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25. Dni Muzyki Kompozytorów Krakowskich (1989–2013) 26.–27

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25. Dni Muzyki Kompozytorów Krakowskich (1989–2013) 26.–27 Indeks kompozytorów i dzieł/ Index of composers and works 1.–25. DNI MUZYKI KOMPOZYTORÓW KRAKOWSKICH (1989–2013) 26.–27. MIĘDZYNARODOWY FESTIWAL KOMPOZYTORÓW KRAKOWSKICH (2014–2015) 1st–25th DAYS OF MUSIC OF KRAKOW COMPOSERS (1989–2013) 26th–27th INTERNATIONAL FESTIVAL OF KRAKOW COMPOSERS (2014) INDEKS KOMPOZYTORÓW I DZIEŁ INDEX OF COMPOSERS AND WORKS 214 Indeks kompozytorów i dzieł/ Index of composers and works Abiko Yoshihiro — Revolution II na fagot solo Araszkiewicz Franciszek — Opętanie na 2 for- (*1996: A. Koyama) tepiany (wersja na 4 ręce) (*2012: Huongtu Hao, Sen Zeng); Sound Scripture na harfę infrared Abramowicz Antoni — Grande fantasie (2011: i warstwę wideo z Ł. Kosowskim (*2015: F. Arasz- I. Ołownikow pf) kiewicz harfa infrared); Strefy (z P. Roemerem Abras Manuel — Pentecostés (Veni Sancte Spi- i S. S. Strzelcem, *2015); Superposition na elek- ritus) na chór kameralny i elektronikę (*2007: tronikę (*2014: F. Araszkiewicz) Chór Kameralny „Pogratulujmy Mrówkom”, dyr. Arefjew Dmytro — Le temps qui reste na skrzyp- G. Brajner) ce, wiolonczelę i fortepian (**2006: I. Andrijewski Ahn Hyun Jung — Dance of the Moonlight vn, J. Biłousowa vc, O. Bezborodko pf) (2012: Park Hea On daegum); Going Together Arenas Mario — Bùsqueda y retorno na flet pro- na piri i dźwięki elektroniczne (2012: Kim Ji Yoon sty i komputer (1997: M. Arenas fl, M. Choło- piri); An Old Garden (2012); Shin hae ryung na niewski komputer) flet, obój i wiolonczelę (2012: R. Sowińska fl, P. Rónaiová ob, P. Czarakcziew vc); The Wind in the Arnaudow Georgi — Le Temple du silence Desert na daegum, piri, wiolonczelę i perkusję (**2005: M. Matewa pf, R. Krumow pf) (2012: Park Hea On daegum, Kim Ji Yoon piri, P. Arutunian Aleksandr — Impromptu na wiolon- Czarakcziew vc, K. Zielińska batt) czelę i fortepian (2006: Ł. Pawli kowski vc, A. Ajdinović Jacek Wiktor — Arrière-pensée du Chylińska pf) temps na trio fortepianowe (2006: O. Bezborodko Ayanbod Mohammad Hadi — Gravity na sak- pf, I. Andrijewski vn, J. Biłousowa vc); Dialogo per sofon altowy, skrzypce, fortepian, gitarę basową, violoncello (2005: M. Zubrzycka vc); Dialogue kontrabas i 2 perkusistów (*2012: J. Jarosz sxf, pour violoncelle seul (2007: J. Kalinowski vc) M. Kordon vn, B. Łącki pf, Ł. Madej bgit, K. By- Alain Jehan — Chorał z Suity op. 48 (2002: P. lica cb, F. Klasa mb, vbf, K. Wróblewski batt) Pierzchała org); Trois mouvements na organy Azarova Svitlana — Chronometr na fortepian (**2004: wersja na flet i organy, oprac. M.-C. solo (**2001: „Alea” Contemporary Music En- Alain, M. Štreitová fl, M. Balissat org) semble — M. Vrskova Zafirovska pf) Alessandro Raffaele d’ — Prélude na organy Babadżanian Arno — Taniec na wiolonczelę op. 45 (**2004: M. Balissat) i fortepian (L. Pawlikowski vc, A. Chylińska pf) Almashi Zoltan — Concerto grosso no. 2 na or- Bacewicz Grażyna — Divertimento na orkiestrę kiestrę smyczkową (**2015: Orkiestra Kameral- smyczkową (1999: Orkiestra Kameralna „Aukso”, na „Wirtuozi Lwowa”, dyr. S. Burko) dyr. M. Moś); I Kwintet fortepianowy (1997: Kwar- Amman Dieter — Gehörte Form — Hommages tet Śląski — M. Moś vn, A. Kubica vn, Ł. Syrnicki na trio smyczkowe (**2006: Mondrian Ensem- vl, P. Janosik vc, W. Nowikow pf); Trzy pieśni: Mów ble — D. Müller vn, Ch. Zgraggen vl, M. Jaggi do mnie miły, sł. R. Tagore, Rozstania, sł. R. Ta- vc) gore, Nad wodą wielką i czystą, sł. A. Mickiewicz (2007: H. Swaryczewska msopr, Z. Ambroży pf); Andersen Bo — Vignettes for Good Friday na Trio na obój, skrzypce i wiolonczelę (2014: M. Pę- altówkę i fortepian (**2009: A. Slaatto vl, B. An- działek ob, M. Sławek vn, M. Dąbek vc) dersen pf) Bach Johann Sebastian — Aria „Bist du bei Andres Daniel — Dialog für zwei Klaviere mir” na sopran z organami (2004: E. Towarnicka (**2005: M. Matewa pf, R. Krumow pf) sopr, H. Botor org); Canon a 2 z Musikalisches Andriessen Louis — As You Like It na 2 for- Opfer BWV 1079 na 2 skrzypiec (2008: Quasars tepiany (2009: O. Mytnik, Z. Ambroży); Over- Ensemble); Canon perpetuus no. 4 (2008: I. Buf- ture to Orpheus na klawesyn (2003: M. Isphor- fa pf); Fantasia G-dur na organy BWV 573 (1996, ding) oprac. T. Machla na orkiestrę symfoniczną: Ra- 215 Indeks kompozytorów i dzieł/ Index of composers and works diowa Orkiestra Symfoniczna w Krakowie, dyr. W. Turek fg); Intermezzo w hołdzie Konstantemu Re- Czepiel); Fantasia super „Komm, Heiliger Geist gameyowi na orkiestrę kameralną (**2007: Or- Herre Gott” na organy BWV 651 (1995: A. Biał- kiestra Kameralna „Leopolis”, dyr. E. Sokacz); ko); Fuga sopra il Magnificat BWV 733 (2006: L’Or perdu na kwartet smyczkowy i głos recytu- M. Stefański org); Gottes Zeit ist die allerbeste jący, sł. J. Cuttat (**2000: Kwartet „Akade- Zeit BWV 106, oprac. G. Kurtága pt. Actus tra- mos” — I. Kalinowska-Grohs vn, J. Stelmach vn, gicus na 2 fortepiany (2008: Quasars Ensemble); A. Batog vl, D. Sobik-Ptok vc, J. Balissat recyta- Invention d-moll BWV 775 — Dritte Stimme, cja); Kaléidoscope na trąbkę i perkusję (**2009: oprac. H. Lachenmann (2008: Quasars En- M. Magiera tr, T. Sobaniec batt); Koncert na semble); Komm, Gott Schöpfer, Heiliger Geist na skrzypce i orkiestrę (**2002: K. Bąkowski vn, organy BWV 667 (1995: A. Białko; 2012 Z. Ko- Sinfonietta Cracovia, dyr. W. Michniewski); Trois koszka); Kyrie, Gott, Heiliger Geist na organy pièces pour orgue (**2006: L. Gołub) BWV 674 (2000: M. Stefański); Mein gläubiges Herze, frohlocke z Pfingstkantate na sopran z or- Barberian Cathy — Stripsody na głos solo ganami (2004: E. Towarnicka sopr, H. Botor org); (2010: B. Pietrzak sopr) O Lamm Gottes, unschuldig BWV 657, oprac. G. Bargielski Zbigniew — Holzknechttanz na forte- Kurtág (2008: Quasars Ensemble); Preludium pian, klarnet i puzon (*2008: M. Gardoń-Preinl pf, C-dur BWV 870 (2008: I. Buffa pf); Preludium P. Krauzowicz cl, Z. Stolarczyk tb); Trans-Sonans h-moll BWV 544, oprac. A. Silotiego (2008: I. na taś mę (*2011); Vienna G’Schichten (2011: M. Buffa pf); Preludium i fuga potrójna Es-dur na Herbowski pf, P. Grodecki pf) organy BWV 552 (1996: M. Stefański); Ricercar a 3 z Musikalisches Opfer BVW 1079, instrumen- Bartók Béla — Bagatela nr 14 z 14 Bagatellen tacja na zespół kameralny W. Z. Zycha (2008: op. 6 na fortepian (1999: G. Szendzielorz); 44 du- Kwartet smyczkowy „Dafô” — J. Duda-Krane vn, ety na 2 skrzypiec, fragmenty (1996: B. Halska- D. Augustyn vn, A. Dumanowska vl, J. Kalinow- -Le Monnier, B. Le Monnier); Seven Sketches op. ski vc, M. Margańska fl, M. Lipień ob, J. Szten- 9b (2005: J. Gromow pf); Ukrainian Dance cel cl, P. Feledyk sax alt, D. Lipień fg, K. Mucha (**2005: J. Gromow pf) tb, dyr. P. Fiugajski); Sonata D-dur na wioloncze- Bartoň Hanuš — Skře tmu nečí oko/Pośród ciem- lę i fortepian BWV 1028 (2003: T. Miecznikowski ności czyjeś oko, pieśni i intermezza na mezzoso- vc, M. Bärtsch pf) pran, klarnet, altówkę i fortepian, sł. J. Štroblová Bafile Giorgio — Padre nostro na chór miesza- (**2005: Ars Cameralis — O. Musilová msopr, L. ny (*2012: Coro della Virgola, dyr. P. Veleno) Matoušek cl, J. Richter vl, H. Bartoň pf) Bagin Pavol — Preludia na kwartet smyczkowy Bärtschi Werner — Frühmorgens am Dauben- (**1995: Moyzesovo Kvarteto — S. Mucha vn, F. see (Klangbild für Klavier) (2011: W. Bärtschi pf); Török vn, A. Lakatoš vl, J. Slávik vc) In Trauer und Prunk (2011: W. Bärtschi pf); We- ge — cykl 3 pieśni na głos i fortepian (2011: B. Baird Tadeusz — 2 kaprysy na klarnet i forte- Fuchs sopr, W. Bärtschi pf) pian (2014: Sound Art Duo — B. Borowicz cl, A. Miernik pf); Kwartet smyczkowy (1996: Kwartet Battistuzzi Marcos — Sonore na komputer Śląski — M. Moś vn, A. Kubica vn, Ł. Syrnicki vl, (1998) P. Janosik vc); III Kwartet smyczkowy (1997: Bauer Jerzy — Accende lumen sensibus (2002: Penderecki String Quartet — P. Buczek vn, J. Ka- P. Pierzchała org) płanek vn, D. Scheindlin vl, P. Pulford vc) Beethoven Ludwig van — VII Symfonia A-dur Balissat Jean — Adagio i fuga na klarnet i for- op. 92 (1996: Sinfonia Varsovia, dyr. K. Pende- tepian (**2009: A. Godek cl, D. Mroczek-Szlezer recki) pf); Cantique des Créatures de Saint François d’Assise na sopran i flet (*2009: K. Wiwer sopr, Bela Marcin — Orchesterstück II na orkiestrę R. Guzik fl);Chant funèbre na fortepian (**2009: smyczkową (*1998: Sinfonietta, dyr. P. Sułkow- M. Szlezer); Dialogue na fagot solo (**2009: W. ski) 216 Indeks kompozytorów i dzieł/ Index of composers and works Bella Ján Levoslav — Dumki na skrzypce i for- ková); Konwergencje I na skrzypce solo (**1995, tepian (*2001: R. Michałek vn, J. Werner pf) 2004: A. Jablokov; 2014: K. Danczowska); Kon- wergencje II. Medytacje Bachowskie na altówkę Bembinow Miłosz — Emanacje Ciszy — Formy solo (**1995: M. Ferens; 2004: D. Gawrylec); Hałasu na dźwięki elektroniczne i perkusję (2001: Konwergencje III na wiolonczelę solo (**1996: D. T. Chołoniewski batt) Imiełowska; 2004: B. Koziak); Korczak in memo- Benary Peter — Tractus na zespół smyczkowy riam na mezzosopran, wiolonczelę, flet, organy, (**1997: Orkiestra Kameralna Filharmonii Lwow- kotły i kwartet smyczkowy (**2010: 2 części in- skiej, dyr. P. Dlaboha) strumentalne, Mittel europäisches Orchester, dyr. A. Csaba); Litania do drzew na chór męski (**1999: Beneš Juraj — Chanson triste na skrzyp ce, klar- Chór Kameralny „Camervox”, dyr. A. Korzeniow- net, wiolonczelę i fortepian (**1998: Opera Aper- ski); Monolog dla Kasandry, sł. W. Szymborska ta — I. Pristašová vn, R. Šebesta cl, J. Lupták vc, (*2005: U. Kryger msopr, K. Jankowska pf); Päť E. Škutová-Slaničková pf); Haiku, cykl pieśni na štúdií/5 etiud na fortepian (2008: I. Buffo); Pio- sopran i cymbały do tekstów starej poezji japoń- senki z Zaolzia na kwartet smyczkowy (**2005: skiej (**2003: N. Higano sopr, E. Ginzery cbl) Kwartet „Archi” — I. Andrijewski vn, N. Siwaczen- Berg Alban — Fraue der Süsse, sł. L. Finck, ko vn, O. Pawłow vl, J. Biłousowa vc); Requiem pieśń ze zbioru Jugendlieder (1998: E. Wolak alt, da camera — z tematem Witolda Lutosławskiego P.
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