The Nutcracker Principal Casting Announced Koto Ishihara Debuts As the Sugar Plum Fairy
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Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B. -
January 2018 :: Sightlines :: USITT
January 2018 :: Sightlines :: USITT January 2018 Print this page › NEWS & NOTICES: Tweet Share Lead story › Member Spotlight: Mark Putman Member Spotlight: Mark Putman Fellows of the Institute Q&A with production manager and sound designer for Missouri State University and member of USITT’s Heart of America Regional Section, The Green Scene Mark Putman... more » 2018 Student Ambassador Mentors New Fellows AIDS Memorial Quilt USITT will induct three new Fellows into the Institute at USITT 2018 in Fort Lauderdale: Dan Culhane, Travis De Castro, and Susan Tsu... Tri-Annual Art Auction more » In Memoriam: Doris Siegel, David William Weiss The Green Scene Announcements Dathan Powell focuses on the work of young artists who recognize the prospect of sustainable theatre making an impact in disciplines other INTERNATIONAL: than our own... more » PQ 2019 Design Exhibit Winners Student Ambassador International Guests 2018 NEWS FROM: Three international guests will join select student ambassadors in Fort Executive Director Lauderdale to bring a global perspective to USITT 2018... more » Spotlight on Giving: Tammy Honesty AIDS Quilt Information President Do you know any of these names? Help complete this memorial by providing bios and anecdotes to be featured in TD&T... more » LAST WORD: Conference Deadline Is Tri-Annual Art Auction and Garage Sale at USITT 2018 Coming! Have artwork or books that are collecting dust at home? Consider FOR THE RECORD: donating them to the Tri-Annual Art Auction and Garage Sale for others Leadership to enjoy... more » Contributing Members PQ 2019 Design Exhibit Winners Sustaining Members Winners of the 2019 Prague Quadrennial Design Exhibit are announced.. -
Ballet Notes
Ballet Notes Mozartiana & Other Dances & In The Upper Room June 15 - 19, 2011 Aleksandar Antonijevic in In The Upper Room. Photo by Bruce Zinger. Orchestra Violins Bassoons Benjamin BoWman Stephen Mosher, Principal Concertmaster JerrY Robinson LYnn KUo, EliZabeth GoWen, Assistant Concertmaster Contra Bassoon DominiqUe Laplante, Horns Principal Second Violin Celia Franca, C.C., Founder GarY Pattison, Principal James AYlesWorth Vincent Barbee Jennie Baccante George Crum, Music Director Emeritus Derek Conrod Csaba KocZó Scott WeVers Karen Kain, C.C. Kevin Garland Sheldon Grabke Artistic Director Executive Director Xiao Grabke Trumpets David Briskin Rex Harrington, O.C. NancY KershaW Richard Sandals, Principal Music Director and Artist-in-Residence Sonia Klimasko-LeheniUk Mark Dharmaratnam Principal Conductor YakoV Lerner Rob WeYmoUth Magdalena Popa Lindsay Fischer JaYne Maddison Trombones Principal Artistic Coach Artistic Director, Ron Mah DaVid Archer, Principal YOU dance / Ballet Master AYa MiYagaWa Robert FergUson WendY Rogers Peter Ottmann Mandy-Jayne DaVid Pell, Bass Trombone Filip TomoV Senior Ballet Master Richardson Tuba Senior Ballet Mistress Joanna ZabroWarna PaUl ZeVenhUiZen Sasha Johnson Aleksandar AntonijeVic, GUillaUme Côté*, Violas Harp Greta Hodgkinson, Jiˇrí Jelinek, LUcie Parent, Principal Zdenek KonValina, Heather Ogden, Angela RUdden, Principal Sonia RodrigUeZ, Piotr StancZYk, Xiao Nan YU, Theresa RUdolph KocZó, Timpany Bridgett Zehr Assistant Principal Michael PerrY, Principal Valerie KUinka Kevin D. Bowles, Lorna Geddes, -
ADAM HAY – BIO and TESTIMONIALS
ADAM HAY – BIO and TESTIMONIALS "Adam Hay is awesome! PASSION and KNOWLEDGE! If I could take lessons from him I would." Paul Bostaph (SLAYER) Born in 1976, Adam Hay is a freelance drummer/drum teacher living in Canada, having played well over 2,000 dates since the early 1990s all over the US and Canada with Quintuple Platinum selling artist Chantal Kreviazuk (Sony/2x Juno Winner/3x Nominee), multiple Diamond (million) selling artistRaine Maida (Sony/Our Lady Peace/4x Juno Winner), Sarah Slean (Warner/Juno Nominee), Justin Rutledge (Six Shooter, Juno Nominee), Martina Sorbara (Mercury/Dragonette, Juno Nominee and Winner), Royal Wood (Dead Daisy/Six Shooter/ Juno Nominee), Patricia O'Callaghan (EMI), John Barrowman (Sony UK), Sharon Cuneta (Sony Philippines), KC Concepcion (Sony Philippines), Jeff Healey (George Harrison/multiple award winner), Dr. Draw, Luisito Orbegoso (Montreal Jazzfest Grand Prix winner), Cindy Gomez, George Koeller (Peter Gabriel/Bruce Cockburn/Dizzy Gillespie), Alexis Baro (David Foster/Paul Schaffer/Tom Jones/Cubanismo) Lesley Barber (composer for Film/TV/’Manchester by the Sea’), Jay Danley (award winner), Sonia Lee (first violinist with Toronto Symphony Orchestra for 6 years/Detroit Symphony Orchestra), Kevin Fox (Celine Dion, Justin Bieber), The Mercenaries, MOKOMOKAI, Leahy, Eric Schenkman (The Spin Doctors) and hundreds more. He has also recorded with producer David Bottrill (Peter Gabriel, Tool, Smashing Pumpkins, Rush). Adam has appeared live on national TV in front of millions of people (MTV, CTV's Canada AM, City TV's Breakfast Television, CBC, Rogers TV, Mike Bullard on CTV) and live radio shows, award ceremonies, TV and Radio commercials as a jingle artist, sold out theaters and festivals, music videos, national TV Season launch parties, many full length albums, record company showcases in the USA and Canada, minuscule cafeterias, to downtown sidewalks as a busker earlier on. -
Sardono Dance Theater and Jennifer Tipton: Rain Coloring Forest
SARDONO DANCE THEATER AND JENNIFER TIPTON: RAIN COLORING FOREST SEPTEMBER 16 – 18, 2010 | 8:30 PM SEPTEMBER 19, 2010 | 3:00 PM presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts SARDONO DANCE THEATER AND JENNIFER TIPTON: RAIN COLORING FOREST WORLD PREMIERE Directed, choreographed and performed by Sardono W. Kusumo Artwork by Sardono W. Kusumo Lighting Designed by Jennifer Tipton Original music composed and performed by David Rosenboom Digital Projections by Maureen Selwood Dance and vocals Bambang “Besur” Suryono Dancer I Ketut Rina Assistant lighting designer Iskandar K. Loedin Animation assistants Meejin Hong and Joanna Leitch Produced by REDCAT (Roy and Edna Disney/CalArts Theater) Rain Coloring Forest Managing Producer: Laura Kay Swanson Production Crew: Ernie Mondaca, Israel Mondaca, Patrick Traylor, Tiffany Williams Special thanks to The Consulate General of the Republic of Indonesia in Los Angeles , Mr. Arifin Panigoro, Astra Price, Nathan Ruyle and Linda Wissmath. Rain Coloring Forest is made possible by the Contemporary Art Centers (CAC) network, administered by the New England Foundation for the Arts (NEFA), with major support from the Doris Duke Charitable Foundation. CAC is comprised of leading art centers, and brings together performing arts curators to support collaboration and work across disciplines, and is an initiative of NEFA’s National Dance Project. BIOGRAPHIES Sardono W. Kusumo (Director and Choreographer) has been acclaimed as one of the most cutting- edge contemporary choreographers and brilliant theatrical imagists of Asia, even at the beginning of his artistic career. He has been credited by Michel Cournot of Le Monde (Paris) as the creator of the five most captivating yet silent minutes of the Festival Mondiale at the Théâtre de Nancy (1973). -
Trisha Brown 1936-2017 Founding Artistic Director & Choreographer
© Marc Ginot, 2010 TRISHA BROWN 1936-2017 FOUNDING ARTISTIC DIRECTOR & CHOREOGRAPHER One of the most acclaimed and influential choreographers and dancers of her time, Trisha Brown’s groundbreaking work forever changed the landscape of art. From her roots in rural Aber- deen, Washington, her birthplace, Brown arrived in New York in 1961. A student of Anna Halprin, Brown participated in the choreographic composition workshops taught by Robert Dunn – from which Judson Dance Theater was born – greatly contributing to the fervent of interdisciplinary cre- ativity that defined 1960s New York. Expanding the physical behaviors that qualified as dance, she discovered the extraordinary in the everyday, and brought tasks, rulegames, natural movement and improvisation into the making of choreography. With the founding of the Trisha Brown Dance Company in 1970, Brown set off on her own distinc- tive path of artistic investigation and ceaseless experimentation, which extended for forty years. The creator of over 100 choreographies, six operas, and a graphic artist, whose drawings have earned recognition in numerous museum exhibitions and collections, Brown’s earliest works took impetus from the cityscape of downtown SoHo, where she was a pioneering settler. In the 1970s, as Brown strove to invent an original abstract movement language – one of her singular achieve- ments – it was art galleries, museums and international exhibitions that provided her work its most important presentation context. Indeed, contemporary projects to introduce choreography to the museum setting are unthinkable apart from the exemplary model that Brown established. Brown’s movement vocabulary, and the new methods that she and her dancers adopted to train their bodies, remain one of her most pervasively impactful legacies within international dance practice. -
December 2019 Welcome Mike Hausberg
DECEMBER 2019 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Ebenezer Scrooge’s BIG San Diego Christmas Show. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. -
The Royal Ballet Celebrates American Choreographers George Balanchine and Jerome Robbins
27 May 2021 #OurHouseToYourHouse Fundraising for our future The Royal Ballet celebrates American choreographers George Balanchine and Jerome Robbins The Royal Ballet celebrates the rich history of American ballet in classic works by George Balanchine and Jerome Robbins, two choreographic giants of the 20th century. Balanchine and Robbins open’s on 4 June and is live streamed on 11 June at 7.30pm priced £16. The programme includes two classic works by Balanchine; Apollo and Tchaikovsky Pas De Deux. Apollo was created for Diaghilev’s Ballets Russes in 1928 and is regarded as a masterpiece of neoclassicism in its striking depiction of the young god of music and his three muses. Set to music by Igor Stravinsky the ballet was last performed by The Company in 2014. In 1960 Balanchine created Tchaikovsky Pas de Deux for New York City Ballet. The ballet is a showcase of technical challenges and bravura and is set to a long-lost movement from Tchaikovsky’s original score for Swan Lake. Jerome Robbins played a crucial role in the development of American ballet as a contemporary of Balanchine and as an influential figure in Broadway. His 1969 ballet Dances at a Gathering is an ode to pure dance, set to music by Chopin. While plotless, the intimacy of the ballet creates a powerful sense of community which promises to resonate powerfully with audiences and dancers again following its revival in 2020 just before lockdown. This programme features a host of debuts by Royal Ballet Principals Fumi Kaneko, Yasmine Naghdi, Matthew Ball, Cesar Corrales and Vadim Muntagirov and First Soloists Claire Calvert, Melissa Hamilton, Mayara Magri, Anna Rose O’Sullivan and Reece Clarke The event will be broadcast live via the Royal Opera House website on Friday 11 June at 7.30pm, priced at £16.00 per household and will be available to watch on demand until 10 July. -
Birmingham Royal Ballet Announces 2019/20 Season
PRESS RELEASE EMBARGOED UNTIL 3.30PM, 24 JANUARY 2019 BIRMINGHAM ROYAL BALLET ANNOUNCES 2019/20 SEASON 10 productions, 11 venues, 127 performances, including first time collaborations with Ballet Black and newly appointed Director Carlos Acosta. It’s a season that’s bursting with brilliance! Birmingham Royal Ballet’s 2019/20 season marks an exciting period of transformation. For the first time in the company’s history, the season has been created in partnership with leaders from across the world of dance, including Ballet Black and Birmingham Royal Ballet’s newly appointed Director Carlos Acosta CBE, who bring fresh perspectives to the programme, and herald a new era and a bright future ahead. The 2019/20 season marks the transition between David Bintley’s Directorship and Carlos Acosta’s first season, which will be in 2020/21, and creates opportunities for the Company to experiment with new partnerships to grow and inspire audiences, as well as presenting some of its best loved classics including works by Director Laureate Sir Peter Wright. The first full-length production in the 2019/20 season is David Bintley and Galina Samsova’s exquisite production of Giselle (25 Sep – 2 Nov), swiftly followed by the welcome return of Sir Peter Wright’s stunning Swan Lake (29 Jan – 4 Apr). The end of the season marks a new beginning, as new Director Carlos Acosta is welcomed by Birmingham Royal Ballet’s inaugural performances of his ravishing comedy Don Quixote (19 - 27 Jun), which receives its first UK performances outside London. Carlos will also curate an energising and celebratory festival at Birmingham Hippodrome and Sadler’s Wells, London in June 2020. -
Digital Farm Animals Release Two New Tracks Today Lyric Video/Single “Tokyo Nights” with Shaun Frank X Dragonette & “Say My Name” Ft
DIGITAL FARM ANIMALS RELEASE TWO NEW TRACKS TODAY LYRIC VIDEO/SINGLE “TOKYO NIGHTS” WITH SHAUN FRANK X DRAGONETTE & “SAY MY NAME” FT. IMAN CLICK HERE TO LISTEN/WATCH “TOKYO NIGHTS” CLICK HERE TO LISTEN TO “SAY MY NAME” (Syco Music /Ultra Records/RCA Records) [New York, NY – March 30, 2018] Digital Farm Animals returns today with two new tracks, “Tokyo Nights,” a collaboration with Shaun Frank and Dragonette and “Say My Name” Ft. Iman,” both released via Syco Music/Ultra Records/RCA Records. CLICK HERE to watch the lyric video/listen to “Tokyo Nights” and CLICK HERE to listen to “Say My Name.” Right out of the gates, upon its global release this morning, “Tokyo Nights” has already been added to Spotify’s “New Music Friday” playlist in over 16 countries including the US, UK, Canada, Australia/New Zealand, Sweden, Italy, France, Singapore, Denmark and more. Digital Farm Animals aka Nick Gale, the one man hit factory, has enjoyed over 2 billion streams and over 9 million monthly streams on Spotify, and is becoming one of the most sought after names in the dance and pop scene. “Tokyo Nights” is a collaboration with Digital Farm Animals, singer/songwriters Martina Sorbara of Dragonette & Shawn Frank, producer/ singer/songwriter Shaun Frank, who co-wrote The Chainsmokers’ No.1 smash “Closer.” Frank previously collaborated on dance pop anthems with Steve Aoki, Oliver Heldens, DVBBS, and KSHMR, and remixed The Chainsmokers, Duke Dumond & Keisza. Sought after for his savvy production style and mix work, Frank has also garnered production credits on The Chainsmokers recent efforts “Sick Boy,” “You Owe Me,” and “Everybody Hates Me.” The song was also co-written by and features Canadian singer/songwriter Martina Sorbara, from multi-platinum selling band Dragonette. -
ADF-Timeline.Pdf
Timeline 1934 • ADF, then known as the Bennington School of Dance, is founded at Bennington College in Bennington, Vermont. The first six-week session attracts 103 students (68 of whom were dance teachers) from 26 states, the District of Columbia, Canada and Spain. Their ages range from 15 to 49. • Martha Hill and Mary Josephine Shelly are Co-Directors. Martha Graham, Doris Humphrey, Charles Weidman, and Hanya Holm, also known as "The Big Four,” are recruited to be faculty. They each teach for a week in succession. 1935 • Martha Graham premieres Panorama with Alexander Calder mobiles (his first dance collaboration). • Doris Humphrey premieres New Dance. • The "Big Four" overlap teaching during the six weeks. 1936 • Betty Ford (Elizabeth Bloomer) is a student. • Humphrey completes her New Dance Trilogy with premiere of With My Red Fires; Weidman creates Quest. • World debut of Lincoln Kirstein's Ballet Caravan. Kirstein delivers lectures on classical ballet. 1937 • Anna Sokolow, José Limón, and Esther Junger are the first Bennington Fellows. • Premieres of Holm's Trend, Limón's Danza de la Muerte, Sokolow's Facade-Esposizione Italiana. • Alwin Nikolais is a student. • Graham premieres two solos. 1938 • Premieres are Graham's American Document, Holm's Dance of Work and Play and Dance Sonata, Humphrey's Passacaglia in C Minor, and Weidman's Opus 51. • Anna Halprin and Alwin Nikolais are students. 1939 • Bennington School of Dance spends summer at Mills College in Oakland, CA. • Merce Cunningham is a student. • Limón premieres 5-part solo, Danza Mexicanas. • John Cage gives concert of percussion music. 1940 • School of Dance returns to Bennington and is incorporated under The School of the Arts to foster relationships with the other arts. -
DOCTORAL THESIS the Dancer's Contribution: Performing Plotless
DOCTORAL THESIS The Dancer's Contribution: Performing Plotless Choreography in the Leotard Ballets of George Balanchine and William Forsythe Tomic-Vajagic, Tamara Award date: 2013 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 THE DANCER’S CONTRIBUTION: PERFORMING PLOTLESS CHOREOGRAPHY IN THE LEOTARD BALLETS OF GEORGE BALANCHINE AND WILLIAM FORSYTHE BY TAMARA TOMIC-VAJAGIC A THESIS IS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF PHD DEPARTMENT OF DANCE UNIVERSITY OF ROEHAMPTON 2012 ABSTRACT This thesis explores the contributions of dancers in performances of selected roles in the ballet repertoires of George Balanchine and William Forsythe. The research focuses on “leotard ballets”, which are viewed as a distinct sub-genre of plotless dance. The investigation centres on four paradigmatic ballets: Balanchine’s The Four Temperaments (1951/1946) and Agon (1957); Forsythe’s Steptext (1985) and the second detail (1991).