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caeci la Instruments in Church VOLUME 89, NO. 2 SUMMER, 1962 5 CAECILIA Published four times a year, Spring, Summer, Autumn and Winter. Second-Class Postage Paid at Omaha, Nebraska Subscription Pric~3.00 per year All articles for publication must be in the hands of the editor, 3558 Cass St., Omaha 31, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the circulation manager: Paul Sing, 3558 Cass St., Omaha 31, Nebraska Postmaster: Form 3579 to Caecilia, 3558 Cass St., Omaha 31, Nebr. ca€cl la TABLE OF CONTENTS Editorial _____ __________ ______ ____ __ __ ____ _________ _______________ ________________ ____ _____________________________ 43 Tenth Boys Town Liturgical Music Workshop .. 44 Instrumental Music and the Liturgy . .____ 52 Review (Books) .__ 71 Motets _________________________________________________________ . .. .. __ 73 Masses --- -.-- --- __ -. --. __ -----_______ 75 Music Received ... _. c " .. __ • __ • .___________________ 76 VOLUME 89, NO. 2 SUMMER, 1962 CAECILIA A Quarterly Review devoted to the lit:urgical music apostolate. Published with ecclesiastical approval by the Society of Saint·· Caecilia in Spring, Summer, Autumn and Winter. Established in 1874 by John B. Singenberger, K.C.S.G., K.C.S.S. (1849-1924). Editor Very Rev. Msgr. Francis P. Schmitt CONTRIBUTING EDITORS Francis A. Brunner, C.Ss.R. Elmer Pfeil Louise Cuyler Richard Schuler David Greenwood Lavern Wagner Paul Koch Roger Wagner Paul Manz Rembert Weakland, O.S.B. Alec Peloquin James Welch CAECILIA ASSOCIATES Dr. Caspar Koch, Pittsburgh, Pa. The Hon. Arthur Reilly, Boston, Mass. Sr. Alphonse ,Marie, C.P.P.S., Joseph Leahy, Notre Dame, Ind. O'Fallon, Mo. Emmanuel Leemans, Boys Town, Alfred Bichsel, Rochester, N.Y. Nebr. Cornelius Bouman, Nijmegen, Edward Malone, O.S.B., Elkhorn, Holland Nebr. Martin Bush, Omaha, Nebr. Dom Gregory Murray, Downside George Carthage, St. Cloud, Minn. Abbey, England Plor Peeters, Mechelen, Belgium Sr. Casimir, O.P., Greeley, Nebr. Rev. Fred Reece, Stuart, la. Rev. Charles Dreisoerner, Myron Roberts, Lincoln, Nebr. San Antonio, Tex. Sr. Rosalie, O.P., Hastings, Nebr. Rev. Laurence Feininger, Trento, Mario Salvador, St. Louis, Mo. Italy George Schaefer, Omaha, Nebr. Winifred Flanagan, Omaha, Nebr. Dom Ireneo Segarra, Montserrat, Terence Gahagan, London, England Spain Rev. Ferdinand Haberl, Regellsburg, Eugene Selhorst, Rochester, N. Y. Germany Frank Szynskie, Boys Town, Nebr. Anton Heiller, Vienna, Austria Sr. Theophane, O.S.F., Milwaukee, Robert Hufstader, Rollins ~Park, Fla. Wise. Paull-Iume, Washington, D.C. Irvin Udulutch, O.F.M., Marathon, Ralph ]usko, Cincinnati, O. Wise. Aloysius Knoll, O.F.M. Cap., Orner Westendorf, Cincinnati, O. Herman, Pa. Rev. Russell Woollen, Washington, Ernst C. Krohn, St. Louis, Mo. D.C. Jean Langlais, IParis, France John Yonkman, Ft. Wayne, Ind. Managing Editor ------- -- --- ------ Norbert T. Letter Library ----- - Ferenc Denes Circulation ----- --- -------- - c Paul Sing Subscription Price: $3.00; Additional Single Copy 75¢ Editorial and Business Address: 3558 Cass St., Omaha 31, Nebraska EDI.TORIALS Welcome, and Thanks! The editor is tempted to place 1.1. giving" in parenthesis after ""Thanks." For both our welcome and our thanks are saturated with the glorious Christian notion of giving. Immediately I am caught in a paradox, for, Franciscan.-bred, I have always held that the attitude of receiving is more fundamental than that of giving. Nonetheless, we must thank, and in only a few cases, welcome the names on the new CAECILIA masthead. None of the new Con.­ tributing Editors are newcomers to readers of CAECILIA, save two. And we hope that they are not really newcomers, for Father Weakland, of the Latrobe Archabbey (Pa.) is widely respected in music and musicological circles; and Paul Manz, of Concordia Col.­ lege, St. Paul, Minnesota, is our nominee for the Next American.­ Organist.-To.-Be.-Heard.-From. A graduate cum laude of the Royal Flemish Conservatory, Antwerp, and a subsequent student of Hel.. mut Walcha, he is also organist at Mt. Olivet Lutheran Church, Minneapolis. Weare profoundly grateful for the graciousness with which all accepted our invitation to join the CAECILIA staff. Of the new CAECILI.t\ Associates, let it be said that this is no mere list. They are, all of them, people whom we have had no hesitation to call upon in the past, people who have responded with interest and generosity. (There are others whose kindliness we would not press, save on spcific occasion.) Protestant or Catholic, they are, at base, devoted to the proper worship of our common Father, Son and Holy Spirit. To get back to, or approach, Thanksgiving: (we know better than you, alas, that this is the Summer number of Volume 89, and so does the U. S. Postal Department.) But we feel that CAECILIA does owe a Thanksgiving-to our Lord and Saint· Caecilia; to all its friends, subscribers and contributors. It has been a slow but steady ClJndgratifying business. We no longer expect subscriptions to sustain the magazine and advertising simply has not come. But at least we are not commercially beholden. Therefore we must again register our thanks to people like Roger Wagner and his Chorale, Msgr. Wegner and the Boys Town Choir, Msgr. Pauley and Paul Koch, Father Brunner, Father Schuler, Sr. Rosalie and unnamed others who have subsidized it personally or with concerts. During the past year we have paid one half of our debt. And if the Postal People are decent (i.e., restore our mailing privileges), they will per.­ haps teach us to be more prompt. And we hope, honestly, with our expanded staff, to have something in each issue of practical help to each subscriber. 43 TENTH ANNIVERSARY PROGRAM LITURGICAL MUSIC WORKSHOP August 19;31, 1962 Boys Town, Nebraska Sunday, August 19,1962-2:00 P.M. ORGAN RECITAL Emmanuel V. Leemans, Boys Town Organist Prelude and Fugue in E Major -------- Vincenz Lubeck (1654;1740) Alma Redemptoris Mater Guillaume Dufay (ca. 1400;1474) Veni Creator Spiritus: Partita for Organ _~ . Hermann Schraeder (1904; ) 1. Toccata 2. Ostinato 3. Bizinium 4. Arioso 5. Fantasia;Ricercare Preludium and Fugue in B minor ----------------J. S. Bach (1685;1750) Three Chorales from the IoIoCatechism'l'l-Manuliter ------------J. S. Bach 1. Kyrie, God, Father everlasting 2. Christ, Comforter of the World 3. Kyrie, God, Holy Spirit Toccata, Fugue and Hymn on ""AveMaris Stella'l'l Ope 28 _ Flor Peeters (1903; ) 0--0-0 Sunday, August 26,1962-2:00 P.M. ORGAN RECITAL A'nton Heiller, (Vienna) Prelude and Fugue in E minor Dietrich Buxtehude (1637;1707) Chorale;Preludes: .. __ Dietrich Buxtehude IoIoAch Herr, mich armen Suender'l'l IoIoGott, der Vater, wohn uns bet'l IoIoNun bitten wir den heiligen Geist'l'l Trio Sonata in C Major --------------------------------1. S. Bach (1685;1750) Prelude and Fugue in A minor ----------------~---------------c-----------J.S. Bach *** Kleine Partita: IoIoBe joyful, my sour'l Anton HeiHer (1923; ) Heiller'ls partita IoIoFreu dich sehr, a meine Seele'l'l (Be joyful, my soul) is a short work in four parts. It is based on a tune of 1511. The original rhythmic change of two and three measures in the melody is kept. Four Pieces IoIoIn Festa Corporis Christf'l .__ Anton HeiHer (1923; ) 44 Ante Introitum Post Offertorium Post Communionem Post Benedictionem The pieces apply to the Gregorian chorale tunes of the Eucharist. The 1st and 4th have the original rhythms of the choral tunes. The 2nd and ~rd pieces figurate and develop the tunes in free rhythms. Fantasy and Fugue .... Wachet auf, ruft uns die Stimme,''' op. 52/2 _ Max Reger (1873--1916) 0-0-0 Thursday, August 30, 1962-4:00 P.M. ORGAN RECITAL Paul Manz, Concordia College, St. Paul, Minnesota I Alma Redemptoris Mater Guillaume Dufay (1400--1474) Herr Gott Lass Dich Erbarmen ----------------------"-- Jsaac (1450-- 1517) Adagio--Andante (From the First Organ Concerto) " _ G. F. Handel (1685--1759) Allegro (From the Concerto in A minor) ----J. S. Bach (1685--1750) Toccata in F ----------~-------------------------------------------------------------J. S.Bach II Finale in B Flat -- , c Cesar Franck (1822-- 1890) Five Chorale Improvisations, Op. 5 Paul Manz (1919-- ) Herr Jesu Christ Seelen Brautigam Veni Creator Spiritus Was Gatt tut Veni Redemptor Gentium These 'short preludes are taken from a set of Ten Chorale ImprovisatioYls. The first is a contrast between flutes and strings. The second employs a solo reed for the cantus and a counter melody made up of soft strings~ The melody of the third dates' back to the year 600 and is a canon be-­ tween the bass and soprano. The cantus of the fourth is played once again on a solo reed ,with a running flute counterpoint. The last is a toccata based on a text of St. Ambrose. III In Memoriam, Op. 71 c Flor Peeters (1903-- ) Toccata ~ Marius Monnikendam (1896-- ) 45 Chant de Paix.----------------------------- .. ----------Jean Langlais (1907, ) Lied to the Sun, Ope 66, No. I) .· Flor Peeters 0---0---0 Thursday, August 30, 1962-8:00 P.M.-Music Hall CONCERT Wor~shop Registrants Roger Wagner, Director Exsultate Iusti In Domino.---Juan Gutierrez de Padilla (cl 595,1664) Missa Brevis . .Dietrich Buxtehude (1637,1707) Kyrie Gloria *** Messe E Moll (With Wind Orchestra) _ Anton Bruckner (1824,1896) Kyrie Gloria Credo Sanctus'Benedictus Agnus Dei Magnificat -- . .------ Flor, Peeters (1903, ) 0---0---0 Friday, August 31,1962-11:30 A.M. BOY CHOIR DEMONSTRATION Msgr. Francis P. Schmitt, Director Surge Illuminare ---------- G. P. da Palestrina (1525,15'94) Papule Meus T. L. da Victoria (1540,1613) Ave Maris Stella . Guillaume DuFay (cI400'1474) Kyrie (from C,C,Missa Ave Maris Stella") _ Josquin des Pres (1450,1521) Tata Pulchra Es .---------------------Anton Bruckner (1824-- 1896) In Monte Oliveti ~ . Russell Woollen (1923-- ) May God Smile On Yau ------------------------------1. S. Bach (1685--1750) Three Antiphons ~ Herman Strategier (1912, .) La How a Rose e'er Blooming Hugo Distler (1908--1942)' Little Jesus Sweetly Sleep Czech Carol Away in a Manger " arr.
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  • Universiv Microtlms International 300 N

    Universiv Microtlms International 300 N

    INFORMATION TO USERS This reproduction was made from a copy o f a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note w ill appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. I f necessary, sectioning is continued again-beginning below the first row and continuing on until complete.
  • Spring 2021 PROGRAM #: EMN 20-42 RELEASE

    Spring 2021 PROGRAM #: EMN 20-42 RELEASE

    Early Music Now with Sara Schneider Broadcast Schedule — Spring 2021 PROGRAM #: EMN 20-42 RELEASE: April 5, 2021 Joyful Eastertide! This week's show presents an eclectic array of music to celebrate Easter, including motets by François Couperin, Jacob Obrecht, Antoine Busnois, and Orlando Gibbons. We'll also hear from two composers based in Hamburg: Matthias Weckmann and Thomas Selle. Our performers include Weser Renaissance Bremen, Capilla Flamenca, Cantus Cölln, and Henry's Eight. PROGRAM #: EMN 20-43 RELEASE: April 12, 2021 Treasures from Dendermonde The music of Hildegard of Bingen has come down to us in only two sources, one of which is known as the Dendermonde Codex, named after the abbey in the Belgian town where it is now housed. We'll hear Psallentes, a Belgian ensemble specializing in chant, performing selections from this codex. We'll also hear them singing 14th and 15th century chant from Tongeren. PROGRAM #: EMN 20-44 RELEASE: April 19, 2021 Recent Releases We're sampling a couple of exciting recent releases this week! The Mad Lover features sonatas, suites, grounds, and various bizzarie from 17th century England performed by Théotime Langlois de Swarte (violin) and Thomas Dunford (lute). We'll also hear from Ensemble Morgaine, with tracks from their 2021 release Evening Song, which focuses on 16th century hymns, songs, and Psalms from the Polish-Lithuanian Commonwealth. PROGRAM #: EMN 20-45 RELEASE: April 26, 2021 Petrucci and the Odhecaton Ottaviano Petrucci was a printer working in Venice at the turn of the 16th century. He revolutionized the distribution of music and cultivated a taste for the Franco-Flemish style in Italy with the publication of Harmonice Musices Odhecaton in 1501.