim Cash Bock Vol. XXVIII—Number 22 December 17, 1966 (Publication Office) 1780 Broadway New York, N. Y. 10019 (Phone: JUdson 6-2640) CABLE ADDRESS: CASHBOX, N. Y. JOE ORLECK Chairman of the Board GEORGE ALBERT President and Publisher NORMAN ORLECK Executive Vice President MARTY OSTROW Vice President LEON SCHUSTER Disk Industry—1966 Treasurer IRV LICHTMAN Editor in Chief EDITORIAL TOM McENTEE Associate Editor RICK BOLSOM ALLAN DALE EDITORIAL ASSISTANTS MIKE MARTUCCI JERRY ORLECK BERNIE BLAKE The past few issues of Cash Box Speaking of deals, 1966 was marked Director Advertising of have told the major story of 1966. by a continuing merger of various in- ^CCOUNT EXECUTIVES While there were other developments dustry factors, not merely on a hori- STAN SO I PER BILL STUPER of considerable importance when the zontal level (label purchases of labels), Hollywood HARVEY GELLER, long-range view is taken into account, but vertical as well (ABC's purchase of ED ADLUM the record business is still a business a wholesaler, New Deal).