State Economy and Space in Bhutan in the Early Part of the 19Th Century
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Continuing Customs of Negotiation and Contestation in Bhutan
Continuing Customs of Negotiation and Contestation in Bhutan Adam Pain and Deki Pema∗∗ Introduction A concern for the maintenance of traditional values and customs in the processes of modernisation within Bhutan is evident in much of Bhutan’s official documentation. The fundamental importance given to the maintenance and fostering of Buddhism, its beliefs and associated institutions reflected in Bhutan’s rich culture, is constantly returned to and emphasized in commentary. Thus the establishment of the Special Commission for Cultural Affairs in 1985 “is seen as a reflection of the great importance placed upon the preservation of the country’s unique and distinct religious and cultural traditions and values, expressed in the customs, manners, language, dress, arts and crafts which collectively define Bhutan’s national identity” (Ministry of Planning, 1996, p.193). Equally the publication of a manual on Bhutanese Etiquette (Driglam Namzhag) by the National Library of Bhutan was hopeful that it “would serve as a significant foundation in the process of cultural preservation and cultural synthesis” (Publishers Forward, National Library, 1999). One strand of analysis that could be pursued concerns the very construct of “traditional” and what is constituted as “within” or “without” that tradition. As Hobsbawm (1983) reminds us with respect to the British Monarchy, much of the ceremonial associated with it is of recent origin. Equally national flags, national anthems and even the nation state, are, as Hobsbawm would have it, “ invented traditions” designed largely to “ inculcate certain values and norms of behaviour by repetition, which automatically implies continuity with ∗ Research Fellow, School of Development Studies, University of East Anglia & Planning Officer, Policy & Planning Division, Ministry of Agriculture, Thimphu 219 Continuing Customs of Negotiation and Contestation in Bhutan the past” (op. -
6 Dzongs of Bhutan - Architecture and Significance of These Fortresses
6 Dzongs of Bhutan - Architecture and Significance of These Fortresses Nestled in the great Himalayas, Bhutan has long been the significance of happiness and peace. The first things that come to one's mind when talking about Bhutan are probably the architectures, the closeness to nature and its strong association with the Buddhist culture. And it is just to say that a huge part of the country's architecture has a strong Buddhist influence. One such distinctive architecture that you will see all around Bhutan are the Dzongs, they are beautiful and hold a very important religious position in the country. Let's talk more about the Dzongs in Bhutan. What are the Bhutanese Dzongs? Wangdue Phodrang Dzong in Bhutan (Source) Dzongs can be literally translated to fortress and they represent the majestic fortresses that adorn every corner of Bhutan. Dzong are generally a representation of victory and power when they were built in ancient times to represent the stronghold of Buddhism. They also represent the principal seat for Buddhist school responsible for propagating the ideas of the religion. Importance of Dzongs in Bhutan Rinpung Dzong in Paro, home to the government administrative offices and monastic body of the district (Source) The dzongs in Bhutan serve several purposes. The two main purposes that these dzongs serve are administrative and religious purposes. A part of the building is dedicated for the administrative purposes and a part of the building to the monks for religious purposes. Generally, this distinction is made within the same room from where both administrative and religious activities are conducted. -
Sarpang Dzong Construction Project
Dzong Construction Project, Sarpang Sarpang Dzong Construction Project Division for Conservation of Heritage Sites Department of Culture Ministry of Home and Cultural Affairs. Division for Conservation of Heritage Sites, Department of Culture. Page 1 Dzong Construction Project, Sarpang Location: Sarpang Tar, Sarpang Main Objectives of the Project: To construct a new Dzong with facilities and services to function as centre of Dzongkhag Administration and to house the Dzongkhag Rabdhey for Sarpang Dzongkhag. Main activities of the Project: 1. Preparation of Design and Drawings (Architectural, Structural, Plumbing, Electrical & Fire hydrant) 2. Preparation of BoQ and Estimates 3. Construction of the Dzong including furnishing and fixtures. 4. Construction of Tendrelthang complex 5. Construction of Neykhang complex 6. Landscaping and Site Developments Funding Agency: Government of India. Total allocated budget in 11thFYP (July 2014-June 2018) Nu. 200 Million Executive Agency of the Project: The Ministry of Home and Cultural Affairs is the main executing agency of the Project. Under the chairmanship of the Secretary of the Ministry of Home and Cultural Affairs, Dzong Construction Project, Saprang Steering Committee is responsible for discharging administrative, technical, financial and organizational duties of the project. The members of the project steering committee are: 1. Secretary, Ministry of Home and Cultural Affairs 2. Dzongdag, Sarpang Dzongkhag 3. Lam Neten, Sarpang Rabdey 4. Director General, Department of Culture 5. Head, PPD / AFD, MoHCA 6. Representative, GNHC 7. Representative, Ministry of Finance 8. Representative, Dept. of Forest & Park Services 9. Representative, NRDCL Division for Conservation of Heritage Sites, Department of Culture. Page 2 Dzong Construction Project, Sarpang 10. Head, DCHS, Dept. -
A Cultural and Historical Adventure: Hiking in Vietnam and Bhutan October 8-22, 2018
In Partnership with Asia Academic Experience, LLC A CULTURAL AND HISTORICAL ADVENTURE: HIKING IN VIETNAM AND BHUTAN OCTOBER 8-22, 2018 Ann Highum and Jerry Freund are ready to travel again with a group of adventuresome and curious people, in 2018. They are anxious to share their love for SE Asia and its people, culture, history and natural beauty. Bhutan and Vietnam are fascinating countries--safe for travel, culturally fascinating, and historically important. Bhutan, famous for its “happiness index” has been open for tourism for many years, but not so welcoming. They are working to change that, and since their tourism industry is now highly regulated and well managed, our colleague Lana has negotiated a fascinating tour. It is a privilege to have the opportunity to offer this tour to hardy souls who want a unique adventure in both the northern part of Vietnam and then in Bhutan. There will, of course, be a focus on learning on this tour, with local guest speakers and excellent local guides who will share their knowledge about each country with the group. The tour is also based on taking hikes in remarkable areas, interacting with different ethnic tribes to learn about their customs and cultures, staying in guesthouses in small villages, and experiencing each country more fully than is possible in other tours. It is important to note that many of the hiking experiences will involve uneven terrain, long uphill climbs and up to 7 miles per hike. Altitude is also a factor, although the highest areas we would visit are in the range of 7-8000 feet. -
AFS 2016-17 [Eng]
ANNUAL FINANCIAL STATEMENTS of the ROYAL GOVERNMENT OF BHUTAN for the YEAR ENDED 30 JUNE 2017 Department of Public Accounts Ministry of Finance ii Contents 1. EXECUTIVE SUMMARY ................................................................................... 1 2. BASIS FOR PREPARATION .............................................................................. 1 3. FISCAL PERFORMANCE .................................................................................. 1 4. RECEIPTS AND PAYMENTS ............................................................................ 3 5. GOVERNMENT RECEIPTS BY SOURCES .................................................... 4 5.1 DOMESTIC REVENUE ............................................................................... 5 5.2 EXTERNAL GRANTS ................................................................................. 6 5.3 BORROWINGS EXTERNAL BORROWINGS .......................................... 8 5.4 RECOVERY OF LOANS ........................................................................... 10 5.5 OTHER RECEIPTS AND PAYMENTS .................................................... 11 6. OPERATIONAL RESULTS .............................................................................. 12 6.1 GOVERNMENT EXPENDITURE............................................................. 12 7. BUDGET UTILISATION .................................................................................. 25 7.1 UTILIZATION OF CAPITAL BUDGET................................................... 25 8. ACHIEVEMENT OF FISCAL -
Development and Its Impacts on Traditional Dispute Resolution in Bhutan
Washington University Journal of Law & Policy Volume 63 New Directions in Domestic and International Dispute Resolution 2020 Formalizing the Informal: Development and its Impacts on Traditional Dispute Resolution in Bhutan Stephan Sonnenberg Seoul National University School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_journal_law_policy Part of the Comparative and Foreign Law Commons, and the Dispute Resolution and Arbitration Commons Recommended Citation Stephan Sonnenberg, Formalizing the Informal: Development and its Impacts on Traditional Dispute Resolution in Bhutan, 63 WASH. U. J. L. & POL’Y 143 (2020), https://openscholarship.wustl.edu/law_journal_law_policy/vol63/iss1/11 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Journal of Law & Policy by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. FORMALIZING THE INFORMAL: DEVELOPMENT AND ITS IMPACTS ON TRADITIONAL DISPUTE RESOLUTION IN BHUTAN Stephan Sonnenberg* INTRODUCTION Bhutan is a small landlocked country with less than a million inhabitants, wedged between the two most populous nations on earth, India and China.1 It is known for its stunning Himalayan mountain ranges and its national development philosophy of pursuing “Gross National Happiness” (GNH).2 This paper argues, however, that Bhutan should also be known for its rich heritage of traditional dispute resolution. That system kept the peace in Bhutanese villages for centuries: the product of Bhutan’s unique history and its deep (primarily Buddhist) spiritual heritage. Sadly, these traditions are today at risk of extinction, victims—it is argued below—of Bhutan’s extraordinary process of modernization. -
Postal Himal
Postal Himal QUARTERLY JOURNAL OF THE NEPAL AND TIBET PHILATELIC STUDY CIRCLE NTPSC Homepage (courtesy of Rainer Fuchs) http://fuchs-online.com/ntpsc In Memory of all who died or were injured in the Earthquakes in Nepal and Tibet Saturday April 25, 2015 Tuesday May 12, 2015 Number 162 2rd Quarter 2015 Postal Himal No. 162 1 2rd Quarter 2015 American Philatelic Society Affiliate #122 British Philatelic Federation Affiliate #435 Membership subscriptions run from January through December of each year. Dues should be paid in local currency at the prevailing exchange rate to the Society representative in your area. Area One Year Three Years Lifetime USA/Canada $20.00 $50.00 N/A PayPal for USA/Canada $21.20 $53.00 All Others £18.00 or €22,00 £45.00 or €55,00 N/A PayPal for All Others £19.08 or €23,32 £47.70 or €58,30 Email anywhere $10.00 or £6.00 or €7,50 $25.00 or £15.00 or €18,75 N/A PayPal for Email anywhere $10.60 or £6.36 or €7,95 $26.50 or £15.90 or €19,88 Secretary: Mr. Colin T. Hepper, 12 Charnwood Close, Peterborough, Cambs. PE2 9BZ , UK Phone 01733-349403 email: [email protected] Editor: Mr. Richard M. Hanchett, 6 Rainbow Court, Warwick, RI 02889-1118, USA Phone (401) 738 0466 email: [email protected] The Board of Directors: President: Mr. Colin T. Hepper Vice President: Danny Kin Chi Wong Secretary: Mr. Colin T. Hepper Treasurer: Mr. Colin T. Hepper Members at large: Mr. -
Gasa Tashithongmoen Dzong Conservation Project
Gasa Tashithongmoen Dzong Conservation Project Gasa Tashithongmoen Dzong Conservation Project Division for Conservation of Heritage Sites Department of Culture Ministry of Home and Cultural Affairs. Division for Conservation of Heritage Sites, Department of Culture, Ministry of Home and Cultural Affairs Page 1 Gasa Tashithongmoen Dzong Conservation Project Name of the Project: Gasa Tashithongmoen Dzong Conservation Project Location: Gasa Project Duration: March 2014- June 2018 Main Objectives of the Project: To conserve and rehabilitate Gasa Dzong as a significant heritage site in the country To consolidate and rehabilitate the Dzong structure while maintaining the authentic values associated with this important heritage site To create better living standard for the Dzong residents To build new Drasha for the monks , as the Dzong significantly lacks the capacity to accommodate the growing number of monks. Main activities of the Project: Historical research and documentation of the Dzong Conservation and rehabilitation of the existing Dzong structure Overall site development of the Dzong complex including renovation of courtyard, footpath, walls and entrance gate New construction of Tshokhang and Drasha- five blocks with RCC toilets Installation of firefighting system Publication of the Gasa Dzong Conservation Project Funding Agency: Government of India- For the renovation of Dzong Structure Royal Government of Bhutan- For New Construction of Drasha Total allocated budget in 11thFYP (March 24, 2014- June 2018) Nu. 100 million- from GoI Nu. 66.75 million (as per the estimate)- Royal Government of Bhutan Division for Conservation of Heritage Sites, Department of Culture, Ministry of Home and Cultural Affairs Page 2 Gasa Tashithongmoen Dzong Conservation Project Executing Agency of the Project: The Ministry of Home and Cultural Affairs is the main executing agency of the Project. -
Bhutan's Political Transition –
Spotlight South Asia Paper Nr. 2: Bhutan’s Political Transition – Between Ethnic Conflict and Democracy Author: Dr. Siegried Wolf (Heidelberg) ISSN 2195-2787 1 SSA ist eine regelmäßig erscheinende Analyse- Reihe mit einem Fokus auf aktuelle politische Ereignisse und Situationen Südasien betreffend. Die Reihe soll Einblicke schaffen, Situationen erklären und Politikempfehlungen geben. SSA is a frequently published analysis series with a focus on current political events and situations concerning South Asia. The series should present insights, explain situations and give policy recommendations. APSA (Angewandte Politikwissenschaft Südasiens) ist ein auf Forschungsförderung und wissenschaftliche Beratung ausgelegter Stiftungsfonds im Bereich der Politikwissenschaft Südasiens. APSA (Applied Political Science of South Asia) is a foundation aiming at promoting science and scientific consultancy in the realm of political science of South Asia. Die Meinungen in dieser Ausgabe sind einzig die der Autoren und werden sich nicht von APSA zu eigen gemacht. The views expressed in this paper are solely the views of the authors and are not in any way owned by APSA. Impressum: APSA Im Neuehnheimer Feld 330 D-69120 Heidelberg [email protected] www.apsa.info 2 Acknowledgment: The author is grateful to the South Asia Democratic Forum (SADF), Brussels for the extended support on this report. 3 Bhutan ’ s Political Transition – Between Ethnic Conflict and Democracy Until recently Bhutan (Drukyul - Land of the Thunder Dragon) did not fit into the story of the global triumph of democracy. Not only the way it came into existence but also the manner in which it was interpreted made the process of democratization exceptional. As a land- locked country which is bordered on the north by Tibet in China and on the south by the Indian states Sikkim, West Bengal, Assam and Arunachal Pradesh, it was a late starter in the process of state-building. -
Yeshe Dorji the Founder of Bhutan's Dragon Tradition
Yeshe Dorji The Founder of Bhutan’s Dragon Tradition Khenpo Karchung Tago Dorden Tashithang Buddhist University Thimphu, Bhutan Dr. Pintong Chatnarat International Buddhist Studies College Mahachulalongkornrajavidyalaya University Ayutthaya, Thailand Prof. Dr. Phra Brahmapundit (Prayoon Dhammacitto), Peace Studies Programme, Graduate School, Mahachulalongkornrajavidyalaya University Ayutthaya, Thailand Corresponding Author Email: [email protected] Abstract Tsangpa Gyare or Yeshe Dorji (1161–1211) was the main disciple of Lingchen Repa Pema Dorji and the founder of the Bhutan’s Dragon Tradition – Drukpa Kagyu Lineage – the main or central branch of which was, until the 17th Century, transmitted by his hereditary family lineage at Ralung in the Tsang region of western Tibet. He was one of the great teachers in Tibet. While he was alive, treasured by many others with his wisdom and compassion, he wrote many books and helped many people to practice for his entire life. The Druk (Standard Tibetan: འབྲུག, Dzongkha: འབྲུག་) is the “Thunder Dragon” of Tibetan and Bhutanese mythology and a Bhutanese national symbol. Druk is highly regarded by the lineage of Drukpa Tsangpa Gyare/Yeshe Dorji. Not only, Druk became the name of the country after the arrival of respected Shabdrung Ngawang Namgyel in 1616 and after the first monastic establishment in 1621 at Chagri Dorji Dhen, but also by the main instructions of Tendrel; the dependent and inter-dependent teachings to the followers which was received by Tsangpa Gyare from the seven Buddhas at Tsari. Shabdrung Ngawang Namgyel taught all the teachings of Tsangpa Gyare in Bhutan. He was the third incarnation of Tsangpa Gayre. The country of Bhutan is therefore called as ‘Druk’; the land is called as ‘Drukyul’; and the people are called as ‘Drukpa’. -
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1 Culture Bhutan has a profound cultural diversity. With more than 80 percent of the country being Buddhists, the ways of the Buddhist practice has had a huge impact on the Bhutanese culture. The influence of Buddhism is very visible in the everyday life of the Bhutanese people. The country boasts of thousands of monasteries and the landscape is dotted with stupas, prayer wheels, prayer flags and many other insignias celebrating the Buddhist religion. The preservation of culture has always been accorded the highest of priorities and it was outlined as one of the four main pillars of the country’s unique development philosophy of Gross National Happiness. 2 © Ricardo Viana © Ricardo 3 is a religious festival that begins on the 10th day of the Tshechu Bhutanese calendar. During the festival, monks and laymen dances, folk dances, receive blessings and perform mask dances over a stretch socialize. Besides the religious dances and of three to five days in a temple or songs, atsaras are a major attraction during the monastery. The mask dances are tshechu. Atsaras usually don hilarious looking performed to commemorate the life of masks with large protruding noses and often Guru Padmasambhava and other great with a phallus dangling from the head. They Buddhist masters. signify enlightened wisdom and their acts are intended to cleanse the collective sin of Tshechus customarily conclude with the people gathered to witness the religious the unfurling of a Thongdrel (large dances. scroll painting) of Lord Buddha, Guru Rinpoche, Zhabdrung and other The festival is also an occasion for people to enlightened beings. -
Dorje Lingpa and His Rediscovery of the “Gold Needle” in Bhutan
Dorje Lingpa and His Rediscovery of the “Gold Needle” in Bhutan Samten G. Karmay1 Introduction Among the Buddhist ritual traditions that are still preserved and carried out as the central religious constituents of the annual festivals in Bhutan today those of Dorje Lingpa (1346-1405) stand out strikingly. This is particularly so in Bumthang area, Central Bhutan. In 1998 and 1999, I have had the good fortune to witness these spectacular festivals in Ogyen chöling and, in 1999, at Jampa Lhakhang in Bumthang itself. Dorje Lingpa is considered as one of the five great “treasure revealers” (tertön) among the Nyingmapa and an important Dzogchen master by the Bonpo tradition. He was thus an exceptional figure who clearly adopted an impartial approach to both Buddhist practices and the Bon, the non-Buddhist religious tradition in Tibet, in his spiritual quest. His approach therefore made him the precursor of what is later known as the “eclectic” (rime) movement of the nineteenth century (Smith 1970). Like many other Tibetan men of religion, Dorje Lingpa never settled himself in one place. He travelled around incessantly carried away by the motivation of disclosing hidden manuscripts and it was mainly because of this urge in him that he travelled to Bhutan, then known as Mönyul or Lhomön (Cf. Pommaret 1999), where he flourished particularly. He had left in Bhutan not only his ritual legacy but also his family descendants. 1 Centre National de la Recherche Scientifique, Paris 1 Journal of Bhutan Studies Due to the studies of Michael Aris (1979: 158) and Françoise Pommaret (1997: 408, 414), the accounts of Dorje Lingpa’s descendants who established themselves there as well as those of his reincarnations are now relatively well known.