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MINUTES of 42Nd MEETING of CFPG

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F.No.9-2/2019-S&F Government of India Ministry of Culture S&F Section ***** Puratatav Bhavan, 2nd Floor ‘D’ Block, GPO Complex, INA, New Delhi-110023 Dated: 17th February, 2020 MINUTES OF 42ndMEETING OF CULTURAL FUNCTION AND PRODUCTION GRANT (CFPG) HELD ON 22nd to 25thJULY - 2019 ATNSD, NEW DELHI. Under CFPG, financial assistance is given to ‘Not-for-Profit’ organisations, NGOs including societies, Trust, Universities etc. for holding Conferences, Seminar, Research, Workshops, Festivals, Exhibitions and Production of Dance, Drama, Theatre, Music and undertaking small research project etc. on any art forms/important cultural matters relating to different aspects of Indian Culture. The scheme of CFPG is administered by NCZCC, Pryagraj. The quantum of assistance is restricted to 75% of the project cost subject to maximum Rs. 5.00 Lakhs per projects recommend by the Expert Committee. In exceptional circumstances, Financial Assistance may be given upto Rs. 20.00 Lakhs with the approval of Hon’ble Minister of Culture. The grant is paid in 02 instalments of 75% and 25% respectively. 2. A meeting of CFPG was held on 22nd to 25thJuly, 2019 under the Chairpersonship of Joint Secretary (Performing Arts Bureau) to consider the proposals for financial assistance by the Expert Committee. 3. The Expert Committee has considered the 529 applicationswhich were complete and supported with all documents required under the scheme in the 42ndMeeting of CFPG held 22nd to 25th July, 2019 under the Scheme. The Committee examined each and every proposal individually before taking a decision and has recommended 373 proposals for financial assistance under the scheme. The details of all 373 cases approved for grant is placed at Annexure-I. The list of 156 cases not approved for grant is placed at Annexure-II.Thelist of 33 numbers of incomplete / Grant Already Given proposals is placed at Annexure-III. 34organizations have been approved grant in both 41st and 42nd meeting of CFPGS. The modalities of release of grant to these organizationshave been defined in the form of NOTICEand uploaded on the website of Ministry of Culture i.e. www.indiaculture.nic.in. alongwith the list of these organizations for perusal and compliance. Page | 1 ANNEXURE-I THE LIST OF VOs/NGOs APPROVED UNDER CFPG The details of approved proposals are as under:- Sl.No. Name of organaisation & Subject of Time / Amount Address proposed project Duration of recommended the project by Experts (Rs. In Lakhs) Andhra Pradesh 1. Gramajeevan Youth Sri Pothuluri Veera 01.07.2019 to 1.00 Association Rural Brahmendra Swamy 31.12.2019 Development Society, K. Charithamrutham Vaddipalli, Kanisettypalli, Chilamathur, Anantapuramu, Andhra Pradesh- 515341 2. Nataraj Music & Dance Vysakhi Nrithyotsav 21.09.2019 1.00 Academy, Door No: 50-01- (12th All India to 50/1, ASR Nagar, Classical Dance 23.09.2019 Seethammadhara, Festival- 2019) Visakhapatnam, Andhra Pradesh- 530013 3. Rayala Lalithakala Parishad, Kuravanji Natakam 01.06.2019 1.00 Kodikonda, Anantapur, (Dance Drama) to Andhra Pradesh- 515601 30.09.2019 4. Ushodaya Education Koodiyaattam 01.06.2019 1.00 Society, Beside Madeena to Majied, Old Navatha Road, 30.08.2019 Gorantla, Anantapur, Andhra Pradesh- 515231 5. Vishala Mahila Mandali, Bhagavata Mela 01.07.2019 2.00 Koturu, Tanakallu Mandal, to Anantapur, Andhra 30.09.2019 Pradesh- 515571 Total= 6.00 Assam 6. Abinaswar Gosthi, P.O: 12 th Abinaswar 20.12.2019 4.00 Puranigudam, Nagaon, Drama Festival- to Assam- 782141 2019 (Ankiya 10.01.2020 Bhaona Samaroh) Page | 2 7. All Assam Meitei Huyel North East Thang- 27.01.2020 2.00 Langlon Thang-Ta Ta Workshop to Association, Vill & P.O.- 31.01.2020 Kamranga Part- I, P.S.- Joypur, Cachar, Assam- 788107 8. Gati Asom, H. No. 2, Shanti Children Drama 10.07.2019 4.00 Path, Zoo Road Tiniali, Workshop Cum to Guwahati, Assam- 781024 Production 26.07.2019 9. Hatipara Uday Samaj Seminar & 25.08.2019 1.50 Kalyan Samity&Puthibharal, Exhibition On to Vill- PachimHatipara, P.O.- Cultural Issues 28.08.2019 Hatipara, Nagaon, Assam- 782003 10. Mime Academy, 5th National Mime December, 2.50 Hedayetpur, House No-27, Festival 2018-19 2019 Guwahati, Assam 11. Nilachal Educational Hamzar 15.07.2019 1.50 Welfare Society (News), Namani Kamakhya, Kamakhya Temple Road, Nursery, P.O.- Bharalumukh, Kamrup (Metro), Assam- 781009 12. Srimanta Sankardev Krishti Ram Vijay After 1.00 Bikash Kendra, Sankardev Sanctioned Nagar, Near D. C. Office Hojai, Hojai, Assam- 782442 13. Surojit Academy, Assam Puppetry As A After 1.00 Engineering College Medium Of Sanctioned Campus, Amar Path, Creativity Guwahati, Assam Total= 17.50 Bihar 14. Achhinjal, Vill- Bhupatti, Rashtriya Lok October, 3.00 Via- Babubarahi, Utsav- 2019 2019 to Madhubani, Bihar- 847224 December, 2019 Page | 3 15. Ashirwad Rangmandal, Kali 8th Ashirwad November, 5.00 Ashthan Chowk, Near- National Theatre 2019 Rotary, Blood Bank, Festival- 2019 Begusarai, Bihar- 851101 16. Bahurang, Ward No:- 34, Gabarghichor After 1.50 Mohalla- Chatti Road, Sanctioned Miyanchak, Begusarai, Bihar- 851101 17. Divine Social Development 3-5 Days Theatre Between the 3.50 Organization, Festival Months of KamlawatiBhawa, High December Court Colony, Brahmpur, 2019 to PO – Phulwarisharif, Patna- March 2020 801505, Bihar 18. Madhyam Foundation, Triveni Natya After 3.00 Treasurer-Randhir Singh, Mahotsav 2019-20 Sanctioned Village- Sonaru, P.O.+P.S.- Fatuha, Patna, Bihar- 803201 19. Manthan Kala Parishad, 7th National Drama After 1.50 Birjuji Ka Hata, Chhoti Festival Sanctioned Badalpura, Khagaul, Patna, Bihar- 801105 20. Navras School Of Avartan And Khayal 22.09.2019 9.00 Performing Art's (NSPA), Gayaki Of Gwalior (5.00+4.00) 111, Patliputra Colony, Gharana Patna, Bihar- 800013 21. Naya Rang, Chakarsul, Murdahiya After 4.00 Mahdeiya, Minapur, Sanctioned Muzaffarpur, Bihar-843128 22. Nirman Kala Manch, Bihari 5 Day’s National 24th August- 5.00 Saw Lane, Bankipur, Patna- Theatre Festival 2019 800004, Bihar 23. Padmashree Pandit 7th Dhrupad 24.08.2019 1.70 Siyaram Tiwari Smriti Sandhya Sangeet Samiti, L.I.G. 16/556, Hanuman Nagar, Kankarbagh, Patna, Bihar- 800020 Page | 4 24. Prangan, C/O Kalidas 35th Patliputra 02.02.2020 1.00 Rangalay, East Gandhi Natya Mahotsava- to Maidan, Patna, Bihar- 2020 09.02.2020 800004 25. Prayas, Opp. Apsra Cinema Five Day's Eight 20.11.2019 5.00 Hall, Near Ashiana Galaxy, National Prayas to Exhibition Road, Patna, Natya Mela- 2019 24.11.2019 Bihar- 800001 26. Rang March, Flat No. 301, 6th Theatrewala 25.12.2019 1.00 Ruchi Apartment, Mahesh Natyotsav, 2019 to Nagar, Road No. 03, Near 29.12.2019 A.N. College, Post- Keshari Nagar, Ward No. 07, Police Station-Patliputra, Patna, Bihar- 800024 27. Sarvmangala Sanskritik 3 Days Annual After 1.50 Manch, Vrindavan Colony, Drama Festival Sanctioned Road No. 1-E, Walmi Phulwari Sharif, Patna, Bihar- 801505 28. Sootradhar, Jamaluddin 8th Three Days 10.12.2019 2.50 Chak, Khagaul, Patna, Khagaul Natya to Bihar- 801105 Mahotsav 12.12.2019 Total= 48.20 Chandigarh 29. Artscapes, SCO 7, II Floor, 8th All India Women April, 2019 3.00 Sector 30 D, Chandigarh- Artists 160020 Contemporary Exhibition 2019 30. Theatre For Theatre, 2929, Historical Play October, 2.00 Sector 42-C, Chandigarh- Based On Shri Guru 2019 to 160036 Nanak Dev Ji March, 2020 Total= 5.00 Page | 5 Chhattisgarh 31. Samvedana Samajik Sanstha, Samved Sangeet 01.11.2019 to 2.00 Tushar Kumar Sinha, Samaroh 31.12.2019 Gurudwara Ke Peeche, Jamat Para, Rajnandgaon, Chhattisgarh- 491441 32. Shri Chakradhar Kathak Shastriya Evam Lok 01.11.2019 to 2.00 Kalyan Kendra, Jamatpara, Vidhao Par Kendrit 29.02.2020 Bank Of India Ke Pas, Rashtriya Nritya Rajnandgaon, Chhattisgarh- Sangit Samaroh 491441 "Saptrang" Evam Rashtriya Seminar 33. Surguja Kalyankari Sewa Birha Lok Gayan Ki 21.03.2019 3.00 Samiti, Vill & Post- Abhivyakti to Baalangi, Wadrafnagar, Karyakram 23.03.2019 Balrampur, Chhattisgarh Total= 7.00 Delhi 34. Aamad, D- 168, Bathla Rang-E-Sukhan After 5.00 Apartment, I.P. Extension, Sanctioned Patparganj, Delhi- 110092 35. Aga Khan Foundation, II Ruh-E-Nizamuddun After 4.00 Floor, Sarojini House, 6, Sanctioned Bhagwan Dass Road, New Delhi 36. Alliance Francaise De Delhi, Rajas Nawab 15.11.2019 4.00 72, Lodi Estate, New Delhi- Firangees 1750- 110003 1850 37. Aradhana Dance Moha-Maya The 20.06.2019 1.00 Foundation Indian Culture Dance Drama to Promotion, Plot No. 705-A- 05.12.2019 1-A, Flat No. A-4, Ganga Appt, Ward No. 3, Mehrauli, New Delhi- 110030 Page | 6 38. Arth Society For The Patthar After 3.50 Welfare Of Mankind, Sanctioned 3/121, 3rd Floor, Lalita Park, Laxmi Nagar, Delhi- 110092 39. Barahmasa, House No. 434, Are! Mayavi 31.03.2020 5.00 3rd Floor, Flat No- 10, Sarovar Mandawali Main Road, Fazalpur, Mandawali, Delhi- 110092 40. Bhartiya Sangeet Sadan, 52, Maharaas Leela 11.10.2019 5.00 Community Centre, East Of (Sharadotsav) to Kailash, New Delhi- 110065 13.10.2019 41. Centre For Indian Classical Appa Deepo Bhava: 11th 5.00 Dances, D- 295, 1st Floor, be a Light unto November- Defence Colony, New yourself 2019 Delhi- 110024 42. Debadhara, C-41, 2nd Floor, 12th Guru August, 2019 5.00 Paryavaran Complex, Debaprasad Nrutya IGNOU Road, New Delhi- Parampara 110030 43. Delhi Telugu Academy, Grih Cultural In Urban 01.11.2019 5.00 Kalyan Kendra, GF, Raja Area to Bazar, Sector- 4, Gole Seminar/Symposiu 03.11.2019 Market, New Delhi- 110001 m Art, Music & Cultural Programmes 44. Deshkal Society, 205, Seminar & After 5.00 Second Floor, Indra Vihar, Exhibition On Sanctioned Delhi- 110009 Culture & Heritage 45. Dev Bhumi Lok Kala Ullas 01.04.2019 3.00 Society, RZI- 138, Old Som to Bazar, Mahavir Enclave, 31.03.2020 Palam, New Delhi- 110045 46. Devi Durga Kathak Samasrava 05.12.2019 5.00 Sansthan, 366, K.
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    Trade Marks Journal No: 2005, 21/06/2021 Reg. No. TECH/47-714/MBI/2000 Registered as News Paper p`kaSana : Baart sarkar vyaapar icanh rijasT/I esa.ema.raoD eMTa^p ihla ko pasa paosT Aa^ifsa ko pasa vaDalaa mauMba[- 400037 durBaaYa : 022 24101144 ,24101177 ,24148251 ,24112211. Published by: The Government of India, Office of The Trade Marks Registry, Baudhik Sampada Bhavan (I.P. Bhavan) Near Antop Hill, Head Post Office, S.M. Road, Mumbai-400037. Tel: 022 24101144, 24101177, 24148251, 24112211. 1 Trade Marks Journal No: 2005, 21/06/2021 Anauk/maiNaka INDEX AiQakairk saucanaaeM Official Notes vyaapar icanh rijasT/IkrNa kayaa-laya ka AiQakar xao~ Jurisdiction of Offices of the Trade Marks Registry sauiBannata ko baaro maoM rijaYT/ar kao p`arMiBak salaah AaoOr Kaoja ko ilayao inavaodna Preliminary advice by Registrar as to distinctiveness and request for search saMbaw icanh Associated Marks ivaraoQa Opposition ivaiQak p`maaNa p`~ iT.ema.46 pr AnauraoQa Legal Certificate/ Request on Form TM-46 k^apIra[T p`maaNa p`~ Copyright Certificate t%kala kaya- Operation Tatkal saava-jainak saucanaaeM Public Notices iva&aipt Aavaodna Applications advertised class-wise: 2 Trade Marks Journal No: 2005, 21/06/2021 vagavagavaga-vaga--- /// Class - 1 11-128 vagavagavaga-vaga--- /// Class - 2 129-167 vagavagavaga-vaga--- /// Class - 3 168-439 vagavagavaga-vaga--- /// Class - 4 440-472 vagavagavaga-vaga--- / Class - 5 473-1696 vagavagavaga-vaga--- /// Class - 6 1697-1790 vagavagavaga-vaga--- /// Class - 7 1791-1886 vagavagavaga-vaga--- /// Class - 8 1887-1923
  • Chapter Iv Traces of Historical Facts From

    Chapter Iv Traces of Historical Facts From

    CHAPTER IV TRACES OF HISTORICAL FACTS FROM SANDESAKAVYAS & SHORT POEMS Sandesakavyas occupy an eminent place among the lyrics in Sanskrit literature. Though Valmiki paved the way in the initial stage it was Kalidasa who developed it into a perfect form of poetic literature. Meghasandesa, the unique work of Kalidasa, was re- ceived with such enthusiasam that attempts were made to emulate it all over India. As result there arose a significant branch of lyric literature in Sanskrit. Kerala it perhaps the only region which produced numerous works of real merit in this field. The literature of Kerala is full of poems of the Sandesa type. Literature can be made use of to yield information about the social history of a land and is often one of the main sources for reconstructing the ancient social customs and manners of the respective periods. History as a separate study has not been seriously treated in Sanskrit literature. Apart form literary merits, the Sanskrit literature of Kerala contains several historical accounts of the country with the exception of a few historical Kavyas, it is the Sandesakavyas that give us some historical details. Among the Sanskrit works, the Sandesa Kavya branch stands in a better position in this field (matter)Since it contains a good deal of historical materials through the description of the routes to be followed by the messengers in the Sandesakavyas. The Sandesakavyas play an impor- tant role in depicting the social history of their ages. The keralate Sandesakavyas are noteworthy because of the geographical, historical, social and cultural information they supply about the land.
  • Valmiki Ramayana – Bala Kanda – Chapter 3

    Valmiki Ramayana – Bala Kanda – Chapter 3

    “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 3 Valmiki Summarizes the Ramayana Summary The scheming [high-level overview] of the composition of epic Ramayana is described here. Whole of the epic is rendered in its quintessence [representation], as to how Sage Valmiki scheduled the narration of important milestones of the epic. Chapter [Sarga] 3 in Deyail shrutvaa vastu samagram tat dharma ardha sahitam hitam | vyaktam anveshhate bhuuyo yadvrittam tasya dhiimatah || 1-3-1 On hearing the essence of Ramayana from Sage Narada, which is abound with probity [adherence to the highest principles and ideals] and prosperity, and a propitious one too, that virtue-souled Valmiki started searching for further known details in the legend of that dexterous [skillful] Rama. [1-3-1] upasprisya udakam samyak munih sthitvaa kritaanjalih | praachiina agreshhu darbheshhu dharmena anveshhate gatim || 1-3-2 Valmiki sitting on a sacred grass mat, whose apices [the uppermost point or vertex] are towards east, touched waters, and made his palms adjoined in reverence, and then by his yogic insight started to search comprehensively [broadly], for the narrative course of Ramayana. [1-3-2] Page 1 of 9 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Bala Kanda – Chapter 3 raama lakshmana siitaabhih raajnaa dasharathena cha | sa bhaaryena sa raashhtrena yat praaptam tatra tattvatah || 1-3-3 hasitam bhaashhitam cha eva gatiryaayat cha cheshhtitam | tat sarvam dharma viiryena yathaavat sa.mprapashyati || 1-3-4 Of Rama, Lakshmana and Seetha, also of King Dasharatha and his wives, and what bechanced [befell] on Rama when he was in kingdom Ayodhya; Valmiki veritably [being in fact] discerned [distinguished] all that.
  • Sita Ram Baba

    Sita Ram Baba

    सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu.