WNIB Program Schedule October 1970
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Recordings of Mahler Symphony No. 4
Recordings of Mahler Symphony No. 4 by Stan Ruttenberg, President, Colorado MahlerFest SUMMARY After listening to each recording once or twice to get the general feel, on bike rides, car trips, while on the Internet etc, I then listened more carefully, with good headphones, following the score. They are listed in the survey in about the order in which I listened, and found to my delight, and disgust, that as I went on I noticed more and more details to which attention should be paid. Lack of time and adequate gray matter prevented me from going back and re-listening all over again, except for the Mengelberg and Horenstein recordings, and I did find a few points to change or add. I found that JH is the ONLY conductor to have the piccolos play out adequately in the second movement, and Claudio Abbado with the Vienna PO is the only conductor who insisted on the two horn portamenti in the third movement.. Stan's prime picks: Horenstein, Levine, Reiner, Szell, Skrowaczewski, von Karajan, Abravanel, in that order, but the rankings are very close. Also very good are Welser- Most, and Klemperer with Radio Orchestra Berlin, and Berttini at Cologne. Not one conductor met all my tests of faithfulness to the score in all the too many felicities therein, but these did the best and at the same time produced a fine overall performance. Mengelberg, in a class by himself, should be heard for reference. Stan's soloist picks: Max Cencic (boy soprano with Nanut), in a class by himself. Then come, not in order, Davrath (Abravanel), Mathes (von Karajan), Trötschel (Klemperer BRSO), Raskin (Szell), Blegen (Levine), Della Casa (Reiner), Irmgard Seefried (Walter), Jo Vincent (Mengelberg), Ameling (Haitink RCOA), Ruth Zeisek (Gatti), Margaret Price with Horenstein, and Kiri Te Kanawa (Solti), Szell (Rattle broadcast), and Battle (Maazel). -
Tippett Stereo Add Set
SRCD.2217 2 CD TIPPETT STEREO ADD SET SIR MICHAEL TIPPETT (1905 - 1998) THE MIDSUMMER MARRIAGE Opera in Three Acts CD1 1 - 15 Act I 61’50” CD 2 1 - 5 Act II (completion) 19’13” 16 - 19 Act II (start) 14’15” (76’07”) 6 - 21 Act III 58’13” (77’27”) (153’34”) Mark, a young man of unknown parentage (tenor) . Alberto Remedios Jenifer, his betrothed, a young girl (soprano) . Joan Carlyle King Fisher, Jenifer's father, a businessman (baritone) . Raimund Herincx Bella, King Fisher's secretary (soprano) . Elizabeth Harwood Jack, Bella's boyfriend, a mechanic (tenor) . .. Stuart Burrows Sosostris, a clairvoyante (contralto) . Helen Watts The Ancients: Priest (He-Ancient) (bass) . Stafford Dean The Ancients: Priestess (She-Ancient) (mezzo) . Elizabeth Bainbridge Half-Tipsy Man (baritone): David Whelan. A Dancing Man (tenor): Andrew Daniels Mark's and Jenifer's friends: Chorus. Strephon, dancer attendant on the Ancients (silent) Chorus & Orchestra of the Royal Opera House, Covent Garden (Chorus Master: Douglas Robinson, Conductor's Assistant: David Shaw) Chorus & Orchestra of the The above individual timings will normally include two pauses, one before the beginning and one after the end of each Act. Royal Opera House, Covent Garden P 1971 The copyright in this sound recording is owned by Lyrita Recorded Edition, England. Digital remastering P 1995 Lyrita Recorded Edition, England. Sir Colin Davis ©1995 Lyrita Recorded Edition, England. Lyrita is a registered trade mark. Made in the U.K. Alberto Remedios • Joan Carlyle • Raimund Herincx • Elizabeth Harwood LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita by Wyastone Estate Limited, PO Box 87, Monmouth, NP25 3WX, UK 48 Stuart Burrows • Helen Watts • Stafford1 Dean • Elizabeth Bainbridge CD 1 (76’07”) Act I (61’50”) Act II (start) (14’15”) Make haste, ALL “All things fall and are built again 1 Scene 1 This way! This way! 3’45” Make haste And those that build them again are gay!” To find the way 2 What’s that? Surely music? 1’07” In the dark 3 Scene 2 (leading to:) 0’51” To another day. -
Complete Catalogue 2006 Catalogue Complete
COMPLETE CATALOGUE 2006 COMPLETE CATALOGUE Inhalt ORFEO A – Z............................................................................................................................................................................................................................................................. 4 Recital............................................................................................................................................................................................................................................................................82 Anthologie ............................................................................................................................................................................................................................................................89 Weihnachten ....................................................................................................................................................................................................................................................96 ORFEO D’OR Bayerische Staatsoper Live ...................................................................................................................................................................................................99 Bayreuther Festspiele Live ...................................................................................................................................................................................................109 -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Ballet Nice Méditerranée En Sol La Sylphide
14 SAISON 15 JOURNAL DE L’OPÉRA NICE CÔTE D’AZUR N° 33 > AVRIL • MAI • JUIN 2015 BALLET NICE MÉDITERRANÉE EN SOL JEROME ROBBINS LA SYLPHIDE CHORÉGRAPHIE AUGUSTE BOURNONVILLE VERSION DE DINNA BJØRN > OPÉRA LA JUIVE HALÉVY > CONCERT MAHLER SCHOENBERG, BEETHOVEN SCHUMANN, BRAHMS BARTÓK, BOULEZ, SCHOENBERG, DEBUSSY > JEUNE PUBLIC AGÔN SOMMAIRE 4 OPÉRAS LA JUIVE a saison de l’Opéra Nice Côte d’Azur 2014-2015 en cours nous CRISTINA PASAROIU a déjà valu de grands moments comme les représentations de LUCA LOMBARDO « Turandot » ou « Peter Grimes », la performance de Barbara Hen- JEAN-LUC BALLESTRA dricks pour l’ouverture de la saison symphonique et celle de l’illus - tre pianiste Nelson Freire, ou encore l’interprétation intégrale des symphonies de Brahms sous la direction de notre chef d’orchestre 12 CONCERTS Philippe Auguin. A cela s’ajoute le succès jamais démenti des AVRIL « concerts en famille » du dimanche matin où les parents peuvent PETER MATTEI amener gratuitement leurs enfants. Parmi les grands moments, on AVRIL aura garde d’oublier les spectacles donnés par notre Ballet Nice SUNNYI MELLES Méditerranée, dirigé par le célèbre danseur étoile Éric Vu-An, qui MAI nous ont permis d’applaudir au moment des fêtes de Noël, en tant KRYSTIAN ZIMERMAN que chorégraphe, cette autorité du monde de la danse qu’est JUIN Claude Bessy. Sa présence et le spectacle qu’elle nous a pré- HOMMAGE À PIERRE BOULEZ senté, reprenant une chorégraphie de Gene Kelly, furent, oui, un MICHAEL BARENBOIM vrai cadeau de Noël ! CONCERTS EN FAMILLE MUSIQUE DE CHAMBRE Dans -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Le Nouveau Lohengrin De Bayreuth
ACTUALITÉS on en parle ÉVÉNEMENT Le nouveau Lohengrin de Bayreuth Yuval Sharon. DR Massenet et Gounod, peut appor- Et la partie visuelle ? Bayreuth, qui ter beaucoup au Chevalier au avait initialement misé sur Alvis cygne. Une chose, en tout cas, est Hermanis, a fi nalement choisi Yuval certaine : le Lohengrin de Roberto Sharon, premier metteur en scène Alagna sera on ne peut plus diffé- américain jamais invité au rent de ses prédécesseurs immé- Festspielhaus. Il est jeune (né en diats à Bayreuth, Jonas Kaufmann 1979), traîne une réputation d’ico- et Klaus Florian Vogt ! noclaste (ce qui n’a rien d’inhabituel Autour, c’est le grand luxe, à com- sur la Colline...), raffole des installa- mencer par l’Elsa d’Anja Harteros, tions multimédia, et a été l’assistant dont on connaît les splendeurs d’Achim Freyer sur Der Ring des grâce au DVD (Munich 2009, Nibelungen, à Los Angeles, en 2009. Decca). Ortrud a toujours été l’un Il a lui-même mis en scène des plus beaux rôles de Waltraud Die Walküre, à Karlsruhe, en 2016, Meier, et le fait qu’elle lui dise année où il s’est aussi fait remarquer adieu en cette occasion participe avec une nouvelle production de de l’événement. Le Telramund de Trois Sœurs de Peter Eötvös, au Pour un événement, c’en est un. dait pas forcément dans Wagner, Tomasz Konieczny paraît moins Staatsoper de Vienne. Rien d’un Comme Bayreuth n’en avait plus ni sur la Colline verte, mais que exceptionnel, mais Georg novice, donc, d’autant que Yuval connu depuis un certain nombre l’on sait capable de se hisser sur les Zeppenfeld est le meilleur Sharon aime l’opéra et Wagner de- d’années ! cimes quand la situation l’exige. -
Rentrée 2020
RENTREE SCOLAIRE 2020 Sectorisation des collèges Haut-Garonnais SOMMAIRE I. Rattachement des communes……………………………………………………... 3 1. Recherche par commune…………………………………………………………. 4 2. Recherche par collège…………………………………………………………….. 15 II. Communes rattachées à plusieurs collèges – sectorisation par rues…………. 27 1. Commune de BLAGNAC…………………………………………………….. 28 2. Commune de BRUGUIERES……………………………………………….. 35 3. Commune de COLOMIERS…………………………………………………. 38 4. Commune de FONSORBES………………………………………………… 46 5. Commune de FONTENILLES………………………………………………. 51 6. Commune de MERVILLE……………………………………………………. 54 7. Commune de MURET……………………………………………………….. 57 8. Commune de PLAISANCE-DU-TOUCH…………………………………… 64 9. Commune de ROQUES……………………………………………………… 70 10. Commune de SEYSSES…………………………………………………….. 73 11. Commune de SAINT-ALBAN……………………………………………….. 76 12. Commune de SAINT-GAUDENS…………………………………………… 79 13. Commune de SAINT-ORENS DE GAMEVILLE…………………………... 85 14. Commune de TOULOUSE…………………………………………………... 89 15. Commune de TOURNEFEUILLE……………………………………………128 Sectorisation des collèges - Rentrée 2020 SECTORISATION 2020 DES COLLEGES HAUT-GARONNAIS I. Rattachement des communes CD31 - DGD SO - Direction de l'Education 3 sur 134 édition novembre 2019 Sectorisation des collèges - Rentrée 2020 SECTORISATION 2020 DES COLLEGES HAUT-GARONNAIS I. Rattachement des communes 1. -
NI 7927-8 Book
NI 7927/8 NI 7927/8 Regiment of Sambre et Meuse should have been delayed until two months after the war had ended I do not know, but there is no gainsaying thepanache with which he trumpets forth his tribute to those intrepid military men. A comparison of these later recordings of Caruso’s with those made back in 1902 and 1903 PALESTRINA makes it evident how his voice had darkened and grown more massive over the years. The M I S S A O S A C R U M C O N V I V I U M advances in the recording process naturally emphasise this change, but in any case such was Caruso’s technical mastery that even when his voice was at its heaviest it never became unwieldy. His very last stage appearance was in a role which had been a favourite from his earliest days, Nemorino in L’elisir d’amore, which calls for great vocal dexterity; and anyone who doubts Caruso’s ability to sing rapidcoloratura in his latter days should listen to the cadenza at the end of his recording ofMia Piccirella from the operaSalvator Rosa, made in September 1919. I would like to end these reflections, though, with a glance at one more track from the current selection. This is the duet entitledCrucifix, written by the eminent French baritone Jean-Baptiste Faure, in which Caruso is partnered by Marcel Journet, one of the most celebrated basses of the day. Journet’s is the first voice that we hear, and very fine it is too; but when Caruso enters the sound is one of incomparable beauty, rich and majestic but astonishingly gentle too. -
RCA Victor LCT 1 10 Inch “Collector's Series”
RCA Discography Part 28 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LCT 1 10 Inch “Collector’s Series” The LCT series was releases in the Long Play format of material that was previously released only on 78 RPM records. The series was billed as the Collector’s Treasury Series. LCT 1 – Composers’ Favorite Intepretations - Vienna Philharmonic Orchestra [195?] Rosca: Recondita Amonia – Enrico Caruso/Madama Butterfly, Entrance of Butterfly – G. Farrar/Louise: Depuis Le Jour – M. Garden/Louise: Depuis Longtemps j’Habitais – E Johnson/Tosca: Vissi D’Arte – M. Jeritza/Der Rosenkavailier Da Geht ER Hin and Ich Werd Jetzt in Die Kirchen Geh’n – L Lehmann/Otello: Morte d’Otello – F. Tamagno LCT 2 – Caruso Sings Light Music – Enrico Caruso and Mischa Elman [195?] O Sole Mio/The Lost Chord/For You Alone/Ave Maria (Largo From "Xerxes")/Because/Élégie/Sei Morta Nella Vita Mia LCT 3 – Boris Goudnoff (Moussorgsky) – Feodor Chalipin, Albert Coates and Orchestra [1950] Coronation Scene/Ah, I Am Suffocating (Clock Scene)/I Have Attained The Highest Power/Prayer Of Boris/Death Of Boris LCT 4 LCT 5- Hamlet (Shakespeare) – Laurence Olivier with Philharmonia Orchestra [1950] O That This Too, Too Solid Flesh/Funeral March/To Be Or Not To Be/How Long Hast Thou Been Gravemaker/Speak The Speech/The Play Scene LCT 6 – Concerto for Violin and Orchestra No. 2 in G Minor Op. 63 (Prokofieff) – Jascha Heifetz and Serge Koussevitzky and the Boston Symphony Orchestra [1950] LCT 7 – Haydn Symphony in G Major – Arturo Toscanini and the NBC Symphony Orchestra [195?] LCT 8 LCT 9 LCT 10 –Rosa Ponselle in Opera and Song – Rosa Ponselle [195?] La Vestale: Tu Che Invoco; O Nume Tutelar, By Spontini/Otello: Salce! Salce! (Willow Song); Ave Maria, By Verdi/Ave Maria, By Schubert/Home, Sweet Home, By Bishop LCT 11 – Sir Harry Lauder Favorites – Harry Lauder [195?] Romin' In The Gloamin'/Soosie Maclean/A Wee Deoch An' Doris/Breakfast In Bed On Sunday Morning/When I Met Mackay/Scotch Memories LCT 12 – Concerto for Piano and Orchestra No. -
Burned Body Discovered in Student's
WE’RE THERE WHEN YOU CAN’T BE TheFRIDAY | FEBRUARY 10, 2012Baylor Lariatwww.baylorlariat.com SPORTS Page 5 A&E Page 4 NEWS Page 3 Enemies collide Game racing to the top Do not destroy Women’s basketball last home “Star Wars Episode 1 Racer” makes it Psychology research makes game against the A&M Aggies will into the catalog of great video games revealing ties between religion determine who stays on top to accompany upcoming movie release and closed-mindedness Vol. 113 No. 15 © 2012 Baylor University In Print >> World renowned artist Burned body Famous cellist Lynn Harrell to appear in Baylor’s Distinguished Artist Series Page 4 discovered in >> Dust it off Baylor Bears to rally their strength against Missouri student’s car By Rob Bradfield Tigers on Saturday aged us not to speculate about it, Staff Writer but he knew that students would be in a very difficult place so we Page 5 Baylor officials have con- wanted to convey what we do firmed that the Cadillac sedan know and remind them of the >> Following the call found burning on Eastland Lake support of the community,” Bur- Two students take initiative Road Thursday morning be- leson said. longed to San Antonio Freshman to help prevent human Neither the Sheriff’s depart- Will Patterson. ment or the Baylor Police depart- trafficking with donations Members of the Baylor Inter- ment could be reached for com- disciplinary Core met with Uni- ment, but according to a report Page 3 versity Chaplain Burt Burleson by the Waco Tribune-Herald the Thursday afternoon to pray for investigators have not ruled out Viewpoints Patterson, who has been reported or confirmed the possibility of missing since this morning.