Instruments in Church

Total Page:16

File Type:pdf, Size:1020Kb

Instruments in Church caeci la Instruments in Church VOLUME 89, NO. 2 SUMMER, 1962 5 CAECILIA Published four times a year, Spring, Summer, Autumn and Winter. Second-Class Postage Paid at Omaha, Nebraska Subscription Pric~3.00 per year All articles for publication must be in the hands of the editor, 3558 Cass St., Omaha 31, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the circulation manager: Paul Sing, 3558 Cass St., Omaha 31, Nebraska Postmaster: Form 3579 to Caecilia, 3558 Cass St., Omaha 31, Nebr. ca€cl la TABLE OF CONTENTS Editorial _____ __________ ______ ____ __ __ ____ _________ _______________ ________________ ____ _____________________________ 43 Tenth Boys Town Liturgical Music Workshop .. 44 Instrumental Music and the Liturgy . .____ 52 Review (Books) .__ 71 Motets _________________________________________________________ . .. .. __ 73 Masses --- -.-- --- __ -. --. __ -----_______ 75 Music Received ... _. c " .. __ • __ • .___________________ 76 VOLUME 89, NO. 2 SUMMER, 1962 CAECILIA A Quarterly Review devoted to the lit:urgical music apostolate. Published with ecclesiastical approval by the Society of Saint·· Caecilia in Spring, Summer, Autumn and Winter. Established in 1874 by John B. Singenberger, K.C.S.G., K.C.S.S. (1849-1924). Editor Very Rev. Msgr. Francis P. Schmitt CONTRIBUTING EDITORS Francis A. Brunner, C.Ss.R. Elmer Pfeil Louise Cuyler Richard Schuler David Greenwood Lavern Wagner Paul Koch Roger Wagner Paul Manz Rembert Weakland, O.S.B. Alec Peloquin James Welch CAECILIA ASSOCIATES Dr. Caspar Koch, Pittsburgh, Pa. The Hon. Arthur Reilly, Boston, Mass. Sr. Alphonse ,Marie, C.P.P.S., Joseph Leahy, Notre Dame, Ind. O'Fallon, Mo. Emmanuel Leemans, Boys Town, Alfred Bichsel, Rochester, N.Y. Nebr. Cornelius Bouman, Nijmegen, Edward Malone, O.S.B., Elkhorn, Holland Nebr. Martin Bush, Omaha, Nebr. Dom Gregory Murray, Downside George Carthage, St. Cloud, Minn. Abbey, England Plor Peeters, Mechelen, Belgium Sr. Casimir, O.P., Greeley, Nebr. Rev. Fred Reece, Stuart, la. Rev. Charles Dreisoerner, Myron Roberts, Lincoln, Nebr. San Antonio, Tex. Sr. Rosalie, O.P., Hastings, Nebr. Rev. Laurence Feininger, Trento, Mario Salvador, St. Louis, Mo. Italy George Schaefer, Omaha, Nebr. Winifred Flanagan, Omaha, Nebr. Dom Ireneo Segarra, Montserrat, Terence Gahagan, London, England Spain Rev. Ferdinand Haberl, Regellsburg, Eugene Selhorst, Rochester, N. Y. Germany Frank Szynskie, Boys Town, Nebr. Anton Heiller, Vienna, Austria Sr. Theophane, O.S.F., Milwaukee, Robert Hufstader, Rollins ~Park, Fla. Wise. Paull-Iume, Washington, D.C. Irvin Udulutch, O.F.M., Marathon, Ralph ]usko, Cincinnati, O. Wise. Aloysius Knoll, O.F.M. Cap., Orner Westendorf, Cincinnati, O. Herman, Pa. Rev. Russell Woollen, Washington, Ernst C. Krohn, St. Louis, Mo. D.C. Jean Langlais, IParis, France John Yonkman, Ft. Wayne, Ind. Managing Editor ------- -- --- ------ Norbert T. Letter Library ----- - Ferenc Denes Circulation ----- --- -------- - c Paul Sing Subscription Price: $3.00; Additional Single Copy 75¢ Editorial and Business Address: 3558 Cass St., Omaha 31, Nebraska EDI.TORIALS Welcome, and Thanks! The editor is tempted to place 1.1. giving" in parenthesis after ""Thanks." For both our welcome and our thanks are saturated with the glorious Christian notion of giving. Immediately I am caught in a paradox, for, Franciscan.-bred, I have always held that the attitude of receiving is more fundamental than that of giving. Nonetheless, we must thank, and in only a few cases, welcome the names on the new CAECILIA masthead. None of the new Con.­ tributing Editors are newcomers to readers of CAECILIA, save two. And we hope that they are not really newcomers, for Father Weakland, of the Latrobe Archabbey (Pa.) is widely respected in music and musicological circles; and Paul Manz, of Concordia Col.­ lege, St. Paul, Minnesota, is our nominee for the Next American.­ Organist.-To.-Be.-Heard.-From. A graduate cum laude of the Royal Flemish Conservatory, Antwerp, and a subsequent student of Hel.. mut Walcha, he is also organist at Mt. Olivet Lutheran Church, Minneapolis. Weare profoundly grateful for the graciousness with which all accepted our invitation to join the CAECILIA staff. Of the new CAECILI.t\ Associates, let it be said that this is no mere list. They are, all of them, people whom we have had no hesitation to call upon in the past, people who have responded with interest and generosity. (There are others whose kindliness we would not press, save on spcific occasion.) Protestant or Catholic, they are, at base, devoted to the proper worship of our common Father, Son and Holy Spirit. To get back to, or approach, Thanksgiving: (we know better than you, alas, that this is the Summer number of Volume 89, and so does the U. S. Postal Department.) But we feel that CAECILIA does owe a Thanksgiving-to our Lord and Saint· Caecilia; to all its friends, subscribers and contributors. It has been a slow but steady ClJndgratifying business. We no longer expect subscriptions to sustain the magazine and advertising simply has not come. But at least we are not commercially beholden. Therefore we must again register our thanks to people like Roger Wagner and his Chorale, Msgr. Wegner and the Boys Town Choir, Msgr. Pauley and Paul Koch, Father Brunner, Father Schuler, Sr. Rosalie and unnamed others who have subsidized it personally or with concerts. During the past year we have paid one half of our debt. And if the Postal People are decent (i.e., restore our mailing privileges), they will per.­ haps teach us to be more prompt. And we hope, honestly, with our expanded staff, to have something in each issue of practical help to each subscriber. 43 TENTH ANNIVERSARY PROGRAM LITURGICAL MUSIC WORKSHOP August 19;31, 1962 Boys Town, Nebraska Sunday, August 19,1962-2:00 P.M. ORGAN RECITAL Emmanuel V. Leemans, Boys Town Organist Prelude and Fugue in E Major -------- Vincenz Lubeck (1654;1740) Alma Redemptoris Mater Guillaume Dufay (ca. 1400;1474) Veni Creator Spiritus: Partita for Organ _~ . Hermann Schraeder (1904; ) 1. Toccata 2. Ostinato 3. Bizinium 4. Arioso 5. Fantasia;Ricercare Preludium and Fugue in B minor ----------------J. S. Bach (1685;1750) Three Chorales from the IoIoCatechism'l'l-Manuliter ------------J. S. Bach 1. Kyrie, God, Father everlasting 2. Christ, Comforter of the World 3. Kyrie, God, Holy Spirit Toccata, Fugue and Hymn on ""AveMaris Stella'l'l Ope 28 _ Flor Peeters (1903; ) 0--0-0 Sunday, August 26,1962-2:00 P.M. ORGAN RECITAL A'nton Heiller, (Vienna) Prelude and Fugue in E minor Dietrich Buxtehude (1637;1707) Chorale;Preludes: .. __ Dietrich Buxtehude IoIoAch Herr, mich armen Suender'l'l IoIoGott, der Vater, wohn uns bet'l IoIoNun bitten wir den heiligen Geist'l'l Trio Sonata in C Major --------------------------------1. S. Bach (1685;1750) Prelude and Fugue in A minor ----------------~---------------c-----------J.S. Bach *** Kleine Partita: IoIoBe joyful, my sour'l Anton HeiHer (1923; ) Heiller'ls partita IoIoFreu dich sehr, a meine Seele'l'l (Be joyful, my soul) is a short work in four parts. It is based on a tune of 1511. The original rhythmic change of two and three measures in the melody is kept. Four Pieces IoIoIn Festa Corporis Christf'l .__ Anton HeiHer (1923; ) 44 Ante Introitum Post Offertorium Post Communionem Post Benedictionem The pieces apply to the Gregorian chorale tunes of the Eucharist. The 1st and 4th have the original rhythms of the choral tunes. The 2nd and ~rd pieces figurate and develop the tunes in free rhythms. Fantasy and Fugue .... Wachet auf, ruft uns die Stimme,''' op. 52/2 _ Max Reger (1873--1916) 0-0-0 Thursday, August 30, 1962-4:00 P.M. ORGAN RECITAL Paul Manz, Concordia College, St. Paul, Minnesota I Alma Redemptoris Mater Guillaume Dufay (1400--1474) Herr Gott Lass Dich Erbarmen ----------------------"-- Jsaac (1450-- 1517) Adagio--Andante (From the First Organ Concerto) " _ G. F. Handel (1685--1759) Allegro (From the Concerto in A minor) ----J. S. Bach (1685--1750) Toccata in F ----------~-------------------------------------------------------------J. S.Bach II Finale in B Flat -- , c Cesar Franck (1822-- 1890) Five Chorale Improvisations, Op. 5 Paul Manz (1919-- ) Herr Jesu Christ Seelen Brautigam Veni Creator Spiritus Was Gatt tut Veni Redemptor Gentium These 'short preludes are taken from a set of Ten Chorale ImprovisatioYls. The first is a contrast between flutes and strings. The second employs a solo reed for the cantus and a counter melody made up of soft strings~ The melody of the third dates' back to the year 600 and is a canon be-­ tween the bass and soprano. The cantus of the fourth is played once again on a solo reed ,with a running flute counterpoint. The last is a toccata based on a text of St. Ambrose. III In Memoriam, Op. 71 c Flor Peeters (1903-- ) Toccata ~ Marius Monnikendam (1896-- ) 45 Chant de Paix.----------------------------- .. ----------Jean Langlais (1907, ) Lied to the Sun, Ope 66, No. I) .· Flor Peeters 0---0---0 Thursday, August 30, 1962-8:00 P.M.-Music Hall CONCERT Wor~shop Registrants Roger Wagner, Director Exsultate Iusti In Domino.---Juan Gutierrez de Padilla (cl 595,1664) Missa Brevis . .Dietrich Buxtehude (1637,1707) Kyrie Gloria *** Messe E Moll (With Wind Orchestra) _ Anton Bruckner (1824,1896) Kyrie Gloria Credo Sanctus'Benedictus Agnus Dei Magnificat -- . .------ Flor, Peeters (1903, ) 0---0---0 Friday, August 31,1962-11:30 A.M. BOY CHOIR DEMONSTRATION Msgr. Francis P. Schmitt, Director Surge Illuminare ---------- G. P. da Palestrina (1525,15'94) Papule Meus T. L. da Victoria (1540,1613) Ave Maris Stella . Guillaume DuFay (cI400'1474) Kyrie (from C,C,Missa Ave Maris Stella") _ Josquin des Pres (1450,1521) Tata Pulchra Es .---------------------Anton Bruckner (1824-- 1896) In Monte Oliveti ~ . Russell Woollen (1923-- ) May God Smile On Yau ------------------------------1. S. Bach (1685--1750) Three Antiphons ~ Herman Strategier (1912, .) La How a Rose e'er Blooming Hugo Distler (1908--1942)' Little Jesus Sweetly Sleep Czech Carol Away in a Manger " arr.
Recommended publications
  • A Renaissance Christmas St Martin's Voices Andrew Earis Director Available Until 16Th January 2021
    A Renaissance Christmas St Martin's Voices Andrew Earis Director Available until 16th January 2021 St Martin-in-the-Fields, Trafalgar Square London WC2N 4JJ www.smitf.org PROGRAMME ADVENT Vigilate – William Byrd (1543-1623) Canite tuba – Francisco Guerrero (1528-1599) NATIVITY Videte miraculum – Thomas Tallis (1505-1595) Ave Maria à 8 – Tomás Luis de Victoria (1548-1611) Angelus ad pastores ait – Raffaella Aleotti (c.1570-c.1646) Quem vidistis, pastores? – Richard Dering (1580-1630) O magnum mysterium – Victoria Videntes stellam magi – Orlando di Lasso (1532-1594) CHRISTMAS MORNING Verbum caro factum est à 6 – Hans Leo Hassler (1564-1612) Nesciens mater – Jean Mouton (1459-1522) O beatum et sacrosanctum diem – Peter Philips (1561-1628) Resonet in laudibus – Johannes Eccard (1553-1611) Puer natus est nobis – Byrd Hodie Christus natus est – Jan Pieterszoon Sweelinck (1562-1621) PROGRAMME NOTES by Charlotte Marino Vigilate William Byrd Byrd was an English composer of the Renaissance period and is widely considered to be one of the greatest British composers of all times. His Vigilate takes inspiration from the Italian madrigal traditions, resulting in colouring that is vivid, detailed and full of lulling suspensions. This piece is a beautiful example of Byrd’s compositional individuality and astonishingly consistent level of inspiration. Canite tuba Francisco Guerrero Francisco Guerrero was a Spanish Catholic priest and talented young composer of the Renaissance period. At age 17, Guerrero was appointed Maestro de Capilla at Jaen Cathedral, and a few years later he accepted a prestigious position in Seville. He established an exceptional reputation as a singer and composer even before his thirtieth birthday, with his music known for its powerful range of moods, from joy to despair, longing, elation and devotional stillness.
    [Show full text]
  • For OCKEGHEM
    ss CORO hilliard live CORO hilliard live 2 Producer: Antony Pitts Recording: Susan Thomas Editors: Susan Thomas and Marvin Ware Post-production: Chris Ekers and Dave Hunt New re-mastering: Raphael Mouterde (Floating Earth) Translations of Busnois, Compère and Lupi by Selene Mills Cover image: from an intitial to The Nun's Priest's Tale (reversed) by Eric Gill, with thanks to the Goldmark Gallery, Uppingham: www.goldmarkart.com Design: Andrew Giles The Hilliard Ensemble David James countertenor Recorded by BBC Radio 3 in St Jude-on-the-Hill, Rogers Covey-Crump tenor Hampstead Garden Suburb and first broadcast on John Potter tenor 5 February 1997, the eve of the 500th anniversary Gordon Jones baritone of the death of Johannes Ockeghem. Previously released as Hilliard Live HL 1002 Bob Peck reader For Also available on coro: hilliard live 1 PÉROTIN and the ARS ANTIQUA cor16046 OCKEGHEM 2007 The Sixteen Productions Ltd © 2007 The Sixteen Productions Ltd N the hilliard ensemble To find out more about CORO and to buy CDs, visit www.thesixteen.com cor16048 The hilliard live series of recordings came about for various reasons. 1 Kyrie and Gloria (Missa Mi mi) Ockeghem 7:10 At the time self-published recordings were a fairly new and increasingly 2 Cruel death.... Crétin 2:34 common phenomenon in popular music and we were keen to see if 3 In hydraulis Busnois 7:50 we could make the process work for us in the context of a series of public concerts. Perhaps the most important motive for this experiment 4 After this sweet harmony...
    [Show full text]
  • Direction 2. Ile Fantaisies
    CD I Josquin DESPREZ 1. Nymphes des bois Josquin Desprez 4’46 Vox Luminis Lionel Meunier: direction 2. Ile Fantaisies Josquin Desprez 2’49 Ensemble Leones Baptiste Romain: fiddle Elisabeth Rumsey: viola d’arco Uri Smilansky: viola d’arco Marc Lewon: direction 3. Illibata dei Virgo a 5 Josquin Desprez 8’48 Cappella Pratensis Rebecca Stewart: direction 4. Allégez moy a 6 Josquin Desprez 1’07 5. Faulte d’argent a 5 Josquin Desprez 2’06 Ensemble Clément Janequin Dominique Visse: direction 6. La Spagna Josquin Desprez 2’50 Syntagma Amici Elsa Frank & Jérémie Papasergio: shawms Simen Van Mechelen: trombone Patrick Denecker & Bernhard Stilz: crumhorns 7. El Grillo Josquin Desprez 1’36 Ensemble Clément Janequin Dominique Visse: direction Missa Lesse faire a mi: Josquin Desprez 8. Sanctus 7’22 9. Agnus Dei 4’39 Cappella Pratensis Rebecca Stewart: direction 10. Mille regretz Josquin Desprez 2’03 Vox Luminis Lionel Meunier: direction 11. Mille regretz Luys de Narvaez 2’20 Rolf Lislevand: vihuela 2: © CHRISTOPHORUS, CHR 77348 5 & 7: © HARMONIA MUNDI, HMC 901279 102 ITALY: Secular music (from the Frottole to the Madrigal) 12. Giù per la mala via (Lauda) Anonymous 6’53 EnsembleDaedalus Roberto Festa: direction 13. Spero haver felice (Frottola) Anonymous 2’24 Giovanne tutte siano (Frottola) Vincent Bouchot: baritone Frédéric Martin: lira da braccio 14. Fammi una gratia amore Heinrich Isaac 4’36 15. Donna di dentro Heinrich Isaac 1’49 16. Quis dabit capiti meo aquam? Heinrich Isaac 5’06 Capilla Flamenca Dirk Snellings: direction 17. Cor mio volunturioso (Strambotto) Anonymous 4’50 Ensemble Daedalus Roberto Festa: direction 18.
    [Show full text]
  • BH Program FINAL
    MUSIC BEFORE 1800 Louise Basbas, Director Blue Heron Christmas at the Courts of 15th-Century France & Burgundy Scott Metcalfe, director and harp Jennifer Ashe, Pamela Dellal, Martin Near, Daniela Tosic Michael Barrett, Owen McIntosh, Jason McStoots, Stefan Reed, Mark Sprinkle, Sumner Tompson Cameron Beauchamp, Paul Guttry Laura Jeppesen, vielle and rebec; Charles Weaver, lute and voice Advent O clavis David (O-antiphon for December 20) plainchant Factor orbis Jacob Obrecht (1457/8 - 1505) O virgo virginum (O-antiphon for December 24) plainchant O virgo virginum Josquin Desprez (c. 1455 - 1521) Conditor alme siderum (alternatim hymn for Advent) Guillaume Du Fay (c. 1397 - 1474) Ave Maria gratia dei plena Antoine Brumel (c. 1460 - c. 1512) Christmas O admirabile commercium / Verbum caro factum est Johannes Regis (c. 1425 - 1426) INTERMISSION Christmas Letabundus (Christmas sequence) Guillaume Du Fay Praeter rerum seriem Adrian Willaert (c. 1490 - 1562 New Year’s Day La plus belle et doulce figure Nicolas Grenon (c. 1380 - 1456) Dieu vous doinst bon jour et demy Guillaume Malbecque (c. 1400 - 1465) Dame excellent ou sont bonté, scavoir Baude Cordier (d. 1397/8?) De tous biens playne (instrumental) Johannes Tinctoris (c. 1435 - 1511?) Margarite, fleur de valeur Gilles Binchois (c. 1400 - 1460) Ce jour de l’an voudray joie mener Guillaume Du Fay Christmas Gloria Spiritus et alme Johannes Ciconia (c. 1370 - 1412) Nato canunt omnia Antoine Brumel Tis concert is sponsored, in part, by the Florence Gould Foundation, Music Before 1800’s programs are supported, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and the New York City Department of Cultural Affairs in partnership with the City Council.
    [Show full text]
  • Chanticleer Christmas 2018 Reader
    A Chanticleer Christmas WHEN: VENUE: WEDNESDAY, MEMORIAL CHURCH DECEMBER 12, 2018 7∶30 PM Photo by Lisa Kohler Program A CHANTICLEER CHRISTMAS Cortez Mitchell, Gerrod Pagenkopf*, Kory Reid Alan Reinhardt, Logan Shields, Adam Ward, countertenor Brian Hinman*, Matthew Mazzola, Andrew Van Allsburg, tenor Andy Berry*, Zachary Burgess, Matthew Knickman, baritone and bass William Fred Scott, Music Director I. Corde natus ex parentis Plainsong Surge, illuminare Jerusalem Francesco Corteccia (1502–1571) Surge, illuminare Jerusalem Giovanni Pierluigi da Palestrina (1525–1594) II. Angelus ad pastores ait Jan Pieterszoon Sweelinck (1562–1621) Quem vidistis, pastores dicite Francis Poulenc (1899–1963) Quem vidistis, pastores? Orlando di Lasso (1532–1594) D’où viens-tu, bergère? Trad. Canadian, arr. Mark Sirett Bring a Torch, Jeanette, Isabella Trad. French, arr. Alice Parker and Robert Shaw III. Nesciens mater Jean Mouton (1459–1522) O Maria super foeminas Orazio Vecchi (1550–1605) Ave regina coelorum Jacob Regnart (1540–1599) IV. Here, mid the Ass and Oxen Mild Trad. French, arr. Parker/Shaw O magnum mysterium+ Tomás Luis de Victoria (1548–1611) Behold, a Simple, Tender Babe Peter Bloesch (b. 1963) World Premier performances V. Hacia Belén va un borrico Trad. Spanish, arr. Parker/Shaw Staffan var en stalledräng Jaakko Mäntyjärvi (b. 1963) Commissioned in 2016 by Gayle and Timothy Ober, Allegro Fund of The Saint Paul Foundation, in honor of their 35th wedding anniversary. Chanticleer Trad. English, arr. Philip Wilder ¡Llega la Navidad! Ramón Díaz (1901–1976), arr. Juan Tony Guzmán —INTERMISSION— 2 VI. Ave Maria+ Franz Biebl (1906–2001) Bogoróditse Dyévo, ráduisya Sergei Rachmaninoff (1873–1943) VII. A selection of popular carols to be chosen from… Up! Good Christen Folk Trad.
    [Show full text]
  • Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019
    1 Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019 Mahler, Bernstein, and Jewish Identity, Matthew Mugmon (University of Arizona) .............................. 3 Stephen Heller Composes Jean Paul: The Blumen-, Frucht-, und Dornenstücke, Op. 82., Nicholas Alexander (University of Northern Colorado) .............................................................................................. 3 Hidden Affectation in Liszt’s Prometheus, Neal Warner (University of Arizona) .................................. 3 Musicology in Exile: Adolfo Salazar and Mexican Hegemony, Adam Heyen (Arizona State University) ........................................................................................................................................................... 4 Blurring the Border: Chávez, Copland, and Pan Americanism, Candice Sierra (University of Arizona) ............................................................................................................................................................... 4 Shaping the Modern American Guitar Landscape: Vahdah Olcott-Bickford and the American Guitar Society, Kathy Acosta Zavala (University of Arizona) ................................................................................. 5 Johnnie Ray: 'The Father of Rock and Roll'? How and Why History Gets Written, Michael Broyles (Florida State University) .................................................................................................................................
    [Show full text]
  • Une Jeune Pucelle 3’43 Se Chante Sur « Une Jeune Fillette »
    menu tracklist texte en français text in english textes chantés / lyrics AU SAINCT NAU 1 Procession Conditor alme syderum 2’40 2 Procession Conditor le jour de Noel 1’20 Se chante sur « Conditor alme syderum » 3 Eustache Du Caurroy Fantaisie n°4 sur Conditor alme syderum 1’48 (Orgue seul) 4 Jean Mouton - Noe noe psallite noe 3’21 5 Jacques Arcadelt - Missa Noe noe, Kyrie 8’06 Alterné avec le Kyrie « le jour de noël », qui se chante sur Kyrie fons bonitatis 6 Clément Janequin - Il estoyt une fillette 3’01 Se chante sur « Il estoit une fillette » 7 Anonyme/Christianus de Hollande Plaisir n’ay plus que vivre en desconfort 4’03 Se chante sur « Plaisir n’ay plus » 8 Claudin de Sermizy Dison Nau à pleine teste 3’27 Se chante sur « Il est jour, dist l’alouette » 9 Claudin de Sermizy - Au bois de deuil 3’49 Se chante sur « Au joly boys » 10 Eustache Du Caurroy Fantaisie n°31 sur Une jeune fillette 1’48 (Orgue seul) 3 11 Loyset Pieton O beata infantia 8’20 12 Eustache Du Caurroy Fantaisie n°30 sur Une jeune fillette 1’37 (Orgue seul) 13 Eustache Du Caurroy Une jeune pucelle 3’43 Se chante sur « Une jeune fillette » 14 Guillaume Costeley - Allons gay bergiere 1’37 15 Claudin de Sermizy L’on sonne une cloche 3’35 Se chante sur « Harri bourriquet » 16 Anonyme - O gras tondus 1’42 17 Claudin de Sermizy Vous perdez temps heretiques infames 2’16 Se chante sur « Vous perdez temps de me dire mal d’elle » 18 Claude Goudimel Esprit divins, chantons dans la nuit sainte 2’16 Se chante sur « Estans assis aux rives aquatiques » (Ps.
    [Show full text]
  • Stile Antico Josquin
    Boston Early Music Festival in partnership with The Morgan Library & Museum present Stile Antico Josquin: Father of the Renaissance Ave Maria…virgo serena Josquin des Prez (ca. 1450–1521) Kyrie from Missa Pange lingua Josquin Vivrai je tousjours Josquin El grillo Josquin Inviolata, integra et casta es Maria Josquin Gloria from Missa Pange lingua Josquin Mille regretz Josquin Salve regina a5 Josquin O mors inevitabilis Hieronymus Vinders (fl. ca. 1525) Agnus Dei I and III from Missa Pange lingua Josquin Dum vastos Adriae fluctus Jacquet de Mantua (1483–1559) Friday, February 26, 2021 at 8pm Livestream broadcast Filmed concert from All Saints Church, West Dulwich, London, England BEMF.org Stile Antico Helen Ashby, Kate Ashby, Rebecca Hickey, soprano Emma Ashby, Cara Curran, Eleanor Harries, alto Andrew Griffiths, Jonathan Hanley, Benedict Hymas, tenor James Arthur, Will Dawes, Nathan Harrison, bass This concert is organized with the cooperation of Knudsen Productions, LLC, exclusive North American artist representative of Stile Antico. Stile Antico records for Decca. PROGRAM NOTES Our program tonight is devoted to the wonderful music of Josquin des Prez, marking 500 years since his death in 1521. Josquin was unquestionably a star in his own time: no lesser figure than Martin Luther praised him as “the master of the notes,” while for the theorist Glarean, “no one has more effectively expressed the passions of the soul in music…his talent is beyond description.” So what is it about Josquin that exerted such a spell on the generations that followed—and which still speaks so eloquently to us today? Much about Josquin’s biography and career remains shadowy: it isn’t always possible to pin down where he was working, and—with a few exceptions—the chronology of his works can only be attempted on stylistic grounds.
    [Show full text]
  • The Sixty-Fifth Season of the William Nelso Cromwell and F
    The Sixty-fifth Season of The William Nelson Cromwell and F. Lammot Belin Concerts “Sixty-five, but not retiring” National Gallery of Art 2,592nd Concert Suspicious Cheese Lords Presented in honor of Prayers and Portraits: Unfolding the Netherlandish Diptych November 12, 2006 Sunday Evening, 6:30 pm West Building, West Garden Court Admission free Program Guillaume Dufay (c. 1397 – 1474) Ave Regina caelorum Gilles Binchois (c. 1400 – 1460) Dixit sanctus Philippus Jean de Ockeghem (c. 1410 – 1497) Mort tu as navré Josquin des Pres (c. 1450 – 1521) Ave Maria . virgo serena Pierre de La Rue (c. 1452 – 1518) Laudate Dominum omnes gentes Thomas Crecquillon (c. 1505 – 1557) Vidit Jacob scalam Antoine Brumel (c. 1460 – c. 1513) Benedictus Josquin La déploration de la mort de Johannes Ockeghem ______________ 3 intermission Brumel Mater patris et filia Josquin Gloria from Missa mater patris Jheronimus Vinders (fl. 1525 – 1526) O mors inevitabilis Jean Mouton (c. 1459 – 1522) Gloriosa virgo Margareta Adrian Willaert (c. 1490 – 1562) O magnum mysterium/Ave Maria Nicolas Gombert (c. 1495 – c. 1560) Lugebat David Absalon Elzéar Genet (c. 1470 – 1548) Tibi Christe ______________ 4 The Musicians The Suspicious Cheese Lords, a male a cappella ensemble, sings a reper- toire that ranges from Gregorian chant to contemporary composition. In addition to its National Gallery debut on December 18, 2005, the group has performed at the Smithsonian Institution, the xm Satellite Radio live perfor- mance studio, and a number of Washington area churches. The Washing- ton Post described a recent performance as “genuinely beautiful . rapturous music-making.” The ensemble has been profiled in publications as diverse as the Washington City Paper and Early Music America magazine.
    [Show full text]
  • The Dating and Provenance of Bologna, Civico Museo Bibliografico Musicale, MS Q 19
    The Dating and Provenance of Bologna, Civico Museo Bibliografico Musicale, MS Q 19 ROBERT NOSOW It ha, now been mm·e than twenty yea" 'ince the publication of Edward E. Lowinsky's edition of the Medici Co­ dex.' The theses presented by Lowinsky concerning the Medici Co­ dex and concerning Bologna, Civico Museo Bibliografico Musicale, 92 MS Q 19, "the Rusconi Codex," have occasioned much comment and stimulated substantial new research. Most of the discussion concern­ ing Q 19 has been tied to the hypotheses set out by Lowinsky, and less has been said about the general problems presented by the manu­ script.2 In view of the recent publication of the manuscript in the Garland series of Renaissance Music in Facsimile, the time is ripe to synthesize some of the subsequent research findings-mostly pub­ lished as reviews of or responses to Lowinsky-and to add new evi­ dence that may present a solution to the problems of dating and provenance.'~ The question of the provenance of Q 19 has aroused a great deal of debate not only because of the importance of the collection, but because it offers so many different clues. I will deal briefly with the relevant aspects of physical structure and organization. The manu­ script comprises 211 paper folios, with 7 preliminary folios, 202 folios with original numeration in ink on the top right hand corner of each ' Edward E. Lowinsky, ed., The Medici Codex of 1518 (Chicago and London, 1968), published as vols. III-V of Monuments of Renaissance Music, 8 vols. to date, general editor Edward E.
    [Show full text]
  • Universiv Microtlms International 300 N
    INFORMATION TO USERS This reproduction was made from a copy o f a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note w ill appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. I f necessary, sectioning is continued again-beginning below the first row and continuing on until complete.
    [Show full text]
  • Spring 2021 PROGRAM #: EMN 20-42 RELEASE
    Early Music Now with Sara Schneider Broadcast Schedule — Spring 2021 PROGRAM #: EMN 20-42 RELEASE: April 5, 2021 Joyful Eastertide! This week's show presents an eclectic array of music to celebrate Easter, including motets by François Couperin, Jacob Obrecht, Antoine Busnois, and Orlando Gibbons. We'll also hear from two composers based in Hamburg: Matthias Weckmann and Thomas Selle. Our performers include Weser Renaissance Bremen, Capilla Flamenca, Cantus Cölln, and Henry's Eight. PROGRAM #: EMN 20-43 RELEASE: April 12, 2021 Treasures from Dendermonde The music of Hildegard of Bingen has come down to us in only two sources, one of which is known as the Dendermonde Codex, named after the abbey in the Belgian town where it is now housed. We'll hear Psallentes, a Belgian ensemble specializing in chant, performing selections from this codex. We'll also hear them singing 14th and 15th century chant from Tongeren. PROGRAM #: EMN 20-44 RELEASE: April 19, 2021 Recent Releases We're sampling a couple of exciting recent releases this week! The Mad Lover features sonatas, suites, grounds, and various bizzarie from 17th century England performed by Théotime Langlois de Swarte (violin) and Thomas Dunford (lute). We'll also hear from Ensemble Morgaine, with tracks from their 2021 release Evening Song, which focuses on 16th century hymns, songs, and Psalms from the Polish-Lithuanian Commonwealth. PROGRAM #: EMN 20-45 RELEASE: April 26, 2021 Petrucci and the Odhecaton Ottaviano Petrucci was a printer working in Venice at the turn of the 16th century. He revolutionized the distribution of music and cultivated a taste for the Franco-Flemish style in Italy with the publication of Harmonice Musices Odhecaton in 1501.
    [Show full text]